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hearts-are-connected · 1 month

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Dang it, I love this ship and I love the enemies to lovers trope. I get that a lot of people see them as a surrogate father and daughter relationship, but it feels like a been there/done that kinda thing.

As much as I love that trope, I'm also a little tired of it. There's only so much Last of Us style found family I take after seeing it for so many years.

The thing I love about VaultGhoul or Ghoulcy is the idea of Lucy breaking down of Cooper's walls while he helps build hers up.

Is he incredibly cruel to her and those around him in the first season? Yes, extremely

Does he need to chill out and find some of his humanity that's been buried under 200+ years of wasteland survival and bitterness? Yes

Who can bring that needed direction to his life while learning the ways of the new world she finds herself in? Lucy MacLean

I know that the canon ship of the show at this moment is Lucy and Maximus, and as much as I love him, I find the pairing obvious and kind of boring from a story telling perspective. I loved it on my first viewing, but upon re-watching the series, I wasn't as behind it as before. I see their relationship, kiss and all, as a kind of first fling for the both of them.

While it doesn't diminish the care they show one another, there's not a lot behind them as a couple. Now I know that some people might turn around to say how she and Cooper spent less time together than her and Max, but I guess the thing I look forward to is seeing what their relationship brings with the second season.

I feel like Max and Lucy will have a great friendship and I'm interested to see where the Brotherhood fits into their dynamic as well.

With Cooper though, I find his story so tragic, as it's supposed to be. He's your standard hardened survivor who only looks out for himself that's now stuck with the happy-go-lucky main character, however, she's not that character anymore by the end. She's still going to be the Lucy we love, but she's changed by the end. While not losing her compassion and some optimism, I think Cooper is going to bring out a harsher side to her as we saw when she bit off his finger.

I want to see her building up her walls and learning when to let them down. How to truly survive while still bringing her own energy to the wasteland and people around her. I want to see Cooper regaining some lost humanity while learning to truly care for another person again. To see the two of them as eventual equals in one another's eyes as they continue on their journey as reluctant allies.

I also want to say that I'm personally kind of tired of the 'age gap' argument. We have stories of teenagers falling in love with hundred year old vampires. So can we just drop the age gap thing?

As long as they're both consenting adults who understand what they're getting themselves into, who cares about an age gap.

Does it truly matter in the scheme of things when we're talking about a world with cryo-stasis and super mutants?

I personally don't think so.

I don't know if anyone will even bother reading this entire thing, and I know I went on a little long, but I wanted to write down my thoughts on the whole shipping situation with the Fallout TV show fandom at this moment.

I'm a VaultGhoul shipper and I can't wait to see where the second season takes our main trio of characters.

#fallout show #fallout amazon #ghoulcy #lucy x cooper #vaultghoul #cooper howard #lucy maclean #a ghoul and his girl #a girl and her ghoul #I ship it #Can't wait for season 2

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rachelbethhines · 4 years

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Tangled Salt Marathon - Max and Eugene in Peril on the High Seas

So we have another obligatory animal focused episode. This one fairs much better than Max’s Enemy and King Pascal; but it’s still ultimately useless filler.

Summary: Rapunzel and the group are finally leaving Tirapai Island when the cargo ferry arrives, but Eugene and Maximus get into an argument, resulting in them falling overboard. They manage to save themselves on a passing ship, but discover it to be a prison ship where all the criminals, including the Stabbington Brothers, Lady Caine and Axel have escaped and taken control. Eugene and Maximus attempt to escape, but discover the villains' plot to ambush the cargo ferry and set out to stop them. Meanwhile, Rapunzel and the group discover Eugene and Maximus are missing and set out to rescue them.

There’s No Ticking Clock In Season Two and That’s to the Series’s Detriment

So we’re finally leaving the island and this bit of dialogue tells us that they were on said island for at least six weeks. Which matters not in the slightest in the grand scheme of things; which is the problem.

In addition to there being no outside threat forcing Rapunzel on this journey, there’s also nothing that’s forcing her to hurry up. So we’re doubly lacking in tension. There are no stakes in season two so things feel over long, and arcs that have the heroes stay in one place for more than two episodes at time stop the momentum of the series dead; leading to tedium for the viewers.

