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osatokun · 16 days
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I'm horribly missing drawing darker scenes So, I'm opening 2 dark halfbody slots! They are 210 usd for up to 2 characters. Clothes and bg can be more complicated. Additional characters can be added for + 60 usd. I will gladly draw gore,blood..err...generally horror themes Will be done in two weeks ! Payment via Hipolink (paypal) or Boosty (card) [email protected] cats can be added for free :3
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builder051 · 5 years
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Best of 2018: other stuff
I’ve posted lists of my most popular posts and my favorite pieces of my own writing, but I want to take a second to plug some my favorite other stuff.  I’m a pretty big media consumer, despite being a little out of touch with what’s popular and newsworthy.  But since I tend to hyperfocus and perseverate, you can rest assured that everything on this list has been tested to the limits and truly loved.
Podcasts
The Adventure Zone
Yes, I’m extremely late to the game.  If you’re not familiar, this is a live-play fantasy gaming podcast (it started out as D&D, but they’ve expanded) where 3 brothers and their father create amazing adventures with hilarious and relatable characters, perfectly balancing drama with humor and action.  It may sound boring, but they’ve created DragonQuest (Balance arc) and Scooby-Doo (Amnesty arc) esque worlds that are easy to get lost in.  There’s approximately 100 hours of content so far, so it’s a commitment to catch up, but entirely worth the time.
Books
Sharp Objects and Dark Places by Gillian Flynn
I read Gone Girl years ago, but I was unaware that the author had more books to her name.  These are as good as Gone Girl, and arguably creepier.  Sharp Objects is beautifully written, with the power of angry words as a central plot point.  Dark Places is more suspenseful, and it has more characters, tackling the way in which small actions create ripples in our own lives and those of others.  HUGE trigger warnings for both of these.  The TWs are spoilers, though, so think of them this way:  If you’re a fan of Criminal Minds, you’ll love these books.  If you’re not, you probably won’t.  Both have emeto in them (and so does Gone Girl).  I have a feeling that the author might be a fan of whump. :)
The Adventure Zone graphic novel
See above.  They made the podcast into a comic book.  It’s genius.
TV
American Vandal
This is a Netflix show that I feel like is simultaneously very popular and something nobody knows exists.  It’s been a long time since I lost sleep over a TV show, but I couldn’t rest until I finished the first season.  It’s a reality series/documentary following a 15-year-old boy’s quest to investigate a tagging incident for which his classmate has been (wrongfully?) accused.  It sounds low-stakes, and it is, compared to something like Serial that investigated a murder, but it rides the line of seriousness and humor that perfectly captures the gravity of teenage life.  It’s crass, it’s disgusting, it takes an inordinate amount of time to lay out the details of summer camp hookups and phone pranks, and yet it also shows a boy’s deep-seeded worries about how his actions will affect his college and career choices.  The series is amazingly well produced, considering that it’s the product of high school sophomores working out of their school’s media center.  It’s the kind of show you’ll watch on the edge of your seat the first time, then continue to giggle at it for weeks afterward.
The Vietnam War
Yes, one of those PBS Ken Burns documentaries.  If it’s not your cup of tea, I understand.  It didn’t used to be mine.  But this isn’t the kind of film you fell asleep to in history class.  The narration balances geography, history, and government lessons with real-life anecdotes, all presented with original footage of the most-photographed war.  I’m a nut for the era, but it’s an incredibly poignant viewing experience that brings a lot to the table.  Segments on music, pop culture, protesting, and the perspectives of various cohorts (African Americans, Viet Cong, those who fled to Canada, nurses, children of refugees, etc.) combine into a patchwork story that’s well worth the viewing time.
Sharp Objects
As discussed above, this is a thriller/mystery adapted from the page to a miniseries for HBO (but google it and you can stream for free).  Amy Adams portrays the main character, and it’s about 75% true to the book.  It’s not as good as the book, as most of these things turn out to be, but it is good.  Lots of angst, illness/injury, emeto, etc.  But, as I said, it’s like Criminal Minds in terms of content.  TWs abound.
Films
First Man
This is a perfect film.  It’s a biopic, and there’s not a lot of action, but it’s thought provoking.  It’s exceptionally well-written, the acting is spot-on, and the music and visuals are beautiful.  It makes a man’s extraordinary experiences into something intimate and relatable by de-mystifying it.  Fight with the wife, swim with the kids, go to the moon, ho hum.  Tis the rhythm of life.  It’s all presented at the same pace, with much gravity (pun intended) given to body language and well-placed symbolism.  It’s definitely a shoe-in for awards, and it’s my pic for Best Picture.
Isle of Dogs
This is a bizarre piece, but it’s genius.  A bit like American Vandal in its way of being simultaneously sincere and off the wall, this animated film occupies an awkward collegiate space--it’s not for kids, yet not really geared for adults.  It’s funny, cynical, and very sad, though it’s not that kind of sad dog movie (again, spoilers, but I’ll say that it’s ok to get attached to your favorite characters).  This film is art, for sure, and it’s also extremely enjoyable.
Boy Erased
This is a tough watch, because the TWs are the plot: A boy struggles to come to terms with his sexuality and recover from the trauma of sexual assault while participating in an abusive conversion therapy course.  There are no plot twists.  It’s exactly what it sounds like.  But the acting is gorgeous, especially Lucas Heges as the main character and Nicole Kidman as his mother.  It’s a beautifully angsty movie.  It has a largely hopeful ending, but there are almost no lighthearted moments.  All the same, it has a satisfying feel, and didn’t make me feel down when I left the theater.
Colette
This is the ceiling-shatterer of this awards cycle.  As promised in glimpses of the trailer, it’s ground breaking in its portrayal of female agency and LGBT characters in a historical context.  The beginning is a bit slow and Jane Austen-ish, but from the midpoint to the end, there are multiple mind-blowing revelations and shocking lines that take the story from a little known page of history to a spectacle representative of the Parisian salon culture from whence it came.  
Cam
I know this is a strange choice.  It’s a second-rate, made-for-Netflix pseudo-thriller about camgirls and the horrors of modern technology.  The reason it’s on my list, though, is because it’s very obviously meant to compete with Assassination Nation (even using some of the same actors), and, unlike its big-budget counterpart, it actually hits its mark.  It forces the viewer to think about the lines between respect and abuse, exploitation and sex work, and the meaning of privacy in an increasingly digitized world, 
Art
Artsnacks
Subscription boxes are nothing new, but I’m especially pleased with this one.  Instead of just sending stuff, it cultivates a community.  You receive a box of 4 to 6 art products (typically a pencil, a couple pens and markers, and a paint and/or brush--things that are expendable, so you don’t accumulate junk even as a long-time subscriber) and a piece of candy.  The game is to use all the products in the box to create a piece and post it on social media, then connect with other artists.  Artsnacks also releases collections and pushes additional challenges (such as Inktober) that encourage skill development and interaction among participants.
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13x05 watching notes
I’m not used to getting what I want.
