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aion-rsa · 3 years

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Why Oblivion is Still the Best Elder Scrolls Game

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With their acquisition of ZeniMax Studios finally complete, Microsoft is poised to challenge Sony’s recent reign of exclusivity dominance by potentially making the next generation of Bethesda releases exclusive to Game Pass platforms. For the moment, though, the biggest benefit of this acquisition is undoubtedly the ability to access a good portion of Bethesda’s library of classic games via Game Pass.

While most of the Bethesda games recently added to Game Pass are worth playing for one reason or another, few are more intriguing than The Elder Scrolls IV: Oblivion. Sandwiched between the releases of the revolutionary Morrowind and the eternally re-released Skyrim, Oblivion is sometimes thought of as the middle child in the modern history of one of gaming’s most beloved RPG series. Nearly 15 years after its release, though, it’s remarkably easier than ever to appreciate the many ways that Oblivion represents the very best of the Elder Scrolls franchise.

Don’t believe me? Use its recent addition to the Game Pass library as an excuse to play Oblivion again (or perhaps for the first time), and you’ll find these reasons (and more) why it remains arguably the best Elder Scrolls adventure so far.

Oblivion Has (By Far) the Best Elder Scrolls Quests and Stories

Let’s start with one thing that few Elder Scrolls fans will argue against. When it comes to quests and stories, Oblivion is a far better game than Morrowind or Skyrim.

I’ve talked about this more extensively in my look at the best Elder Scrolls quests ever, but I remain truly amazed at how much thought and creativity went into even the most “average” quest in Oblivion. That baseline level of quality is really the key point here. While many of Oblivion’s biggest quests (such as the Dark Brotherhood and Thieves Guild assignments) are obviously memorable, even the little quests along the way that you may have forgotten about offer something special that helps them stand out.

I don’t know why the Elder Scrolls quest design and writing teams were at the top of their game at this time, but I doubt even The Elder Scrolls 6 can top the work they did here.

Oblivion Found a Nice Middle Ground Between Accessibility and Depth

For quite some time, the line on Oblivion has been that it’s the “middle” game between Morrowind and Skyrim. While that’s obviously true of its release date, that idea speaks more to the suggestion that Oblivion represents Bethesda’s struggles to balance the more hardcore RPG ideas of a game like Morrowind and the accessibility improvements featured in Skyrim.

Some say that means Oblivion doesn’t truly excel at either pursuit, but I don’t see it like that. In Oblivion, you get a taste of Morrowind’s incredible RPG philosophies and mechanics without having to deal with that game’s most annoying aspects. At the same time, Oblivion manages to be much more playable than its predecessor while still feeling deeper overall than its successor from a role-playing perspective.

Oblivion doesn’t necessarily combine the best of Skyrim and Morrowind, but it finds a nice middle-ground between those styles that’s easy to appreciate to this day.

Shivering Isles is Still the Best DLC Expansion Bethesda Has Ever Made

Granted, I can’t (and would never try to) defend most of Oblivion’s DLC. There’s a reason that “Horse Armor” is still used as the gold standard for exploitative and uninspired video game microtransactions.

However, it’s easier to forgive Oblivion‘s DLC stumbles when you realize they all eventually led to the Shivering Isles expansion. That was the expansion that finally dared to answer the question “What if The Elder Scrolls just got weird with it?” By transporting players to a land ruled by Sheogorath (the often hilarious Daedric Prince of Madness), Shivering Isles dropped most of the stuffier fantasy elements of the franchise in favor of allowing the talented Oblivion design team and writers to breathe life into their wildest ideas.

The golden age of single-player DLC expansions was highlighted by the idea of letting studios break free and truly experiment with new and strange creations that would otherwise not likely see the light of day. Shivering Isles is perhaps the greatest example of that era.

Oblivion’s Atmosphere is Consistent and Helps Tell a Story

I will freely admit that the province of Cyrodiil isn’t always the most interesting place. There are certainly times when it comes across as “Capital City, Fantasyland.”

Yet, there’s a consistency to Oblivion’s atmosphere that I remain fascinated with years after its release. While Morrowind’s alien-like worlds are hard to beat from a pure design perspective and Skyrim’s tundras offer a welcome deviation from the most common fantasy tropes, there’s something about the way that everything flows in Oblivion that I’d argue Bethesda has never quite replicated.

Individual regions of Oblivion’s map manage to remain distinct while also feeling like the logical progression of the area you just arrived from and the area you’re going to. There’s also something to be said for how Oblivion sells the idea of people battling to protect their land from invasion and corruption by presenting a fantasy world that you might actually want to live in.

Get Past Their Voice Acting, and Oblivion Might Have the Best NPCs in any Elder Scrolls Game

I’d like to argue that Oblivion’s “bad” voice acting and awkward NPC designs actually give the game a personality you don’t find in refined titles, but I understand that some rough edges are hard to ignore.

Instead, let’s focus on the ways that Oblivion’s NPCs are advanced even by modern design standards. Nearly every NPC in Oblivion has a personality of their own, something unique to say to you, and will legitimately go about a daily schedule that even changes from day to day due to their ability to make dynamic decisions rather than simply follow a tightly scripted path.

