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asleepinawell · 3 years

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Book Recs

I was gonna do one of these at the end of the year, but I’ve somehow managed to read 26 books this year already (12 novellas, 14 novels), almost all featuring queer authors and/or characters so this is already a long list.

Note: There’s a few on here I was kind of meh about, but in most of those cases it was a ‘book might be good but it’s not for me so i’ll mention it to put it on people’s radar anyway’ type of thing. Insert the usual necessary tumblr disclaimer about all of this being only my opinion and your opinions are valid too etc etc.

In order of when I read them:

Princess Floralinda and the Forty-Flight Tower by Tamsyn Muir - Fantasy novella from the author of gideon the ninth that’s a twist on the classic princess trapped in a tower waiting for a prince story. Quite fun. (novella)

The Monster of Elendhaven by Jennifer Giesbrecht - Dark fantasy about revenge and magic. m/m couple but like I said it’s pretty dark and twisted all around so definitely not a happy queer romantic story. My opinion was interesting premise that could have been executed better and probably should have been a full novel to embellish on the world building potential. (novella)

A Memory Called Empire & A Desolation Called Peace - Arkady Martine - Probably tied with murderbot as the best things I read this year. Scifi, f/f couple, wonderfully done exploration of what it means to fall in love with a culture that is destroying your own. More of the many queer anti-imperialist books that have come out recently and certainly some of the best. The second one is a direct continuation of the first. (2 novels)

The Tyrant Baru Cormorant - Seth Dickinson - This is the third in the Baru Cormorant series (The Masquerade) and was my favorite so far. The second and third book were originally one book that got split I believe and the second book didn’t stand alone as well (though was still great), but the third book really made up for that. Dark fantasy world starring a queer woc whose country and culture is destroyed by the imperial forces of that world colonizing and assimilating them. She vows revenge and decides to work her way up within her enemy’s ranks to enact it from within and bring an empire to ruins. Really really fascinating study of so many different aspects of our own world and the systems which enable and allow bigotry and how bigoted and violent narratives are used to control minorities. This is definitely a darker series and I was particularly impressed with some of the commentary on the racism prevalent in non-intersectional feminism as depicted through a fantasy world. Can’t wait for the last one to come out! (3 novels, 1 forthcoming)

The Murderbot Diaries - Martha Wells - There’s six of them--5 novella and a novel--and the first is All Systems Red. Told from the point of view of a self-aware droid/android that is rented out by a corporation to provide protection in a dystopian capitalist hellhole future that isn’t that unlike our current capitalist dystopia but is in space. Muderbot hacked the chip that controlled it and instead of going rogue just wants to be left alone to watch its favorite tv shows. Murderbot is painfully relatable and the books are both funny and poignant. Highly recommended. (5 novellas and a novel).

Winter’s Orbit - Everina Maxwell - This was a m/m romance novel with a scifi backdrop of royal intrigue. Generally I’m more into scifi with a queer relationship in the background than vice versa, so it wasn’t my favorite, BUT I think it was still well written and someone looking for more of the romance angle would enjoy it. Has all your favorite romance tropes in it, especially the yearning. (novel)

The Divine Cities - Robert Jackson Bennett - Three book series. I’m very conflicted about this one. Set in a fantasy world where an enslaved nation overthrew the country enslaving them and now rules over them. It’s a story of what happens after the triumphant victory and within that it’s also a murder mystery tied into the dying magic of the conquered nation. It also has a six foot something naked oily viking man fist fight a cthulhu in a frozen river. The second book was by far my favorite, mostly due to the main character being brilliant. My conflict comes from the fact I don’t feel like the story treated its women and queer characters well. Like it had really great characters but it didn’t do great by them overall. That and the third book didn’t live up to the first two. But still definitely worth a read, can’t stress enough how cool some of the world building was. (3 novels)

Into the Drowning Deep - Mira Grant - This might be the only one on here I disliked. It’s got a doomed boat voyage and creepy underwater terror and monsters and a super diverse cast of characters, but I just didn’t enjoy the writing style. While having a diverse cast is great, there were a lot of moments where it felt like characters were pausing to explain things about themselves that felt like a tumblr post rather than a normal conversation you might have while actively being hunted by monsters. I also bounced off all the characters. But a lot of people seem to have liked it so if you’re into horror and want a book with a f/f main couple then maybe you’ll enjoy it. (novel)