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Expectations: holy crap am I excited to see Billie again. Yeah yeah Cas or whatever, we know he's back and would be coming back from the moment he died, and all the rest is just flavour text... BILLIE is an utter treat and given A: how she died (not just dead reaper killed off for man pain as a minor thematic antagonist, but also woman of colour on the show which was a bummer and at least she alters their post-death appearances dismal stats even if she isn't back-back as her full and healthy self a la Cas as a worst case scenario >.>) and B: the themes she embodied, and C: that Cas just got punted back OUT of the Empty, well, I am ridiculously pumped to have her (or the image of her >.>) around again, because of the utterly fascinating thematic conundrum she'll represent and because Billie was the most freakin awesome character ever, and Lisa Berry just exudes this raw calm power, and I went and watched Shadowhunters over hiatus 90% because she was on it in like 3 episodes and lo and behold she was a powerhouse in her scenes there too :P
Of course I have a personal stake too and as a meta writer it's not quite so obvious, as a shitposter you might have caught me endlessly referring to it, and as me personally inside my head, I know that I introduced Billie to Terrible Coffee AU to be a side character to the drama, meaning to embroil her in it as a voice of amused-warning-to-later-friend for Cas, and began constructing an entire narrative to explore cosmic consequences in as if post-death the show's Billie had wandered over to my silly AU and was using her extreme disappointment in them all to add another level of irony to the characterisation (listen: imagining what face the canon character would make at their role in your AU is a great way to characterise and people think I'm good at it, so free writing tip :P) and I had to make Billie proud about what I wrought. 
I failed to actually write that section in time for this episode, had no idea there WAS an expiry date and that Billie would come back, but here we are and I've accidentally over-thought Billie to an absolutely astronomically disproportionate degree to probably most people around these parts for the sake of having her tease Cas about Dean from the deck of a boat while they were sipping cocktails together. :P
I can and will mentally insert a cocktail into Billie's hand in her scene(s).
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OH AND THEN THROW IN THAT THIS IS A YOCKEY EPISODE. Of all the current writers, he's the one who makes me lose my chill completely. He's got an incredible way with character and emotion which I absolutely adore, so I find it pretty hard to worry about all the nervous little things I worry about aside from how much the grand scheme of things will let Billie back. And season 13 seems to be going pretty in my favour as a viewer and meta writer so. Super sublime chill.
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Oh boy the recap people are trying to put us out of a job.
Superimposing Dean's speech to Patience over Sam crying over Dean nearly dying in 2x01 and ghost!Dean lurking behind him, which of all the reminders that they die a lot is a... lot of a thing. Because John etc. Season 2 theeemes everywhere. And then of course them getting shot as ghosts in 4x15 aka time to save Tessa. And Dean wasn't having an easier time in that episode, hell-damaged and talking to Tessa about how he wished he'd gone with her. Could just be subtle reaper reminders because the next shot is Sam detoxing demon blood in 4x21, nudging us into new territory for Jack theeemes. But that's part of the "pain" in his speech, "horror" is Dean hilariously dying in 3x11 when hit by a car, which, well, wasn't hilarious at all for Sam or the rest of that episode for us once the dying montage was over, and just reminds us how much they're dicked around with by the universe... And then "Death." Over. Death's hand.
Look, I am a simple person with simple wants. I would have been satisfied to just have this about Billie but now you're making me want to see DEATH again and see what the heck happened with him. I mean I've always sort of wanted to see him back again because if Billie would be pissed at them... :P But I could accept she was his stand in from now on. That she WAS the new Death all along, even, for our wild spec. Now I am MADLY excited about how they're going to utilise all this stuff because oh hi have you met me the reapers and death stuff is my absolute favourite stuff on the show. I was always hoping this wasn't going to be a cop out with the tasty sounding title, and it seems like they want us to really be on the ball about the themes here, to whatever end.
(Just having paused it to squeal here, it could be a fake out about Death because the first shot of him in his killer intro montage was his hand with his ring because in season 5 that was the cue we needed to know that was the ring we needed and that Death was who he was supposed to be... Logic dictates the ring crumbled in 10x23 but if they wanted to invoke Death without bringing Julian back...)
Weeeeeeeehheeheheheheeee Death's "affront to the balance of the universe" speech in 6x11 where he was resentfully giving Sam's soul back on one condition... The same thing Billie was pissed about in 11x02 onwards. Is he here to cover for her reappearance and make this seem like it's all just a big cosmic theme? Because something tells me this episode is about their deaths somehow or another, either temporary, threatened, or big picture :P
Or it's confirming that Billie is Death, there's always that because the next transition is Dean killing Death to Billie LITERALLY CONTINUING DEATH'S SENTENCE FROM 6x11 - "you cause disruption on a global scale -- so next time you die and your brother bite it, we're going to toss you out into the Empty."
"And *nothing* comes back from that" *stab*
Leaving it there with Cas - no cutting to him back alive in the bramble patch. Instead the last note, the only one ABOUT the Winchesters in season 13 aside from Dean's 13x03 speech being used - is Dean saying Sam needs to keep the faith for him, which was the comment only answered in dramatic irony by Cas's return. No comment on the dominoes of Cas stabbing Billie, getting stabbed himself, going to the Empty, and coming back from that. No comment on the deal. This is all stuff we're either meant to know already or isn't strictly relevant right now... But we'll see :P
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Sort of scared to play the cold open because eye horror in the promo pics and I don't wanna see the doctor drill some random person of the week through the eyeball :P
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Oh no, it's kids. I think they're still alive because of the promo where they refer to talking to some kids. Or one of them with the implication both made it out the house although I assume their time is numbered regardless.
They're visiting a house which used to be a mental health clinic, which has weird overlap to last episode and the fact the guys went to a fully functioning house with a modern day therapist in it. Mel pointed out the Asylum direct visual reference in one of the props we see in the fast promo so I suppose that's a good season 1 reference to keep in the back of your head.
The floppy haired kid with the backpack (aka the Jack mirror?) is more uncertain about doing this but encouraged by his friend to go along with it. His friend is a dick.
I hope someone's had a good look at the stained glass window because I can't tell if we've seen it before or not. This may or may not be set re-use >.>
You can tell the boys apart because one is half battery (the dick) and one has full battery still (our sympathetic guy)
Don't touch the plague masks!!!!
Literally that was your entire fault and at least the one we were rooting for legged it with a minor wound. I think even some other ghosts were yelling at them for waking up the doctor (I HOPE that's not a parallel to The Empty and Cas waking him up)
But yet... sam and dean seem to have visited both? Was it only "minor" brain drilling and the other kid comes back home slightly altered? Mel also made promo shot comparisons to Naomi and her drilling... Brrrr.
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Anyway Dean is making himself PB&J so I don't have time for you all. Ouch.
Did Sam literally just compliment Dean for making himself a sandwich?
is it a recovery sandwich?
I get the feeling if we're seeing this and the promo was a lil later on and some investigating further into the episode then maybe we're basically seeing Dean's breaking point for being babied through his grief by Sam's attempts to cheer him up.
Makes you wonder why they picked that instead of this, but this could be a relatively dull opener and Sam trying to talk Dean into going to a strip club was too funny to resist, because it kind of was :P
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Sam has been on screen 6 seconds and he's annoyingly peppy
I love Sam btw, like, you are not allowed to judge me for how I may talk about Sam in the coming stretch of episode because I get the sense he's in full on cheer up mode, which turns anyone into the most irritating person on the planet and then you throw in Sam's eyebrows and basically I can't with him :P It's not a judgement on his character, I know he's trying to help Dean because of what Dean told him, but Dean just wants to operate a shell of himself for a while and Sam's trying to dig him out of it because it's painful to see him like that and he doesn't know that Cas is reconnecting with them soon, and if not today then next week and also probably by the second half of the season Mary will be back with them.
