Tumgik
#in conclusion: stop telling people what to do 0_0
farseerofv0id · 3 months
Text
*scrolling through the tag for the first time*
"Mizu is a trans man and so it's transphobic for the creators to show part of his life as a woman or talk about him with she/her at all"
*absurd amount of self control not to engage in what would become a fruitless discussion, ultimately keep scrolling*
"Mizu is a woman and it's disrespectful to women to call her a trans man because it takes away a 'strong woman' representation"
*scream into a pillow*
15 notes · View notes
lady-plantagenet · 4 years
Text
What hasn’t already been said: The Spanish Princess 2
Episode 3: GOOD Grief! (we finally have a good episode on our hands)
To all those of you keen enough to have come back for another segment of ‘what hasn’t already been said: TSP’, as opposed to have just been scrolling when you see this - welcome back! (Scrollers you too <3)
Tumblr media
Drawing of Thomas More’s Son AKA who Margaret Pole at this point wants to be the step baby momma of ;).
To anyone who’s seeing this for the first time: what this is a list of observations, jokes, reactions and criticism which occur to me upon a rewatch. I wait every week until Saturday to do this so that I have had my fill of scrolling through the tag and aggregating what has already been said. I tried doing a whole spoof (here where I gave up 10% in) but tbh a) I don’t know the history well enough b) it’s more time consuming than I thought and c) this series is just not as funny or as crazy as TWQ, so it’s untenable. Having said that: This is not a hatepost. I’m not hatewatching this series and nitpicking on purpose but expressing my honest views and trying to find the good in it as well as the bad.
Without further ado...
First Scenes: 
LMAO the way Wolsey suggests they break their alliance with Spain is freaking hilarious because the actor delivers the lines as if he were a high school girl making a personal attack by suggesting the prom change its theme to 70s disco to the chagrin of the peppy up-and-coming rival.
Also @ Henry VIII looking like the peppy up-and-comer’s bff and shy stan with that pencil bite and small smirk when Catherine loses her cool against Wolsey.
I’m sorry... who is Henry married to again?
Also what is Margaret Pole doing at the council meeting?? I’m not saying I don’t like it.
Margaret Pole warning against certain repetitive thinking creating madness :(((
Attempted Naked Twister:
Oh Catherine, what is with you and all the other STARZ protagonists and that weird politcky bedroom talk? Who actually finds this sexy?
‘Catherine you are unnatural’ ooof that line delivery was somehow haunting.
Was the whole ‘I can’t be rushed you are off-putting with your overpowering’ a callback to Arthur and Catherine? Apparently there’s another writer for this episode so I won’t put all subtly past them. 
Scotland:
‘Shitey men’ asdkjashd
Look I’m tired of all this ‘my children won’t be safe’ line getting repeated. Look mate, murder of royal infants and children was not exactly a common occurence, even in cases of deposition. The Princes in the Tower are an exception to this but a very infamous case for that reason. Child murder was extremely taboo. In situations like this with an infant kid, no one is going to bother murdering the babies and taking their thrones, the lords will just vie for power and make themselves de facto rulers and oust the queen. It’s not a question of safety but a question of holding power. Stop giving all women characters perma mummy brains.
Maggie being all caring:
‘Barnaby’ *scoffs* ‘Such an English name’ - OH MAN 0_0 is Catherine mocking them for trying to adapt ? Like I know it’s meant to show her envy for Lina, but it’s coming out all messed up.
Our girl Maggie’s smile screams I’m beating your ass in chess.
Anyhow this is the least histrionic we’ve seen Catherine so far.
Chaplain vs Catherine:
I’m interested how Catherine will feel at Stafford’s execution given that I have noticed this show build up to a friendship between them.
Why is everyone laughing at the whole ‘will you delight us with new schemes’ line was not that funny?
LMAO at Thomas Boleyn’s attempted brown-nosing. 
You know what? Ruairi is a decent actor. When he says ‘so you admit it? you lost the child because you tried to be a man?” the actor conveys Henry’s troubled mind, lowkey scare towards Catherine and bewilderment all in one. The way his eyes do not move but just widen emotionlessly also gives this sense that he is being manipulated (which I guess they are going for with Wolsey). Then the whole choir music in the background.. I don’t know.. I’m liking this, it’s creating a vibe of a king of haunted and increasingly paranoid Henry. I’m sure they are going for that, so good.
Ursula Pole and Mama:
Maggie Pole say ‘riches don’t keep you safe’ with tears in her eyes :’(. Please tell me how this is not her thinking on her parents and granddad Warwick and what befell them ;’(.
I find Ursula refreshing actually, don’t get those types of heroines often. But they are making her similar to a gold-digger, an exhalted marriage was first and foremost considered a thing of honour. Noblepeople wouldn’t speak in such mercenary terms regarding their marriages. 