Dead Djinn Universe - P. Djèlí Clark - Around the early 1900′s, a man in Egypt discovers a way to access another world and bring Djinn and mysterious clockwork beings called Angels through. As a result, Egypt tells the British to get fucked and Cairo becomes one of the most powerful cities in the world. So Egypt, magic, djinn, a steampunk-ish vibe, oh and the main character is a butch queer woman who enjoys wearing dapper suits and looking fabulous while she investigates supernatural events. Her girlfriend is also mysterious and badass. And she has a cat. There’s three novella (one of which technically might be considered a short story) and then the first novel. You should absolutely read the novellas first (A Dead Djinn in Cairo, The Angel of Khan el-Khalili, The Haunting of Tram Car 015). Super fun and imaginative series. (3 novellas and a novel, more forthcoming)

River of Teeth & Taste of Marrow - Sarah Gailey - From the book description

“In the early 20th Century, the United States government concocted a plan to import hippopotamuses into the marshlands of Louisiana to be bred and slaughtered as an alternative meat source. This is true. Other true things about hippos: they are savage, they are fast, and their jaws can snap a man in two. This was a terrible plan.”

Queer hippo riders!!!! Very much a western but with hippos. Main couple included a non-binary character. Loved the first one. The second one I was more meh about due to one of the characters I was supposed to like having obnoxious man pain that a woman had to take the brunt of the whole time. Also there were less hippos. But queer hippo riders! Definitely read the first one, and they’re both novellas so no reason not to read the second as well. (2 novellas)

A Psalm for the Wild-Built - Becky Chambers - I may be the only person who hasn’t read the long way to a small angry planet at this point, but I did grab her new novella and I loved it. It made me want to go sit out in the woods and feel peaceful. The world it’s set in feels like a peaceful post-apocalypse...or diverted apocalypse maybe. Humans built robots and robots gained sentience, but instead of rebelling they just up and left and went into the wilderness with a promise that the humans wouldn’t follow them.The remaining human society reshaped itself into something new and peaceful. It’s the story of a monk who leaves their habitual monking duties to go be a tea monk and then later wanders into the wilderness and becomes the first human in ages to meet a robot. Very sad there’s no fan art yet. (novella, more forthcoming)

The March North - Graydon Saunders - This was such a weird book that I’m not sure how to explain it. The prose style is hard to get used to and I suspect a lot of people will bounce off it in the first chapter. There’s no third person pronouns used at all and important events get mentioned once in passing and if you blink you’ll miss them. Set on a world where magic is extremely common to the point that rivers sometimes run with blood or fire and the local weeds are something out of a horror movie and most of the world is run by powerful sorcerer dictators, one country banded together (with the help of a few powerful sorcerers who were tired of all the bullshit) to form a free country where powerful sorcerers wouldn’t rule and the small magics of every day folks could be combined to work together. The story revolves around a Captain of the military force on the border who one day has three very powerful sorcerers sent to them by the main government with the hint that just maybe there’s about to be a big invasion (there is) with the implication of take these guys and go deal with this. The world building is extremely complex and very cool...when you can actually understand what the fuck is going on. There is also a murder sheep named Eustace who breathes fire and eats just about everything and is a Very Good Boy and belongs to the most terrifying sorcerer in the world who appears as a little old grandma with knitting. It had one of the most epic badass and wonderfully grotesque battles I’ve ever read. But yeah, it is not what I would call easy reading. Opinions may vary wildly. I did also read the second one (A Succession of Bad Days) in the series which was easier to follow and had a lot more details about the world, but overall I was more meh about it despite some cool aspects. The chapters and chapters of the extreme details of building a house that made up half the novel just weren’t my thing. (novels).

The Space Between Worlds - Micaiah Johnson - In this world parallels universes exist and we’ve discovered how to travel between them, but the catch is you can only go to worlds where the ‘you’ there is already dead. This turns into an uncomfortable look at who would be the people most likely to have died on many worlds and how things like class and race would fit into that and what we would actually use this ability for (if you guessed stealing resources and the stock market you’d be correct). The main character is a queer woc who travels between worlds with the assistance of her handler (another queer woc) who she has the hots for. She accidentally stumbles on a whole lot of mess and conspiracy and gets swept up in that. Really enjoyed it. (novel)

