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secretmellowblog · 17 days
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Les Mis Canon-era Paris Photographs: Jean Valjean and Cosette’s route to escape Javert, in Pictures!
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Jean Valjean's escape through Paris is Victor Hugo's way of mourning the Paris he knew from before his exile, the Paris before the modern renovations.
Hugo wrote Les Mis from exile in Guernsey, at the same time as Paris was undergoing a series of massive renovations. The "Old City" of medieval Paris that Hugo loved was being replaced by the “New City" of Baron Haussman. The dark medieval labyrinth lit by oil lamps was being replaced by modern wide streets and standardized architecture lit by gas lamps. Victor Hugo is nostalgic for the Paris he remembers before his exile-- so Jean Valjean is able to escape Javert using things unique to the Old City. He escapes through a labyrinth of tiny medieval streets in a neighborhood Hugo claims was destroyed during the renovations; he climbs over the convent wall using the rope from an oil lamp, the very oil lamps that were being replaced by the more modern gas lanterns. The dark maze hides him from police surveillance in a way modern streets cannot.
A man named Charles Marville photographed Paris shortly before many (though not all) of the renovations occurred. In this post I'll go through all the different streets mentioned in the Valjean-Javert Paris chase chapters, and provide Marville's photographs whenever they the image has been labeled with the name of the street. Note that there may be some inaccuracies. Some street names changed over time.
Here is a map of what the chase looks like, taken from the book "Paris in the Times of Victor Hugo."
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A quick overview: Jean Valjean starts in a slummy half-built suburban area. This area is highly associated with the King; the royal Jardin des Plantes is nearby, and King Louis XVIII often rides by in his carriage during the afternoons. After travelling down a bunch of streets, "zigzagging" back and forth, Jean Valjean decides to cross the Seine over the Bridge of Austerlitz (a bridge named after one of Napoleon's victories.) Then he reaches the areas of the city near the Faubourg Saint Antoine that are more associated with working class rebellion. From there he enters a dark isolated half-built medieval neighborhood near marshes and timberyards, with narrow mazey alleyways, that Hugo mostly made up. Hugo pretends this medieval neighborhood used to exist, but was destroyed like many others during the recent renovations. Now that we've gotten the overview out of the way, let's go more specific!
The chase starts out in "the old quarter of the Marche aux Chevaux." At the time, this was a less inhabited and poorer area of Paris; it's described as basically a slum. Here are some of Marville's photographs :
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Then we're told "Jean Valjean described many and varied labyrinths in the Mouffetard quarter, which was already asleep, as though the discipline of the Middle Ages and the yoke of the curfew still existed. He combined in various manners, with cunning strategy, the Rue Censier:"
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"and the Rue Copeau," (according to the map I linked earlier, the Rue Copeau is now the Rue Lacepede. Here is Marville's pic:)
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"the Rue du Battoir-Saint-Victor and the Rue du Puits l’Ermite. There are lodging houses in this locality, but he did not even enter one, finding nothing which suited him. He had no doubt that if any one had chanced to be upon his track, they would have lost it."
"As eleven o’clock struck from Saint-Étienne-du-Mont:" (note: this refers to the church of Saint-Etienne)
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"he was traversing the Rue de Pontoise, in front of the office of the commissary of police, situated at No. 14." (Jean Valjean sees Javert and the police following him on this street, because they're visible in the light of the lantern from the police station.)
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"He took a circuit, turned into the Passage des Patriarches, which was closed on account of the hour,"
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"strode along the Rue de l’Épée-de-Bois
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and the Rue de l’Arbalète, and plunged into the Rue des Postes."
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"At that time there was a square formed by the intersection of streets, where the College Rollin stands to-day, and where the Rue Neuve-Sainte-Geneviève turns off." (Note: these streets are labeled Montagne-Sainte-Geneviève, but not Neuve-Sainte-Geneviève, so they may be different streets! But I'm putting them here anyway.)
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"It is understood, of course, that the Rue Neuve-Sainte-Geneviève is an old street, and that a posting-chaise does not pass through the Rue des Postes once in ten years. In the thirteenth century this Rue des Postes was inhabited by potters, and its real name is Rue des Pots." (Annotation: Hugo's bein silly and making little puns. He's snarkily pointing out the "new saint-genevieve street" is old, and the post street rarely has post-chaises/carriages go through it.) (Jean Valjean hides in the shadows and watches to see who shows up in this big square intersection of streets. In the moonlight, he recognizes Javert.) "He slipped from under the gate where he had concealed himself, and went down the Rue des Postes (which I shared a picture of previously), towards the region of the Jardin des Plantes." (Note: the Jardin des Plantes is a royal garden. Here is a modern photo from Wikipedia.)
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"He left behind him the Rue de la Clef,
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"then the Fountain Saint-Victor, skirted the Jardin des Plantes by the lower streets, and reached the quay. There he turned round. The quay was deserted. The streets were deserted. There was no one behind him. He drew a long breath.
He gained the Pont d’Austerlitz." (The Pont d'Austerlitz, named after Napoleon's victory at the battle of Austerlitz, is a very famous bridge. Marville has no photographs but here's an 1830 engraving:)
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"The bridge once crossed, he perceived some timber-yards on his right. He directed his course thither. In order to reach them, it was necessary to risk himself in a tolerably large unsheltered and illuminated space. He did not hesitate. Those who were on his track had evidently lost the scent, and Jean Valjean believed himself to be out of danger. Hunted, yes; followed, no." Here's the quai by the pont-au-change-- a different quai, but gives you an idea of what the areas around the Seine often looked like.
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(Then Jean Valjean sees Javert and the other police on the Bridge of Austerlitz, following him. He hurries towards the darker alleys of the city.)
"A little street, the Rue du Chemin-Vert-Saint-Antoine, opened out between two timber-yards enclosed in walls. This street was dark and narrow and seemed made expressly for him."
Here's an abandoned timber-yard-ish looking picture:
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But Marville has no photographs of this street. I'd have to double check, but iirc this is the part where Hugo starts to 'make up' more street layouts. I wouldn't be surprised if this street really WAS made expressly for him (meaning Hugo made it up.) "The point of Paris where Jean Valjean found himself, situated between the Faubourg Saint-Antoine and la Râpée, is one of those which recent improvements have transformed from top to bottom,—resulting in disfigurement according to some, and in a transfiguration according to others. The market-gardens, the timber-yards, and the old buildings have been effaced. To-day, there are brand-new, wide streets, arenas, circuses, hippodromes, railway stations, and a prison, Mazas, there; progress, as the reader sees, with its antidote."
