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#it's so sad when certain writers are biased against her because at her heart she's still...
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Rocket Gang: The Origin of Love and Youth/Training Daze was a beautiful story and it's so good to finally watch it while knowing all of the words.
I watched this so many times when I was young, some lines are forever ingrained in my memory, like "kono pan muda wa shinai" ("I won't let this bread go to waste."/"This bread won't go to waste.") or Yamato's sarcastic "goshinpainaku!" ("Don't you worry about me!") to Musashi in the locker scene--but there's a lot of dialogue in this special and some of it is definitely beyond my level in Japanese, unlike simpler, less dialogue-heavy episodes of Pokemon...
"Take care of Nyasu" Kojiro saying that to Musashi actually made me tear up. ;O; His gentle expression.
This is still such a beautiful story...
Oh, and because my Japanese isn't that good, I had no idea Sgt. Viper told them that if they fail, Junsa-san/Officer Jenny will arive and put them behind bars.
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This makes the ending so much more impactful, GOD, Musashi refused to leave her friends behind and escape by herself, even if it meant going to jail!!! She went from unable to connect with others after years of being alone, abandonment issues from losing her mother so young, to absolutely refusing to leave behind the team mates who became her friends.
And the way Kojiro's expression softens... he's very, very guarded in this special, he likely couldn't be the soft and emotionally expressive person he is in the series before he met Musashi, because he had to survive on the road and it was nothing like his pampered life on his parent's estate... he likely had to build this tough as nails persona (even though internally, he is such a kind, self-sacrificing person, and he still cherishes the same hobby from his youth, collecting bottlecaps...), so even though he sounds cold and quiet, you can see his gentleness in how he treats Nyasu and it inspires Musashi to be kinder and gentler, so at the end, when she refuses to save just herself, even though it's frightening and frustrating for him, he smiles and his eyes shimmer with emotion because he realized she's healing.
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God. ;___;
Then he tries to let go again to save them because Kojiro's still self-sacrificing to a destructive degree (I wonder how bad his mental state was prior to joining, he comes off suicidal)... but Musashi's learned and hse isn't using Nyasu as a rope anymore, she pulls him up, and they both pull up Kojiro as equals. It's not just Kojiro she cares about, but Nyasu too.
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dulcewrites · 10 months
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The way people talk about that scene in ep 9 really infuriates/honestly confuses me. On one hand, you have the people who make fun of it, even though it’s very clear is an abusive/coersive situation. Alicent looks disgusted and so sad. They use it as amuniation against her. Saying things like ‘Rhaenyra would never’. That’s horrible in of itself to say, but it only gets worse when you remember both Alicent and Rhaenyra have experienced being preyed on by older men. Basically implying ‘brave and strong’ women like Rhaenyra would never be taken advantage of (Mind you the people saying this also ship daemyra so self awareness doesn’t come in droves).
Then you have the people, maybe in an attempt to defend Alicent’s characterization, say that it makes no sense. The thing that always confuses me is the silent undercurrent of if a woman gets a modicum of power, that should make her immune to being abused or being a victim of patriarchy. Which is just not true at all. It’s one thing if you don’t like the decision, that’s your prerogative. But I’ve noticed people in the fandom often slip into boderline rape/assault apologia while explaining why they don’t like certain choices (ironically a thing I see people accuse the the writers/producers of). Matthew Needham, the actor who plays Larys, has literally said himself it’s about Larys having power. “It’s not like everytime there is information, this happens. But I think it’s whenever he feels she’s slightly pulling at the reigns, he feels like he needs to put her back in her box.” He does this in ep 9 because Alicent is trying to gain footing and agency without him, without her father etc.
Also I feel y’all forget that larys does have things to dangle over Alicent to manipulate her with. Are we forgetting Larys insinuating that when push comes to shove, he can say it was Alicent’s idea to kill his brother and dad. Like yeah he becomes the lord of harrenhal, but let’s be real, Alicent had more to gain from larys going rogue. That’s why he did it, then says ‘if the queen wants something done’. Up until that point, we can assume their talks/relationship was mutal, or at least Alicent could convince herself it was. Larys cornered a teen girl (in ep 5) knowing she was alone, with little allies. It was never a true meeting of the minds, so him turning out to be a creep was not surprising imo. Plus in ep 7, Alicent says she will surely need a friend like him, with a frankly fearful look in her eyes bc she knows what he is capable of. Another thing he could hold over her. Not to mention, who knows what they spoke about during their talks.
