Tumgik
#in the original german of course
theromaboo · 1 month
Text
I'm currently trying to prove that Britannicus was not allergic to horses, or at least that there is no evidence that suggests he was and I'm having some issues (AHHHHHHHHHH)
12 notes · View notes
longagoitwastuesday · 11 months
Note
you seem to have a wide taste in books !! what are some books that you would recommend ??
Hmmm I wonder. I have the feeling I just read the same couple of books over and over, and at times only different iterations of the same story, like in that line by Borges ("the various intonations of a few metaphors").
I find recommending books without knowing anything at all about the person asking rather difficult. What I'd suggest to one may differ greatly from what I'd recommend to someone else. I'll give a list of some of my favourite books that I think are enjoyable in general:
— Thoughts by Pascal
— Cain: a mystery by Lord Byron
— The Iliad by Homer
— Crime and Punishment by Dostoievsky
— Othello by Shakespeare
— Pedro Páramo by Juan Rulfo
— Cyrano de Bergerac by Edmond Rostand
— The fragments of the Presocratics
— La Regenta by Leopoldo Alas, Clarín
— Tractatus Logico-philosophicus by Wittgenstein
— East of Eden by John Steinbeck
— Vita nova by Dante
— Contributions to the Founding of the Theory of Transfinite Numbers by Georg Cantor
— Caligula by Albert Camus
— North and South by Elizabeth Gaskell
— Peter Pan by J. M. Barrie
— Some essays by Russell. I personally love Mysticism and Logic
— Metamorphoses by Ovid
Poetry is perhaps harder to recommend because at times it translates horribly, but in general I love Baudelaire, Rimbaud, Lorca, Juan Ramón Jiménez, Rilke, Byron, Quevedo, Góngora, Lope de Vega, Horace, Catullus, Ovid, Tennyson, Maiakovsky, Garcilaso de la Vega, Oliverio Girondo, Vicente Huidobro, Emily Brontë, T. S. Eliot, Luis Cernuda and Edgar Allan Poe, to name a few.
#I talk too much#I wanted to say The tragic sense of life by Unamuno and Philosophy and Poetry by María Zambrano#but I thought maybe they'd be hard to find in translation. They're both approachable texts of philosophy beautifully written though#Unamuno's essay Vida de Don Quijote y Sancho (translated as Our Lord Don Quixote in English according to Wikipedia?) is also beautiful#I adore Schopenhauer and Nietzsche but I'm not sure I'd recommend them to anyone. Probably you can't go wrong with Kierkegaard though#I know what some of these books look like (like Wittgenstein's Tractatus or Cantor's Foundations)#but I swear they're approachable without specific academic background. The last line of Wittgenstein's Tractatus is one of my favourite#lines ever in the history of anything‚ philosophy or literature‚ but to be as hitting as it is you need to reach it at the end of the book#I think despite what it looks like both Cantor and especially Wittgenstein have an aesthetic intent in their writing#Wittgenstein in particular reminds me of Kierkegaard and Rilke and also of Unamuno and Zambrano. And of course Schopenhauer et al.#The Tractatus is very similar in my opinion to Huidobro's Altazor which is just amazing but I don't know how it would translate#These books I like in form and not just in content (although form is content like I think happens in Wittgenstein's Tractatus)#so when possible I'd read them in their original languages.I myself can't read German and know but very little of Russian and Ancient Greek#and a bit of Latin so I must be missing a lot of those. Nonetheless they're great in what I can get through translation#Perhaps you'd have the chance of enjoying them in full#If you can't read Russian I am actually quite specific with the translation of Crime and Punishment haha There's a concept#Razumikhin develops through the book at several points and often translators aren't consister with the word which makes the readers lose#the view of this development. And I happen to think the development works alongside the narrative of Svidrigailov#and also with what happens towards the end with Porfiry and Raskolnikov so I think it's important#In English there are several translations that maintain the coherence such as the one by Pevear and Volokhonsky#(the only one I can remember right now but I could check the rest). Garnett's translation is everywhere but that one doesn't do it#Hmmm Pedro Páramo in English takes some liberties and La Regenta isn't as funny which is what happens with Wuthering Heights#and The three musketeers in translation even when the translations are more accurate#I haven't recommended Wuthering Heights because I take you've read it but that's my favourite book#And I haven't recommended Pandora Hearts because that's a manga and you asked for books but it does some very interesting things#that I think are in line with many of the books listed here (as I said‚ I basically like the same few things retold over and over haha)#There are many books I am itching to recommend but that I can't do freely without some knowledge of the person asking#Like Steinbeck's arthurian novel or idk Gone with the wind#I hope this list is enjoyable enough. I'm not sure if I've been able to avoid being too partial#I suppose one has to bear the conditions of their existence and can't ever entirely get rid of themselves haha
16 notes · View notes
stormxpadme · 1 year
Text
Tumblr media
Chapter 1 of Weathered I: FROST is online.
