Alright let's imagine a scene that is all too normal in palestine. A palestinian business owner finds his building covered in graffiti stars of Davids and Hebrew that says "gas the arabs" and "death to arabs"
Now imagine there's a reporter there and asks the palestinian business owner what happens and they say "the jews attacked my business"
Pause. Now your response might be "uncle no. Say israelis not jews" and then this is when he would look at you like youre stupid because the israelis doing this are jewish. They are not the Christians or the druze or the palestinian ones with Israeli citizenship. They are Jewish israelis who believe in their religious supremacy. When you graffiti stars of david all over a palestinian business, car, or the street you seek that conflation. it sends a message, this is jewish land and you're next.
The problem is that these videos circulate in zionist circles. "Watch this video of children in gaza calling for the death of jews" "watch how they say they want to fight and kill jews" those children are referring to Israeli soldiers that come in night and do their raids with the star of David attached to their uniform or the ones that bomb them. It's easy to watch those videos and assume that palestinians are indoctrinating their children on anti semitism or you can realize that those children's only interaction with jewish ppl is through violence and parents cannot protect their children from this. Doesn't matter context is lost
Abby Martin went to Jerusalem and interviewed israelis for 2 hours and she says every israeli was extremely confident to say that this land is for them and that they should push the Arabs out and when she interviewed palestinians they spoke of freedom from occupation and their dreams. That's reality. Not the soundbites.
And yet we have invasive youtubers and interviewers constantly in the street of ramallah or wherever in palestine asking palestinians "do you hate jews?" And in those videos you hear those palestinians say "no we have no problem with jews we have a problem with occupation and we have a problem with zionism." Bc this is how we are trained to respond to this trope. Palestinians are very aware what the world thinks of us and the reality is that many palestinians have internalized it and we grow up reading books on the Holocaust and train ourselves to recognize anti semitic dog whistles so zionists don't get the soundbites they want.
So we say "anti zionism is not anti semitism" and we say "israeli zionists" and we do not say "jewish supremacy" even thought it exists in palestine but "zionist supremacy" and in these carefully worded speech we water down what is happening to us in an effort to not deter people away from solidarity. But it means nothing. The world categorically blames palestinians for rising anti semitism they blame us for jewish insecurity globally.
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I know the Zelda Timeline is hardly the most popular thing out there, but for me, it's always been endlessly fascinating. Everything is the same. It's all different. It's linear. It's cyclical. It branches and twists and comes back together. It disregards its predecessors. It can't let them go. It thrashes against change. It can't stay the same.
Every game is a reboot.
But they're also not.
I think the story of The Legend of Zelda is the epitome of narrative doublethink. In order to truly buy in, you must accept the simultaneous facets that none of the games matter to one another and that they all do. They're the same story. They're absolutely not.
The thing about the timeline, to me, by being both codified and nebulous, is what ties this cow tools of a narrative together. It's a puzzle without a box. It's total fucking nonsense, but so is reality. Things won't ever truly make sense, but what if they did. What if we took it from a new angle and... hmm. No. That won't work
Or maybe...
Ultimately, the Zelda Timeline is quite simply a farcical creative writing prompt. A dare. A challenge. To take these pieces not designed to fit together and give them order. Do the writers themselves care? Absolutely not. I do, though. So fuck it.
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can i request three somehow forced into a fake dating situation
Three stares directly into Martyn’s eyes. They are blue and of an average size. It feels as though maybe this should be against the rules, but according to the book it had read, this was… normal. A normal thing to do on a date. Look deeply into someone’s eyes. It would not be suspicious at all, even though Three isn’t really sure how to look more or less deeply into anyone’s eyes at all. Eyes are not flat, but even when Three Looks, it isn’t as though there is anything interesting in there.
Martyn is sweating somewhat. He looks away first.
Three’s pretty sure this counts as a victory, especially given Martyn can’t see Three’s face behind the mask anyway. It is good Three has now won the game of ‘staring lovingly into its date’s eyes’, because that had been a strange, threatening mortal ritual. It would rather not do that again.