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Anyway Dean just carries on stoically making his sandwich and we all talk a lot about the symbolism... I think in this context perhaps it's loosely linked to Kevin operating as a ghost out of this kitchen after dying halfway through his PB&J and coming back for the crusts as unfinished business. He was mourning his mom while he was alive but then it turned out she was alive but too late he was dead.
The PB&J is also symbolic of humanity so idk. He could just be making it because it's sweet and he has a sweet tooth, it's vaguely reminiscent of pie filling but not enough to be traumatic and it's Dean's "I'm doing 1 good thing for myself today" personal quiet method of getting better in the long slow aftermath that Sam wants to rush.
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"GET THIS" Sam is on full on Sam-ing
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Awww Jack's watching DVDs. I assume Sam HAVING a stash of DVDs is stuff he's collected as an adult with a Bunker to go on a nostalgia kick. I assume they have a PO Box pretty much for Sam's Amazon deliveries. Like, he hasn't been lugging DVDs around with him since the start of the show and before that they had a bunch of VHS tapes in the back of the car or something :P They grew up dependant on what was on motel TVs and picked what they liked to come back to as adults with a settled address.
Also: the clouds part and bestow on us: a thing Sam likes!!!! That's like at least 4 songs, a couple of movies including Star Wars stuff, HP Lovecraft, and now liking old bad fantasy movies that even Dean judges him for.
Or, I assume, Dean has watched and may or may not reference if the opportunity came up but he needs to box something off as Sam's weird nerd shit that makes him unappealing to the ladies, while Dean, obviously, has never liked anything nerdy, and has had lots of straight edge manly sex with women and all comments about Zorro masks are stricken from the record.
Sam, being in a magnanimous, my brother is grieving, mood, just literally takes the hit and keeps going. Jesus Christ Sammy.  
I would swear he's worn his worst plaid today just to give Dean something else to judge him for :P
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Oh uh anyway point is Jack is being stashed in the Bunker just like Sam once stashed Cas with his netflix. Sam's being responsible for the pop culture education of 2 generations. At least Netflix lets you pick whatever you want once Sam's not trying to be helpful, and in 11x06 Dean related to Cas to switching to bad TV, rather than watching Sam's picks of the good stuff you're meant to watch.
Less chance of Jack going on a complete rampage through trash TV, but still if nothing else Dean's hands-off approach to the kid means that Sam is being allowed to mould him however he likes :P
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I just went back and watched again just because I realised the credits were ALREADY over after 5 names. It was like, J2, Misha (yay!) and 2 people I hadn't heard of who I assume are too important named characters in this episode to skip but also not reoccurring characters. I wonder what the slippery slope is when you don't put Lisa Berry's name in the credits of an episode you've advertised she's in. Even people who've checked on TV guides will know... But I guess you treat the episode as internally self-spoiling and ignore what everyone knows for the sake of the person who buys the DVDs and watches through without even reading the descriptions in the sleeve or whatever. Anyway glad she wasn't spoiled but it does make me like *itchy teeth* about Death being in the recap, because naaah. Naaaaaaah. NAAAAAAAH. they wouldn't. they're not. it isn't. She's making like, a hallucinatory cameo for theeeemes and I got to stick with that until the episode proves me wrong, never mind bringing Death back :P
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As a fan of Death and the reapers (probably already a band name) I'm like... so on edge right now :P
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Oh wait also Dean said "what about Jack" - he's using his name even to Sam now. Not teasing him about the anti-christ
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Ya know, based on how beer for breakfast (name of my band) went over and letting Dean be Agent Page (oh the promo is so the breaking point - Dean already is calling him out on all this IN THE TEXT, using his words to point out the weirdness) I am actually thinking that Dean would have actually quite liked to go on another job with Jack. That he was starting to see the use of him and to warm up to him ever so slightly as a person since he showed effort and did a good job and saved Sam and dug the graves for them. I don't think Dean would ASK out loud but if Sam had said, "Jack comes and that's final" Dean would have done that face shrug expression and let it happen without much complaint.
Sam is bending to Dean's apparent desires and being like, well Dean doesn't like Jack, this could be a chance to get Dean out of the bunker without Jack and let him forget all his troubles for a bit...
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Like, I don't wanna worry you Sam, but last time you decided you needed to cheer Dean up from his extra super special worries about Cas, you took him out into the woods for a fun werewolf hunt, got shot and strangled and had to kill literally every single werewolf in the episode with your bare hands while bleeding profusely from your stomach, while Dean had a random encounter with Billie in the depths of utter despair that he'd lost everyone he ever loved and the world was now going to end without you all.
Dean's a drama queen about a lot of stuff but when he tells Jack your plans don't usually work out, this is the sort of shit he's referring to :P
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*Sam looks so freakin smug with himself walking off after the badge exchange and Dean's like... what. What?*
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Poor kid with his great big bandage on his forehead.
He "can't even talk" because the trauma was so bad and we cut to him apparently drawing in his room, which makes me think right back to 1x03.
Omg lol of course Dean walks in the door alone to chat to him. And sees him drawing repeatedly the MotW. We bonding over trauma so bad we can't even talk about it again?
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OH there's 3 boys. Shaun/Sean (I'm gonna pick Shaun because this is America and I assume you all don't spell stuff proper - FYI to Americans reading this, please remember to read this all in a shrill British accent, what what) and Evan who was presumably the one who died in the cold open, and Mike is the third, who they're inseparable from but was NOT there in the house with them that night, and by nightfall at the promo scene they had not spoke to him yet.
What a frikkin rug pull though, to have 2 boys in the open, so you think they're a duo of best friends, and it's like NO WAIT THEY COME IN THREES... Bahahahaha
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Dean back upstairs with Shaun, and he's sat down to talk to him with a "you know" and at this point I am pausing and getting a stuffed toy because he's either gonna open up to a kid who won't squeal about it because he can’t talk, or say something completely awful because he's in an awful place and either way I don't need Emotional Honesty Hour from Dean Winchester at 9:30 in the morning without a friend :P
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On no, Dean talking about knowing what it's like to be scared of monsters, but then trying to reassure the kid that he can at least make it go away PHYSICALLY even if the horrific psychological trauma can't be erased. Comforting!!
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Promo sceeene!
Which we already picked over but aw yeah so Shaun didn't tell Dean anything after all, except for the plague doctor drawings (and he didn't show he had the mask with him? Really?? Did he drop it earlier?) so Dean really did just open up to the kid about understanding his pain but being the thing monsters are scared of... A better Dean pep talk than Patience got at least, since Shaun was a regular victim and Patience might have been angling to join the life... and it mostly just served to make him say that :P
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Since I've been barrelling through all the Wayward Sisters old episodes this month, I am reminded that I spent a good long while wallowing in Yockey vs Sam knowing Dean's porn habits and outing them to Jody in 12x06... 
I think Sam trying to make the sacrifice to go to a strip club with Dean (and I can't believe this is the third time I'm putting myself through watching this exchange because omg second hand awfulness and yet I went back and watched it twice it was so good) probably fits under this characterisation umbrella. 
Of Sam vs performing Dean, as much as the callbacks to season 1 and Dean vs Sam's Jess grief that I was talking about last night thanks to an anon nudge. And parallels to 12x16 and their chat about the swimming pool outside a similar hotel set (although this one is infinitely lower rate :P) - the writers playing with the knowledge that Sam and Dean have grown up completely latched onto each other like this and Sam's been dragged to strip clubs by Dean almost certainly and they just kinda know more than they want to about the other's personal habits, and they have low, bad boundaries. 12x16 was asserting some back, letting them have separate rooms, and showing Sam grossed out by the thought of Dean skinny dipping which, I mean, fair (if you're Sam anyway :P) but they don't really GET those boundaries. 