We Didn’t Need King Pascal Just to Set Up the Firefly

The firefly is one of the few elements in the show that has proper set up and resolve. It’s established as the threat in one episode and then used as the solution in this episode. However both episodes are utterly useless in the over all arc so, while clever, it’s a wasted idea. It’s also unneeded since this intro exposition re-explains what the firefly is and what it’s deal is in case people missed out on King Pascal anyways.

The Reason Why this Max Focus Episode Works, but Not Max’s Enemy, is Because It’s a Double Act

The problem with the mandated animal themed episodes every season is that Max and Pascal aren’t strong enough characters to work by themselves. They’re sidekicks; they’re designed to play off other characters. The writers seemed to clue in on this by making this episode and Max’s episode in season three, team up episodes. So now today’s episode becomes a Eugene focused episode too. Which in turn allows for their character dynamic to be fleshed out more.

We needed more interesting combinations of the mains in episodes like this one in order for the group to feel like a group. We also desperately needed to do something similar for Pascal instead of just rehashing the same plot for him over and over again.

This Plot Point Makes No Sense

When I first saw this episode, I thought it was foreshadowing later developments for season three, seeing how it’s one of the few episodes in season two that connects back to season one. However, once you know the events of season three, this episode no longer makes logical sense within the greater narrative.

For you see, Andrew and Varian have teamed up to take over Corona at the beginning of season three. Yet that begs the question of why didn’t Frederic ship them away on the prison barge as well. Varian you might could excuse being missing here given his age, but Andrew? There’s no reason to keep Andrew around; none that is given on screen anyways.

Also this mutiny couldn’t have taken place after the Saporian take over either. For starters all the guards retreated from Corona entirely when it became evident that the Saporians were in charge. That’s a stated plot point in Rapunzel’s Return to explain why Cap is missing. There wouldn’t have been a need for a mutiny if Andrew just let all the criminals go and there’d be no reason why Andrew would send them away using his own guards. The Saporians are small in numbers and that would be a waste of manpower.

Also, because the Saporians are outnumbered, it doesn’t make sense to send away potential allies. Lady Caine has more logical motivation to join Andrew in his take over than Varian does. She just wants revenge on Frederic and riches. She cares nothing about ruling a kingdom and holds no qualms about hurting others; so she’d be the perfect partner for Andrew’s plans. Add in the fact that she has a whole gang/small army of criminals under her command, and she could have brought along some much needed manpower.

Lady Caine is Wasted!!!

Speaking of Lady Caine, this is her final appearance in the show. Introduced in the pilot as an important character, yet given only three episodes and shoved out of the picture before the final season. And they didn’t even bother to bring up her original motivations or goals in any of her return appearances.

Chris mentioned in interviews about how he wanted to ‘defy audience perception’ and so pulled a bunch of bait and switches in the writing; but this isn’t that. This is just straight up lazy writing. There’s nothing clever about introducing a character as being important and then not using them. It’s a frustrating waste of time and a waste of a concept; not a surprising ‘gotcha’ for the audience.

Proper set up and resolve exists in storytelling in order to get your audience invested in what is happening and then give them a satisfying pay out for their continued involvement. Modern television writers have gotten so caught up in ‘shocking’ twists that they forgot the importance of giving satisfying endings to their audience. Because if the audience isn’t satisfied they will walk away. Hooks alone are not enough to keep them around as evidenced by the series ratings drop.

Also, Why is Weasel Here?

I once suggested that this episode would make more sense if Max’s Enemy came before One Angry Princess in season one. Implying that Caine and the gang were sent away before Andrew’s arrest. This idea flies out the window with Anthony the Weasel here. He was last seen running away at the end of The Return of Quaid. How the hell did he wind up here?

He had to have been arrested, put on trial, and then shipped away with the other criminals in between TRoQ and PotHS. Which just raises a whole bunch of other questions.

How much time has passed between then and now?