There is a through line of Alicent trusting people or at the very least thinking she can be on equal footing, just for them to flip it around on her*. That doesn’t make her a hypocrite or ‘weak’. It makes her fallible and human. She’s a bleeding heart, and I could be biased but that’s one of my fav traits she has.
*it has been noticed that Alicent takes her shoes off in ep 6 when they have dinner. It makes me wonder if that is how it all spiraled. It either started as a thing she genuinely did because she was comfortable in her room, and he made it some sick thing (like men do). Or there was a ‘buffer’ Alicent could create but it all desenigrated the moment lyonel and harwin dies. In both scenarios it is Larys, the assualter, who ups the ante to get what he wants.
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knightofbalance-13 · 6 years
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Never seen the Simpsons have you?
http://dudeblade.tumblr.com/post/176715386180/one-last-rwde-post-before-i-move-my-rwde-stuffs
The problem with the rushed means of getting to the fall of Beacon.
Dudeblade, I swear to god if you say ‘make them do a One Piece’, I am gonna flip.
“You’re moving shop, huh? Can I ask why?”
Well, Stan, I’ll answer that when I get there. But for now, I just want to talk about why rushing to get to the fall of Beacon was a bad choice.
You know the drill Stan, let me take over.
Ahem-
More like “Why would you ditch the one thing anyone listens to you for?”
“Wait! I want to take a guess as to why! It’s because there wasn’t enough time developing the world and the relationships between characters, right?”
Yep. Like I said in a previous post, the big problem with Pyrrha’s death was the lack of characters that could be affected by her death. Due to this, Pyrrha’s death doesn’t quite hit as hard as most other deaths would.
More like-
“Because it’s something to bitch at the creators isn’t  it?”
“I see. Can you provide an example?”
Well, take Dragonball for example. The original series. Where Krillin dies.
We had journeyed with Krillin, and gotten to know him. He bonded with Goku, Master Roshi, and several other characters. We saw his relationship with Goku go from a rivalry to a genuine friendship between the two.
So when Krillin dies, Goku’s rage is all the more tangible. This wasn’t during the Z era either. Death wasn’t as cheap as it is now. We can feel the rage and sorrow that Goku felt when he went on his rampage.
Or take Pokémon: Mystery Dungeon. In almost all of those games, your player character ends up disappearing. It’s always a heart-wrenching scene. We saw this character grow from a confused human trying to figure out what was going on, to a proud and strong explorer who helped to save the world.
So your partner’s sadness is super relatable. You feel for his sorrow, and even in the fifth installment, where you’re on the other side of the disappearing into light trope, it’s still as heart-wrenching as it always is.
Due to Pyrrha’s lack of development with the rest of the cast, it’s hard to really feel for her when she died. And jaune just up and takes her stuff to upgrade himself. Pyrrha wasn’t just being treated as a prop. She was treated as jaune’s prop.
...
Dudeblade, you’re own examples backfire on you.
Let’s start with the Mystery Dunegon one since that one is the lesser of the two. No, people aren’t related to the parent because of that. We do it because we understand the pain and sorrow of losing someone close to us. And the thing is, if anything, we feel because of the PARTNER character. Really, I couldn’t care less what happened to my guy afterward considering he was being jerked around by me all the time.
Now for the big one:
Namek.
Remember THAT arc Dudeblade? The one where Krillin dies a second time? Thing is, that death is widely considered to be the more powerful of the two due to the struggles and the long ass battle against Freeza as well as the cruelty of Krillin’s death. That is why Goku’s rage is so potent there and why the first Super Saiyan transformation is the most iconic and well executed.
What’s my point in all this?
If you can’t even get your examples, why should we listen to you about a show you will constantly LIE about? Especially since you are comparing Dragon Ball and Pokémon, two juggernauts of human culture, to fucking RWBY, which will be at best a footnote.
