My hottest take from trying to delve into David Jenkins's interviews and piece together where he's going with this is that - for all he and everyone else are consistent about describing this show as a romance and a romcom (and The Muppets) - I don't think he finds the romance compelling??? At least, not the healthy endgame version.

Like, the one interview where he dropped that he was planning an unrequited romance in all those pitches of his until they shot the bathtub scene in 1x06...? Wild twist, but also it kind of makes sense.

Look at the comparisons he makes. Titanic (where Jack dies). Butch Cassidy and the Sundance Kid (where both leads die). Shows like Insecure and Grey's Anatomy, where relationships get messy breakups constantly. He's excited about fanvids set to Olivia Rodrigo's "Favorite Crime". Writes an episode based on Who’s Afraid of Virginia Woolf?, a 1966 film of a play that attacks the concept of happy marriages. He mentions A Star Is Born repeatedly in reference to S2, a movie where the disaster marriage ends in suicide and heartbreak.

And even broad spectrum - he repeatedly explains that he's not compelled by pirate stories. Accuses the genre of being "creaky" and "hard to budge", and then claims to want to subvert it in one interview and shrugs about how "it's a pirate story" as reasoning in others. But the part he seems interested in...? Well it's the oncoming end of the Golden Age aspect, and also maybe the short and violent life of organized crime. He's drawing comparisons to mob movies and Westerns - two things I think we can say trend toward the bittersweet to tragic scale with endings. His examples certainly do.

I'm no longer surprised he was really compelled by the Edward and Izzy toxic divorce in S1 and the idea of doing an arc about "Can Izzy find himself outside of this toxic relationship?" only to answer "No." It seems right in his wheelhouse, tbh. Definitely enough that if he felt like Izzy ought to die due to vibes, I doubt he was looking too hard for an alternative.

For all his talk about "Can BlackBonnet put the work into this relationship?" I'm really getting the impression he thinks the more compelling answer is also "No." He likes the idea of a happy ending maybe, but he doesn't really seem into that as a story.

Now, he does seem to have gotten a crash course in "Maybe don't bury your gays?" and he's not lying about wanting to avoid the specific kinds of coming out and queer trauma stories - those are different kinds of tragedies - but I am... skeptical, perhaps, that the forced happy ending feeling of S2 will do anything but repeat in S3.

Just because, like, if I was scrolling these takes on a fic author's blog, I'd put majority odds on the main couple hanging in the final chapter, and I bet a happy sunset ending would come kinda out of nowhere...

Not really a recipe for satisfying, you know?