Witchmark - C.L. Polk - Fantasy world reminiscent of Victorian England (I think?) where a young man with magical gifts runs away from his powerful family to avoid being exploited by them. He joins the army and fights in a war and comes home to try and live a quiet life as a doctor, but a murder pulls him into a larger mystery that upturns his life. Also he’s extremely gay and there’s a prevalent m/m romance. This one was a fun-but-not-mind-blowing one for me. (novel, 2 more in the series I haven’t read)

The Priory of the Orange Tree - Samantha Shannon - This was one of those that everyone loved but I couldn’t get into for some reason. I tried twice and only got about halfway through the second time. It’s got dragons and queer ladies and fantasy world and all the things I like, but I wasn’t that invested in the main story (which included the f/f couple) and was more interested in the smaller story about a woman trying to become a dragon rider. There are few things that beat out a lady and her dragon friend story for me and that was the storyline that felt neglected and took a different turn right when we got to the part I’d been waiting for. But, I know a lot of people whose reading opinions I respect who loved it, and if you like epic fantasy with dragons and queens and treachery and pirates and queer characters then I’d say you should definitely give it a try. (novel)

Bonus: I didn’t read these series this year, but if you haven’t read them yet, you should.

Imperial Radch (Ancillary Justice) - Ann Leckie - Spaceship AI stuck in a human body out for revenge for their former captain, but that summary does not come close to doing it justice. Another one examining imperialism and also gender and race.(3 novels)

Kushiel's Legacy Series - Jacqueline Carey - This is two series, six books total, and starts with Kushiel's Dart. Alternate universe Renaissance-y Europe in a fantastical world where sex isn't shameful and sex workers are respected and prized. Lots of political intrigue and mystery. A lot of BDSM and kinky stuff too (the main character is a sexual masochist, oh and also bi!). I first read this series when I was fifteen or sixteen and it definitely made a big impression on me. Same author also wrote the Santa Olivia series which I’d also recommend. (6 novels)

The Locked Tomb (Gideon the Ninth) - Tamsyn Muir - I mean, if you follow me, you know. If you don’t follow me you still probably know. I’d have felt remiss to have left them off though. Lesbian Necormancers in Space. Memes! Skeletons! Biceps! Go read them. (2 novels, 2 forthcoming, 1 short story)

Books On My To Read List:

Fireheart Tiger - Aliette de Bodard

The Order of the Pure Moon Reflected in Water - Zen Cho

Black Sun - Rebecca Roanhorse

This Is How You Lose the TIme War - Amal El-Mohtar and Max Gladstone

Ninefox Gambit - Yoon Ha Lee

Also, if anyone has any recs for scifi/fantasy books starring queer men (not necessarily having to do with a queer relationship) and written by queer men I’d love them. There’s a lot written by women, and some of them are great, but I’d love to read a story about queer men from their own perspective.

#book recs #books #mp

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lovehaswonangelnumbers · 4 years

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New Post has been published on https://lovehaswonangelnumbers.org/astrology-of-australiathe-beginning-of-the-karmic-avalanche/

Astrology of Australia~The Beginning of the Karmic Avalanche

By Archeia Aurora of The First Contact Ground Crew Team

Since September of 2019, wildfires have raged across Australia, causing mass devastation, relocation and death. To date, twenty beings have lost their lives and over 14.8 millions acres have been burned, and Australia still has not hit their hot season. Astrologically, these fires began around the time of the Full Moon in Aries in September. Aries being the warrior sign and representing fire, lines up with Australia’s Ascendant sign of Aries. Fire=truth, and truth will be revealed.

Every country has an astrology chart just like every being has their own energetic blueprint. Australia was established as a country on January 1, 1901, with a Capricorn Sun and Aries ascendant. The country holds 7 fire placements and 0 water placements, creating its hot and dry environment. Just like our individual natal charts hold our energetic blueprints, each country’s astrology chart also holds their unique signature and thus creates the collective consciousness and programmings within that country.

Australia has a Capricorn Sun, Aries ascendant and 6 other fire placements. Fire is creativity, action and our life force. The Capricorn sun represents the more rigid side of the collective consciousness. Capricorns are extremely hard working and can endure pretty much anything. Yet, Australia lacks any water placements at all. Water holds intuition, compassion and our feeling centers. It is no wonder this country struggles so severely with dry and arid climate, as well as a consciousness that lacks empathy and compassion. This was exemplified by the Prime Minister, who has been on vacation during these fires and only just returned to his country to give a lackluster attempt at consoling his citizens.