In which Mystique sets up office at a new mission target and it's movie time at the Mutant High.
11 notes · View notes
seawitchkaraoke · 11 months
Text
So when does french actually use "on"? I was taught back in school that it's equivalent to the german "man" which we basically use as a passive third passive singular kinda like "one shouldn't do that" (which obviously english doesn't use much but it exists)
But I'm now doing the duolingo french course from english and there they consistently translate "on" with "we". In some sentences both versions make sense, but I just got "Ils savent qu'on va en Australie" which the english translation "they know we're going to Australia" makes sense but the translation I learned back in school for this would be smth like "they know, one goes to Australia" (or "sie wissen, dass man nach Australien geht*)
Which.... Is a completely different meaning that doesn't make a lot of sense like "one goes to Australia"? What? Is that just a common thing one does? Would only make sense for like, idk if this is about middle class germans doing a gap year after high school, bc yeah sure there going to Australia sure is a common thing to do
But if my french teacher was wrong and it's actually always "we" then... When do I use "nous" and when "on"?
Languages are confusing and I am doing three way translations here trying to make sense of everything, it's hard lmao
7 notes · View notes
tragedykery · 1 year
Text
just remembered when I tried to translate the first chapter of the priory of the orange tree like a year and a half ago but gave up not even a quarter of the way through and tbh I get why it hasn’t been translated to dutch because even translating the title and making it sound Not Horrible is pretty much impossible
7 notes · View notes
ofpd · 1 year
Text
truly one of the greatest failures of the english language is that there is no good word for someone who makes/studies calendars. 'calendar maker' and 'horologist' both simply do not cut it.
8 notes · View notes
mityenka · 2 years
Text
i hate my literature course so much half the people there have the most infuriating takes about literature while bragging about how they didn't read anything of the assigned reading girl why are you even here
6 notes · View notes
farmergilesofham · 4 months
Text
I have been thinking of a historical horror scene
I don't see much of historical horror (in part probably because I'm not a massive fan of horror but also) because most 'historical' settings are at most in the 1800s, and that's even a bit of a stretch. Not to naysay the films set after the industrial revolution - there's plenty of richly horrific visuals you can only really get in this more technologically advanced time - but I feel like we're missing a genuinely really scary Ancient Historical horror film.
Hell, it doesn't even have to be a film which is Horror in its entirety - what we're really missing, what we really need, is one truly excellent scene of horror, which plays with the realistic circumstances of ancient peoples.
Now, stone circles and ghosties and all are fine, but what I have in mind is completely realistic; a scene which plays with the ideas of superstition, but one in which none of what happens is actually caused by the supernatural.
Let me take you back in time - Two thousand thirty-six years ago, tensions between German tribal kingdoms and the Romans were spiking, and from this would follow 28 years of questing into the wild lands of western-central Europe.
It is the road into the unexplored wilds - the Road, paved in stone and well-kempt by brutally subjugated locals, ended miles behind you - one cutting as often through forest as frighteningly exposed valleys and fields. You are a roman soldier, a professional warrior enlisted in the army for the opportunity at land and wealth to support your family, once your tenure is done. For many, including you, this is their first true border conflict, and a chance to earn glory and renown back home in Italy.