So there's some re-poking season 12 specific themes here as well, just in that Sam, who has historically had his own walls up about Dean's porn and interest in strip clubs (because they're extremely not his thing) is willing to cross a line for Dean and just go with Dean to a strip club and buy him a lap dance from a place with a decent online review. Which also shows low bad boundaries that he would try and manipulate Dean back to happiness this way, just like in 1x19 especially, Sam had to angrily re-assert his boundaries about Dean constantly trying to set him up with Sarah, and Dean had to point out he has a stake in Sam's sex life too, even if it's just having to put up with Sam being cranky and miserable. Historically, Sam having to put up with Dean's sex life is considerably more on the "ugh, TMI" range for him :P
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... sorry, yelling "promo scene!!" usually means I stop analysing for a moment and just watch, because I already went over this ground last night, but I guess there's more untapped depths :P
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Holy shit, though in the reaction shots for Dean after talking about the Clam Diver, he's standing with his back to some stuff that on my screen makes a beautiful bi flag. What the hell. I was thinking how colourful the backdrop was last night but...
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I mean that's the blurry background to his close ups on this.
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I THINK it's just the road lit up behind him but oh gosh getting it in the background of the shot for THIS conversation about the Clam Diver? GUYS what are you DOING. 
Who directed this??
I overshot and landed on "how you ever got laid" "heh, tell me about it" I can't BELIEVE, STILL that Sam just gave him that win. For some reason it reminds me of Swap Meat where he judges Gary for being a virgin based on the Star Wars stuff, even though Sam is an established Star Wars nerd of more than the general audience variety, and mostly likely read the old tie in novels :P Sam owning that his nerdy interests as a teen didn't exactly make him very sexy is probably the most frank thing he's ever admitted to Dean and he's just trying to help Dean. 
(Tbh, again, it may have helped Dean more if Sam just reacted all prickly and got wound up, which is generally what someone teasing wants - a reaction, not rolling over and showing your tummy. Anyway more on the pile of Yockey probing their sex lives in relation to how they see each other, with Sam letting Dean be the one with the more manly sexy interests and letting the performing Dean layer that all comes from win, and then trying to pander to it some more by looking up places to make Dean feel even more manly and in control)
And holy crap I'm glad I have no yoga today because Yockey's got me talking in loops and I've been back to this conversation in the kitchen 3 times and it's nearly 10am and I've made such bad progress. Mental contortions instead :P
Ooooh directed by John Showalter. I'm pretty sure he's been around for aaaages and contributed more than his fair share of nonsense... :P
I just looked him up on the superwiki, saw he directed the episode with HP Lovecraft (and that ridiculous "I was busy having sex with women" or whatever line about Dean not reading the novels) and basically I am gonna hit the brakes on this thought and just watch the episode or I'm going down a rabbit hole I don't come back from until 11am :P
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Oh but the thing I was trying to confirm was... Not that I knew I was looking for it except in the most abstract sense that I was thinking of it in one hand and thinking maybe there was something by this director in the other without realising it was the same hand... the blue & red light falling on Dean in 10x16 which looks an awful lot like the bi flag and shortly preceded Dean confessing all that delicious confessional stuff?
Yeah guess which director according to Superwiki.
Now i'm done.
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I want to know what metric The Clam Diver got "four and a half" of on whatever site Sam was reading about it.
That's in Sam's browser history.
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"Is it my birthday? Did I win a bet that I don't know about??"
"I'm just trying to be nice."
"W h y."
"Because..... you know why."
"I'm f i n e."
Sam, back off, he's gonna stab you :P
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I got to ask... is the automatic door not working an improv because the door broke, or thematically relevant, because that's the sort of random thematically relevant detail I could have a nerdgasm about for absolutely hours of typing while Sam is harassing Dean into the building talking about him not believing in anything. The higher powers aren't doing shit for Dean even when he waves at where he thinks the sensor should be, so he gives up and just opens the damn door himself.
The door has a sticker that says, quite clearly, "warning automatic door" and at the very least for the shortsighted is a great big yellow warning sticker on it, so I'm gonna have to go that they're signposting that it's supposed to open, so this is something either scripted or added with full intent to metaphor and my brain hurts.
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Sam is trying to understand this massive great big VOID of misunderstanding and it's... frankly awful. He's babbling about his understanding about Dean and his confusion
"You're not, Dean. you said you don't believe in anything, and that's not true! you-you-you do believe in things, you believe in people, that's who you *are*, that's what you DO. I know you're in a dark place and I just want to *help*"
This is telling us a lot more about how Sam sees Dean than Dean's faith arc. Of course Dean believes in people and saving people and that the planet is worth saving. That's a baseline assumption around here. Dean and *faith* though, in believing in things, in how the universe treats them... it doesn't even open automatic doors for them. Cas is DEAD. Cas is where Dean's belief arc centred in the last minute of 4x01 and Cas is where it has freakin' remained for the next 9 years. Cas lost faith in God and Dean chucked away the amulet because he lost faith in everything - Cas and Sam and himself and their ability to save the world that didn’t want to be saved. Cas became God and Dean lost all hope he may have had left. Cas came BACK to Dean and his faith was restored but in THEM. GOD came back and Dean and Cas had similar and unchanging positions on it right down to Chuck basically telling Dean not to confuse him with his own father, but the ridiculous superimposing over John over Chuck and Chuck as Cas's failed father who Cas now just ignores outright and Dean lashes out on his behalf because he knows Cas doesn't believe. That Chuck broke Cas back in 5x16 and... Yeah. Cas is gone now and what does Dean even have left in his personal faith? Chuck didn't answer, the automatic door won't open even when he waves at it...
Sam sees Dean as having no faith in God (while Sam has had the much more complicated journey there with his personal faith, and feeling it in a religious way) but instead he tries to get a read on Dean's personal compass, and god dammit Yockey *takes a shot* in Wendigo of course Dean sits down with Sam and tells him HIS personal philosophy on why he does what he does: saving people, hunting things, the family business. The thing is, Dean has already in this episode reached out to Shaun and described himself and Sam as the people who know about the monsters, the ones who can't erase the trauma but they can erase the monster, and help what little they can there... Save *other people* from it - yeah it's a message full of regret and defeat that Shaun already got hurt and that's probably why Dean couldn't get him to open up because he didn't come in bubbling with wide-eyed optimism about saving the day, but heavy eyes that had seen this too much. But oh does he still care about the people, and saving them. He just doesn’t trust what HE can do, what they can do against the tide of awful. It's not in his speech to Patience, because it's not the motivation to be a superhero any more - he is just a guy doing a job. And he's lost his heart in many ways. But he will still fight to protect and help people because baseline, Sam is right, that IS Dean and even damaged like this he'll go on hunts and protect people. Take Jack into the Bunker with them in 13x01 expecting it to be a self-destruct thing where base case scenario they can take Jack out with them or something and contain the blast...
But yeah. 13x04 expressly ended linking Dean's lack of faith, via dramatic cast-iron irony, to Cas coming back as Dean voices what losing Cas has done to him.
And then Dean gets to say his bit -
"We've been down this road before, and I've fought my way back and I'll fight my way back again" which HONESTLY echoes Cas in the Empty telling his depression to stuff it and that he'll fight and fight for eternity if he has to.