(Here Hugo talks about the Haussman renovations directly, claiming that if his street layouts are "inaccurate" it's because these are some of the Old Medieval Streets that were razed during Paris's recent renovations. He goes on for a while comparing Petit-Picpus to various other areas that were changed during the renovations.)
"Le Petit-Picpus, which, moreover, hardly ever had any existence, and never was more than the outline of a quarter, had nearly the monkish aspect of a Spanish town. The roads were not much paved; the streets were not much built up. (....) Such was this quarter in the last century. The Revolution snubbed it soundly. The republican government demolished and cut through it. Rubbish shoots were established there. Thirty years ago, this quarter was disappearing under the erasing process of new buildings. To-day, it has been utterly blotted out."
The Petit-Picpus, of which no existing plan has preserved a trace, is indicated with sufficient clearness in the plan of 1727, published at Paris by Denis Thierry, Rue Saint-Jacques, opposite the Rue du Plâtre;
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and at Lyons, by Jean Girin, Rue Mercière, at the sign of Prudence.
Petit-Picpus had, as we have just mentioned, a Y of streets, formed by the Rue du Chemin-Vert-Saint-Antoine, which spread out in two branches, taking on the left the name of Little Picpus Street, and on the right the name of the Rue Polonceau. The two limbs of the Y were connected at the apex as by a bar; this bar was called Rue Droit-Mur.
The Rue Polonceau ended there; Rue Petit-Picpus passed on, and ascended towards the Lenoir market. A person coming from the Seine reached the extremity of the Rue Polonceau, and had on his right the Rue Droit-Mur, turning abruptly at a right angle, in front of him the wall of that street, and on his right a truncated prolongation of the Rue Droit-Mur, which had no issue and was called the Cul-de-Sac Genrot." Here is @everyonewasabird's attempt to puzzle this out:
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It was here that Jean Valjean stood."
Then Jean Valjean escapes by pulling down an old oil lantern, strung up by ropes. Hugo notes that this would have been "impossible if the streets were lit with gas, the way they would be after the renovations. This picture shows an old oil lamp strung up by ropes:
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Finally, Jean Valjean climbs over the wall into the Petit-Picpus convent. This convent is fictional. Hugo pretends it used to exists but is no longer around-- another relic of the early 19th century that has been lost over time.
TLDR:
Jean Valjean's escape through Paris is Hugo way of mourning the Paris he knew from before his exile, the Paris before the modern renovations. To quote Volume 2 Book 5 Chapter 1:
The author of this book, who regrets the necessity of mentioning himself, has been absent from Paris for many years. Paris has been transformed since he quitted it. A new city has arisen, which is, after a fashion, unknown to him. There is no need for him to say that he loves Paris: Paris is his mind’s natal city. In consequence of demolitions and reconstructions, the Paris of his youth, that Paris which he bore away religiously in his memory, is now a Paris of days gone by. He must be permitted to speak of that Paris as though it still existed. It is possible that when the author conducts his readers to a spot and says, “In such a street there stands such and such a house,” neither street nor house will any longer exist in that locality. Readers may verify the facts if they care to take the trouble. For his own part, he is unacquainted with the new Paris, and he writes with the old Paris before his eyes in an illusion which is precious to him. It is a delight to him to dream that there still lingers behind him something of that which he beheld when he was in his own country, and that all has not vanished. So long as you go and come in your native land, you imagine that those streets are a matter of indifference to you; that those windows, those roofs, and those doors are nothing to you; that those walls are strangers to you; that those trees are merely the first encountered haphazard; that those houses, which you do not enter, are useless to you; that the pavements which you tread are merely stones. Later on, when you are no longer there, you perceive that the streets are dear to you; that you miss those roofs, those doors; and that those walls are necessary to you, those trees are well beloved by you; that you entered those houses which you never entered, every day, and that you have left a part of your heart, of your blood, of your soul, in those pavements. All those places which you no longer behold, which you may never behold again, perchance, and whose memory you have cherished, take on a melancholy charm, recur to your mind with the melancholy of an apparition, make the holy land visible to you, and are, so to speak, the very form of France, and you love them; and you call them up as they are, as they were, and you persist in this, and you will submit to no change: for you are attached to the figure of your fatherland as to the face of your mother.
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cliozaur · 17 days
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The one, in which Valjean finds himself ensnared. But before that, he navigates instinctively through the fictional neighbourhood of the Petit-Picpus. Yes, this convent never existed, as hinted by Hugo: “Le Petit-Picpus, which, moreover, hardly ever had any existence.” Keep this in mind while delving into the convent digression. Hugo indulges in fantasy when describing the convent.
Meanwhile, Valjean's movements, in a desperate attempt to evade capture, echo his instinctive navigation through the sewers. There, as here, some paths lead to danger while others lead to freedom. Cosette's presence hinders him; though tired, she doesn't complain, simply walking slowly or sitting silently in his arms. He picks her up and sets her down as needed—a tender act from this caring old man (though it evokes the joke about a drug addict and a baby elephant.)
Then, Valjean realizes he's been trapped when he spots a black figure 'lying in wait for him' ahead. Javert is portrayed as devilishly predictive and knowledgeable about the labyrinth of Paris streets, somehow anticipating Valjean's route and positioning his men accordingly. Javert himself pursues Valjean, moving 'in the distant darkness.' Spooky! Valjean faces an impossible dilemma: 'to advance was to fall into this man’s hands; to retreat was to fling himself into Javert’s arms.' So, he simply raises his eyes towards heaven.
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dolphin1812 · 1 year
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This will probably be short, as much of what I like in this chapter (Cosette, Hugo’s feelings about the redesign of Paris) has also been in the previous ones. I can’t ignore this line, though:
“The market-gardens, the timber-yards, and the old buildings have been effaced. To-day, there are brand-new, wide streets, arenas, circuses, hippodromes, railway stations, and a prison, Mazas, there; progress, as the reader sees, with its antidote.”