Also, P.S. No one else sees Pyrrha as a prop except you people. Kind of goes to show how reductive your thinking is.
“Okay, what about the world though?”
The world is also hard to get attached to. We don’t really explore it. We get infodumps courtesy of the World of Remnant shorts. The little side-series that was made to explain things in the show that the show couldn’t explain by itself.
So is a shit ton of fantasy novels, including fucking Lord of the Rings. Your argument does not work. You don’t get attached to it because that requires some form of basic empathy.
“Well, don’t other series do that too?”
In a sense of things like stats, yes. But it’s like getting a travel brochure from a guy who probably doesn’t know what they’re talking about. At least, when Qrow is doing the narrating. When it’s Ozpin or Salem, there’s a bit of the Unreliable Narrator trope coming into play. We don’t know if the narrator for the Aura WoR was accurate or not, and considering that it said that aura was a passive shield only for the writers to say that you have to actively put it up in volume 5, it’s unlikely that it actually is.
And let me say something else: While yes, it is a smart move to have a character voice their opinions about a place, event, or other aspect of their world- that only applies for character development. In the scenario of wanting to inform the audience, that tactic fails. Take the episodes where Qrow takes over. He provides biased information, and isn’t exactly eloquent or decent information about the things he talks about. He says that a lizard faunus once grew back their tail, but how do we know he wasn’t drunk if/when that happened?
A. That doesn’t disprove anything dumbass. Why would Salem be lying or Ozpin lying? Hell, have either of those two every lied on screen?
B. PASSIVE does not equal SUBCONSCIOUS Dudeblade. I happen to know you are aware of this because you ARGUED this with the Tifa Vs. Yang death battle.
C. What bias is that? I don’t see any reason for Qrow, someone who is KNOWN for brute honesty, to lie or sugarcoat things.
And D. He said he needed a drink AFTERWARDSk, implying he was sober. For someone who claims to be criticial, you seem to miss a lot of little things.
“I see. So these episodes fail at building the world. How do you think it could have been fixed?”
Well, I remember a post that talked about how since the main characters are in a school, they could have done a report on dust to explain it. With Ruby talking about the combat uses, Weiss talking about how it’s mined, Blake talking about how the miners are treated (possibly having points deducted because the point was to research dust, not the workers), and Yang talking about practical uses.- Those aren’t necessarily the ideas reflected in the post I linked to, but I’d think that it would be interesting.
Using a similar idea, they could have also had done the same thing with grimm. With Ruby talking about certain weak points, Weiss talking about certain types, Blake talking about how they function, and Yang providing information on whatever the others missed.
Yeah as I have said:
A. That implies that Beacon’s school system is so fucked up that Beacon students are taught BASIC KNOWLEDGE. As in, shit JAUNE knew.
And B. There isn’t enough time or money. Unless YOU are gonna fund all that extra time out of your own pocket, why should they focus on that and not, say, deliver it to the audience in a cheaper, more entertaining way that doesn’t insult the intelligence of the audience?
“You seem to think that Yang is really smart. Do you want to elaborate on that, or…”
I’ll elaborate enough to point out why Yang is more informative here. She’s smarter than she looks. See, Ruby had to be skipped ahead two years, Weiss had tutors, Blake had to take the entrance exam, jaune cheated his way in, Nora also took the entrance exam, Pyrrha had fame and fortune, and Ren had to do the same as Nora.
See, Raven mentioned an entrance exam. Since she didn’t go to any combat schools of the sort, we can figure out that the entrance exam is there for people who didn’t attend a combat school. This means that Yang is literally the only one of her friends to make it into Beacon the normal way. By studying. I addressed this in a different post of mine actually. In fact, Yang’s grades and study habits are the only ones not to be a plot point (Addressed in this post that I have reblogged). Yang is smart. She could have also had done a project where she talks about the criminal underground, since she has an informant in the form of Junior. She provides some neat (and somber) exposition about Mountain Glenn. She’s a native to Vale. Why not explore the city near Beacon with her?- She could bring her friends too. It’s real easy to hate a character when she isn’t just a pretty face that’s funny apparently.
Yeah and considering you think Jaune is literally retarded and somehow passed himself off as having done it, it must not be hard by your logic.