At a time when developers are sometimes more interested in putting more characters on-screen rather than crafting richer NPCs (looking at you Cyberpunk 2077), there’s something undeniably refreshing about a game that emphasizes offering more unique interactions rather than simply relying on the quantity of NPCs.

Oblivion Let You Build Wild (and Broken) Characters

The “highlight” of Oblivion‘s character-building system in the minds of many fans will undoubtedly be the time they discovered it’s possible to make a truly invisible character who can pretty much do whatever they want. That kind of mechanical exploitation is certainly one of the most noteworthy examples of how Oblivion let you run wild with the characters you created.

Yet, when I think back on my hours with Oblivion, the kinds of broken characters I appreciate most are the ones who didn’t make it far. While Oblivion’s enemy scaling system has been (often rightfully) criticized for its shortcomings, there’s something to be said for how the game’s attempts at offering a consistent challenge level meant that your design decisions were tested more often throughout the game.

It wasn’t a perfect system, but when compared to a game like Skyrim, or even titles like Destiny, where building a viable character is really about reaching higher levels and reaping the rewards, I miss, at the very least, Oblivion’s attempts to challenge me to master the character I built and the times it would actively punish my worst decisions.

Oblivion is Less About Combat and More About Adventure

In terms of pure combat, Skyrim is really in a class of its own when compared to the other Elder Scrolls games. Its improved controls, cinematic qualities, and smoother animations are more than enough to make it the favorite among Elder Scrolls fans looking for the best action.

I certainly recognize that some of Oblivion’s combat system problems are the result of bad decisions and outdated technology, but years later, I really appreciate how the game was never really about the action; it was about the adventure. Much like how Fellowship of the Ring utilized action sequences as the response to danger that our heroes otherwise tried to avoid, combat in Oblivion is just one of those things that you’ll come across as you explore but isn’t necessarily meant to be the grand set piece or the big draw.

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While Oblivion’s main questline betrays this philosophy somewhat during its most action-heavy (and often worst) moments, there’s still a sense that the game is more about exploration, storytelling, and the little discoveries you make along the way rather than a desire to get you to the next big sequence or other chances to simply fuel a power fantasy.

The post Why Oblivion is Still the Best Elder Scrolls Game appeared first on Den of Geek.

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viralhottopics · 7 years

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The Legend of Zelda: Breath of the Wild Link has never been set so free

The Nintendo Switch launch title takes the Zelda franchise to a whole new level, producing something even greater than the sum of its finely honed parts

Nintendo tricked us all. For years, it gave the impression that it was content to live in its own little corner of the gaming world, making well-received updates to its own franchises, without really caring about what the wider industry was doing.

Now we know that for all that time, it was watching and learning. The Legend of Zelda: Breath of the Wild is the result of that examination: a game that marries the best bits of the franchises long history with the best bits of the rest of the gaming world, and produces something even greater than the sum of its parts.

At its heart, Breath of the Wild is an open-world exploration game, in the vein of titles such as Skyrim, The Witcher 3, and FarCry 4. After completing the small starting area (and these things are, of course, relative: that area feels about as large as the entire Hyrule Field from Ocarina of Time), Link is thrown into a world scattered with quests to complete, people to meet and monsters to defeat.

He can find and climb towers to mark new areas on the map and travel at speed between them. He can break in wild horses and ride them, collect foodstuffs and cook them, collect new weapons and kill new things with them. He can also find, hidden or in plain sight, shrines which expand his life pool for each four completed; he can attack, or be attacked by, boss-level monsters wandering around the world, and solve environmental puzzles to collect Korok seeds that will expand his inventory. And then theres the other stuff dotted around the place that defies categorisation: the Great Fairies, the rare non-boss monsters, the small hints at the past of the world of Hyrule, and the strange characters youll sometimes meet, half way up a mountain playing an accordion or in the middle of a ruined castle being attacked by Bokoblins.

Theres a danger, when describing a game of this scale, to get lost in the checklists. Yes, theres a lot to do, but thats meaningless if doing it isnt fun in its own right. Thankfully, thats not a problem Breath of the Wild has. In fact, I cant think of a previous Zelda game which gets the core gameplay loop so right.

Lets pull back for a second, though, and look at the overall structure of the game. Once Link leaves the Great Plateau, in short order he finds the heart of his quest: to find and free the four divine beasts, techno-magical creations that are key to defeating regular series villain Ganon and saving Princess Zelda and the land of Hyrule from destruction. As Zelda plots go, its fairly standard, considerably enlivened by the cast of characters involved, and the fully voice-acted cutscenes interspersed throughout (Link himself, however, remains a mute protagonist).

Those four divine beasts are located at roughly the four corners of the map, encouraging full exploration even before the completionism and sidequests kick in. They occupy roughly the same role in as the classical dungeons and temples of previous Zelda games, with a series of puzzles culminating in a boss fight, and form absolutely spectacular set pieces.