Hugo’s often in favor of “progress” in the 19th-century sense, so it’s pretty fascinating to see him be more skeptical and sarcastic here? All of the comforts he lists are impressive, but they serve the bourgeois who moved into the neighborhood after its reorganization, not the poor. The cost of this “progress” is the prison, which alludes to the darkness covered up by this image of reform. I think this skepticism may come from this being a more “technological” sort of progress than a social one (although not every 19th-century person would see those as distinct); as a fan of old architecture (see: all his building digressions here, most of The Hunchback of Notre Dame), Hugo understandably was distressed by the changes to Paris and by what was defined as “better” architecturally and structurally for the city. Tracing the impacts of this on the poorer neighborhoods his characters inhabited is one way to shift the focus from the technological veneer of progress to the lingering social ills in Paris. 
Hugo’s thoughts on history here are interesting as well. Like with Waterloo, the people are its arbiter (”The memory of the populace hovers over these relics of the past”). Le Petit-Picpus and related areas are preserved (by name) in their memories even after their physical structures are gone, deciding what’s important in the same way they decided Napoleon’s fate (this also may be relevant to Hugo’s longing for home, as he decides which parts of Paris to preserve from his memory in this book). He provides documentary evidence (the map) to confirm all of this and traces the history of Petit-Picpus’ destruction, but ultimately, the people’s voices are more important than these papers; their continued use of these names is why they’re remembered at all.
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pureanonofficial · 1 year
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LES MIS LETTERS IN ADAPTATION - To Wit, the Plan of Paris in 1727, LM 2.5.3 (Les Miserables 1925)
The time for retreating was passed. That which he had perceived in movement an instant before, in the distant darkness, was Javert and his squad without a doubt. Javert was probably already at the commencement of the street at whose end Jean Valjean stood. Javert, to all appearances, was acquainted with this little labyrinth, and had taken his precautions by sending one of his men to guard the exit. These surmises, which so closely resembled proofs, whirled suddenly, like a handful of dust caught up by an unexpected gust of wind, through Jean Valjean’s mournful brain. He examined the Cul-de-Sac Genrot; there he was cut off. He examined the Rue Petit-Picpus; there stood a sentinel. He saw that black form standing out in relief against the white pavement, illuminated by the moon; to advance was to fall into this man’s hands; to retreat was to fling himself into Javert’s arms. Jean Valjean felt himself caught, as in a net, which was slowly contracting; he gazed heavenward in despair.
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everyonewasabird · 3 years
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Brickclub 2.5.3 ‘See the Plan of Paris of 1727′
Rose has a footnote clarifying that the title of this chapter is a wink to the reader: the streets were accurate before we came to the Bridge of Austerlitz, but now we’re heading into the made-up neighborhood of the made-up Petit-Picpus convent. When Hugo said last chapter that Valjean felt the Rue de Chemin Vert Saint Antoine "seemed expressly made for him,” that was literally true.
Hugo is cute sometimes.
I meant to say it last chapter but didn’t: Valjean is incredibly sweet with Cosette. He’s running for his life--and hers--but he’s walking at a child’s pace, picking her up and putting her down as she requests. Cosette is running out of steam; he picks her up, and she says nothing. It feels like she knows the score at some level. She’s had to learn to keep quiet too.
Valjean runs by instinct. After Champmathieu, we saw the amalgam of the saint, the convict, and what had been Madeleine: everything he did seemed planned and full of purpose and not to be thwarted by mere mortals. Since the bagne, though, his strategies, though not his motives, have felt much more like the convict. He runs as instinctively as he initially fled the bagne, and I see very little of Madeleine. He thinks he’s safer in the woods, so he always goes for the direction that looks less urban and populated, the way an animal might flee.
He flees the city center until he’s down to an intersection with two choices: the path away from the city hits a visible dead end, and on the road behind, him he notices at last that Javert is also using the shadows to hide. The path towards the city goes through, but there’s “a sort of black, motionless statue”--a guard posted to catch him.
Humans becoming statues tends to be significant, though this one feels different than some. When Fantine or Enjolras or other hard-pressed people do it, it’s the final stage of extreme suffering: an internal transformation by a sympathetic character. This is “statue” as it’s experienced by a vulnerable person outside the statue. A human become stone is uncanny and dangerous because there’s no mercy possible and no reasoning with them. (Though Grantaire’s “what fine marble” comes to mind; Enjolras was about this merciless, though Grantaire was in considerably less danger from it.) In this instance, “statue” is also a kind of concealment, of course: stillness and shadow and stone fades into the landscape.
What are the wood yards/timber-yards (Wilbour/Rose) that Hugo is referencing? I don’t know whether to picture places where cut lumber is drying or else actual stands of trees for cutting. The fact that Valjean keeps finding it encouraging makes me picture live trees, but I really have no idea.
Valjean is entirely trapped. He looks at the sky, and there this chapter ends.
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meta-squash · 3 years
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Brick Club 2.5.3 “See The Map Of Paris 1727“
Cosette must have some idea of what’s going on. She’s eight, and eight year olds are pretty smart. She certainly knows enough to stay quiet and to listen to Valjean. But he’s so lovely to her. The fact that he lets her walk and walks at her pace despite being in grave danger is so precious. Even in danger, he values her freedom.
We come again to the visual of paths. Last time, it was moral salvation or prison. This time, he is up against two paths which lead to prison. He looks to the sky in despair. I wrote a post about paths in 1.2.13 and at Javert’s end, talking about the third path that Valjean sees that becomes unavailable to him, and how that path is death. Javert, in the end, has two paths available to him and creates that third path of death. Here is another moment where two paths are presented. But Valjean creates a third choice, breaking the rules and going over the wall. And that is the difference between Valjean and Javert. Valjean is willing to break rules, to leave things to chance, to take risks when he’s at a point where neither choice is ideal. Javert’s reaction is to reject those less than ideal choices, but he’s also not willing to take the same kinds of risks. He’d rather take a third path with a definite but terrible destination than a path which is uncomfortable or unknown or rule-breaking. Because each time Valjean is presented with a path, he has god to turn to (even that first one, which was the very first turn to god), but Javert is not very religious; his religiosity is more about an obedience to authority and status quo than any sort of spirituality, and that means he has nothing to fall back on. Valjean can make risks because he has this trust in god to fall back on; his belief in a higher power gives him more confidence in throwing himself into the unknown. Javert doesn’t have that confidence in taking a risk; everything for him is rigid and rule-ridden, and to break away from that is a risk he doesn’t have a mental or spiritual safety net for.
