Tumgik
#its fairly isolated to a specific context (white entertainment gender politics)
Text
Ive been trying to collect my thoughts for like two weeks now on what sally reed’s real happy ending would look like and I have found absolutely no answer but it is I think helpful in understanding what’s going on with her last episode before she agrees to go with barry.
Because it’s an absolutely bonkers decision and we see absolutely none of her deliberation really - in fact she has a connection with an agent and might be able to get some minor roles! So it’s kind of surprising when you see her decide to go to her home where you both know he is. Like it’s weird! Until you remember Barry is about how the entire entertainment industry is inescapably exploitative especially towards women. The thing is that Sally wants to be famous but tied up in that is needing to feel safe and powerful. Its not worth disentangling the two theyre co-constitutive. And with Joplin? When she was her own boss with recognition and power? It was taken away from her in a heartbeat and there was no recourse. And she’s furious because she thinks if she’s just good enough and if she works hard she should be owed it. And if someone else like Natalie or Barry gets it she can’t handle it.
And so her entire subplot in episode 4 is in this frame the most concise perfect storytelling. She gets back and is so close to the Thing that will Make it Better, it’s the moving and fame and production and the lights flare. And then she meets a famous oscar-winning director who’s working on a project she hates, with actors cast to be conventionally beautiful and a nonsense plot and 90% green screen. And Sally acts for her, assuming that being good will actually get you something, and fails! (Don’t EVEN get me started on the gender politics here. the only man is the agent offering her a gig but it also doesn’t move the needle because women in barry do misogyny too)
So the realization that HAS to come is that this is futile. She will absolutely never be powerful without someone holding a trapdoor that can take it all away. You can direct CODA and you’ll still be stuck here. She will never be safe. And she can’t go home. So after that, well. Barry.
69 notes · View notes