Also, good job being smart. Bumrushing all your opponents without any strategy or tactic then ‘brute force’, even when one of your opponents will obviously kick your ass. Being smart requires you to actually USE those smarts, hence why I don’t think either one of is particularly smart.
And if you like Yang as who she is, why do you try to scope out anything that you think is like you? Because you don’t actually think Yang is smart, you think YOU’RE smart and Yang is basically the self insert you want.
Oh and this has nothing to do with the subject at hand. So uh, good job getting off topic.
“I have a feeling that Yang being treated as a dumb blonde is a sore spot for you.”
I said in a previous post that I see a lot of myself in her… And not in that way, perverts!
Dudeblade, considering you keep recommending lesbian slave harems as good fanfics, we already know you’re a perv.
And no, no one was thinking that. We know you meant it as ‘Yang must be 100% like me and thus the world must bend to her whim and anything that doesn’t is wrong because she’s my self insert.’
And again, off topic.
So when people insult a character, and reduce them to the baseline character traits, it becomes infuriating.
Blake isn’t a coward for leaving!- She did what anyone else in her position would do!
You mean like say, reducing a father figure down to a single joke?
Or perhaps an honest and well meaning but clumsy guy into a cardboard cutout?
Funny how you do the exact same thing you say is infuriating and yet act like it’s totally irrational.
And let’s get a counter going.
Off Topic: 3
“Dude! You’re getting off-track!- Remember. This is a post about how the worldbuilding was too rushed to make people care about the world.”
Right… Thanks man…
Anyways, another problem with the lack of worldbuilding is well… it’s right there on the tin.
We didn’t get to explore Vale that much. And due to that, it’s hard to sympathize with the city being destroyed. Sure, I feel bad for the people there, but as for their world?- This isn’t like real life, where you can research the city that was just destroyed and feel the sorrow that the people have. Not that I need to. Since Remnant isn’t a world I live in, it’s hard to know if Vale had any historic monuments or orphanages that would make me feel bad if they were destroyed.
Dude, you think anyone gives a shit about the buildings and shit being destroyed in a distaster?
No, they give a shit about the people who are hurt and damaged by it. The fact that you do not understand that concept kind of goes to show how many hoops you’re demanding RWBY jump through.
“Just because you didn’t see them, doesn’t mean they aren’t there. Though I’ll admit to being disappointed at not seeing more of the city.”
While that’s true, it’s hard to figure out where they fall when it comes to faunus equality. We know that Mistral isn’t a good place from their ‘No Faunus Allowed’ sign… And the White Fang somehow not being fired upon by the Mistral Police on-sight… We can deduce from Ilia’s backstory and Weiss’ retconned racism that Atlas isn’t much better is worse.
Vacuo is arguably the best place for a faunus to stay, since the WoR states that they only care about strength… Though that’s probably iffy since Qrow probably dislikes it since their philosophy is similar to Raven’s, and maybe has a bias. Or maybe he hated it to begin with, and projected Raven’s philosophy onto it.- It’s hard to say.
A. The Fanaus were FORCED onto Menagrie.
B. Qrow LIKES Vacuo for it’s way of life, seeing as it’s based off giving respect instead of demanding it like Raven.
And C. Has it not occurred to you someone can hate a place for factual reasons?
“So thanks to his bias, his description would differ from the actual thing, right?”
In theory. The writers were never known for their cleverness.
No, you’re just know for your irrational bias. They aren’t any more clever than your average writer but you’ll bang your head on a wall until your delusions look like reality.
“But if it did, then wouldn’t some viewers get confused that Qrow’s description is different than the actual thing?”
These are the same viewers that forgot that Miles explicitly said that jaune was based on his younger self when trying to argue against the “jaune is a self-insert” accusation. Some of them anyways. I have a bit more faith in them than that.
And you people are the ones who don’t understand how fucking voice acting works AND that Miles has gone on record hating his past self AND that both Barbara and Lindsay have said similar thing yet never call Ruby or Yang self inserts (despite both being treated better by canon than Jaune.).
I have no faith in you.
“You don’t show it that often.”
