#kendall tichner
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Darren Criss’ 37th Birthday Celebration | Via Hannah Winkler, Weston Chandler Long, Carly Heitner, Two Tree Hill, Kendall Tichner, Grace Mccormick, Kylie, Ashley Weston, Chris Lorentz, Carly Heitner, Camryn Hampton, Danielle Perelman, Ashley Hearn and Katrin Vankova's Instagram Story (February 5th, 2024)
#darren criss#hannah winkler#devon yesberger#weston chandler long#evan rachel wood#carly heitner#two tree hill#kendall tichner#grace mccormick#kylie#ashley weston#chris lorentz#camryn hampton#danielle perelman#ashley hearn#katrin vankova#alex edelman#benj pasek#jumper wall#darren's 37th bday#instagram#video#feb 2024
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Kendall Tichner.
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Kendall Tichner // Digital by @teekthesneak TK Anderson
Art Direction by Monica Reyes
#TK Anderson#Teek The Sneak#Kendall Tichner#Moon Reyes#Monica Reyes#Masculinedelafemme#Female Artist Series
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"Liminal Scope" by Hovver at Industry City curated by Wallplay from Industry City on Vimeo.
A portal into "Liminal Scope", an immersive light and sound installation by artist collaborative Hovver. In a completely blacked out gallery space the installation offers an otherworldly experience to visitors with a stunning and hypnotic audio-visual composition.
Liminal Scope is an immersive light and sound installation, in which three rings frame the transit of light through space. The audio-visual score enmeshes harmonic frequencies, rhythmic motion, and gradients of color, orchestrating a narrative which navigates tension and release.
This exhibition was Curated by Wallplay at Industry City.
Video Credits
Director + Producer: Kendall Tichner
DP: Alexander Barreto
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See Light in Its Transient Form in This New Audiovisual Installation
For most, the experience of being fully present is a comfort all but lost in our fast-paced consumer culture. Luckily, there's Liminal Scope: a new immersive audiovisual installation that aims to help people regain their sense of presence by visualizing light as it moves through space. The piece was created by artist duo Hovver, made up of Brooklyn-based artists Chris Lunney and Katherine Brice. Lunney, in describing the piece, points out that we don't usually see light in the middle, but instead see where it begins or ends. Through a column made up of three sculptural light rings, the immersive audiovisual installation attempts to frame the passage of light itself.
The installation debuted at Industry City, a 2,000,000 sq. ft. industrial warehouse that sits on the waterfront in Sunset Park, Brooklyn. A new documentary short from director Kendall Tichner and DP Alexander Baretto shows the space completely blacked-out to make the experience as mesmeric as possible. Each ring, made from a combination of wood, polished metal, and paint, is brought to life using custom fabricated mechanics, projectors, optics, artificial mist creators, and software. In addition to the installation's visual components, the artists developed a dynamic soundscape that plays out of collection of loud speakers that run throughout the space.
Lunney says that Liminal Scope is an abstract way to recapture presence, a meditative experience that keeps viewers engaged. By representing light in a way you never seen it, the artists seek to reawaken a childlike state of wonder that will reset you back into your body. Get a closer look at the installation and the artists who made it in the short video below:
Check out more works by Hovver on their website.
Related:
Audiovisual Installation Explores the Concept of Consciousness
Massive Talking Heads Invade an Amsterdam Cathedral
"Scanner Room" Transports You Inside A Celestial Copy Machine
from creators http://ift.tt/2qz7zQl
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Via Kendall Tichner's Instagram Story (February 20th, 2024)
#darren criss#kendall tichner#bruno major#little shop of horrors bway#little shop of horrors#instagram#feb 2024
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missing southwest mornings (at Lake Powell, Utah)
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Kendall Tichner
Mana Contemporary
Digital marketing + Partnerships
Interview December 3, 2015
Tell us a about Mana Contemporary.
Mana is a two-million square foot converted factory, dedicated to nourishing and displaying the creative process. The expansive industrial space is a vessel for daily cross-collaboration between artists of all forms—dancers, painters, photographers, curators. Inside our flagship location in Jersey City we have over 150 artist studios, 7 galleries, a silk screening studio, a dance studio, a dark room, a foundry, a restaurant, a bookstore/publishing company, an art school, and more. We brought in experts in every field to run each arm of Mana, so artists can cross-pollinate, learn new skills and express themselves in diverse ways. We also provide art services in-house including framing, crating, shipping, storage and restoration. We try to be as all-encompassing as possible so artists are able to focus on what they are best at—creating art.