What did Weasel do to get caught in Corona?

Why did it take so long to ship Caine and her gang out when it was just a matter of days for Attila to be banished?

Why wasn’t she put on that same barge Attila was going to be put on?

If there was enough time to ship Attila and the Weasel out then there was plenty of time to ship Andrew and Varian, so why are they still in Corona?

Why is there even a prison barge to begin with? Are they just that stripped for room and man power in Corona’s dungeons?

Where does the prison barge actually go to? Does Corona own a prison island or do they have a deal with another kingdom? What is the world building behind this plot point?

Also where the heck did Dwayne go?

You Need Villains

In the end it doesn’t matter. This is just a lame excuse to get rid of all of the season one villians besides the Stabbingtons. Which only stick around because they’re movie originals and need to reappear and be redeemed before the wedding short; otherwise they’d be gone too.

Which is the dumbest idea ever! Season two and even the first half of season three is devoid of any main antagonists so why are we getting rid of anyone who could potentially fulfill that role? Who’s stupid idea was this? What were they smoking? This goes against basic writing 101. There’s no story if there’s no conflict!

Eugene Has a Point

Like there are reasons why law enforcement aren’t on call 24/7 and there are also reasons why different territories have different jurisdictions. Not complying to that undermines law and order, not upholds it.

If a police officer from the US could arrest people while on vacation in Spain, it’d be a political nightmare. Even extrication of wanted criminals who seek refuge in other countries requires permission and cooperation from those countries governments or you’d be violating international law; which potentially could be seen as an act of war.

Also you would still send in people who are actually on duty. Right now there are protests in my country regarding the lack of accountability police officers have. Plenty of cops break the law both on and off duty because they know they can get away with because of the nepotism within the force. Max pulling out a guide book that essentially gives Corona’s guards permission to ‘enact justice as they see fit’ while even off duty is clear case of an abuse of power, and futhers the narrative that Corona is a dictatorship/police state that persecutes it’s most vulnerable citizens.

The fact that the narrative then rewards this line of thought by placing Max in the right on this is just another check off in the long list of promoting authoritarian beliefs that this series teaches. People with power are held to different standards then those without. That’s just a fact of life. Having Eugene or Max acknowledge that this does break the law but is still right thing to do would be far better message and give the characters more complexity.

Who gets to decide what is ‘bad’ here? What is this ‘something’ they are meant to do? This rule is a gateway for corruption because it’s not clearly defined and relies too heavily on the idea that guards are naturally ‘honorable’ and good and not, you know, people.

There’s a saying in law school. Nothing is simple and fair. If it’s simple then it’s not fair; and if it's fair then its not simple.

Laws are complex because life is complex, people are complex, and not everything applies the same way because situations are different. That’s why we have courts. And yes, sometimes there’s too much discrepancy in sentences, leading to some people being harshly over punished while others get away with little more than a slap on the hand; but having things the other way around would still cause such discrepancy as not everyone’s experiences are equal to begin with.

And before you say I’m reading too much into a kids show, this is a conflict that the episode itself has decided to introduce. If you wanted a simple message about doing the right thing than ‘the law’ should not have been brought up at all. Because laws are not simple, they are not universal, and they are not infallible. If the writers thought this idea too complex for their audience then they shouldn’t have introduced the idea.

It's better to not bring up deeper subject matter at all than to introduce it and then not address it properly.

Oh, and We Get Confirmation that Corona Speaks English, for Some Reason...

This was also hinted at this in the supplement book, My First Year As A Princess; which was suppose to replica of Rapunzel’s Diary in the show, though it’s sverealy been paired down from the original concept.

Anyways, it’s pretty much canon that everyone is indeed speaking English on screen, even though there’s no logical reason for this. Chalk it up to yet more lazy world building.

Corona is never hinted to being a replacement for England itself. The few hints we get to it’s placement on the world map suggests it’s on the main continent of Europe and is a peninsula. Other real world languages like, French, Italian, and German are confirmed to exist, with Italy at least being a real location in this world.

