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kurogabae · 6 years

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Tsubasa: Trainwreck Chronicles

And Why Bee Train Has Failed Me Not Only as a Company, but as a Concept in General; an Essay by Popular Demand

part 1 -- part 2

In part 1 (linked above) I spoke about the anime adaptations of the opening/introductions of our main cast through Jade and our first filler. These were episodes 1-16. Out of 26 for the season and 52 for the series. I don’t feel like my time has been wasted with pointless, endless, literally 30+ second long shots of characters staring at each other or into the distance for no reason. No. Not at all. Those moments added a lot of needed and organic tension and suspense.

Really.

But Sakura gazing longingly at a giant fish aside, we’re going to get into what is probably my most hated canon arc of the anime - Outo. Now, I loved Outo in the manga, it was an amazing world and it really kick started a lot of character and plot developments in TRC, not to mention that it was just generally a lot of fun. It was the longest world thus far and it had had the most characters in it as well. Outo was great. It’s one of my favorite worlds, right along side Piffle and fanon!Yama.

Bee Train did me dirty guys. Real dirty.

Outo:

So the animation swings wildly in this arc from “yeah that’s not so bad” to “Fai is that your hair or a giant yellow spider eating your head?” - pretty par for the course as far as the anime goes. Mostly. But then we have the changes to plot, both for the sake of the Children(tm) and... Just Because? It’s also in Outo that we start really noticing that whoever was in charge of directing the music usage was really just throwing music at the animation and hoping something stuck.

I’ll try to keep this linear but I make no promises.

We start off pretty normal - arrive, greeted by The Ladies, whisked off to City Hall. Fai gives them all their delightful Outo names while Syaoran looks on in a mild panic. They buy the cafe and get attacked - and here I have my First Issue.

For some reason, probably to make me hate them more than I already do, they change the events of the Oni attack just enough that Kurogane doesn’t grab Sakura out of the way of the ambush, iirc Fai grabs her. This might seem like nothing, but the anime has kept Kurogane and Sakura’s interactions to basically zero and if someone were to only watch the anime they would miss out on a lot of very small but meaningful moments between those two. Also, it’s important to me okay!

Morning comes and plot is still basically on track - Syaoran and Kurogane become oni hunters and Fai and Sakura open the cafe.

Now, when the family gets their costume changes, things get a little odd and the music is to blame. Sakura wakes up and goes to greet the family, who are all wearing what they’ll be sporting for the rest of Outo. As her view pans (ba-dum tss) over each of them a weird smooth jazz sort of music starts to play. I don’t know what to call it, but the tone makes it feel vaguely sexual/romantic, or at least like that’s what the intent is. Now if this had happened over Syaoran alone it probably wouldn’t have been weird, but funny. It doesn’t just happen to Syaoran though, Kurogane gets the music too (Fai is the first she sees and the music only starts playing as Sakura begins to look away). It’s a really strange music choice for this moment.

When Sakura changes into her cafe maid outfit and the boys see her it isn’t just a Sakura and Syaoran moment, which would be fine. If they weren’t playing that music again. And also Kurogane hyuus. At Sakura. ¯\_(ツ)_/¯ It was all very weird. I didn’t like it. Could have been just me.

Night one of oni hunting is here and so is another change that I don’t understand? Before when they added characters to the scene it was Sakura and I assumed it was them trying to give her more screen time, but Sakura is very much left out of this whole bit while Fai, who should be back at the cafe with her preparing to open up a business, is with Kurogane and Syaoran. Why? “I like to watch you at work, Kuro-sama.” (Which would have been simply amazing foreshadowing if we were ever going to so much as glance at Fai’s backstory in the anime, which we aren’t. Hell, at this point we don’t even know what it is because Celes hasn’t been published yet, so Bee Train is pulling this out of their ass. What a waste.)

Syaoran and Kurogane kill some oni, there’s very vague talk about Syaoran’s blind eye (they never outright say he’s blind in it, just that he “has trouble with it”), and we get to meet Yuzuriha and Kusanagi. Syaoran does not fawn over Inuki and I am once again personally insulted. It’s here that Kurogane learns about the names.

Fai manages to make it all the way back to the Cafe alive before Kurogane corners him. Also, even though Fai was gone all night with the puppies he still has a chocolate cake made and ready to serve to Yuzuriha and Kusanagi after they follow his and Kurogane’s immature murder trail home. Which is frankly bullshit. I know Sakura didn’t make that cake.