“The Petit-Picpus, which in fact hardly had a real existence and was never more than a rough sketch of a neighborhood...” Hugo, what a troll. He’s made this whole neighborhood up and this is how he admits it.
The neighborhood is made up but the trash heaps aren’t. According to the Luc Sante book, trash dump areas were located barely outside the faubourgs and caused a lot of gross problems and were continuously being pushed back as the city expanded.
I love this whole section because Javert is simultaneously such a real threat and so incorporeal. We have seen solid proof that this is Javert following him, and yet Javert is “a shadow.” Javert is simultaneously the physical, corporeal form of the law and the awful overshadowing thought of it that hangs in the mind of convicts and the poor, who always much watch their every step for fear that the law might decide to strike. It also echoes Valjean’s existence from Javert’s point of view: he knows he’s following Valjean, but once Valjean is over the wall, Javert can’t get to him.
“To advance was to come upon that man. To retreat was to throw himself into Javert’s hands.” Prison via a stranger, or prison via the familiar? Both are terrible. Both are prison. I think this might be the only moment in the book where both choices (either literal or metaphorical) end in exactly the same result. So Valjean is forced to invent a third.
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fremedon · 3 years
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Brickclub 2.5.2 - 2.5.5
Catching up on the last four chapters. As usual, I have much less to say about the plot-heavy chapters.
Some stray observations:
The routes and street names on the Left Bank--while tracing an extremely eccentric zigzag path--are fully rooted in the actual map of Paris. Once we cross the Seine in 2.5.2, we’re into an entirely made-up neighborhood. The style of Hugo’s descriptions doesn’t change, and the sense of verisimilitude continues--especially as he sets his made-up Petit-Picpus neighborhood in the area that was completely razed to build the Gare de Lyon.
Hat tip to @meta-squash​ for pointing out that Valjean crosses the bridge in the shadow of a cart. I would almost take this for an entirely non-metaphorical horse and cart, except that Hugo calls it out in the chapter title, “It Is Fortunate That the Pont d’Austerlitz Takes Vehicles.” Institutions built for all of society also shelter social outcasts, and that’s a good thing?
The Pont d’Austerlitz was technically the Pont de Jardin du Roi at this point, as Hugo mentions in “The Year 1817.” Valjean is walking in Napoleon’s steps again--and he does manage to pull off a surprise victory against numerically superior and overconfident forces. But where Napoleon at Austerlitz was feigning weakness into order to provoke an attack, Valjean’s mistakes here are all real, and desperate.
I wish I knew whether to make anything of the Goblet pottery works beyond local color.
Four and eight alert: including Javert, there are four men pursuing Valjean.
Hat tip to @everyonewasabird​ for pointing out that Hugo’s “picture a letter of the alphabet” aerial map description of the neighborhood ties the Petit-Picpus to both Waterloo and the barricade. The convent itself is going to be a bridge between the barricade and the bagne, but this chapter is prefiguring the escape from the barricade in a lot of ways. Partly, it’s showing us the same tricks--the convict’s bag of tools--that Valjean will later use to rescue Marius: strength, desperate quick thinking, and the ability to look above or below a two-dimensional trap to find an escape. But the “gate that was not a gate” and the ominously barred and shuttered façades in this street also definitely call forward to the shuttered street in “The Dead Are Right and the Living Are Not Wrong.”
Poor Cosette. She’s trying so hard and she’s so scared. I am definitely side-eying Valjean for threatening her with Mme. Thenardier; that was not at all necessary.
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rupalipawar77-blog · 6 years
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Table of Contents -Major Key Points
1 License Management Software Market Overview 1.1 Product Overview and Scope of License Management Software 1.2 Classification of License Management Software by Types 1.2.1 Global License Management Software Revenue Comparison by Types (2017-2023) 1.2.2 Global License Management Software Revenue Market Share by Types in 2017 1.2.3 Hardware-based Enforcement 1.2.4 Software-based & Cloud-based Enforcement 1.3 Global License Management Software Market by Application 1.3.1 Global License Management Software Market Size and Market Share Comparison by Applications (2013-2023) 1.3.2 B2B Vendors 1.3.3 B2C Vendors 1.3.4 Other 1.4 Global License Management Software Market by Regions 1.4.1 Global License Management Software Market Size (Million USD) Comparison by Regions (2013-2023) 1.4.1 North America (USA, Canada and Mexico) License Management Software Status and Prospect (2013-2023) 1.4.2 Europe (Germany, France, UK, Russia and Italy) License Management Software Status and Prospect (2013-2023) 1.4.3 Asia-Pacific (China, Japan, Korea, India and Southeast Asia) License Management Software Status and Prospect (2013-2023) 1.4.4 South America (Brazil, Argentina, Colombia) License Management Software Status and Prospect (2013-2023) 1.4.5 Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa) License Management Software Status and Prospect (2013-2023) 1.5 Global Market Size of License Management Software (2013-2023)
2 Manufacturers Profiles 2.1 Flexera Software 2.1.1 Business Overview 2.1.2 License Management Software Type and Applications 2.1.2.1 Product A 2.1.2.2 Product B 2.1.3 Flexera Software License Management Software Revenue, Gross Margin and Market Share (2016-2017) 2.2 Reprise Software 2.2.1 Business Overview 2.2.2 License Management Software Type and Applications 2.2.2.1 Product A 2.2.2.2 Product B 2.2.3 Reprise Software License Management Software Revenue, Gross Margin and Market Share (2016-2017) 2.3 SafeNet 2.3.1 Business Overview 2.3.2 License Management Software Type and Applications 2.3.2.1 Product A 2.3.2.2 Product B 2.3.3 SafeNet License Management Software Revenue, Gross Margin and Market Share (2016-2017) 2.4 Snow Software 2.4.1 Business Overview 2.4.2 License Management Software Type and Applications 2.4.2.1 Product A 2.4.2.2 Product B 2.4.3 Snow Software License Management Software Revenue, Gross Margin and Market Share (2016-2017) 2.5 Wibu Systems 2.5.1 Business Overview 2.5.2 License Management Software Type and Applications 2.5.2.1 Product A 2.5.2.2 Product B 2.5.3 Wibu Systems License Management Software Revenue, Gross Margin and Market Share (2016-2017) 2.6 Inishtech 2.6.1 Business Overview 2.6.2 License Management Software Type and Applications 2.6.2.1 Product A 2.6.2.2 Product B 2.6.3 Inishtech License Management Software Revenue, Gross Margin and Market Share (2016-2017) 2.7 Moduslink 2.7.1 Business Overview 2.7.2 License Management Software Type and Applications 2.7.2.1 Product A 2.7.2.2 Product B 2.7.3 Moduslink License Management Software Revenue, Gross Margin and Market Share (2016-2017) 2.8 Pace Anti-Piracy 2.8.1 Business Overview 2.8.2 License Management Software Type and Applications 2.8.2.1 Product A 2.8.2.2 Product B 2.8.3 Pace Anti-Piracy License Management Software Revenue, Gross Margin and Market Share (2016-2017)
……..CONTINUED
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Orthodontic Mouthpieces Market Segment by Application, Size, Trend, Overview, Gross Margin and Forecast To 2025
The report “Global Orthodontic Mouthpieces Market by Manufacturers, Regions, Type and Application” highlights key dynamics of Orthodontic Mouthpieces sector. The potentiality of this sector has been examined along with the significant challenges and growth opportunities. The present market scenario and future predictions of the sector has also been studied in-depth in this report. The report also provides the key market players that are assessed on numerous parameters such as manufacturer’s summary, revenue generation, product portfolio, and sales analysis of Orthodontic Mouthpieces segment in the forecast period. Also, this report involves major market drivers and restraints of the given market.