Dean is trying to get better, he made himself a PB&J, he's just taking this all at his own pace, and Sam's starting to smother him.
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"How?"
"Same way I always do: bullets, bacon and booze." Dean regrets his no bumper sticker policy because that and the "whole bottle of Jack" comment from last episode are both iconic Dean talking about his coping methods out loud way.
Also throws back to 10x11 and how Dean did that list of 3 things which he was getting back to when he lost the Mark and left a blank space which should have been "babes" or something and just put more booze into it. The swap of sex for food happens a LOT with Dean. For some reason the Dean vs cake explanation I wrote recently was floating around tumblr again last night, in which the middle of season 10 conveyed clearly that cake was stuff Dean hadn't tried yet (and 10x16's confession tied it all together - we're really delving deep into the stuff that was explored back then and I've thankfully been in fandom for so have the language down really well but I hope I don't have to explain this entire complicated web over and over later :P) and pie was coping methods heterosexual sex with women - tying what Dean wanted in 10x07 in the hook up he didn't get, to pie in 10x13 via that gross dating app... All this with the cake, croissookies, and that comment in 10x11 where Dean was trying to detox and eating egg white omlettes (hi 12x18) and cutting out booze.
And, of course, there's the whole bacon = bisexual experimentation thing from 8x13, 9x13, 11x21, and I guess now :P Cass had a much more thorough bacon masterpost somewhere out there which I may have to dig out and reblog with a knowing look...
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And Dean slams his hand down on the bell to punctuate this statement and hopefully bring an end to the conversation by summoning a hotel receptionist.
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Cue screaming kid having nightmares about what he's seen.
His mom kisses him on his forehead where the doctor drilled him, and leaves the door open so she can be concerned about him.
Oh no, his backpack DOES have the mask in it. Dr Monsterface used it to get to him :<
(Oh wait hi yes that thing Jody said about the Dr Sexy leviathan in 7x02 is still fresh in my mind. Leviathans as a depression metaphor in a way The Empty rapidly escalated.)
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I saw/maybe reblogged a post about how Jack might have Kelly used against him and 13x04 was the nice version, but he's going around carrying his grief about her in a backpack. We have to hope like hell Mia gave him catharsis enough or he might carry that grief with him and things can use her image to get into his head.
(That and the 2x "shoot him!" order about Dean from Miriam and Buddy to the sheriff and Mia, 2 people who wanted to help, are causing foreshadowing concerns)
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I love the cuts between the doctor coming for Shaun, though - the bell ending one conversation to Shaun waking up screaming, and then he gets up and pretty much goes to confront the doctor head on rather than cower - but cut to an empty bed.
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Dean's empty bed, but he seems to have left the keys?
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Ah, he went and had some, uh, catharsis somewhere. I swear to god those are probably the sunglasses from 1x19 dug up again and stuck on his head just to haunt Sam.
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The fact his tie is tied around his head makes me feel like he was probably blindfolded at some point in all that... Hehehe. I doubt his tie is tied so nicely around his head with a pretty bow because he did it to look cool :P It would just be the same knot but on his head in that way.
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Sam's like "oh great" but doesn't kick Dean awake? Like on a normal day when dumping a glass of water on his face and telling him to suck it up would be the correct thing, Sam's like, "Sam's got this!" goes and gets dressed, takes the keys, and leaves Dean passed out on the floor. In 1x19 he hit the horn to wake Dean up because serves you right.
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(if he only went to a strip club he may have just made off with someone's underwear thrown on him for being a good tipper rather than actually having sex with anyone... I kinda doubt if he was THAT drunk he'd be more than a very generous customer they don't mind kicking him out at closing with a bra still on his head :P)
(I'm gonna assume Dean did not actually have sex but just went out and had some very drunk miserable fun and made a friend last night and now he's gonna be dependant on Sam for cash for a while until he can scrounge some back up :P)
Also, um, what is he holding when he rolls over? Is that a fun kinky times toy whip? Exactly what sort of place did he find last night, and please, for the love of god, tell me it was not the place Sam was diligently reading the reviews for between his fingers yesterday, apparently.
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Listen say whatever you want about the fact he walked home holding it, if that boy had his tie tied around his eyes he was not the one holding it while he was having fun :P
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I like Mike. He's a burly farm worker hefting hay outdoors in the sun, which makes him like 3 different directions of Cas parallel (the strong one in the dynamic, sun, hay), and also he was sensible enough not to be running around in a haunted house for youtube hits.
...
Look, at some point Cas hefted a bunch of hay out of the back of his truck and onto the side of the road and that happened in canon and no one ever mentioned it
thank you Yockey for acknowledging off-screen hay hefting.
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Aw no he's lying because he's scared and Sam makes him tell the truth and it's that he WAS scared and he thinks not going to the house was cowardly, but now his friends are missing and hurt (so far as they know because Shaun getting killed overnight might not have made it to them yet)... He does tell the truth in the end. He's also in DEEP denial about their deaths.
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Is that enough bacon, Dean.
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No, no it is not.
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Sam, you're gonna kill him if you give him more beer right now. Is he smuggling local ales to Dean?
I don't think I can actually watch Dean eat this entire pile of bacon with Dean's bad mood eating habits. This pause is just to procrastinate dealing with that.
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Wait also the friend is called "Mike" which, uh... Michael? is a thing we should be more worried about? What happened to that guy anyway?
-
Man, we're 16 minutes in and where's Billie?
-
I feel like Dean being hung over for the rest of this case is probably not going to help with him getting caught and threatened with a drill by a regular old ghostie.
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I'm snooping Sam's tablet before he delivers the cliff notes exposition, and aside from the creepy images at the top, including an old school newspaper article in the top image results that is illegibly small, but seems to have photos of the doc alive, the first and only legible article mentions a woman with depression who goes to the doc because she had depression because her son drowned... Which makes 2 son drowning deaths in 2 episodes, with the kid in 13x04 who killed his mom in the car. Also reminds me of 7x14 where when Dean confronts the guy behind all the nightmares, it's because his little brother drowned in the sea and he could never let go of that guilt. 
I think drowning is the metaphor for depression here - people losing a part of themselves metaphoric to small son, who is overwhelmed in the water... Dean related to that loss and used it against the Plucky's guy, and that was in the slight turn around section of season 7 - the part where he began confronting the loss of Cas through mirrors because of course Cas was coming back. In season 13 the plan has been set in stone and can be done briefly and with HEAVY dramatic irony that we're all aware of because we only actually have 1 episode without Cas so far, even if 1 was his death and one was his waking up, he's surrounding Dean's grief in a layer of dramatic irony. Dean may be overwhelmed and drowning. We may have SEEN the memory of Cas drowning in the Empty, but it's all done with dramatic irony, that Cas is not lost to Dean but presumably finding his way back.
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Dean had better not puke at the grieving mother's house after all that bacon and beer for breakfast after a hard night out.
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I love the cut between Sam asking what happened in one scene and the woman saying "I don't know" in the next - there's some good thematic transitions I've noticed already, especially this way of skipping exposition here, but I liked Dean ringing the bell for the hotel and Shaun waking up screaming, because Dean was about to go out on his grief metaphor night out and for all I know get the sexy kind of drilled while Shaun was getting the unsexy kind... and then the cut to Dean's empty bed, because this is how bad his grief was hurting him.
(Also after Sam tried to control and placate Dean's grief, he resisted Sam's attempts to smother him but he still has been accepting the offers, and did eventually go out and get wasted and Sam had encouraged it - just Dean did it on his terms and without Sam, just his tacit approval that Sam wouldn't bitch about it.)