Syaoran and Kurogane don’t have to fight to prove their worth to the information seller, which is whatever I guess. Probably just trying to save time and budget, but that didn’t really help you now did it Bee Train?

Now, surprisingly, I actually liked the change they made to the bar scene/the fight before the bar. Fai and Kurogane don’t have their Moment in the bar, since this time they’ve missed Oruha and will have to come back. And instead of fighting on the way to the bar, the oni attack them on their way home. The song “Kaze no Machi he” plays over not only the KuroFai vs oni fight, but also sweet moments between Syaoran and Sakura in the cafe, effectively setting a very nice parallel between the two couples while still contrasting them. It’s a wonderful scene and it’s part of what makes me so extra mad at Bee Train for how they treated the whole series, because they clearly know how to do their jobs, they were just too lazy to give TRC the effort and care it deserved.

It was a really great scene and I would suggest watching just that couple of minutes, even if you don’t watch anything else from the Bee Train anime, simply because of how well it’s put together. Was it all just a happy editing accident? Maybe, but it’s one that I love.

Of course, like all things I love, Seishirou soon shows up to ruin them. This time with bad special effects.

This is of course after a pretty much canon-compliant intro to Ryuu-ou and Souma, complete with Kurogane dropping his freshly injured boyfriend on the ground in shock. Followed by pouting that I will take as a personal apology.

It’s not enough to make up for the lack of drunken shenanigans. Not even close.

Syaoran’s learned that not all of life’s problems can be solved by kicking. Sometimes you need to stab them. He asks Kurogane to teach him, but unlike in the manga where this is a sweet, if somber, moment between just the pair of them, Fai is, again, on the scene where he shouldn’t be. He’s also acting rather bitchy and tells Syaoran that if Kurogane teaches him to use a sword he needs to be ready to kill with it. Now this new dialogue is fucked up on a couple of levels.

Firstly, this is the same night Kurogane just lectured Fai about valuing his own life and admitted to killing more people than he could count in order to protect what he considered important to him. I’m sure we’re meant to read this as a type of semi-protective warning on Fai’s part towards Syaoran, but it comes off as petty at best and out right cruel at worst, to both Syaoran and Kurogane. Syaoran because he’s thirteen and he just wants to help save the love of his life who he is convinced he’ll never get back. Kurogane because he’s having this thing that’s pretty central to him at this point in his life thrown in his face with venom and treated like a danger towards his own adopted son.

Second, and big spoilers, if you’re watching this after Tokyo and Celes have been published (which at the time of the airing they were not) Fai telling Syaoran to “be prepared to kill” is fucked up. It’s clear in Tokyo that Fai has known for a while (we don’t find out how long exactly until Celes) that Syaoran is a clone. He also has known that Syaoran is a very real threat, basically a ticking time bomb. Fai would not be egging him on like this.

So, the whole exchange is very drastically changed in tone by giving Fai a small handful of lines, and in my humble onion it isn’t for the better.

Do you wanna know what is better though? The quality of these weapons compared to the everything else that’s been seen in Outo so far, and we don’t get better. The animation takes a noticeable dip from here on out. It’s especially noticeable because Bee Train has gotten into the habit of padding episodes with flashbacks and recaps of things we saw only a few episodes ago like they’re fucking Naruto and when you cut from one of the decently animated flashbacks to the current shitshow it’s really jarring.

Quality aside (for the moment) the puppies finally get their swords but before they had left, Sakura asks Syaoran about what he and Kurogane are planning to do during the day. It’s a fair question since they’re heading out early, but no oni can be hunted until night. For some reason he doesn’t tell her they’re going to get weapons? Or that he’s going to train with Kurogane? He just says “It’s nothing to worry about” and like... why?

On several levels why. First we have the whole why have Sakura ask if Syaoran’s not even going to tell her anything - maybe to add tension, as if they didn’t have enough, maybe to add angst, as if they didn’t have enough. He’s got no reason to hide this. She knows he hunts oni, telling her he’s going to better arm himself would only be a good thing, hell if he really wanted to avoid saying that he was going to get a sword he could have said that he was going with Kurogane to get one since Kurogane’s broke the night before. Second, Syaoran not answering only makes Sakura feel bad and worry more and I’ve never been so frustrated in my life. Yes, Syaoran tries to keep things from hurting Sakura but in the manga he doesn’t treat her like spun glass.

And then Mokona just tells her anyway so honestly the entire exchange was 95% meaningless and I demand to know who made these choices so I can meet them in the pit!!