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Segmentation based on Type includes: Transparent Opaque
Segmentation based on Application includes: Hospital Clinic Other
Market competition by top manufacturers: Armstrong Medical ClearCorrect Derby Dental FORESTADENT BERNHARD FRSTER G&H Orthodontics K Line Europe LM-INSTRUMENTS Nivol Orchestrate Orthodontic Technologies Ormco SICAT TP Orthodontics
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Table of Contents - 1 Orthodontic Mouthpieces Market Overview 1.1 Product Overview and Scope of Orthodontic Mouthpieces 1.2 Orthodontic Mouthpieces Segment by Type (Product Category) 1.2.1 Global Orthodontic Mouthpieces Production and CAGR (%) Comparison by Type (Product Category)(2013-2025) 1.2.2 Global Orthodontic Mouthpieces Production Market Share by Type (Product Category) in 2017 1.2.3 Transparent 1.2.4 Opaque 1.3 Global Orthodontic Mouthpieces Segment by Application 1.3.1 Orthodontic Mouthpieces Consumption (Sales) Comparison by Application (2013-2025) 1.3.2 Hospital 1.3.3 Clinic 1.3.4 Other 1.4 Global Orthodontic Mouthpieces Market by Region (2013-2025) 1.4.1 Global Orthodontic Mouthpieces Market Size (Value) and CAGR (%) Comparison by Region (2013-2025) 1.4.2 North America Status and Prospect (2013-2025) 1.4.3 Europe Status and Prospect (2013-2025) 1.4.4 China Status and Prospect (2013-2025) 1.4.5 Japan Status and Prospect (2013-2025) 1.4.6 Southeast Asia Status and Prospect (2013-2025) 1.4.7 India Status and Prospect (2013-2025) 1.5 Global Market Size (Value) of Orthodontic Mouthpieces (2013-2025) 1.5.1 Global Orthodontic Mouthpieces Revenue Status and Outlook (2013-2025) 1.5.2 Global Orthodontic Mouthpieces Capacity, Production Status and Outlook (2013-2025) 2 Global Orthodontic Mouthpieces Market Competition by Manufacturers 2.1 Global Orthodontic Mouthpieces Capacity, Production and Share by Manufacturers (2013-2018) 2.1.1 Global Orthodontic Mouthpieces Capacity and Share by Manufacturers (2013-2018) 2.1.2 Global Orthodontic Mouthpieces Production and Share by Manufacturers (2013-2018) 2.2 Global Orthodontic Mouthpieces Revenue and Share by Manufacturers (2013-2018) 2.3 Global Orthodontic Mouthpieces Average Price by Manufacturers (2013-2018) 2.4 Manufacturers Orthodontic Mouthpieces Manufacturing Base Distribution, Sales Area and Product Type 2.5 Orthodontic Mouthpieces Market Competitive Situation and Trends 2.5.1 Orthodontic Mouthpieces Market Concentration Rate 2.5.2 Orthodontic Mouthpieces Market Share of Top 3 and Top 5 Manufacturers 2.5.3 Mergers & Acquisitions, Expansion …
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robnicole58-blog · 6 years
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Global Mobile Mappers Market 2017 Research In-Depth Analysis, Key Players, Applications, Forecasts to 2022
In this report, the global Mobile Mappers market is valued at USD XX million in 2016 and is expected to reach USD XX million by the end of 2022, growing at a CAGR of XX% between 2016 and 2022.