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ALSO WOW AFTER 13 YEARS YOCKEY FINDS A WAY TO SUBTLY WORK IN THE COLD SPOTS FOR GHOSTS.
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LOOK HOW INTELLIGENT THAT MAKES OUR BOYS LOOK WHEN THEY READ THE SUBTEXT OF A SCENE FROM A SURFACE READ OF SOMEONE WHO DIDN'T KNOW ABOUT GHOSTS BUT IDENTIFIED THE SIGNS AND THE PEOPLE WHO KNEW WHAT TO LOOK FOR COULD UNDERSTAND WHAT WAS HAPPENING WITHOUT HER SAYING IT AND NOW THEY KNOW EVERYTHING JUST FROM INFERRING IT
WOW
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Night time and they go to the house and we're at 18 minutes in. I mean we have time for a jump scare, some bad shit to happen, and then the ad break before pt.2 of the episode.
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Buzz buzz
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"What's up, doc?"
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*ad break*
*back to Dean getting drilled*
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Sam saves him and on with pt.2 of the episode.
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All the masks are back in place.
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Oops, don't touch the masks. *horrible screaming from elsewhere in the house*
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Well, except to burn them. Sensible to stay in the room, defend their turf, and get to the burning asap instead of poking around or investigating the screaming any more. 13 years and they have learned a fair amount about ghosts and I am admiring how competent they are. Sam especially has the lead here, probs because Dean is off his game by an enormous degree to him.
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Ahahah and Sam did a round circle at the door so we see the doc get partway through the door, realise there's salt, and have to awkwardly back out of it to have a second go and honestly that is the funniest shit a ghost has ever done on this show even though it's also terrifying :P
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*burn burn burn*
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So rescue Shaun?
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What can possibly happen next with nearly 20 minutes left
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LIGHTS BLOWING DOWN A HALLL
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Now they dealt with the advertised ghost I'm just waiting for Billie to show up, because they're about to be mobbed by a ton of ghosts and she can save their asses, or else... well idk I have to watch, but I'm just laughing because of lights blowing down a hall - 3 times already this season, for Jack, for Patience at least with them flickering rather than exploding like this...
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These are all the whispers about the doctor which we heard in the cold open
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I love the Winchesters running around shouting sensible ideas about what the ghosts are doing though.
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Is this going to be Dean's torch everything solution?
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YIKES, no, it's 4x15/11x17. BAD IDEA, DEAN. i can't believe he even carries a pre-prepared take me to the veil kit. Like, that's the reckless nothing to live for might as well die trying to do something dramatic toolkit. We also get shades of 11x16 with him doing that in a super haunted house.
You can NOT pass into the veil in a super haunted house with just your brother to watch over you and stop these 1000s of ghosts killing you.
Jesus Christ Dean.
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Wait is he literally doing this
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Sam is like FFUCKING HELL RIGHT HERE WITHOUT EVEN A SALT RING? ON THE FUCKING STAIRS UNDER THIS SYMBOLIC STAINED GLASS WINDOW THAT LIZZY DIDN'T ANALYSE EARLIER?
DEAAAAN
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And yeah this is 2x01 all over again with Dean walking down the stairs trying to get the attention of a ghost.
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Wait back up new reaper with a customer service calm grief counsellor voice, but what did she say her name was? :P
"Hello, my name is JESSICA and I'm here to lead you to your next life"
... well I hope she survives the episode just because I always root for the reapers and she's clearly just a random obstacle to Dean who is doing her job, a regular old part of the natural order, but that is not a name you use at random :P
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I'm just sitting here running my hands through my hair trying to deal with this right now. Gonna play a few rounds of Pokemon shuffle because I sort of knew this was coming since they showed 5x15 and 2x01 in the opening recap, but the way Dean did it and then walking immediately into a Jessica? Yeah I need a mo.
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Dean maybe never told Sam what he did in 11x17 because he didn't at the end of the episode and idk if that's one of those things you don't just bring up at the breakfast table.
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JESSICA.
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"Hi, I'm the spectre of the loss of the most important romantically loved loved one in your life, do you feel like moving on from them to the next thing"
"sorry I can't come to the phone"
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YOCKEY I AM DISTRESSED.
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Accidents don't happen accidentally.
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"Oh god."
She knows what she's got herself into.
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Sam takes 20 seconds to set his waych and sdakdfjgkl hang on who cares about Sam
WE'RE IN REAPER HQ
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"Dean Winchester is the the veil!"
Please say this whole thing goes to red alert.
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Where's his file. It it like 5000 times the size of all these little ones?
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Sam put down enough salt for Dean but not himself.
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I don't think that's ghosts blowing lights any more, I think that's emergency lightning from the cosmos.
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SHAUN! Oh no, you're dead :(
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At least he's talking again.
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Generally the freshest ghosts are the more talkative ones, and as Bobby showed us back in 7x19 which I generally try not to remember or rely on for ghost lore, because the older ones are fading and falling into patterns and the fresher ones still have a stronger sense of self and their old life.
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OH NO Shaun got possessed because of course that's how he got back here with the mask. I think we saw a smaller ghost in a t-shirt in some of the promo stuff, but I thought it was a kid, not a teenager.
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"I miss my mom" he's on the other side of the grief from Jack, who misses his mom because he's alive and she's dead. The doc said he'd feel better and he froze and let him kill him. Also Kevin parallels just of a kid whose most important relationship is his mom and now he's dead.
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Dean's thinking clearly for the first time in a while because he's not in his body. All soaked in alcohol and grief. He realises he let Shaun down by not being there to protect him. Which may have all happened this way in another episode, but that PB&J, man. It was a Kevin thing all along. (I SAID it was a Kevin thing and you all were like blah blah Cas blah blah Jack, look, don't doubt me on my Kevin knowledge, guys, I am still RAW about his death and it was 4 years ago :P) Dean's remembering in the middle of grief that it's "saving people hunting things" after he let Patience down with that speech. Or so I hope. They used Dean's speech over the open of the episode like in a season 1 episode they'd usually layer the more optimistic and simplistic "saving people hunting things" from Dean's like, second day on the job, not where he's all messed up and old.
Anyway Shaun is an emergency Kevin patched into his life to make him feel bad about failing people, and I guess that puts Dean at similar crossroads to the middle of season 9. Hopefully to a different end, just like this should be subverting 11x17 for why he just abruptly decided to cross into the veil, because Jessica is not having a good day :P
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DEAN GOING INTO THE VEIL TO HELP LOST PEOPLE is doubling up the job of a reaper. Reapers CAN'T COMMUNICATE across the veil to the living, and don't wanna solve the cases. They come to move on the one person with a ticket upstairs in a house full of hundreds of ghosts and just ignore them... Dean actively dives into their turf to solve the case and find out how to move the souls on. He SAYS he wants to help move the souls on.
I have such a huge love of Dean blurring the lines with being Death, and being a reaper. It's just such a symbolic thing. Their job is moving people on, basically handing souls to the reapers to carry on the job, when it's ghost cases. They're the human agents of the reapers breaking the ties that hold ghosts to the earth so that the whole process can carry on and the world doesn't fill up with ghosts - like it did when the veil was broken. (or is it still? Again, the whole Kevin thing not quiiiite answered, although maybe/maybe not that was a sign Chuck was fixing the thing... But then there were a whole bunch of souls Billie for for them out of the veil like 2 episodes later...)