Really the purpose is probably to waste time and pad the episode, but there’s enough in Outo that they really shouldn’t need to do this? But hey, what do I know? I’ve only read this series 10 times and done I can’t tell you how many analysis essays on the characters and plot. Surely some hacks who probably only glanced over the material know better.

So now Kurogane is throwing rocks at Syaoran. Not a whole lot is different for a while - we throw rocks at Syaoran, we blindfold Syaoran, we leave Syaoran all on his own to wander the city, Ryuu-ou stops Syaoran from getting his ass kicked by oni that he’s too focused on puzzling out to dodge, they flirt, they flirt so much.

Ryuu-ou takes Syaoran to see the Biggest and Prettiest cherry blossom tree in Outo, because Ryuu-ou goes big or not at all and he’s got a boy to woo.

Meanwhile, Fai has gotten a piano for the cafe that he can’t play and Sakura can speak to musical instruments, kinda. After another TouYuki cameo where they don’t recognize Sakura, Fai leaves Sakura to look after the cafe for reasons I can’t recall but that are probably dumb. Oruha shows up and she and Sakura have a Magical Musical Moment where Oruha plays the deus ex baby grand and learns all about how Sakura can’t remember Syaoran and somehow sees all the memories that Sakura can’t see/doesn’t have and folks I could not tell you what this adds to the story other than more confusion to people new to the series and frustration to people who have read the manga.

Let me break it down - Sakura doesn’t have these memories. Yuuko literally took them away as payment, they no longer exist. If they try to exist Sakura goes through a soft reset as seen earlier in this arc. Oruha should not be able to access them, super special VR powers be damned. The memories aren’t there to access. 404: Childhood Friendship not found.

This is all without touching on the creep factor of someone casually rooting around in Sakura’s head without her knowledge or permission. Hasn’t she’s lost enough autonomy?

Magic Music Memory time over, Oruha leaves and we’re spoiled and shown that Outo is VR and not actually the world we think it is, ruining both a really neat reveal and the weight of Syaoran and Fai’s “deaths” later in the arc. Do you want suspense and angst or not Bee Train?!?!

After reading some notes I had on the anime I think Fai left Sakura alone to go drinking with Kurogane because it’s now that they have their Moment in the Clover bar and finally meet Oruha (who stopped at the Cat’s Eye, sang with Sakura and read her mind, and then popped back to Clover because fuck you).

So. The dads are drinking and gathering info, the boys are flirting, and Sakura is doing what she did in Hanshin - where she enters zombie mode and autopilots towards her feather. Yuzuriha appears in the nick of time to stop Sakura from meeting Seishirou and for this I think she should receive a medal of some sort in all honesty.

As the girlfriends make their way back to Cat’s Eye Seishirou summons a Giant Deku Baba (seriously, Nintendo should look into copyright) and attacks the boyfriends. Ryuu-ou has to, once again, pull Syaoran out of harm’s way as he stands there aghast at the sudden turn of events. Things get a little too close to becoming a very uncomfortable tentacle based hentai and everyone escapes with their lives and virtue intact.

Syaoran tries to defend Seishirou’s honor because he thinks Seishirou has honor to defend, but no one is buying it. We also get a brief look at our resident Lava Lamp Dweller (who I might remind you all we never get answers about in ANY form in the anime) before we are swiftly moving along to another moment between Syaoran and Sakura where he’s pretty much lying to her face about things he doesn’t need to lie about and Sakura ought to chew him out.

Why? Why Bee Train? This is so OOC. Rewrite this fanfic.

It’s Tower of Terror time and Kurogane is Delighted about the 3% chance of survival he’s been handed. So far we’re back on track. Except we’re not.

Manga readers will remember looking back on this as one of our first Big Hints about Kurogane’s past - his hang ups about the demons leaving behind no bones or bodies of their past victims, implying that they’ve been eaten whole, and how that seemed to bother him. There’s the vaguest of hints that Kurogane still has a personal grudge with demons here in the anime, but it’s a lot less impactful and I don’t know how much meaning it would have to someone who didn’t have prior manga knowledge to fall back on. I feel like it falls a bit flat (especially once we see how Kurogane’s past has been sterilized for a younger audience).

Aside from that, the tower is more or less the same, bad hentai jokes and all.

Things also go very similarly at the cafe - Sakura works herself up into a tizzy and passes out, Fai feels the first emotion outside of Guilt and Horny he’s felt in upwards of a century, and Mokona tells him that he’s fine and that no, that’s not heartburn it’s affection.