Mobile Mappers
Geographically, this report is segmented into several key Regions, with production, consumption, revenue (million USD), market share and growth rate of Mobile Mappers in these regions, from 2012 to 2022 (forecast), coveringNorth AmericaEuropeChinaJapanSoutheast AsiaIndia
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Global Mobile Mappers market competition by top manufacturers, with production, price, revenue (value) and market share for each manufacturer; the top players includingRIEGL LMSTeledyne OptechTrimble (Applanix)3D Laser MappingTopconSiteco InformaticaMaptekRenishawINTERMAPVexcel ImagingSpectra PrecisionVIAMETRIS
On the basis of product, this report displays the production, revenue, price, market share and growth rate of each type, primarily split intoOutdoor Mobile MappersIndoor Mobile Mappers
On the basis of the end users/applications, this report focuses on the status and outlook for major applications/end users, consumption (sales), market share and growth rate for each application, includingAerial Mobile MappingEmergency Response PlanningInternet ApplicationsRoad Mapping and Highway Facility ManagementOther
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Important Points From Table Of content
1 Mobile Mappers Market Overview1.1 Product Overview and Scope of Mobile Mappers1.2 Mobile Mappers Segment by Type (Product Category)1.2.1 Global Mobile Mappers Production and CAGR (%) Comparison by Type (Product Category)(2012–2022)1.2.2 Global Mobile Mappers Production Market Share by Type (Product Category) in 20161.2.3 Outdoor Mobile Mappers1.2.4 Indoor Mobile Mappers1.3 Global Mobile Mappers Segment by Application1.3.1 Mobile Mappers Consumption (Sales) Comparison by Application (2012–2022)1.3.2 Aerial Mobile Mapping1.3.3 Emergency Response Planning1.3.4 Internet Applications1.3.5 Road Mapping and Highway Facility Management1.3.6 Other1.4 Global Mobile Mappers Market by Region (2012–2022)1.4.1 Global Mobile Mappers Market Size (Value) and CAGR (%) Comparison by Region (2012–2022)1.4.2 North America Status and Prospect (2012–2022)1.4.3 Europe Status and Prospect (2012–2022)1.4.4 China Status and Prospect (2012–2022)1.4.5 Japan Status and Prospect (2012–2022)1.4.6 Southeast Asia Status and Prospect (2012–2022)1.4.7 India Status and Prospect (2012–2022)1.5 Global Market Size (Value) of Mobile Mappers (2012–2022)1.5.1 Global Mobile Mappers Revenue Status and Outlook (2012–2022)1.5.2 Global Mobile Mappers Capacity, Production Status and Outlook (2012–2022)
2 Global Mobile Mappers Market Competition by Manufacturers2.1 Global Mobile Mappers Capacity, Production and Share by Manufacturers (2012–2017)2.1.1 Global Mobile Mappers Capacity and Share by Manufacturers (2012–2017)2.1.2 Global Mobile Mappers Production and Share by Manufacturers (2012–2017)2.2 Global Mobile Mappers Revenue and Share by Manufacturers (2012–2017)2.3 Global Mobile Mappers Average Price by Manufacturers (2012–2017)2.4 Manufacturers Mobile Mappers Manufacturing Base Distribution, Sales Area and Product Type2.5 Mobile Mappers Market Competitive Situation and Trends2.5.1 Mobile Mappers Market Concentration Rate2.5.2 Mobile Mappers Market Share of Top 3 and Top 5 Manufacturers2.5.3 Mergers & Acquisitions, Expansion
…Read More
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ankitajadhav-blog · 6 years
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Dental Curette market Professional Survey Trends by Product & Application
Dental Curette Market key player - YEAR END BONANZA -
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Report Overview:
Geographically, this report is segmented into several key Regions, with production, consumption, revenue (million USD), market share and growth rate of Dental Curette in these regions, from 2012 to 2022 (forecast), covering
North America
Europe
China
Japan
Southeast Asia
India
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Global Dental Curette market competition by top manufacturers, with production, price, revenue (value) and market share for each manufacturer; the top players including
FASA GROUP
Helmut Zepf Medizintechnik GmbH
Jakobi Dental Instruments
Karl Schumacher
LM-INSTRUMENTS OY
Paradise Dental Technologies
PRODONT-HOLLIGER
Vista Dental Products
YDM
A. Titan Instruments
AMERICAN EAGLE INSTRUMENTS
BTI Biotechnology Institute
Carl Martin GmbH
Dental USA
DEPPELER
On the basis of product, this report displays the production, revenue, price, market share and growth rate of each type, primarily split into
Single Head Dental Curette
Double Head Dental Curette
On the basis of the end users/applications, this report focuses on the status and outlook for major applications/end users, consumption (sales), market share and growth rate for each application, including
Hospital
Clinic
Table of Contents:
1 Dental Curette Market Overview
1.1 Product Overview and Scope of Dental Curette
1.2 Dental Curette Segment by Type (Product Category)
1.2.1 Global Dental Curette Production and CAGR (%) Comparison by Type (Product Category)(2012-2022)
1.2.2 Global Dental Curette Production Market Share by Type (Product Category) in 2016
1.2.3 Single Head Dental Curette
1.2.4 Double Head Dental Curette
1.3 Global Dental Curette Segment by Application
1.3.1 Dental Curette Consumption (Sales) Comparison by Application (2012-2022)
1.3.2 Hospital
1.3.3 Clinic
1.4 Global Dental Curette Market by Region (2012-2022)
1.4.1 Global Dental Curette Market Size (Value) and CAGR (%) Comparison by Region (2012-2022)
1.4.2 North America Status and Prospect (2012-2022)
1.4.3 Europe Status and Prospect (2012-2022)
1.4.4 China Status and Prospect (2012-2022)
1.4.5 Japan Status and Prospect (2012-2022)
1.4.6 Southeast Asia Status and Prospect (2012-2022)
1.4.7 India Status and Prospect (2012-2022)
1.5 Global Market Size (Value) of Dental Curette (2012-2022)
1.5.1 Global Dental Curette Revenue Status and Outlook (2012-2022)
1.5.2 Global Dental Curette Capacity, Production Status and Outlook (2012-2022)
2 Global Dental Curette Market Competition by Manufacturers
2.1 Global Dental Curette Capacity, Production and Share by Manufacturers (2012-2017)
2.1.1 Global Dental Curette Capacity and Share by Manufacturers (2012-2017)
2.1.2 Global Dental Curette Production and Share by Manufacturers (2012-2017)
2.2 Global Dental Curette Revenue and Share by Manufacturers (2012-2017)
2.3 Global Dental Curette Average Price by Manufacturers (2012-2017)
2.4 Manufacturers Dental Curette Manufacturing Base Distribution, Sales Area and Product Type
2.5 Dental Curette Market Competitive Situation and Trends
2.5.1 Dental Curette Market Concentration Rate
2.5.2 Dental Curette Market Share of Top 3 and Top 5 Manufacturers
2.5.3 Mergers & Acquisitions, Expansion
3 Global Dental Curette Capacity, Production, Revenue (Value) by Region (2012-2017)
3.1 Global Dental Curette Capacity and Market Share by Region (2012-2017)
3.2 Global Dental Curette Production and Market Share by Region (2012-2017)
3.3 Global Dental Curette Revenue (Value) and Market Share by Region (2012-2017)
3.4 Global Dental Curette Capacity, Production, Revenue, Price and Gross Margin (2012-2017)
3.5 North America Dental Curette Capacity, Production, Revenue, Price and Gross Margin (2012-2017)
3.6 Europe Dental Curette Capacity, Production, Revenue, Price and Gross Margin (2012-2017)
3.7 China Dental Curette Capacity, Production, Revenue, Price and Gross Margin (2012-2017)
3.8 Japan Dental Curette Capacity, Production, Revenue, Price and Gross Margin (2012-2017)
3.9 Southeast Asia Dental Curette Capacity, Production, Revenue, Price and Gross Margin (2012-2017)
3.10 India Dental Curette Capacity, Production, Revenue, Price and Gross Margin (2012-2017)
4 Global Dental Curette Supply (Production), Consumption, Export, Import by Region (2012-2017)
4.1 Global Dental Curette Consumption by Region (2012-2017)
4.2 North America Dental Curette Production, Consumption, Export, Import (2012-2017)
4.3 Europe Dental Curette Production, Consumption, Export, Import (2012-2017)
4.4 China Dental Curette Production, Consumption, Export, Import (2012-2017)
4.5 Japan Dental Curette Production, Consumption, Export, Import (2012-2017)
4.6 Southeast Asia Dental Curette Production, Consumption, Export, Import (2012-2017)
4.7 India Dental Curette Production, Consumption, Export, Import (2012-2017)
……….