The forest is a startling green, and yet beneath the shaded boughs, little enough light penetrates that the question of lighting lamps has been raised at least twice. Your commander, seasoned in battle, knows better than to show a potential enemy exactly where you are. Some grumbling is to be had, as the trudge continues.
And then you hear this: https://www.youtube.com/watch?v=jRIQp4qZrrE
The sound of rattling, and the grunts of animals cut through the silence. The line has stopped. You cannot see what's in front of you. That awful wail lifts through the air again, accompanied this time by a sound like a thousand dead insect shells, spilling over stone. The forest is so silent; it's like a ghost has a knife pressed to each man's throat. A breeze stirs the leaves in the trees, carrying with it the smell of something... putrid. Is there something in the trees? A dozen spears point first this way, then that, pulled by the sounds of things... rustling in the undergrowth.
You turn, thinking you heard something, and spot an illuminated gap in the trees. In it stands a thing, with deer's horns and too many arms and legs that don't quite fit together as they should.
It is looking at you.
The first scream rings out through the valley, tearing your gaze away, and five hands clap over the terrified boy's mouth.
But it is too late. They know where you are.
0 notes
Text
Spotify made me a daylist yesterday that had “krautrock”(okay, slur lol) as a frequently listened to/recommended genre. I had no idea what it was but upon further investigation realized that my favorite vibey playlist that I listen to like every day is almost exclusively krautrock lmfao.
0 notes
allinllachuteruteru · 7 months
Text
Duolingo is NOT what it used to be.
“Duolingo is ‘sunsetting the development of the Welsh course’ (and many others)”.
I’ve used Duolingo since 2013. It used to be about genuinely learning languages and preserving endangered ones. It used to have a vibrant community and forum where users were listened to. It used to have volunteers that dedicated countless hours and even years to making the best courses they could while also trying to explain extremely nuanced and complex grammar in simple terms.
In the past two years it feels like Von Ahn let the money talk instead of focusing on the original goal.
No one truly had a humongous problem with the subscription tier for SuperDuolingo. We understood it: if you can afford to pay, help keep Duolingo free for those who couldn’t.
It started when the company went public. Volunteers were leaving courses they created because they warned of differing longterm goals compared to Duolingo’s as a company; not long after it was announced that the incubator (how volunteers were able to make courses in the first place) would be shut down. A year goes by and the forums—the voice of the users and the way people were able to share tips and explanations—is discontinued. A year or two later, Duolingo gets a completely new makeover—the Tree is gone and you don’t control what lesson you start with. With the disappearance of the Tree, all grammar notes and explanations for courses not in the Big 8 (consisting of the courses made before the incubator like Spanish/French/German/etc. and of the most popular courses like Japanese/Korean/Chinese/etc.) are removed with it. Were you learning Vietnamese and have no idea how honorifics work without the grammar notes? Shit outta luck bud. Were you learning Polish and have absolutely no clue how one of the declensions newly thrown at you functions? Suck it up. In a Reddit AMA, Von Ahn claims that the new design resulted in more users utilizing the app/site. How he claims that statistic? By counting how many people log into their Duolingo account, as if an entire app renovation wouldn’t cause an uptick in numbers to even see what the fuck just happened to the courses.
Von Ahn announces next in a Reddit AMA that no more language courses will be added from what there already is available. His reasoning? No one uses the unpopular language courses — along with how Duolingo will now be doing upkeep with the courses already in place. And here I am, currently looking on the Duolingo website how there are 1.8 million active learners for Irish, 284 thousand active learners for Navajo, and even 934 thousand active learners for fucking High Valyrian. But yea, no one uses them. Not like the entire Navajo Nation population is 399k members or anything, or like 1.8 million people isn’t 36% of the entire population of Ireland or anything.
And now this. What happened to the upkeep of current courses? Oh, Von Ahn only meant the popular ones that already have infinite resources. Got it. Duolingo used to be a serious foundational resource for languages with little resources while also adding the relief of gamification.