Mana began as an art storage company. The founder, Eugene Lemay, is an artist himself and chose to fill the building with artists instead. The high ceilings, giant windows, industrial elevators are everything that artists dream about. Lemay brought in a team of creatives to help him jump start this vision, and we’ve been watching it multiply since its inception.
How did you begin working with Mana? What is your role?
I’m Director of Digital Marketing and Partnerships at Mana. I help tell the Mana’s story, and the story of the people behind it—the artists, the employees and the collectors. I also connect Mana to other creatives and creative institutions for new projects and partnerships. Mana fills a void in New York—artists need space, and we’re providing it. Working here allows me to support people and groups I believe in and help them manifest projects they wouldn’t otherwise be able to.
Originally, I was working as the marketing director for a different company that was run out of the factory that we’re housed in now. Gene asked me to switch companies and help him with Mana when it was just an idea. The commute from Brooklyn to Jersey to work in an empty factory was difficult at first, but the rapid transition is remarkable. It’s become a bustling hive of creatives in a few short years, with art and movement around every corner.
What are your goals when working with artists and developing partnerships?
I like to work with people I like. Luckily, so many of the people I associate with happen to be fiercely creative. The projects and artists that come to us are so diverse it's hard to summarize reasons for partnerships—but if someone is authentic and has a good vision, then I’m happy to collaborate. Mana has taught me that there is no limit—we have the space, team, and resources to create installations and projects of any size—so anything is possible.
Mana has locations in Jersey City, Chicago and Miami—what is Mana's goal in the art industry and how does it want to impact each community?
We’ve been described as a city of art. The goal is to be a home for all layers of the art world. If you walk into our cafe, you see artists talking to collectors, talking to art handlers, talking to gallerists. We want to be a safe space for creators, a space where they have everything they need to maximize their vision under one roof.
Mana’s goal in the art industry is to show the creative process and connect all of the different sects of the art world. When people see the creative process, they are more interested in the final product. Instead of just seeing the finished product on a white wall, we want you to see the messy studios, the mistakes and the inspiration. Most artists keep their studio doors open, the dance studio has a glass wall, the foundry pours metal outside. We want visitors to witness and understand the too often hidden layers of the art world.
What are your thoughts on Miami Art Basel? How is it beneficial to artists, gallerists, institutions and industry at-large?
The art world is good at celebrating people’s otherness and peculiarities. Works are valued for the meaning behind them and for making someone feel something. Art Basel helps to spread this way of thinking to the masses while supporting young artists. The concept of “Art Basel” has transitioned beyond just a singular fair to encompass the entire week. Basel turns Miami into a giant Mana—a place for the art world to get together.
I usually visit the large fairs and spend the majority of my time at subsidiary smaller fairs/events. I love to see new trends and new young artists get recognized for their uniqueness.
What is something you'd like to change about the art industry?
I’d change the barriers to entry. Creating, using your hands and expressing yourself is so cathartic. More people should be doing it—even if just for themselves. Mana is working to break down these barriers. I’m glad I get to work towards changing the art world’s opaque nature and exclusivity.
Do you have any artists or exhibitions you're excited about for this year's Basel?
Although I like Art Basel itself, I’m more interested in some of the other, smaller fairs. I always go to Untitled and NADA, and I’m looking forward to seeing both as early in the week as possible. And, of course I’m very proud of Mana Contemporary’s exhibitions this year. All three collections on view are very tight curatorially. The pieces are stunning. We also have a great street art program with Bushwick Collective this year in the Old RC Cola Plant, an incredible raw space we own in Miami.
#Untitled art fair#NADA art fair#kendall tichner#mana contemporary#art basel#basel#art#art basel miami#bushwick collective#jersey city#miami
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Kendall Tichner interview on Opening Ceremony blog.
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Kendall the photographer
Photo by Kate Owen, 2014
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Kendall Tichner
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Kendall Tichner for MAY07. Because.
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WITCHES 10/29 - PHOTO BY KELLY KAI
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The Chromat Pentagram Suit (worn by Kendall Tichner) about to be cast in bronze by sculptor Carole Feuerman.
Next level shit! (at Carole Feuerman’s Survival Of Serena)
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lookin’ tuff in a shoot for @10deep by @thevetiver (at Williamsburg Bridge)
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