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Research Trades has team of experts who works on providing exhaustive analysis pertaining to market research on a global basis. This comprehensive analysis is obtained by a thorough research and study of the ongoing trends and provides predictive data regarding the future estimations, which can be utilized by various organizations for growth purposes.
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gpllife · 6 years
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daniel1244martinez · 7 years
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Mobile Learning Market Research And Industry Analysis Report
This report studies Mobile Learning in Global market, especially in North America, Europe, China, Japan, Korea and Taiwan, focuses on top manufacturers in global market, with capacity, production, price, revenue and market share for each manufacturer, covering
Net Dimensions
Sap AG
Dell
Upside Learning
Skillsoft
Market Segment by Regions, this report splits Global into several key Regions, with production, consumption, revenue, market share and growth rate of Mobile Learning in these regions, from 2011 to 2021 (forecast), like
North America
Europe
China
Japan
Korea
Taiwan
Split by product type, with production, revenue, price, market share and growth rate of each type, can be divided into
Mobile Content Authoring
e-Books
Portable LMS
Mobile and Video Based Courseware
Interactive Assessments
Content Development
M-Enablement
Split by application, this report focuses on consumption, market share and growth rate of Mobile Learning in each application, can be divided into
In-Class Learning
Simulation-Based Learning
Corporate Learning
Online-on-the Job Training
Browse Complete Report @ https://www.reportsmonitor.com/global-mobile-learning-market-research-report-2017/
 Table of Contents
Global Mobile Learning Market Research Report 2017
1 Mobile Learning Market Overview
1.1 Product Overview and Scope of Mobile Learning
1.2 Mobile Learning Segment by Type
1.2.1 Global Production Market Share of Mobile Learning by Type in 2015
1.2.2 Mobile Content Authoring
1.2.3 e-Books
1.2.4 Portable LMS
1.2.5 Mobile and Video Based Courseware
1.2.6 Interactive Assessments
1.2.7 Content Development
1.2.8 M-Enablement
1.3 Mobile Learning Segment by Application
1.3.1 Mobile Learning Consumption Market Share by Application in 2015
1.3.2 In-Class Learning
1.3.3 Simulation-Based Learning
1.3.4 Corporate Learning
1.3.5 Online-on-the Job Training
1.4 Mobile Learning Market by Region
1.4.1 North America Status and Prospect (2012-2022)
1.4.2 Europe Status and Prospect (2012-2022)
1.4.3 China Status and Prospect (2012-2022)
1.4.4 Japan Status and Prospect (2012-2022)
1.4.5 Korea Status and Prospect (2012-2022)
1.4.6 Taiwan Status and Prospect (2012-2022)
1.5 Global Market Size (Value) of Mobile Learning (2012-2022)
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 2 Global Mobile Learning Market Competition by Manufacturers
2.1 Global Mobile Learning Production and Share by Manufacturers (2015 and 2016)
2.2 Global Mobile Learning Revenue and Share by Manufacturers (2015 and 2016)
2.3 Global Mobile Learning Average Price by Manufacturers (2015 and 2016)
2.4 Manufacturers Mobile Learning Manufacturing Base Distribution, Sales Area and Product Type
2.5 Mobile Learning Market Competitive Situation and Trends
2.5.1 Mobile Learning Market Concentration Rate
2.5.2 Mobile Learning Market Share of Top 3 and Top 5 Manufacturers
2.5.3 Mergers & Acquisitions, Expansion
 3 Global Mobile Learning Production, Revenue (Value) by Region (2012-2017)
3.1 Global Mobile Learning Production by Region (2012-2017)
3.2 Global Mobile Learning Production Market Share by Region (2012-2017)
3.3 Global Mobile Learning Revenue (Value) and Market Share by Region (2012-2017)
3.4 Global Mobile Learning Production, Revenue, Price and Gross Margin (2012-2017)
3.5 North America Mobile Learning Production, Revenue, Price and Gross Margin (2012-2017)
3.6 Europe Mobile Learning Production, Revenue, Price and Gross Margin (2012-2017)
3.7 China Mobile Learning Production, Revenue, Price and Gross Margin (2012-2017)
3.8 Japan Mobile Learning Production, Revenue, Price and Gross Margin (2012-2017)
3.9 Korea Mobile Learning Production, Revenue, Price and Gross Margin (2012-2017)
3.10 Taiwan Mobile Learning Production, Revenue, Price and Gross Margin (2012-2017)
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rupalipawar77-blog · 6 years
Text
Global License Management Software Market Insights, Opportunity, Analysis, Growth Potential & Forecast 2018 - 2023
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Global License Management Software Market
WiseGuyRerports.com Presents “Global License Management Software Market by Manufacturers, Countries, Type and Application, Forecast to 2023” New Document to its Studies Database. The Report Contain 128 Pages With Detailed Analysis.
Description
Software license management (SLM) is the active management and administration of software allocation, deployment, licensing and contractual obligations. License management encompasses managing the risks associated with software license compliance as well as the costs of acquiring software Software License Management.
LM enables software publishers and intelligent device vendors to efficiently monetize their products, particularly for enterprise and networked deployments. Three key LM functions are: defining software versions and licensing rules (development); automating license issuance and invoicing (deployment); and ensuring that software is used in accordance with terms of a purchased license (enforcement).