Australia’s dark history also holds a undercurrent of sinister activities, corruption and deceit. When Australia was a first discovered by the British, it was a primed not to be a new colony, but to essentially be a gigantic jail where Britain could send all of its overflowing convicts. When colonizers did start migrating, it was essentially the misfits of Britain, creating a society of outcasts and those who were destined to face nothing but extreme hardship in their new country. This gave them tough skin but very little self-love and built up a society with a underlying rage and resentment.

“Having been deprived of American colonies following the emergence of the United States, Britain in the 1780s was desperate to find an alternative territory for its miscreants. Australia, recently claimed for the empire by Captain Cook, seemed to fit the bill. It had been inhabited by Aborigines for millennia but, despite a few tentative voyages, no other European power had established a lasting settlement on the continent. Britain took the lead. The first fleet of convicts arrived in January 1788 and a fledgling penal colony was established in what is now Sydney.”

“The settlers brought with them their Eurocentrism and they didn’t realise how dry this continent was,” explains Keneally. “British yeomen tried to advance into South Australia and Western Australia but it was impossible because these places are deserts. It showed a great incomprehension of the country that they were coming to. These folk should have perished on the desert shores and in many cases they came close to doing so. They also went mad and committed suicide, but ultimately they stayed. They stayed and endured.”

This collective consciousness of rigidity, deceit, dryness and lack of empathy has led to Australia becoming one of the biggest perpetuators of atrocities on this planet, as one of the main Cabal headquarters. Australia is no stranger to allegations of very dark activities taking place there. This finally culminated in 2019 when one of Australia’s major banks, Westpac, was exposed for participating in money laundering and child exploitation. There are now 3 other major banks under investigation.

“Westpac’s money laundering and child exploitation crisis has rocked the bank and thrown harsh light on the behaviour of the rest of the financial services sector.

It’s also raised questions about why Australia lags in enforcing rules about monitoring potentially dodgy transactions.

According to allegations by Austrac, Australia’s financial intelligence agency, Westpac broke the law more than 23 million times in transactions worth more than $11bn.”

As we approach the epic conjunction of Saturn and Pluto in Capricorn on January 12th, 2020, we can see how these two planets have been putting major pressure on Australia’s image and identity. Their masks are about to come crashing down and all that has been hidden will be revealed in a moment of epic karmic unfolding. Australia is just the first of many events that will sweep the planet, as this conjunction is here to completely tear down the old to allow room for the new.

The truth is that these events are KARMIC, and they are a direct manifestation of the collective consciousness. This does NOT mean we do not hold compassion for the beings going through these events. We hold space and send them love because we are all One, however, all of the outcrying to swoop in and save and fix the problem in Australia defeats the exact purpose of the event. To enable others to avoid their karmic consequences is not love, it is attachment.

This is the first of the karmic avalanche that is going to hit the planet and this is what humanity has manifested. We could say that we cannot “blame” the individual beings in these countries for wrongdoings, but that would also be enabling them, because the truth is we have all acquiesced to these “powers” who continue to commit atrocities, enslave and use us for their own agendas, and to completely destroy our host, Mother Earth. We allowed it to happen and that we need to take responsibility for. Not until we can all face the karmic consequences of what OUR unconsciousness has created, can we move forward in evolution.

These events also help release attachment, one of the deepest programmings that keeps humanity attached the physical and preventing them from the seeing the magic and true reality, which is all energy. These events also trigger UNITY, forcing humanity to come together as One helping and giving to one another out of pure love and compassion. It often takes for everything to be stripped from us, for us to open up to the cosmic truth that we are all One, and all that matters is love.

Once this karmic avalanche hits the planet, chaos will ensue. There will be mass confusion and many will be looking for comfort and answers. This is where all of those in the heart, aware of the truth of what is going on, will need to be standing strong in their center, holding the light.

Mother of All Creation is now completing her 3rd and final day of going through her re-cruxifiction as Jesus, flipping the karmic timeline for humanity. That energy is now being released to the collective causing the deep purging of karma to come to the surface to be healed and transformed. Mom is setting up the blueprint and the framework for those holding the light to be secured within her blueprint, so that when she ascends, we will all be prepared for our next roles.