Each of the beasts have their own radically different storyline leading up to the confrontation. Photograph: Nintendo

The first of the beasts I fought and you can approach them in any order you see fit, but the game gently nudges you to tackle them in a roughly anti-clockwise order started with a trip to Zoras Domain, battling through a long path to reach the land of the fish people. Once there, Link is enlisted to collect lightning-infused Shock Arrows (the Zora, being a watery folk, cant even touch them), before he teams up with the prince of the Zora to attack the divine beast, using the arrows to take out weak points on its outer shell and calm it enough to land on it. And thats only the beginning of the fight, which draws a clear inspiration from titles like PS2 classic Shadow of the Colossus and manga hit Attack on Titan.

Each of the beasts have their own radically different storyline leading up to the confrontation, and even in a more conventionally-structured Zelda, theyd be noteworthy for their impeccable mixture of puzzles, combat and flair.

But Breath of the Wild is not conventionally structured – at least, not for this series. Gamecube-era classic The Wind Waker comes closest, with its seafaring world, but where the open ocean that game offered was largely a wide blue expanse with the occasional semirandom encounter, Breath of the Wilds world is, and I cant repeat this enough, bursting at the seams.

If youre thinking, for instance, that four dungeons seems slim even Ocarina of Time had nine then lets talk about those shrines. Nintendo says theres 120 of them, dotted all around the map, and each of them is a complete mini-dungeon in its own right. Some are simple one-room puzzles, offering everything from a test of timing with your bow and arrow to a motion-controlled game of pachinko. Others expand that, up to a full multi-room series of Zelda puzzles, taking an idea (transport the fire, for instance) and iterating on it. There are combat-focused shrines, with one singular boss-tier enemy, and there are even shrines where the entire puzzle is simply finding the damn thing, or making your way to its front door.

If youre matching the description to your memory of Zelda games past, youll notice something: those shrines arent and cant be ability gated. If you can do anything in any order, the game cant require items that drop from one dungeon to complete the next, as almost every previous Zelda game has. Instead, youll secure the vast majority of your skills in the opening area, including bombs, a time-freeze skill, and the ability to manipulate metal objects.

There are still times youll find yourself in a shrine and unable to complete it, particularly some of the harder combat shrines, but even that happens less often than you might think, thanks to the games unique approach to collectibles.

Every weapon (and shield) is breakable. Not in a World of Warcraft, or Witcher 3, way, where they have durability scores to encourage you to head to a blacksmith periodically. No, these weapons will break, permanently, after a certain amount of use, and theres nothing you can do about it.

That means rather than a steady power increase, common to most RPGs, youll find yourself yo-yoing around: a brilliant sword dropped by a boss will give you a huge burst of damage, but only until it shatters. Its a canny concept, which has you playing around with a far wider proportion of the games armoury than most of its peers, which forces you to treat the vast majority of loot as junk.

Keeping tabs on which weapon to use can become complicated. Photograph: Nintendo

The downside is pairing that approach with an extremely limited inventory space, and the rapid desire to keep a few types of weapon on hand for specific uses (a metal blade for making sparks to light fires, for instance, and an icy weapon for killing fiery enemies), can quickly feel cramped. At times, Ive found myself with only one weapon I was actually comfortable using against common mobs, rapidly having to pick up a new club every time my old one shattered lest I wear down my Ancient Sword++ or Giant Thunderblade.

Just as your weaponry and inventory no longer act as a constraint on where you can go, so too does the world itself offer few barriers. You can go anywhere is a common selling point in open world games, but its rarely so true as here. Every wall, cliff, and tower can be climbed, with only Links stamina limiting how far you can go. And that stamina can be refilled, with food eaten halfway up a mountain, and enhanced, with items won from shrines, meaning that the sky really is the limit. And youll want to climb high, because the other major addition to Links motability is a paraglider, similar to the Deku Leaf from Wind Waker, which can take him a considerable distance if he jumps off a high-enough point.

All these things combine together to form that best-in-class core gameplay loop. In the back of your mind, you know you should make your way to the Zora Domain, to find the divine beast. So you climb a mountain to see if you can spy the way to the tower that will give you the map. You do see the tower, but you also spot a shrine halfway there. Pausing only to consider the landscape it really is pretty, isnt it? you mark the shrines location, jump off a cliff, and float towards it, but find your way blocked by a camp of Bokoblins. Fighting your way through them shatters the claymore youve been carrying, and costs precious arrows, but the chest at the end contains a hundred rupees, and you pick up a spear one of them dropped, so it nets out. Once you find the shrine, you complete the puzzle by setting your own wooden spear on fire, and then leave, with the intention of heading on to the tower.

But the shrine is a fast travel point, offering you the ability to divert from the trek and easily resume it at a later date. And now youve got a hundred rupees, you can entice a Great Fairy out of her hiding place. So you head over there, and chat to her, discovering that shell enhance your armour. But you need a few more Hightail Lizards to do so and so you put the trip to Zoras Domain on hold again, just for a few more minutes

You look up, and its five hours later, and you dont care.

Nintendo Switch (version tested)/Wii U; 59.99; Pegi rating 12+

Nintendo Switch review: a brave and fascinating new console

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