Scope of the Report: This report studies the License Management Software market status and outlook of Global and major regions, from angles of players, countries, product types and end industries; this report analyzes the top players in global market, and splits the License Management Software market by product type and applications/end industries.
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The global License Management Software market is valued at 400 million USD in 2017 and is expected to reach 670 million USD by the end of 2023, growing at a CAGR of 8.7% between 2017 and 2023.
The Asia-Pacific will occupy for more market share in following years, especially in China, also fast growing India and Southeast Asia regions.
North America, especially The United States, will still play an important role which cannot be ignored. Any changes from United States might affect the development trend of License Management Software.
Europe also play important roles in global market, with market size of xx million USD in 2017 and will be xx million USD in 2023, with a CAGR of xx%.
Market Segment by Companies, this report covers Flexera Software Reprise Software SafeNet Snow Software Wibu Systems Inishtech Moduslink Pace Anti-Piracy Nalpeiron
Market Segment by Regions, regional analysis covers North America (United States, Canada and Mexico) Europe (Germany, France, UK, Russia and Italy) Asia-Pacific (China, Japan, Korea, India and Southeast Asia) South America (Brazil, Argentina, Colombia) Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa)
Market Segment by Type, covers Hardware-based Enforcement Software-based & Cloud-based Enforcement
Market Segment by Applications, can be divided into B2B Vendors B2C Vendors Other
Complete Report Details @ https://www.wiseguyreports.com/reports/3326580-global-license-management-software-market-by-manufacturers-countries
Table of Contents -Major Key Points
1 License Management Software Market Overview 1.1 Product Overview and Scope of License Management Software 1.2 Classification of License Management Software by Types 1.2.1 Global License Management Software Revenue Comparison by Types (2017-2023) 1.2.2 Global License Management Software Revenue Market Share by Types in 2017 1.2.3 Hardware-based Enforcement 1.2.4 Software-based & Cloud-based Enforcement 1.3 Global License Management Software Market by Application 1.3.1 Global License Management Software Market Size and Market Share Comparison by Applications (2013-2023) 1.3.2 B2B Vendors 1.3.3 B2C Vendors 1.3.4 Other 1.4 Global License Management Software Market by Regions 1.4.1 Global License Management Software Market Size (Million USD) Comparison by Regions (2013-2023) 1.4.1 North America (USA, Canada and Mexico) License Management Software Status and Prospect (2013-2023) 1.4.2 Europe (Germany, France, UK, Russia and Italy) License Management Software Status and Prospect (2013-2023) 1.4.3 Asia-Pacific (China, Japan, Korea, India and Southeast Asia) License Management Software Status and Prospect (2013-2023) 1.4.4 South America (Brazil, Argentina, Colombia) License Management Software Status and Prospect (2013-2023) 1.4.5 Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa) License Management Software Status and Prospect (2013-2023) 1.5 Global Market Size of License Management Software (2013-2023)
2 Manufacturers Profiles 2.1 Flexera Software 2.1.1 Business Overview 2.1.2 License Management Software Type and Applications 2.1.2.1 Product A 2.1.2.2 Product B 2.1.3 Flexera Software License Management Software Revenue, Gross Margin and Market Share (2016-2017) 2.2 Reprise Software 2.2.1 Business Overview 2.2.2 License Management Software Type and Applications 2.2.2.1 Product A 2.2.2.2 Product B 2.2.3 Reprise Software License Management Software Revenue, Gross Margin and Market Share (2016-2017) 2.3 SafeNet 2.3.1 Business Overview 2.3.2 License Management Software Type and Applications 2.3.2.1 Product A 2.3.2.2 Product B 2.3.3 SafeNet License Management Software Revenue, Gross Margin and Market Share (2016-2017) 2.4 Snow Software 2.4.1 Business Overview 2.4.2 License Management Software Type and Applications 2.4.2.1 Product A 2.4.2.2 Product B 2.4.3 Snow Software License Management Software Revenue, Gross Margin and Market Share (2016-2017) 2.5 Wibu Systems 2.5.1 Business Overview 2.5.2 License Management Software Type and Applications 2.5.2.1 Product A 2.5.2.2 Product B 2.5.3 Wibu Systems License Management Software Revenue, Gross Margin and Market Share (2016-2017) 2.6 Inishtech 2.6.1 Business Overview 2.6.2 License Management Software Type and Applications 2.6.2.1 Product A 2.6.2.2 Product B 2.6.3 Inishtech License Management Software Revenue, Gross Margin and Market Share (2016-2017) 2.7 Moduslink 2.7.1 Business Overview 2.7.2 License Management Software Type and Applications 2.7.2.1 Product A 2.7.2.2 Product B 2.7.3 Moduslink License Management Software Revenue, Gross Margin and Market Share (2016-2017) 2.8 Pace Anti-Piracy 2.8.1 Business Overview 2.8.2 License Management Software Type and Applications 2.8.2.1 Product A 2.8.2.2 Product B 2.8.3 Pace Anti-Piracy License Management Software Revenue, Gross Margin and Market Share (2016-2017)
……..CONTINUED
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pilferingapples · 9 years
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Les Mis 2.5.1-2.5.5 (retroblogging)
I really don’t have much to say about this section, even though really I do love it! It’s a wonderful tense chase scene.  Hugo’s fantastic as always about describing the setting so I can actually visualize it; the scene is effectively dramatic, and when it's all Action! like this I lose track of the chapters because I'm busy wanting to know What Happens.
And if Paris is a character, then I think it's Valjean's friend, here, as it's implied it would have been Fantine's. It offers obscurity, a wealth of hiding -places, a convenient carriage, and, at the last extreme, a handy rope and some very symbolic flora to guide him, as eirenical mentions. While of course all of these things can come to support much less sympathetic characters, I don't think this partiality of the city for the obscure is just coincidence in the logic of the narrative.  Among other things, I think in part it highlights some of the errors in Javert's approach to Defending Society. aporeticelenchus had a very good note about how Javert turns the Light=Good sybolism around, with his embodying "the evil of the good," and all.  Javert is focused on what he perceives to be the light (an incomplete, superficial concept of it, but still); his only care for the shadows is to drive them away. But the obscure and shadowed are part of society too. The city has room to care for the outcast, noble or not; maybe even a need to do so. Javert, missing this, can't really understand his chosen mission ; this has practical consequences for him, here and later, as well as philosophical ones.
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