“Haha, thanks again for agreeing to this date,” Martyn says, very suspiciously looking around the small cafe in a bustling semi-private Origins server. “It’s been so long since we’ve gotten to hang out like this. Gods, do I sound stupid.”
“You do,” Three says.
“You don’t have to answer those,” Martyn says.
“Will comply,” Three says.
“Oh, for the love of—we’re on a date. A date!” Here, Martyn winks obnoxiously. “It’s not a mission.” He winks obnoxiously again. “Besides, you should lighten up!”
“Will comply,” Three says.
“You know, I had forgotten how obnoxious that was,” Martyn says cheerfully. “Anyway, I should order us some drinks! Have some conversation! Keep an eye out around us, yeah, for our waiter?”
“You are not very subtle,” Three says.
“I don’t know what you’re talking about,” Martyn says. “Besides, honestly? I am really glad to just hang out with you. Because we’re dating! On this server for fancy couples. Yep.”
The problem is, of course, that a fancy origins server is a great place for the strangest of people to hide.
When Martyn had asked a favor, Three had been… uncertain. This was not because Three doesn’t care for Martyn—it does, greatly—or because Three didn’t want to see Martyn—they’d met up a few times before now, tentative and quiet and frustrated and all the things that were hard to explain, and then in all the ways they were okay again—but because Martyn, for all Three cares for him, is still an idiot.
Three is its own handler, now. It does not have to follow handlers that are morons. It had told Martyn this. When Martyn had stopped wheezing, he’d explained that it’d be fun. Not Listener business, he promised; he still hadn’t quite gotten out, but he wouldn’t drag Three in, Scout’s honor.
(Three believes him. It’s never been that Three doesn’t trust him.)
It was a friend of Martyn’s that had gone missing. Apparently, on some fancy modded server? And now, Martyn wanted Three to come help him do some recon because, quote, “Jimmy laughed at me until he cried and that hurt me a little bit, not going to lie, and I’ve used up the favors Ren owes me, and Oli was busy. Have you met Oli? You’d like Oli.”
(Three did not like Oli.)
Three agreed, despite its better judgement. The reason it thought this may be a poor plan was because—
“Ah, the lovely Valentines,” the waiter says. He gives them a plate of lovely heart-shaped calamari. Three wonders if they had belonged to heart-shaped squid. “It’s a lovely evening, isn’t it?”
“Yes, it’s wonderful here with my beloved!” Martyn says.
The waiter and Martyn both look at Three. Three doesn’t say anything and sits perfectly still.
“Um,” the waiter says.
“It’s for a health condition,” Martyn says, which technically isn’t a lie.
“Very well, sirs, although it may get in the way of the kissing competition!”
Martyn, who had just started sipping some wine, chokes on it.
“I will win the kissing competition,” Three says.
Martyn chokes harder.
“I will see you to it!” the waiter says. “And of course, our patented species comparability exam is the highlight of the evening.”
“Oh. I am not sure I can produce viable offspring,” Three says.
The waiter stares at Three. Three stares back, although not into the waiter’s eyes, as to not cause any confusion. The mask somewhat prevents that from working, though.
“Very well then,” the waiter says. “I suppose just—do you need help?”
“It knows what it’s doing,” Martyn hisses.
“I did do research before coming here,” Three says.
“I’ll just head on,” the waiter says, in a tone that suggests to Three that maybe it did not do enough research before agreeing to help Martyn.
Oh well.
At least the mask means it doesn’t have to keep a straight face as it picks Martyn off the ground and, completely flat in tone, says: “Do not die. I would be sad if you died of something as stupid as choking on wine.”
“I asked for this,” Martyn says.
“Yes,” Three says. “You did. That is why I am here.”
(Beneath the table, it grabs Martyn’s hand. Martyn squeezes Three’s hand back. It had missed him, though. For all they do not see each other often—)
(Well. It had missed him, though.)
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