Also we spend this whole season traveling to other kingdoms. So why would everyone speak English? This is before British and American imperialism, and before the internet, so English wouldn’t be a default secondary language for the many countries that it is today. So how does this work?

Once again, if traveling the world is a big plot point of your story then you need to determinate where and how your main protagonist fits into that world. If they’re a princess of a kingdom then we need to know where that kingdom is in relation to the surrounding places we visit or discuss.

Axel is Still Useless

Max didn’t need a rival. This character adds nothing to the over all story and is one villain/character too many in an already overstuffed series. I don’t mind the idea of pairing down some of the minions and other background characters. I just take issue with getting rid of all of the villains. Particularly interesting ones that could have done more, like Weasel or Lady Caine.

The Very Existence of Lady Caine Undermines Both Rapunzel’s and Cassandra’s Arcs

So the series wants to present this idea that Rapunzel is compassionate and is all about giving second chances, yet Caine, one of the most sympathetic villains in the show next to Varian, is given zero chance at all. The show is too busy trying to make Rapunzel look ‘bad ass’ by easily taking down an seemingly equal badass female villain, that doesn’t stop to think about the implications of this conflict.

The series fails because the only people Rapunzel redeems are people that she needs something from. She needs Styalan to gain the Eye of Pincosta. She needs Varian to help defeat the Saporians and ease her bruised ego. She needs Cassandra because she’s her best friend and it hurts her personally for them to no longer be friends. None of the redemptions in the show are actually about the characters who are redeeming themselves, it’s about their effect on Rapunzel’s personal life.

But placing Rapunzel’s personal feelings above what other characters actually need is the opposite of compassion. It’s selfishness. It doesn’t make Rapunzel the focus of the story it just makes her look like an ass.

Moreover Lady Caine’s arc is directly tied to Corona’s corrupt legal system. Rapunzel can’t be this purveyor of change if she and the show never acknowledges why the system must change to begin with.

Last off, Cassandra’s arc is then diminished by the existence of more sympathetic villains like Caine and Varian. They have more reason to do the things they do, and their actions connect back to their goals. Cass doing worst things for less reason, and then getting away with less punishment than them, is a slap in the face to the viewers. It turns her from a likeable character to an unbearable twat, and makes her later redemption a product of nepotism rather than act of agency on her part.

Everyone is ill served by writing Caine out and not giving her a conclusion to her personal conflict. Rapunzel, Cassandra, Frederic, and Lady Caine herself are all denied a chance to grow as characters and that’s infuriating to watch.

Also Yes, This Episode was a Big Missed Opportunity to Add Urgency to the Plot

As previously mentioned, season two needed an ongoing external conflict. Anyone of the villains on the ship could have been the main antagonist of the second half of the season. Just have the person in question escape in the confusion, or overthrow the new crew of the ship a second time. Then have them show up later looking for a fight.

My money is on Lady Caine, but the Stabbingtons or Weasel could have done just a well. Caine wants revenge on Rapunzel. The Stabbingtons are after Eugene. Weasel wants power and riches, so capturing the princess and holding her for ransom could have been a goal. Then have them learn about this hidden power then voila you gotta a set up for a race to the end of the quest.

You also could just picked an underling at random and then elevated them to main villain by giving them a good goal and a backstory.

Also finally, Andrew and/or Varian, we’re options that they could have added in here. Varian more so than anybody else as he already has reason to go after the moonstone because his father.

Heck, you still could have added Varian and not made him the villain if you didn’t want to. This could have been the start of his redemption arc instead, and one of the previously mentioned villains,a Brotherhood member, or one of Zhan Tiri’s Disciples could have still served as the main antagonist.

In short, most of the problems with Tangled’s story are really easy fixes and the writers had multiple options at their disposal that they didn’t take. Which is just further evidence to last minute rewrites and Chris and Ben’s missamangment.

Conclusion

I enjoy this episode because it’s one of the few to tie back into season one, but it’s is a missed opportunity and it is a shame that it went nowhere.

#tangled #anti-tangled #lady caine #anti rapunzel #anti cassandra #eugene #max #tangled the series #rapunzel's tangled adventure

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