It pisses me off. It really does. This was not what Duolingo started out as. And yea, maybe I shouldn’t get invested in a dingy little app. But as someone who spent most of her adolescence immersed in language learning to the point where it was literally keeping me alive at one point, to the point where languages felt like my only friend as a tween, and to the point where friendships on the Duolingo forums with likeminded individuals my age and other enthusiasts who even sent me books in other languages for free because they wanted people to learn it, the evolution of Duolingo hits a bitter nerve within me.
~End rant.
17K notes · View notes
i-drew-artz · 10 months
Text
Isnt it funny how other countries have badass awesome names like "Kenji", "Wolfgang", "Mikhail", and "Joaquin".
Then the english have names like fuckin bob, charlie, moe, and harry.
0 notes
schadenfreudich · 1 year
Text
I did not need a hyperfixation right now. Especially not this.
Like, it perfectly fits multiple criteria of things I am very likely to be hyperfixated on. 1. it's german (this is so fucking broad, dude), 2. it's from the middle ages (which means history, kind of) and 3. it was originally written in middle high german. It's a german hero tale (or similar word to "tale") and I just hope I can find anything in middle high german, not just translated to new high german, please I'm learning middle high german for a reason.
Anyways, I'm tired and definitely not doing that now. I can do that tomorrow.
0 notes
suzannahnatters · 1 year
Text
So here's one of the coolest things that has happened to me as a Tolkien nut and an amateur medievalist. It's also impacted my view of the way Tolkien writes women. Here's Carl Stephenson in MEDIEVAL FEUDALISM, explaining the roots of the ceremony of knighthood: "In the second century after Christ the Roman historian Tacitus wrote an essay which he called Germania, and which has remained justly famous. He declares that the Germans, though divided into numerous tribes, constitute a single people characterised by common traits and a common mode of life. The typical German is a warrior. [...] Except when armed, they perform no business, either private or public. But it is not their custom that any one should assume arms without the formal approval of the tribe. Before the assembly the youth receives a shield and spear from his father, some other relative, or one of the chief men, and this gift corresponds to the toga virilis among the Romans--making him a citizen rather than a member of a household" (pp 2-3). Got it?
Remember how Tolkien was a medievalist who based his Rohirrim on Anglo-Saxon England, which came from those Germanic tribes Tacitus was talking about? Stephenson argues that the customs described by Tacitus continued into the early middle ages eventually giving rise to the medieval feudal system. One of these customs was the gift of arms, which transformed into the ceremony of knighthood: "Tacitus, it will be remembered, describes the ancient German custom by which a youth was presented with a shield and a spear to mark his attainment of man's estate. What seems to the be same ceremony reappears under the Carolingians. In 791, we are told, Charlemagne caused Prince Louis to be girded with a sword in celebration of his adolescence; and forty-seven years later Louis in turn decorated his fifteen-year-old son Charles "with the arms of manhood, i.e., a sword." Here, obviously, we may see the origin of the later adoubement, which long remained a formal investiture with arms, or with some one of them as a symbol. Thus the Bayeux Tapestry represents the knighting of Earl Harold by William of Normandy under the legend: Hic Willelmus dedit Haroldo arma (Here William gave arms to Harold). [...] Scores of other examples are to be found in the French chronicles and chansons de geste, which, despite much variation of detail, agree on the essentials. And whatever the derivation of the words, the English expression "dubbing to knighthood" must have been closely related to the French adoubement" (pp 47-48.)
In its simplest form, according to Stephenson, the ceremony of knighthood included "at most the presentation of a sword, a few words of admonition, and the accolade." OK. So what does this have to do with Tolkien and his women? AHAHAHAHA I AM SO GLAD YOU ASKED. First of all, let's agree that Tolkien, a medievalist, undoubtedly was aware of all the above. Second, turn with me in your copy of The Lord of the Rings to chapter 6 of The Two Towers, "The King of the Golden Hall", when Theoden and his councillors agree that Eowyn should lead the people while the men are away at war. (This, of course, was something that medieval noblewomen regularly did: one small example is an 1178 letter from a Hospitaller knight serving in the Latin kingdom of Jerusalem which records that before marching out to the battle of Montgisard, "We put the defence of the Tower of David and the whole city in the hands of our women".) But in The Lord of the Rings, there's a little ceremony.