Post Mary Defiance:
I love the ‘horse’ nickname from Brandon n’awwww
Also just realised what made TWQ so atmospheric - that wierd ‘oooo’ sound effect in the background when a character was being paranoid or worrying. They are using it during Henry’s ‘How is it that I have no sons?’ and it is just... so effective.
Catherine calling them ordinary children... she just keeps striking me as more and more classist. Like ok, I know every royal was... but still, I thought she was meant to see Lina as a friend and equal despite her race and status. To add the race element, this kind of rubs me the wrong way.
Also it is so clear by the end when Catherine states how the king is upset with her, she expects Maggie to ask her about it.. but she doesn’t lmao.
Back to Scotland until Sexy boy fencing:
I love me this soft boi. Angus <3 <3
I like how they address that some men don’t really like killing and that violence isn’t inherent in a man’s nature.
Oh man, are we supposed to look at Lina’s house and deplore the impoverished conditions? It would go for at least 3,000,000 pounds in today’s property market?
Is Catherine being particularly classist again with ‘Why u not becoming a butcher Wolsey, ey?’. 
Though I will admit the ‘but giving meat to the poor is also good’ was one of her only smart comebacks.
Just realised, Catherine’s pink dress pretty as it is, looks straight out of the 1570s... why?
Montage and After:
You guys are right, there is this weird longing between Henry and Wolsey lmao. It is actually insane.
So basically Catherine is officially depressed
OOOFF we have Stafford as regent instead of Catherine. (edit: I suppose it’s cause they go to France which they didn’t historically? Also if Stafford is at home then what is his son later doing in France, why would he be there without his father. This show didn’t think this through)
Meg Singing:
An impassionate speech is not too anachronistic. But despite the title of this post (what hasn’t been said) I will reiterate that 16th century and Medieval people’s problem wasn’t that they were ashamed of their grief and didn’t cry. In fact, crying was somewhat more socially acceptable then than it even is now! Even manly men like Arthur were written as crying in literature such as Malory’s Morte d’Arthur. Obviously you couldn’t go overboard, but in truth crying was indeed often too performative rather than hidden too much behind doors.
Pole and More UWUWU in France and after:
I LIKE THIS INTELLECTUAL FLIRTING
It’s nice to see a depiction of romantic feelings between mature and level-headed subjects.
God Mary Tudor is so beautiful in this scene jesus. and the music when she was being presented was also very beautiful.
Maggie Pole getting given ‘a modest income’ yeah... she was one of the wealthiest peers of her day.
Also Maggie’s lady cousin not lady aunt Frost!
‘shaking of the sheets’ lmaoooo
William Compton cracks the hell out of me. I love this guy. He is just so creepy and twisted yet super keen and friendly. ahaha He looks like a riot, I hope we see him more. lmao tiles.
Also this palace feels very anachronistic almost 18th century-ish.
I like the Louis and Mary sequence, it’s nice seeing him trying to make her feel less scared, but OMFG when he lay on that chair.. for one second I thought they were trying to kill him off already.
Scotland: ‘Love is an open doooooorrrrr’ + Last Scene:
I ship Meg and Douglas ahhhh this soft boi x strong woman match is everything Henry and Catherine could have been.
I wonder... why is Lina speaking in Spanish more than Catherine. hmmm Are they trying to foreshadow Lina’s eventual return home and how Catherine become a true englishwoman?
Conclusion:
7.5/10
I cannot in all fairness believe it. This was actually decent. I’ve given up on historical accuracy long ago so by this point I’m focusing more on how it stands as as drama. I mean, TWQ was also a flop when it came to grasping the complex issues of that era but why do I feel compelled to rewatch it every year? Because it had atmosphere when it came to acting, music, certain aesthetics (though the costumes let me down often). It felt adequately gothic and dark, yet bright and jewel-lish when it had to be, sometimes both at the same time. Some one-liners were also memorable etc...
So far TSP 2 did not have any of this. Everything felt way too off and anachronistic. But not even consistently anachronistic. The music was also often very meh (though I just noted the absence of the spanish stringy theme that kept playing in season 1 - I guess I understand why), the dialogue very clichéd (‘alright lads let’s throw in the words: king, crown, power, fight, battle + other buzzwords and we have ourselves Shakespeare’) and so on... but I saw a change in this episode and I couldn’t initially point out what it was.
Upon rewatch, I identified some of the improvements (noted above) but above all: The producer was different! Boy does it show. Unfortunately, I think she is only for this one episode which really sucks. Come back! There is more chemistry between the couples, less predictable interactions, pervy Compton, cinnamonroll Douglas, better music, more scenic shots (e.g Douglas and Margaret in church) e.t.c. I hope it will match the rest of the STARZ productions in getting better towards the end.
Look it’s no masterpiece. But I’ll give credit where it’s due because at least this time it didn’t leave me feeling wanting and unsatisfied (if that makes sense).
22 notes · View notes