I’m a pessimist and a cynic. So far, I haven’t really been given a lot of proof that they acknowledge the retcons.
The lack of characters talking about their world hurts a lot too. And since we got rushed to the Fall of Beacon, we didn’t get to hear other characters’ opinions on the matter. We didn’t get to hear Weiss talk about Atlas, we didn’t get to hear Blake talk about Menagerie, we didn’t get to hear Sun talk about Vacuo or Mistral.
Dudeblade, I’m an optimist by nature and yet you people make me reach Guts levels of cynicism. Go fuck yourself.
As for theseL
Why does it matter? Wouldn’t THESE just be as biased as Qrow and thus be a waste of time according to you? or does it not count until it’s actually done because you just want to bitch.
“To be fair, it’s hard to do that when they didn’t have the time to- Ohhhh………”
Yep. The rush to get to the ‘big overarching plot’ makes it hard to learn about the world. Like… I can easily think of a reason why Junior didn’t call the cops on Yang: It’s because he’s a guy who works with criminals, and he doesn’t want to attract any unwanted attention. It’s not that hard. It would also serve as a means to develop Yang and Junior’s relationship more as well. But no. We can’t get that development for these characters. They have to get to that ‘big overarching plot’ as soon as possible. They didn’t want to create characters, they wanted to create fighting styles. They just wanted to make cool fight scenes, and this hurts the story because that focus made it harder to relate to the characters. You have to dig deep to figure out their characters.
Okay now you’ve pissed me off.
You are blaming Miles and Kerry for MONTY’S issue! You wanted to bitch about this? should have done it about three years ago. Now there is no fucking point other than beating and abusing innocent people.
Also who the fuck cares about Yang and Junior’s relationship? You bitch about Jaune existing for more than five seconds but you want to explore to the relationship with a character that has appeared TWICE in the entire show.
And that goes to show your issue, Dudeblade. If we listen to you, we’d basically still be in Volume 1 just with a bunch of meaningless bullshit and superifical details. All because you don’t know how to write.
People tend to boil characters down to their most basic character attributes.
Ruby is innocent.
Weiss is a tsundere.
Blake is a minority.
Yang is violent.
jaune is a strategist.
Nora is bubbly.
Pyrrha likes jaune.
Ren is quiet.
No detail. No real digging. Just boiling them down to these basic character traits because the writers didn’t bother to give them actual characteristics. And when they did, they chose to put more focus on jaune instead of the characters that the show is named after.
A. *flings him a shovel* Go take that up with Monty, 
B. Dudeblade,people do that because it’s easier to write about them and understand them. My proof: Your aftermath fanfic has ONE character just with about thirty different names. You boil them all down to character traits they may not even have: You don't know what you’re talking about.
And C. most of these are wrong
Ruby is childlike
Weiss is abitch
Yang is Barbara
Jaune is pathetic
Nora is violent
Pyrrha is passive
And Ren is stotic.
Only Blake is right and that’s because you people monopolized that.
Goes to show how LITTLE you actually know about the subject.
So combine a lack of worldbuilding,
Your fault for killing WOR.
a focus on fights instead of story,
*points six feet down.*
a lack of creating actual characters,
No, just a denial of them.
and a rush to get to the ‘big overarching plot,’
Which you would bitch about if they didn’t get to it because abuse.
and you get a mess.
No Dudeblade:
When you have three people with a total of three years writing experience between them with the least experienced and worst suited person in charge, you get RWBY.
And yet you consistently fail to criticize it.
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sometimesrosy · 7 years
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Just read a interview with Tasya. I think she answered mostly about what we know in the end of season 4 and not much about what she knows about season 5. But she made me think about loyalties. If faced with that choice, do you think Bellamy and Echo will be loyal to each other or will they be loyal to their people? After 6 years, the spacekru will see each other like family but at the same time, Tasya said "you can take the girl outta Azgeda, but you can’t take the Azgeda out of the girl"
I finally got to read it. I liked what Tasya said despite that reviewer being totally biased shipper trash. I actually had to go and read some of her other reviews to make sure I was seeing what I saw, and the Tasya interview was actually LESS biased than her review of the whole season which totally misunderstood the show, the characters, the themes and the story. So exhausting. Anyway. Interestingly, Tasya’s defense of The 100 is the opposite of what this fawning fangirl writer says about The 100 when she tears it down.