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Reaper lore is fucked up on this show :P But Reaper HQ just in the first glimpse looked aaaawfuully empty adjacent...
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I'm guessing even though Dean's got back with the info he needs, and Sam's about to wake him up because the clock ran out, the reapers are going to intervene...
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WAKEY WAKEY DEAN
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Oh look Billie's back.
"Hey Dean"
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I haven't been this happy in about 1000 years. Like seriously Cas getting back was great and all but HOLY SHIT have you seen Billie? I would set this as my desktop immediately but my mum and Cat are both gonna have to watch this episode with me and probably see my desktop in the process, so... Saving a screencap for later ;)
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This is literally the best thing.
LOOK AT HER.
LOOK AT THAT SCYTHE. HOLY SHIIIT THAT SCYTHE.
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Billie's understated attitude is just *clenches fist*
She just shows up!! LOoking LIKE THIS!!!!
I don't even wanna hit play, I don't wanna move past this point, I just want to bask in this one image forever.
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THE COAT. NO one has shown up in a floor length leather coat in the entire show so far, because no one has been good enough for it.
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"We need to talk" Yeah no shit babe.
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LOL getting right to it - Dean like, Cas killed you. Billie like, "how's that working out for him?" - does she know? Either way, she's rubbing it in. Because of course she has eeeevery right to be pissed. :P
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UTTER GLEE.
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I have a sudden feeling... Billie says, "certain rules - after you kill one "incarnation" of Death" (Hey 1000 points to trisscar) "another one takes its place" and dude.
Death died and within 10 seconds Billie was singing "o Death" and following the Winchesters around, annoying them, making deals with them, making ultimatums with them... Like, the reapers aren't exactly itching to kill EACH OTHER and promote someone, and I guess just one biting the bullet and taking one for the team doesn't work... But this suddenly explains EVERYTHING about Billie getting all up in the business of the people who basically fuck up every deal and ally they make and hanging out with them... doesn't give you much of a life span.
Back in 12x06, Billie taunted Dean, made fun of him for not getting what he wants, and said she wanted something from him. Came to Mary and said she was there to reap her when she was ready. She LET Dean make another deal, a deal where one of his family would have to die, or he himself do it. In a car full of Winchesters, one of them is gonna take one for the team, or ruin everything and kill the reaper who's been bothering them, holds so much over them...
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I'm thinking very hard about changes of state right now - that Billie and Cas had mirrored deaths, and Billie came back improved, and Cas... Well, we don't know how he came back except he's been put on a better path, for his character narrative, in confronting and overcoming the symbolic depression, and he has a better coat. Not much to go on yet, and I haven't been participating in the wild flailing about all the ways he MAY have come back different, but this makes a veeery interesting mirror about returns and changes of state, upgrades after death. Now I'm interested in what may have happened to Cas.
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But, like, to a magnitude of difference to how utterly delighted I am that Billie won the game :P
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But yeah this is a bit of a lore fudge but who caaaares because it brings Billie back and powers her up and makes her into THE BEST CHARACTER ON THE SHOW IN A TOTALLY INARGUABLE WAY.
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I love her new ring :P
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"This universe can be so many things, and sometimes it is poetic."
Hell yeah it is Billie. I've been saying so for ages, but this really puts it in such a beautiful way. This is Dabb's entire job. He makes this universe *rhyme* with itself. This is what his mirrors and parallels and character repeats have been doing. I even compared scene transitions in 13x03 to the way poetry ends each line in a verse. It's something all the writers have been doing - making the story rhyme.
Gaaaaah. THIS is Dabb's writer meta commentary, perhaps. I think I can trust Yockey to spell it out this way :D
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She took him to Reaper HQ!!! Like Cas he's passing through states - I assume he'll be back in time to finish the hunt, but in the mean time... He's got to work through some shit, just like Cas did last episode. Rhyming with each other.
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Dean is wearing a black and grey plaid with thin red lines, and a black jacket. He's bringing like the only colour here to all the blackness.
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yeah, Billie, keep the scythe away from him.
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I love she set her desk up in the W section because even though it's not the middle of the alphabet, she's keeping a CLOSE FREAKING EYE on the Winchesters.
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Ooh she knows Dean went to the AU... She's interested in Jack. Dean's chance to protect him!!!???
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Billie looks INCREDIBLE how did I ever let myself talk myself into doubting she was here to run the game?
wait shit Dean's doing epic character stuff. Not bargaining with his life, or asking for Mary or Cas back. He just wants to complete the job and free the ghosts because freakin sshdfkjsjlks PB&J brought him back to his senses and he needs to save Kevin-stand-in rather than let him wallow in the veil for 3 seasons again
THAT is one heck of a thing, Dean. I love you so much
not as much as billie but it was a beautiful character moment
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Billie is STUNNED.
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Jessica gets to take all the ghosts back. She thought this was going to be a terrible day and it actually worked out.
Again, with like 10 minutes left of the episode so this isn't how it ends.
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Now Dean's talking about trust, and Billie brings up how they keep breaking cosmic bargains. I think he may be stalling - even planning to NOT give up Jack even though Billie went first... Or he's gonna tell her but... Natural order? She can't just go... kill him...
If Dean's still uncertain about Jack he could always make a query about IF she could kill him, but not give away enough, or have her as the weapon in his back pocket should Jack be a problem... something for him to regret later, maybe?
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This is stressful
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Dean spills. "Lucifer's son. Jack. When he was born it created a little rip."
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What does Billie know about the AU?
Well she knows how the multiverse works, and she knows a "big dumb Winchester" is fairly statistically likely to be the one to knock it all down.
The warning not to try and get Mary back? Now Cas is back? The consequences may still be on Mary, however she's returned to them, intentionally or not, she could topple it?
Ugh I hate spec but all these lines are so leading :P The comment that Sam's plans don't work out, in this light, for example, is realllly nerve-wracking. And we know from spoilers the AU is going to become a more immediate problem at some point...
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"That does sound like us."
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"You've changed." Billie reading Dean deeply and now we get to the character part of this where she's just... analysing him.
"The Dean I know and love" look I'm die hard Destiel to the bone but Dean x Death is something I've always thought the dynamic for was absolutely stunning since their first meeting, and I hate to say it but making Death into Billie is making it aaawfully tempting to ship :P
Please show him his massive folders.
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She's currently just calling him out on how bad he feels. Pure awful character exposition.
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"I don't matter." OH DEAN NO.
He and Cas totally rhyming with each other about their passing through these dark other worlds...
Dean couldn't save mom, he couldn't save Cas, he can't even save this kid... But he already saved the kid with that bargain with Billie, and Cas is... out there somewhere. And Mary is a whole other problem and the one he can't solve right now. If she's alive, she's on the other side of a wobbling house of cards he can't touch. But the difference in the way he gets finality on Mary vs the finality on Cas? 13x01 vs this episode as Dean slides from dealing with Cas to dealing with Mary? Getting this blunt exposition from Billie about it...
I think Billie would have thought it was funny to show Dean his file, but then realised because he's changed she needs a different approach to intimidate and interrogate him. She sees that he doesn't feel like a hero any more, not the guy who saves the world. All his crushing losses have made him feel like he's still utterly helpless to make anything good happen in his own life.
And Dean can't work through it, won't work through it, and he knows it - this is the thing that has broken him hardest... That at this point there will be NO recovery except the story handing back Cas to him, and even then that's one hell of a shake to what he believes he can accomplish... If they wanted to scare him back down from "i kill gods" Dean who then went and killed Death too, to show him the universe his huge, and keeps on ticking and his actions have put Billie in charge and the natural order keeps on ticking... But he still can't get mom and Cas back...