What we are witnessing the karmic ending to a long story of separation and suffering. However, we are also witnessing the grandest and most beautiful unfolding of the New Paradigm. It is always darkest before the dawn and we must face and accept responsibility for our part in the illusion. Only then can we heal and accept the love that Mom is pouring into the planet. We are at the apex of a whole new evolutionary cycle and the most exciting times are yet to come.

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virtuissimo · 5 years

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Trail of Lightning by Rebecca Roanhorse (Review)

Roanhorse has effectively cemented herself as a visionary in indigenous futurism with her rich world-building, her casual commentary on the powers that be, and even her dynamic and lovable characters, but I think it’s perfectly clear that this is her debut novel. She definitely gets lost in the sauce plot-wise towards the end, and there are several points where the potential for improvement is obvious. Nonetheless, she’s got me rearing for the next book already, and I will definitely be following this series.

This is the kind of book where I really think you can get the most out of it if you go in blind with very little prior knowledge of the book, and it really is a good one. I encourage yall to give it a go. If you don’t care about getting a little more detail, I’ll go into a spoiler free section.

No Spoilers

Okay, first thing I’ve gotta talk about is the setting. First off, it’s AWESOME. The setting is about 6? 7? years after an apocalypse. The explanation for it is really organic and it informs a lot of how the book proceeds.

Idk if this counts as a spoiler so it’s in its own paragraph, but basically the apocalypse was a series of natural disasters around the world plus a major flood that drowned out most of the continental U.S. except for a few walled off city states. The walls are specifically and emphatically NOT the ones that the Trump administration is gunning for—Roanhorse dismisses that quite quickly. These walls were ones that local communities decided to put up, and they are made of beautiful materials that have cultural significance for the Dine.

My favorite thing about the setting is the societal organization. Dinetah is a really interesting place because of the ubiquity of Dine people & culture, but also because Roanhorse obviously has a lot of really interesting thing to say about what apocalypse means to a people that have already had their apocalypse. They already had foreign invasion and genocide, they already had their numbers chipped away to a shadow of its former size, they already had their land destroyed beyond recognition. So what does it mean when in apocalypse destroys the society that destroyed yours? I think Roanhorse’s answer is that it did more good for the Dine than bad. They are freer and safer in an apocalypse, even DESPITE the presence of monsters everywhere.

One thing I really liked about her approach to Dinetah was the use of language. To quote a journal entry I wrote about this book: “Roanhorse makes creative use of Dine words and language. There is no glossary, and sometimes there isn’t even an in-text translation. English speakers are forced to pick up Dine words with no life preserver just as so many non-English speakers are forced to do the same in our world.” Most of the concepts, like clan powers and ghosts and monsters, have a Dine word attached to them, and you learn to recognize them as you read. She doesn’t remind you of their definition either: you either paid attention the first time it came up or you’re screwed! It was just an interesting stylistic choice, and I enjoyed the experience.

Another note about the setting that I love: I LOOOVE the references to the other citystates. I think one was New Detroit? New Denver? And there was a Mormon citystate (when I read that I screamed) and there was one called Aztlan (!!!!!) which was very exciting for me. I have complicated feelings about Aztlan because I think most people who live in this post-apocalyptic citystate would probably not be indigenous Mexicans but rather americanized mestizo Chicanos who think they have an inherent claim to the land just because they colonized it first, but I think as an indigenous author I can trust her to develop a nuanced view of Aztlan and what that means for Mexican Americans (especially consider the fact that she had several sensitivity readers mentioned in her acknowledgements). I really hope we get a chance to explore those in future books.

Oh, also: there are no white people in this book. Like, none. They reference them in vague terms, but I don’t think there was a location or scene that had a white person even in the background, and there were certainly no speaking parts for white people in this book. So basically I loved that. I do that often in my own writing but it’s so rare in mainstream fiction. There is a family that is not Dine in the book, but they are a large black family. With regards to the writing of the black characters: I noticed that her physical descriptions of them sometimes had words that I’ve seen on lists of What Not To Say About Black Characters (comparing skin color to food, particular words used to describe hair, etc.), but I flipped to the author bio and she apparently is black as well as indigenous so I guess my concerns weren’t really relevant lol. One of these characters is also gay, and I thought his characterization was a little bit weird, but it’s fine I guess.