Tasya however says some really interesting stuff that gives insight into Echo.
TT: I felt that people started seeing her differently this past year. Some saw beyond the warrior mask right away, and others are still warming up to her. Throughout season four, her armor starts to break, and beneath it is this vulnerable child who’s lost everything. She has to rebuild her world all over again, and deal with the trauma of the past.
At the end of the day, Echo isn’t inherently evil, she was trained to do one thing: protect Azgeda. Azgeda is a pretty brutal clan, so to survive, Echo cuts emotion out and focuses solely on strategy and execution (no pun intended). Part of humanizing Echo, as villainous as she was at the top of the season, was trying to figure out who she would be in today’s society. Along with my coach, we began looking at child soldiers and young terrorists. The stories of these kids really break my heart. Many were stolen from their families, and conditioned to behave a certain way. Finding Echo’s broken heart, and understanding that she must have been brutalized as a child, helped me bring her adult story to life.
Hopefully season five invites the audience to get to know a different side of Echo. But like they say, you can take the girl outta Azgeda, but you can’t take the Azgeda out of the girl. She’ll definitely retain her badass side that makes me love her so much. 
and
Growing up without a family in a ruthless environment, Echo was put into training almost immediately. She lost her childhood to combat training, which hardened her, but it also cultivated this cool, capable badass we met in season four, and saw a glimpse of in season two. Azgeda would be a scary place for any orphan, even those who were training as assassins. Little Echo was conditioned to be ruthless. She had to protect herself from a variety of threats at every corner, never having a safe haven to call home. So it follows that she latched on to Queen Nia pretty tightly when Nia noticed her. By promoting Echo into the royal guard, Echo suddenly had status, protection, and a purpose. That was the closest thing to a family she ever knew. How sad is that? But her fear of abandonment, and her incapacity to trust others easily, are scars from her childhood that never leave her, which we see her struggle with in season four. She’s terrified of losing her “family,” and will go to great lengths to protect her kin.
and
Reuniting with the ground is troubling for Echo. Octavia greatly threatens Echo’s assumed trust in her new ‘space family’. Loyalties will be tested once again at this terrifyingly awkward family reunion. How much Bellamy decides to trust or defend Echo is up to the writers. My hope is that Echo has finally found a home, and some friends. 
So while the interviewer keeps pushing Becho (again and again) Tasya is like ‘oh i love your enthusiasm’ and turns back to Echo as a wounded, orphaned child soldier who is searching for home and family. 
WHICH IS AN INTERESTING STORY. And one we don’t talk about enough because we want everything to be about shipping. 
What I’ve been thinking is that Echo turns her alliance from her King/Queen onto Bellamy as her leader and savior. What I’ve been hearing from JR and Bob and now Tasya is issues of family, parallels with Octavia, almost a father-child role, which is NOT shipping. It’s more that king/knight thing going on. 
If we can look at Echo and Bellamy’s relationship, and Echo’s character development along these lines, instead of shipping, either for or against, what we have is a good developing story that gives us a lot more room for narrative growth and conflict and redemption in season 5 than another ship or even a romantic triangle or jealousy or whatever. What WILL happen when Echo is faced with her Azgeda people coming out of the bunker, and her loyalty to her new king and family is tested. What will happen when confronted with the Queen of those people, Octavia, whom she’s replaced as Bellamy’s family? oh. wow. That’s a story. Y’all ask me about that one, not the B/xcho stuff.
But nope. Interviewer wants to keep her shipgoggles. Sorry you guys. You know I have problems with shipgoggles and I really get angry at professional reviewers who present their biases as objective analysis. 
Just because someone says something is an analysis, does not mean that their interpretation and hypothesis are correct. If I read the whole thing going “but that’s not how…” “but the other character…” “but that didn’t happen…” “but what about…?” “but… but… but..” then I don’t consider that a good analysis. 
fine. i wasn’t going to link back to the horrible reviewer but in the interest of letting you read for yourself. [x]  Add her to the list of bad professional reviewers I don’t respect. 
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