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I am literally sitting in that room in Alice in Wonderland where she's floating around on her tears.
I mean in my head, anyway :P
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My heart is broken.
Billie's "don't you?" though when Dean says he doesn't matter... I wonder what she knows that Dean doesn't :P
But Dean starts ranting to her about how Sam's been trying to help and he's useless... :(
"You really believe that. You want to die." Well, yeah the universe has become a crushing hard place where no one makes sense and Dean doesn't even believe in the blaze of glory death, doing something HEROIC now, let alone not believing in it because he thinks he deserves better and a happy ending at the end of this all...
Lowest point, unlocked! \o/
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Oh, ALL those notebooks are his individual deaths... How he dies. "heart attack. burned by a red-haired witch" HEY ROWENA
Are they potential deaths or ones still looming over him, disappearing as he passes those marks? Or are they his entire history of deaths not died?
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"Unfortunately, none of these books say you die today"
....
So are they potential future deaths or what?
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I mean, Billie just introduced hope to his life.
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"I stand witness to a much larger picture" they could not have picked a better character to be Death. She has such DEPTH and WEIGHT to the way she speaks, and such an amazing calm, powerful aura of energy. I just love her so so much.
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OH GOSH this camera angle with the scythe in the background behind Dean's face... Gotta save and remember to add that to this, because after telling him all the ways he dies, Billie moves onto his big picture cosmic weight. That he's important. And Dean has the scythe symbolically pointing at him as she talks, telling him he's at those crossroads of life and death but not today... Is this going to be a burden like the one Chuck laid on him, or Billie reminding him that a heroic life is not such a bad thing?
I really think this is one of the best episodes of the show and I got a few minutes left of it and don't know how this resolves :P
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SHE IS LITERALLY giving him the 4x01 Cas speech - "you have work to do" and telling him he's important, telling him he deserves to live... Kinda still like I hate you but you're important, and setting aside past grudges. There's more for him to do.
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"And trust me, having my eyes opened to the importance of any humans, especially Winchesters, is not a thrill." HA. yeah, she's an anti-Cas but she and Cas are literally bouncing off each other in the story anyway since he stabbed her and then got stabbed himself in turn.
Rhymes. Rules. Reason. Billie is the best character on the show and I love her.
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"So, you wanna die, but I say, keep living." "Hmm."
This is NOT the same as what happened with Cas - but he may not remember it - but it works in sort of mirrored ways. Cas utterly defeats the Empty with his will to live, may not remember it, and may have to piece his newfound will to live together himself in this new hopeful return to life. I hope. Dean has no will to live, and orders of work and purpose are just the way his life goes, the orders endlessly being placed on his head by every cosmically powerful figure... God, Death that time in 6x11, Billie now, JOHN every day of his life from aged 4 to 27 and then one final order to haunt Dean to his first grave...
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"I need to know. My mom" *wakey wakey*
Oh, and there's the so far missing hope. She can't lie to him and say Mary's dead, so she cuts him off in indecision and uncertainty, and THAT, unfortunately, is a massive step  up from where he was in total despair that there is no one he can save...
And Cas may very well be back in his life to give him the hope that it can be done again by the end of this episode... Aaaaaaaaaaaah.
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Anyway Dean goes wakey wakey at last and the house seems to be wrapped up, yay.
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there's exactly 5 minutes left, which is always the omen. :P
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Sam comforts Shaun's mom, and wanders through the scene, looking small in the chaos, to rejoin Dean at the car.
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And like in 11x17 Dean lies again.
Sam is too smart for that, chases it up when Dean tries to brush it off as luck, and says that when Dean says they talk about it later, it means they won't talk about it and it's Dean's way of shutting off a conversation from ever happening...
Sam calling out their communication issues? I am LIVING
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Dean glances at the mom, and is reminded that they do this job for a reason, that he bargained to save the souls of the children... Sold out the info about Jack for it...
"I saw Death. The Death."
*Sam does the eyebrows*
"He's dead"
"No she's not"
*EYEBROWS*
"it's billie"
And Dean goes on to even say that she wanted intel, and does Sam pick up on it?
... no he doesn't. He doens't ask or guess what it was...
Dean repeats the line about work to do, which is also, especially in the context of Sam and Dean talking, what they say in instances like for example 2x22 when Dean had just sold his soul for Sam, when they're about to go back to work with their regular job. The open the trunk of the car and look at their gear and announce they're going to go kick ass phrase. (Which, of course, in 4x01, Cas was subverting the context by saying it to Dean away from Sam, putting the burden on him - Billie at least made it about Sam and Dean both but that she was talking to Dean)
But they're sitting on the back of the car, keeping the trunk closed... Not moving on
And Dean starts talking about how he's not okay.
And how he always believed in what they did - saving people hunting things - that losing John or Bobby or people they cared about was a hit he could take for the higher purpose. Billie has just REMINDED him that he is bound to a higher purpose. But he's so lost, and he's lost people who he CAN'T lose. Mary and Cas at once is just TOO MUCH. It makes the universe cruel not poetic...
(I say, having it paused here but knowing Misha's in the credits again as an awful TEASE :P)
He just needs a WIN.
And he may just get one because he told 90% of the truth to Sam, conveyed exactly what was going on behind that line about not believing in anything from last episode, the power of which narratively brought back Cas because that was a huge step in his grief arc, to admit it. Now he's explaining it, telling Sam how badly it's all got to him...
Oh god where is Caaaaaaaaaaaaaaaaaaaas.
They're driving off and there's music, which... agh.
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drive drive drive sexy car
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Omg we're going back to the house... More grief on the mom for her son... Just really WALLOWING in how much loss hurts everyone, and even when the soul has moved on, that Dean got a win for their knowledge of the afterlife, that they know ghosts can go to a better place, the mom doesn't, she has lost Shaun and that's it for her. No closure, just pain.
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drive drive drive
Billie reading Dean's book
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I think Billie really has a huge interest in Dean... :P
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drive drive drive... Okay so Yockey is the new Robbie montage guy.
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Also Sam is asleep while Dean drives - this seems to parallel 12x20 where he was asleep and Dean checked his messages from Mary...
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Bring bring?
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BRING BRING.
Called that like a boss :3
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WHAT, NO "HELLO DEAN" ON THE PHONE?
FUCK YOU YOCKEY I TAKE IT ALL BACK I HATE THIS ENTIRE EPISODE
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I mean there probably was one under the music if that was Cas...
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Well this alley has that cross from 11x06, aka the start of Cas's depression arc, the one where Metatron was teasing him about a real life angel on camera...
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drive drive drive
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Cross reflected in the car
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Hey, bison sign
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AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
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Has he just been waiting at that phonebox for hours.
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I'll just wait here then... I'll wait for you...
Well that got fucking tied up with a fucking bow, from all the left over crap Robbie left lying around.
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God I don't even have anything to say... Cas waited. For Dean. Like the love ballad warned he would. Because he's Dean's real life angel, and Dean's win. It was FOR Dean. Dean's arc narratively brought Cas back into his life, but on Cas's side of the story they fully fleshed out the end of his depression arc and made Cas bring himself back on his own terms so it doesn't shove Cas into a subheading for Dean even when the bigger story is handing Cas on a plate back to Dean...
And that, my friends, was one hell of a fun game :P
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