Now I haven’t seen Buffy the Vampire Slayer, but I’ve read a spinoff from the same universe and have heard enough about it to see the obvious inspiration that Roanhorse took from it. This is not necessarily a bad thing, of course; Buffy has a very particular energy where it’s fantastically easy to get invested. Maggie Hoskie as a hero is easy to love, and even as someone who doesn’t typically like lengthy action sequences, I found the fighting scenes thrilling. However, at the same time Roanhorse commits some of the same mistakes in writing her female protagonist that Joss Whedon so famously introduced into the mainstream, and there are a few times where it becomes difficult not to roll your eyes.

As I’ve seen other reviewers note, Maggie as a character is very reliant on the men in her life. She describes early on how her life was saved by Niezghani, an immortal godlike monster slayer, and his presence in her thoughts influences nearly every decision she makes throughout the novel. Some people have a problem with this; I personally think this is a fine set-up. The author takes great care to show how unhealthy her relationship with Niezghani is. Even when Maggie is talking about how great and powerful he is, how she should be grateful that he even gives her the time of day, we as a reader can tell something is very wrong with their relationship from the very beginning. I don’t really like the direction Roanhorse went with Niezghani (I’ll get into that in the spoilers section I guess), but I thought this relationship as a premise was fine.

I think where she slipped up a little was in putting her relationship with Kai, a mysterious and charming medicine man who helps her on her investigation/quest/whatever, as the center of the story. I guess technically we’re not certain about this since the whole series isn’t out yet, but I think it’s safe to assume this guy is endgame. The whole first half of the book is spent getting to know Kai, which I think is fine because he is a great character and truly charming. (I’m always suspicious of “”charming”” type characters because more often than not the author makes them annoying and presumptuous.) He actually seems to care about the things that are happening, he doesn’t make assumptions, he understands boundaries, and his kindness is genuine. I like Kai, okay, he’s great. BUT I think that spending so much time with him instead of ruminating with Maggie some more was a mistake.

I can understand WHY roanhorse did this: Maggie is someone who is very wrapped up in her thoughts, and 9 times out of 10 her thoughts are really fuckin depressing. I just think that a lot of time was spent characterizing Kai when it could have been done in less time and more efficiently.

The main thing about Kai is that his skills as a medicine man are very mysterious, and Maggie becomes curious very early on about the nature of his abilities. The answer to her questions, though, aren’t given until very very late in the book. In fact, we don’t understand everything about his medicine man secrets until like 10 pages from the end. I think this is way too late. First off, we don’t get to see him in action very much, and the way things go I really wish we had. Second, Roanhorse just wastes a lot of time in the beginning and crams a whole lot in the end. From a world-building perspective these sections are really cool and fascinating, but plot-wise it’s extremely inefficient that we learn about Kai in bits and pieces like this, especially since all of his secrets kind of come out one after the other all crowded at the end. I don’t know if she got the right balance in that tradeoff.

Another critique I’ve seen people have is that all of Maggie’s problems AS WELL AS the solutions to her problems revolve around the men in her life. I did think it was strange that Maggie was essentially the only major female character in the whole book. There was Rissa, but she was a minor character and didn’t have much agency in the plot. I would say that Maggie did have agency, and the way she carries herself both in conversation and in action both suggest that she is making her own decisions independent of male influence. I see where these critiques are coming from, though, and I agree that more of her story should have been herself rather than obsessing over these men.

Minor spoilers I guess: One scene that I think most socially conscious people rolled their eyes at was the decision to create a plot point where she had to get all dolled up in a sexy outfit because Reasons. And then people had that weird Oh My God So Hot moment that we are all so fond of (/s). Annoying tropes like that rear their ugly faces from time to time, but this is the only one that really irritated me.

Yea. I mean. It’s a good book. I think yall should read it. As I’ve said, the worldbuilding and setting is awesome, the characters are super cool, the action is cool and Actually let’s just get into the spoilers.

SPOILERS

Coyote was one of my favorite characters. I think Roanhorse may have wanted him to be a morally gray could-be-either-side type of character, but I really saw him as a straight up villain just because he never actually did help them in a way that didn’t backfire. I love reading him though; the sheer chaos that he brings to every scene really appealed to my gayer side. I don’t know if this is an aspect to him that is commonly seen in folktales or something, but I did think that he was a little over the top creepy about the sex stuff though. When he said that shit about Maggie jacking off to Niezghani I was just…ok he’s crossin some Lines here. Also he was constantly making Kai and Maggie uncomfortable sexually, so I don’t really get why they were always so willing to trust him. Still, he was SO interesting. Whenever he showed up I was instantly enthralled.

