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#madi diaz
mr-styles · 11 months
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Harry (wearing Madi Diaz merch) at Wembley Stadium - June 13
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styleslookbook · 11 months
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Harry was spotted wearing Madi Diaz’s merch while watching her set at Wembley Stadium before his show. Video by tpwksammyyy.
Madi Diaz ‘Crying In Public’ T-Shirt ($25)
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stylesnews · 11 months
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Harry via instagram story - 🔥🔥🔥🔥🔥 indeed!
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hldailyupdate · 1 year
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Madi Diaz will be joining Harry and the band for Love On Tour UK and Europe! Welcome to the Love Band! 💜 (5 May 2023)
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fairweathermyth · 3 months
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i’m listening…
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jennyowenyoungs · 10 months
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Beautiful friends, I am so unbelievably thrilled to tell you that I have a NEW RECORD coming out September 22nd! It's called Avalanche, it was produced by Josh Kaufman (who absolutely rips), and it will be released by Yep Roc Records, my magnificent new label home. The album cover was shot by Josh Goleman, who spent a day in the studio with us working his photographic magic. This will be my first full-length studio album in (brace yourself) over ten years. Time flies when you're cowriting songs with other artists, making a Buffy the Vampire Slayer podcast, and raising a Boston Terrier. While I've definitely been staying busy (and putting out EPs along the way), I have really missed making albums. Everything about this body of work is a culmination of those intervening years, from the subjects of the songs, to the incredibly talented people with whom I wrote them and recorded them. I cannot wait for you to hear it all. And holy smokes you can start TODAY! The first single, the title track "Avalanche," is out now! I wrote it with my amazing friend Madi Diaz, one of my most treasured collaborators. In addition to me and Josh Kaufman on the track, you'll hear the extremely satisfying Matt Barrick (of The Walkmen) on drums. This song, and the whole record, was engineered, mixed, and mastered by D. James Goodwin, and production assistance was provided by Gillian Pelkonen. Big thanks to Paste Magazine for premiering "Avalanche" this morning - what an honor! You can check out their write-up over HERE.
The album is now up for preorder, including some pretty dang sumptuous deep purple vinyl!  
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Listen to "Avalanche"
Preorder Avalanche (U.S.)
Preorder Avalanche (International)
Watch the “Avalanche” visualizer below:
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iamthecrime · 5 months
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followyourarrows · 6 months
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spaceykacey: Released a song I love today with my pony pal @ madidiaz 🤎 Been a fan of her writing and singing for a long time and I’m grateful to call her a friend. “Don’t Do Me Good” is out now. Link in bio.
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Madi Diaz on IG, about being part of the Love Band for L❤️T EU & UK 2023. She replaces NyOh!
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twopoppies · 7 months
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https://www.tumblr.com/twopoppies/731102596751851520/was-that-paddy-with-harry-last-night-at-the
He did bring paddy. I wonder why.
https://www.instagram.com/p/CyUM8MQsKmV/?igshid=MzRlODBiNWFlZA==
https://www.instagram.com/p/CyVrUuKsp_S/?igshid=MzRlODBiNWFlZA==
I don’t know how you can tell it’s Paddy, but I’m glad if he did go with security.
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Lennon Stella & Madi Diaz - “One Less Question” live on Jimmy Kimmel || April 9th 2024
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mr-styles · 1 year
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madidiaz pinch me cause I think I must be dreaming…actually wait…don’t. Just let me enjoy this. I’m joining Harry Styles’ band for Love On Tour UK and Europe. Thank you Harry:). See you all out on the road this summer 🌷
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stylesnews · 1 year
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Madi Diaz is joining the Love Band for the final love on tour leg.
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hldailyupdate · 1 year
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“[Harry] told me, ‘I found your music on a playlist,’ and then he told the same story on stage the next night. He seems very present and it seems like he shows everyone the same cards, which is so cool.”
“He mentioned a couple of mutual friends & acquaintances in this way where I could tell he was trying to make me feel comfortable. He’s a lead by example kind of guy. ‘Treat other people the way you want to be treated’ is the way he lives.”
-Tour opener Madi Diaz on their conversations with Harry. (2 November 2022)
via Consequence
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sinceileftyoublog · 2 months
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Madi Diaz & Jack Van Cleaf Live Show Review: 3/6, Lincoln Hall, Chicago
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Madi Diaz
BY JORDAN MAINZER
"I've got these purple shoes--they're very cool," Madi Diaz shared Wednesday night at Lincoln Hall as she tuned her guitar. Someone in the audience replied, "Tell us more!" Diaz didn't hear them, but the crowd member's response was apropos of Diaz's open-book nature as a songwriter and performer. Over her past two albums, 2021's History of a Feeling and last month's Weird Faith (Anti-), through her unflinching honesty, Diaz has created a solidarity of self-expression, anthems out of moments and feelings we might otherwise be ashamed of (loneliness, crying in public). She's put to song the peaks and valleys and beginnings and ends of relationships with others and herself, the non-linear nature of realizing that she loves, hates, feels a burning desire, and in turn deserves to feel it all. Turns out, a lot of other folks have had experiences similar to hers, making it easy for them to sing Diaz's words back to her and feel a palpable connection.