"'Let her be as lord to the Eorlingas, while we are gone.' 'It shall be so,' said Theoden. 'Let the heralds announce to the folk that the Lady Eowyn will lead them!' Then the king sat upon a seat before his doors and Eowyn knelt before him and received from him a sword and a fair corselet."
I YELLED when I realised what I was reading right there. You see, the king doesn't just have the heralds announce that Eowyn is in charge. He gives her weapons.
Theoden makes Eowyn a knight of the Riddermark.
Not only that, but I think this is a huge deal for several reasons. That is, Tolkien knew what he was doing here.
From my reading in medieval history, I'm aware of women choosing to fight and bear arms, as well as becoming military leaders while the men are away at some war or as prisoners. What I haven't seen is women actually receiving knighthood. Anyone could fight as a knight if they could afford the (very pricy) horse and armour, and anyone could lead a nation as long as they were accepted by the leaders. But you just don't see women getting knighted like this.
Tolkien therefore chose to write a medieval-coded society, Rohan, where women arguably had greater equality with men than they did in actual medieval societies.
I think that should tell us something about who Tolkien was as a person and how he viewed women - perhaps he didn't write them with equal parity to men (there are undeniably more prominent male characters in The Lord of the Rings and The Hobbit, at least, than female) but compared to the medieval societies that were his life's work, and arguably even compared to the society he lived in, he was remarkably egalitarian.
I think it should also tell us something about the craft of writing fantasy.
No, you don't have to include gut wrenching misogyny and violence against women in order to write "realistic" medieval-inspired fantasy.
Tolkien's fantasy worlds are DEEPLY informed by medieval history to an extent most laypeople will never fully appreciate. The attitudes, the language, the ABSOLUTELY FLAWLESS use of medieval military tactics...heck, even just the way that people travel long distances on foot...all of it is brilliantly medieval.
The fact that Theoden bestows arms on Eowyn is just one tiny detail that is deeply rooted in medieval history. Even though he's giving those arms to a woman in a fantasy land full of elves and hobbits and wizards, it's still a wonderfully historically accurate detail.
Of course, I've ranted before about how misogyny and sexism wasn't actually as bad in medieval times as a lot of people today think. But from the way SOME fantasy authors talk, you'd think that historical accuracy will disappear in a puff of smoke if every woman in the dragon-infested fantasy land isn't being traumatised on the regular.
Tolkien did better. Be like Tolkien.
8K notes · View notes
writingworlds · 3 months
Text
𝐏𝐑𝐄𝐒𝐓𝐈𝐆𝐄
Pairing(s): Charles Leclerc x Porsche!reader
Summary: The Porsche Princess, that nickname has followed Y/N around since birth. And who better for a princess than a prince?
Warning(s): shitty Google translate
yn_porsche
Tumblr media
liked by milaaa, porsche, mickschumacher, and others
yn_porsche Essen und Freunde 🤍
view all comments
milaaa Mach keine Witze, du liebst das Essen mehr als ich 😘
papaporsche meine Prinzessin
yn_porsche Ich liebe dich Papa ❤️❤️
mickschumacher and where was my invitation?
yn_porsche sorry Micky but it was a girls only event
username hello??? not mick attempting to shoot his shot 😭😭
username girl I hate to break it to you but mick and y/n are only friends. They’ve known each other for years now
username day 673 of asking for Porsche to rejoin f1 permanently
milaaa 🤭🤭🤭
username milaaa WHAT DO YOU KNOW
milaaa oh nothing at all 🤭
yn_porsche 🫣🫣🫣
username y/n drop the pie recipe because it looks delicious
username y/n drop the makeup routine because you are gorgeous
username well that too
Tumblr media Tumblr media
f1
Tumblr media
liked by porscheagracing, yn_porsche, papaporsche, and others
f1 Welcome to the paddock porscheagracing!