One thing that got on my nerves a little was that from the very beginning, it was very clear that Kai and Maggie being endgame is a given. Don’t get me wrong, Roanhorse put in the work to make them seem like a really organic and natural couple. And I guess it’s kind of respectable that she didn’t try to pretend like it wasn’t gonna happen, cuz we all knew. But I think it was a little annoying that EVERYONE, including Tah and Longarm and Grace and Coyote and Kai and EVEN MAGGIE at times were basically of the attitude that they were just biding time until they eventually hook up one day. She really didn’t have to do all that; I liked them as a couple already!

Okay but plot-wise, I have to say this, but Roanhorse REALLY got lost in the sauce there. The final battles were so complicated, and there were actually 3 different scenes that felt like they could be the final battle but then there was more (the battle where Rissa got gutted, the Niezghani versus Maggie fight, and the Black Mesa battle). I feel like she couldn’t decide on a conclusion for book one and just threw all that in there for good measure. In any case, it made the last third of the book really messy and unfocused.

I think she also had too many Reveals. Like, Niezghani revealed Kai’s identity, Kai reveals his true intentions, Coyote reveals his plan, Maggie reveals her counter-plan, and Coyote reveals the circumstances of her nali’s death. TOO MUCH. It was all so cloudy and confusing towards the end, especially with regards to Coyote’s plan. First of all, I didn’t really understand what his plan was on first read, and I ESPECIALLY didn’t understand why he took the time to explain it to her. Second off, I didn’t understand Maggie’s counterplan (I don’t think it’s explained in too many words?) and I ESPECIALLY didn’t understand how they planned to have Kai survive. (Now that I’ve had time to think about it I suppose it’s related to his fast healing situation probably, and they just decided to murk him and see if he was actually immortal or whatever the fuck.) Also Kai and Maggie had that whole conversation about their love life right in front of Niezghani………messy as fuck and also is this really the time?????

One thing I really liked about the beginning of the book was that Maggie was such an unreliable narrator when it came to Niezghani. Like, it was pretty obvious that he’s garbage from the beginning, but Maggie just idolizes this man and you have to like scream into the book WHYY??? But the only way that she’s able to idolize him that way is that he presents himself as a mentor, as an authority, and maybe not so much as a caring figure as much as someone to look up to. He is, if nothing else, RESPECTABLE. But when he finally shows up in the Maggie v Niezghani fight, he is not respectable. He is overtly cruel in a way everyone, including Maggie, can see. He is overtly manipulative. He is overtly uncaring and honestly terrible. But this portrayal of him is SO MUCH LESS NUANCED than it was at the beginning of the book. I wish Roanhorse had had the guts to make him more complicated. To make him ACT apologetic or ACT like a mentor, but to make him a hypocrite. That, to me, would have been much more interesting. I understand that trauma informed a big part of the reason Maggie trusted him in the first place, but I wanted to meet the smooth and enchanting man that Maggie fell in love with but all I saw was this horrible person who never even tries to hide how horrible he is.

Of course, as this is just the first book, we don’t really know what is to come. Since Niezghani is just chillin under the dirt, I think we can assume that he’ll be back. Nonetheless, I’m a bit disappointed that he was pacified/restrained at the end of this book. I kind of hoped that after this confrontation, Maggie would have an epiphany about all the shit he put her through, and then in following books he would be the main antagonist. They would have various run-ins, but only in the final book has she truly built up the strength to get her comeuppance. Or something like that. I just wanted Niezghani’s role to be stretched out is all. I wanted her arc of truly unpacking all of that mess to be over the course of several books, not just one novel in which she’s also distracted by her budding romance with Kai and also the monster stuff.

So yea. It’s a good book. There’s problems, as I’ve clearly stated, but honestly a lot of them come across to me as rookie errors. This is her debut novel, and I don’t think it’s that weird for her to use these tropes in ways that I as a reader don’t care for. However, I definitely think that the pieces are there for her to make excellent use of her setting and characters and pull together a really energetic and thrilling series. Looking forward to returning to the Sixth World!

#book review #trail of lightning #the sixth world #sixth world #6th world #rebecca roanhorse #trail of lightning review #indigenous futurism #scifi #indigeneity #books #my post #jub jub reads books

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