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Diaz
Diaz walked out to Cass Elliot's "Make Your Own Kind of Music", a fitting sentiment to introduce a show in which she laid bare her vulnerability and created an atmosphere for others to do the same. Truth be told, she knows how to start a song, an album, and a set; "Same Risk" confronts a love interest about a level emotional playing field. "What the fuck do you want? Cause I'll give you all that I got," she sings on the Weird Faith and set opener, each subsequent line one-upping the prior in terms of frankness, culminating with the question, "Do you think this could ruin your life?" and the admission, "Cause I could see it ruining mine." Though the album version has the proper canyons of space to give room for Diaz's heavy confessions, the live version was comparatively stripped-down. On stage, Diaz played guitar and sang alongside multi-instrumentalist Adam Popick, who played drums and synthesizer, sometimes simultaneously. Though Diaz's lyrics are often diaristic, conversational, and clear, that they were less obscured by instrumentation as on the album made them all the more in-your-face. As such, a song like upbeat strummer "Everything Almost", wherein she wonders whether she's doing and saying the right things in a burgeoning relationship (and she's even doing the wondering out loud, in real time) is borderline like watching theater: At one moment, she cracks up at the thought of being a needy pregnant partner, and at the next, cowers at the idea that her parents might not be around to meet their grandchild.
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Diaz
Diaz's unbridled outpouring can be jarring, but it's undoubtedly powerful. On Wednesday, huge-sounding songs like "For Months Now", "KFM", and "Resentment" transformed into intimate singalongs. "Hurting You", performed solo on acoustic guitar, became an even more hushed ode to picking yourself back up after a heartbreak, learning how to move on from grief. And though Kacey Musgraves didn't show up to duet "Don't Do Me Good", the crowd's belting of the all-timer country chorus was as stubborn as the song's protagonist herself.
If Diaz has grown as a songwriter over time and as she's penned for pop and country stars, it's clear that her time opening for the likes of Waxahatchee, Angel Olsen, and Harry Styles has allowed her to understand that, when performing, just because a space is big doesn't mean it always needs to be filled. The subject matter of her songs could be constantly cried out, but she belted only for maximum impact, contrasting the dulled tom thuds on "Get to Know Me", or holding a single note on "Crying in Public". For the most part, her vocal delivery was subtle, especially when she harmonized with Popick on "Girlfriend" and delved into fatalistic tricks on the unreleased "Worst Case Scenario", a song that tests her "theory of imagining the worst possible thing happening" so that it won't happen, or "expecting nothing and then being pleasantly surprised." At one point, on "Worst Case Scenario", she exclaimed, off-beat, "I'm gonna think of it!" over chugging drums and barn-burning riffs, recalling the tossed-off singing of Jason Molina.
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Adam Popick and Diaz
Where Diaz finds ultimate peace is not in fatalism or nihilism but a sort of existentialism. She spends a lot of Weird Faith looking for meaning in giving your all to someone, and even weather patterns. But on "Kiss the Wall", she proclaims, "Nothin' is a waste of time," connecting the most boring moments when we're waiting in line for something to one's own legacy, perceiving that we all make tiny changes to earth. During her encore, Diaz said she didn't believe a mere two years ago that she could spend time on stage singing about such a raw period in her life. As she wrote Weird Faith "on the backs of mantras," she started to believe in herself. It's clear, now, that one of those mantras is that every moment carries weight. She ended the night performing the title track on acoustic guitar, visibly emotional as she left the stage. As the house lights went up, we were graced by none other than Limp Bizkit's cacophonous cover of George Michael's "Faith", a reminder that even the cruelest of jokes can be earnest expressions of the universe's necessary chaos.
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Jack Van Cleaf
Opening was Nashville-via-Chicago songwriter Jack Van Cleaf, an acoustic guitar picker whose songs and performances, like Diaz's contain heart-to-heart chatter. Lines like, "Love is like a rattlesnake / Before it bites, it tries to warn ya," from "Rattlesnake" were perfect bedfellows to Diaz's "Same Risk". And perhaps it was a mix of Van Cleaf fans and Diaz fans attuned to storytelling, but I was wowed by the audience's reaction to his songs as much as the songs themselves. On the unreleased "Using You"--which employs drug metaphors to explore how people use each other for attention during a relationship--the audience reacted with every lyrical twist and turn, despite likely never before having heard the song. After performing it, Van Cleaf asked those taking videos to tag him on Instagram, not for clout, but so he could watch it and fine-tune the song. Yes, such symbiosis carried seamlessly into Diaz's set, but for Van Cleaf in a vacuum, it's easy to see how another unreleased song like "Piñata" came to be given his appetite for feedback. It wasn't just the words themselves but the way he delivered the line, "I'm full of sugar / I'm full of niceties / I'm full of shit," that hit harder than a candy bar after too many edibles. Next time Van Cleaf comes to Lincoln Hall, he might be the headliner making people cry.
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Van Cleaf
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Van Cleaf
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Van Cleaf
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cantquitu · 1 year
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Some of Harry's support acts talk about their experiences of the shows and working with Harry.
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