view all comments
porscheagracing Excited to be here!
username JSHSHD OMG
username RACING ROYALTY IS BACK BABY
username ….wait…does this mean we will be able to see THE Y/N Porsche in the paddock
yn_porsche no promises but I do hope to make it to at least one Grand Prix!! Most likely the German one 😉
username DOES THIS MEAN THAT HOCKENHEIMRING IS RETURNING TOO
username THE RUMOURS WERE TRUE
username 11 teams f1 is so back
username I CANT WAIT
porscheagracing
Tumblr media
liked by f1, mickschumacher, yn_porsche, and others
porscheagracing Get to know us!
Who We Are: Originally founded in 1931 by Ferdinand Porsche, Porsche was meant to represent excellence, luxury, and class.
Our story starts with the creation of our first sports car, the 356, to our unveiling of the legendary 911. But those are simply designs of luxury sports cars, they do not encapsulate our rich heritage of motorsport.
We have dominated various endurance championships, most notably being the 24 Hours of Le Mans. It is time, however, to take that dominance to open wheel and Grand Prix racing.
What We Do: We will be competing in Formula One starting from the 2025 season. Our goal is to bring a sense of rejuvenation back to the world of Formula One (and of course take a few world championships while we are at it).
Our team: Holding the words power, precision, and performance in mind we created a team of uniquely qualified individuals to make sure we excel in all aspects.
- CEO: Henrik Porsche
- Team Principal: Sebastian Vettel
- Technical Director: Julia Wagner
- Chief Aerodynamicist: Karl Becker
- Chief Mechanic: Michael Braun
- Strategy Coordinator: Lisa Fischer
Information on our drivers will be released shortly.
Wagen Sie es, sich von Träumen mitreißen zu lassen.
view all comments
username is that Sebastian Vettel I see???
username try as he might he can’t escape motorsport 😭😭😭
mickschumacher 🖤❤️💛
yn_porsche F1 BABY
username please please please let Mick Schumacher be one of the drivers
username if his hearts mean anything you might be in luck
username maybe I’m just dumb but did anyone else just realise that the Porsche team colours are the same as the German flag 🧍‍♀️🧍‍♀️
username it’s not just you I promise 😭😭
username any predictions on how good they’ll be? Cause I’m thinking they’ll start as a midfield car this year and then very quickly work their way up to the top
username i agree, they had Vettel on board as TP so he’ll give them plenty of experience in that regard but otherwise it will probably take them a bit of time to get used to f1 itself. once they do however….the rest of the grid best be prepared
username honestly i just can’t wait till they gain major sponsorship deals
username from twitter i heard they may have deals from Apple, Hermès, and of course Volkswagen
porscheagracing
Tumblr media
liked by arthur_leclerc, mickschumacher, yn_porsche, and others
porscheagracing Please give a warm welcome to your drivers for the 2025 season arthur_leclerc and mickschumacher
view all comments
mickschumacher Lass uns gehen Porsche 🖤❤️💛
arthur_leclerc Thank you so much for this opportunity
charles_leclerc Congratulations little bro, f1!!!
username THE LECLERC BROTHERS IN F1 IM GONNA CRY
username NO BECAUSE IM SO PROUD LIKE THESE ARE MY CHILDREN
yn_porsche Zeit, Rennen zu fahren 🫡🫡
arthur_leclerc I am going to pretend I understand what you are saying
yn_porsche someone is going to need to teach you German
milaaa I volunteer as tribute 🫡🫡
yn_porsche ah yes because you are known for your brilliant teaching strategies
milaaa shush
papaporsche Welcome to the team you two! Here’s to an incredible first season in Formula 1
mickschumacher Wir lassen Sie nicht im Stich, Chef
arthur_leclerc Gonna make Porsche proud
sebastianvettel Pleasure to be working with you both 😊
username plsssss he’s such a dad
username and we love him for it
username oh for sure
Tumblr media
Charles Leclerc
alors... Y/N Porsche
Arthur Leclerc
frérot c'est quoi ce bordel
2K notes · View notes
u3pxx · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
thinking about my gavin parents earlier. specifically, karsten gavin and the way he loves klavier.