Enter King Trashface. He’s holding the feather in some sort of weird space disco ball? Not the worst thing, just an odd choice? He and Fai exchange words (starting with Fai telling Seishirou to fuck off in the most polite way ever) - during which Fai’s animation makes it seem that the closer Fai gets to “death” the more his face distorts, which is terrible and hilarious.

Before Fai gets turned into demon chow though, Seishirou calls him out on being Mr. Deathwish, especially since Fai is fighting without using magic that could very possibly save him. At this point Fai flashes back to his and Kurogane’s “how about we don’t die” talk earlier and Fai says that he might want to live after all. Which is like. Bullshit at this point in the journey. He doesn’t want to live, he really really doesn’t and the very fact that he’s not using his magic is proof positive of that (see: Le Court). Though also, even with a bum ankle he thinks he can take Seishirou until he pulls out the feather. At which point Fai basically tells Mokona to pay attention to how he dies so she can tell the others about it. Which is so... against what he just said?

This is well before we ever see even a manga version of Fai with anything resembling self preservation or a proper will to live, but we have enough of his character for the anime writers to know that this is a very big leap for him to be taking so soon. I feel like if they wanted to give him a hopeful outlook (which is what I think they were trying to do after coming off the scene with Sakura and Mokona) they could have had him seem more wishy-washy about it, or phrased it as a curiosity. “Something I didn’t expect has happened and I wanna see where it goes” is a much better way for him to have made the same statement. At least in my opinion.

Anyway, he dies and I find his death scene really funny because you just see his legs dangling slowly and it’s so... idk it might just be me but I couldn’t stop laughing.

Now I am pretty sure Seishirou causes this but Outo starts glitching. Everything starts going full Matrix rainbows on us and all the NPCs vanish. Souma is worried about the game falling apart and Ryuu-ou and Yuzuriha are both worried about their potential love lives new friends.

Here we come to a few things I very much HATE that were changed. Once Fai is dead Sakura goes zombie again and starts to follow after her feather/Seishirou before the puppies get home, so only Mokona is there waiting. This means I have lost yet ANOTHER FATHER-DAUGHTER MOMENT!! It also means that when Syaoran runs after Seishirou and gets murderized she not only sees it happen but... dies? with? him? Because she hugs him while the game is transporting him out? I dunno. It’s bad and dumb and I hate it.

So Kurogane thinks they’re ALL DEAD, which is great. It’s not like he isn’t already having a bad enough day. Not that you could tell by looking because the animation doesn’t have him emote at all. He looks basically bored as Mokona tells them that Fai is dead while Syaoran is a step away from a full on meltdown. @beetrain you do know that Kurogane has emotions other than anger and Fight Me(tm) right?

And now Seishirou is idk posturing? Bragging? He talks about how there’s no one left to oppose him now that the 13 year olds are dead, completely ignoring the pissed off ninja murder machine that has nothing left to lose that’s coming for his sorry ass. I don’t remember him being that cocky in the manga? Am I misremembering or did the anime somehow make Seishirou even more unlikable? Either way, Kurogane finds the slimeball and, to my extreme annoyance, only asks if he killed Fai and Syaoran - not Sakura - even though he believes all of them to be dead. The anime keeps doing this and I have ranted about it so much I’ll spare you the retyping. For now.

A quick list of minor things that happen that I dislike:

Fai’s coat and Sakura’s cloak both pull random appearing and disappearing acts between episodes

No one is even a little surprised when Syaoran’s sword sets itself on fire

The pacing could kill a man. Unfortunately Seishirou lives.

My soap opera isn’t real and this is

Seishirou knows Syaoran is a clone and drops hints about something we are never getting resolution to

Oruha, after allowing Seishirou to fuck off, just, you know, tells Sakura that she has missing memories of Syaoran

Memories that she somehow was able to access even though they no longer exist within Sakura

If Yuuko says no memories she means NO MEMORIES!!!

FWR watches the demon rampage across Edonis. He’s probably reminiscing. Like an asshole.

Outo wraps up and is it the worst of the arcs? No. But am I bitter about the things that were done to it because it changed a lot of fundamental things about the characters and the plot? Yes.

See you next time, where I’ll probably talk about more than one arc. Until then, have this.

[part 1] [part 2]

#Tsubasa Trainwreck Chronicles #my meta #TRC #spoilersTRC

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