HI SORRY. and sorry for any mistakes on the german, google translate can only take me so far DFGHDJFDGHD this was my original thought earlier that i typed into my pc during class DSFGHD
Karsten shows affection the only way he knows how (buying expensive lavish gifts) Karsten, being an absent father in many ways, doesn't pay much attention to his children's interests. Klavier becomes interested in music and wants a guitar for Christmas, he mentions this several times to Karsten as he works, over dinner, every moment he can get, really. Karsten and Karen have a fight 2 weeks before Christmas that leaves them very cold towards each other, Karin throws herself into social events/parties while Karsten flies to another place to focus on his work. The fight and their absence affect Klavier deeply, more than Kristoph who is growing more used to this. Karsten gifts Klavier an expensive piano, Klavier is disappointed and his face starts to show it. Karsten grows frustrated at this and starts to ramble “Music, right, liebchen? Didn’t you say you wanted to play?” “Well, ja, but… I wanted a…” Karsten starts frowning. “Klavier, do you have any idea how expensive this is? You don’t like it? Fine then, fine. Do you want me to throw my gift away for you, is that it?” “Of course not, papa. Klavier, what do we say?” Kristoph chimes in and nudges Klavier, whose eyes are starting to water. “[Thank you, father.]” “Oh there he is. Come, come.”
i just. thinking about piece of shit extraordinaire karsten gavin who only knows how to make problems go away with material things
i love drawing bc it compensates for the fact that i can't write DFGHDJ
1K notes · View notes
lorynna · 14 days
Text
In World War II, Nazi Germany established brothels in the concentration camps (Lagerbordell, Sonderbauten or Freudenabteilungen "Joy Divisions") to increase productivity among male inmates.
In the end, the camp brothels did not produce any noticeable increase in the prisoners' productivity levels, but instead, created a market for coupons among the camp VIPs.
Here's a few of the locations where this happened:
Mauthausen/Gusen, Auschwitz, Buchenwald, Neuengamme, Dachau, Dora-Mittelbau, Sachsenhausen, Flossenbürg and others
The women forced into these brothels came mainly from the women-only Ravensbrück concentration camp, except for Auschwitz, which "employed" its own prisoners.
In combination with the German military brothels in World War II, it is estimated that at least 34,140 female inmates were forced into sexual slavery during the Third Reich.
The brothels form the subject of "Das KZ Bordell" (The Concentration Camp Brothel) by Robert Sommer, a book that has been hailed as the first comprehensive account of a little known chapter of Nazi oppression in World War Two.
It explores the origins, structure and impact of the "Sonderbauten" (special buildings) run by Heinrich Himmler's SS in Germany and Nazi-occupied Europe.
"In the collective memory and written history of World War Two, the camp brothels were for a long time taboo," the 35-year-old Berliner told Reuters. "The former prisoners didn't want to talk about it: it was a difficult subject to handle."
"It didn't fit so easily into the postwar image of the concentration camps as monuments to suffering."
According to concentration camp survivors the women in those brothels were replaced every 6 months and the women who got replaced were killed in gas chambers.
It is important to note that we distinctively speak of sexual slavery here and of rape.
I wanted to point this out especially because I have been seeing liberal feminists talking about this topic, calling it "forced sex-work", "forced sex-labour" etc.
It is beyond disrespectful to call these female victims "sex-workers" or "employees" when their sexuality was brutally exploited, their diginities taken, their health was sacrificed, they were raped repeatedly and then executed after 6 months, even though they were promised to be released after those months. But those promises of course were never honored.
Liberal feminism and radical feminism differ a lot when it comes to views on the topic of prostitution but this does NOT excuse labeling victims of abuse and rape as "sex-workers" or calling their suffering "forced sex-labour."
794 notes · View notes