Watching the Spanish dub of Archer and I think I mentioned that Archer and Don have the same Spanish VA. So, Zara, the new character introduced in this season, is dubbed by Cristina Yuste and she's my voice actress headcanon for Carmen! So I get to hear Don and Carmen be snarky with each other.

The Legacy of Frida Kahlo

Frida Kahlo is a Mexican born artist formerly remembered for her paintings, more specifically her paintings based on nature and Mexican culture as well as her many self-portraits. Kahlo took up painting whilst recovering for a bus accident she was in as a teenager, the accident left her in a full body cast for quite some time and painting was her way of distracting her from the pain of recovery. Her work is heavily inspired by her culture which she incorporates in the clothing and scenery that she depicts in her paintings. In her lifetime she completed over 140 paintings (55 of which being self-portraits). A common theme in Kahlo’s work is both physical and emotional pain, the physical pain coming from her multiple surgeries she had to undergo because of her accident and her emotional pain came from her rocky relationship with her husband, fellow artist Diego Rivera (who she married twice). Despite that Kahlo is recognised as one of the greatest artist Mexico has ever seen and has become on of the most widely known artist in the world.

Kahlo was born in Coyoacán, Mexico City on the 6th of July 1907 and her full name is Magdalena Carmen Frieda Kahlo y Calderón. Kahlo’s father was a photographer who immigrated from Germany to Mexico where he met her mother Matilde, she is the third child with her two older sisters Matilde and Adriana and her younger sister Cristina. Even before her accident Kahlo had problems with her mobility as she contracted polio at a young age that damaged her right foot and caused her to have a limp from the age of six. In 1922 Kahlo became one of the only female students to attend the renowned National Preparatory School in which she became very politically active and joined the Young Communist League and the Mexican Communist Party whilst still a student. Not long after (1928) she married fellow artist Diego Rivera in what would become a very rocky and unstable relationship going through several periods of separation and rekindling, it was this relationship that would inspire some of her most famous paintings.

Kahlo first exhibited her work in 1939 in an exhibit in Paris, her work received massive praise and not long after Kahlo was commissioned by the Mexican government for five portraits of important Mexican women in 1941, however she was unable to finish the project due to the passing of her father as well as her chronic health problems. In 1953 Kahlo got her very first solo exhibit in her home city and, despite being bedridden, she refused to miss the opening and arrived by ambulance to celebrate with attendee’s. After Kahlo’s passing in 1954 her work became the symbol for female creativity and helped fuel the feminist movement in the 70’s, it was such events that has made her artwork iconic. “Frida expresses her own experiences in her works, it is exactly what she is living in her present, how she interprets it and how she believes that others live it. She paints after her divorce, as already mentioned before, “Las dos Fridas”, which we can locate within Surrealism (1939), because the surrealists do not want to copy reality but prefer to capture their reality, which is what they interpret of her dreams, or in the case of Frida, her own experiences, since she was able to create wonderful works from them. (…) Frida differs from the surrealists because she does not pretend to paint her dreams or liberate the unconscious, but through the technique of surrealism expresses her own experiences, which emanate suffering.” – Galeria Valmar, artes visuals, 2019.

The Broken Column 

For this next part I wanted to analyse some of Kahlo’s most famous paintings and explore the deeper meaning behind them, starting with ‘The Broken Column’. ‘The Broken Column’ was a self-portrait created in 1944 shortly after a spinal surgery Kahlo underwent due to her accident, the surgery left her in a full body cast and a spinal brace which can be seen in the painting. Also in the painting we can see her body appearing almost cut in half, as if her spine had been ripped out, as well as nails poking out of her body. This actively demonstrates the physical pain constant years of surgery has caused Kahlo with the nails being a physical representation of such. Through the centre of her body the column taking the place of her spine is broken in several places creating the effect that it’s about to crumble and collapse on itself. Almost all of Kahlo’s self-portraits are meant to display her suffering caused by her accident, which left her both unable to bear children and ended her dreams of becoming a doctor, this is often shown by her facial expressions with ‘The Broken Column’ being no exception. After a closer look you can tears falling down her face as well as strong highlights in her pupils to emphasise the physical and emotional pain she was suffering. “The Broken Column was painted shortly after Frida Kahlo had undergone another surgery on her spinal column. The operation left her bedridden and “enclosed” in a metallic corset (…) The accident ended Kahlo’s dreams of becoming a doctor and caused her pain and illness for the rest of her life. (…) Although her face is bathed in tears, it doesn’t reflect a sign of pain. The nails piercing her body are a symbol of the constant pain she faced.” – Zuzanna Stanska, The daily art magazine, 2017.

Some people also believe that this painting is not just a representation of the pain Kahlo endured because of her health, many believe that it is also a commentary on the emotional pain caused by her unstable marriage. Most of the Kahlo’s most iconic pieces are inspired by her suffering and serves as a visual representation to her inner thoughts and emotions, her marriage being a large source of suffering throughout her lifetime. Some view the fragmented column lodged in her chest to be fragments of her marriage impaling her. “Despite the somewhat in-your-face symbolism, this is a favourite subject for bad art theory papers, identifying the column as everything from her fragmented marriage to a giant phallus penetrating her body. While such interpretations could be partially true, we think that sometimes a spinal column is just a spinal column (…) She referred to her medical ordeal as her “punishment.”  She also took her tragedy in good humour, saying of this painting, “You must laugh at life...Look very closely at my eyes...the pupils are doves of peace. That is my little joke on pain and suffering…”  Some claim the larger nails over her heart reflect her tortured relationship with Diego Rivera.” – Griff Stecyk, Startle, 2019.

Thinking about death

The next painting I have chosen to analyse is titled ‘Thinking of Death’ which is a self portrait created in 1943. This painting was created around the time Kahlo’s health really began to deteriorate as it depicts herself surrounded by nature with a small skull in her for head. Kahlo painted herself in very traditional clothing with her hair done up in a bun. The skull depicted in her forehead is supposed to represent the fears Kahlo had due to her health battles, with how sick she was death was a constant thought for her with it having come so close multiple times in her life. In Mexican culture death can mean the rebirth of life with is meant to be represented by the lively green leaves behind her as well as her facial expression which shows no sign of fear or panic suggesting Kahlo’s acceptance of death being another part of life. “Due to her poor health condition, death is an inevitable thought which lingering over her mind. In this painting, death is symbolized as skull and crossbones which shows up in her forehead. In ancient Mexican culture, death also means rebirth and life.” – FridaKahlo.org, 2017.

The skull itself represents the thought of death and sits right were ones third eye would be, this suggests that maybe Kahlo views the thought of death as some kind of wisdom instead of a fear, although Kahlo never wished to be labelled as a surrealist artist as her paintings come from her reality. “In Kahlo’s collective work, death seems to pervade almost every one of her paintings as an expression of pain, or a motif of oppression concerning female gender roles. Kahlo employs an almost anatomical eye in looking at her form, juxtaposing it beside images of adorned skeletons.” – MaryFrances Knapp, Seven Pounds, 2017.

Self Portrait with Thorn Necklace and Hummingbird

The final painting I have chosen to analyse is titled ‘Self-portrait with Hummingbird and Thorn Necklace’ which is another self-portrait completed in 1940. In this painting Kahlo is surrounded by animals such as a monkey and a black cat with a large necklace of thorns around her neck, in the thorns there is a hummingbird tangled amongst them. She is also surrounded by green leaves much like ‘Thinking about Death’ with insects like dragonflies and butterflies in her hair, with a blue sky barely peaking behind the leaves. The painting was completed soon after Kahlo’s messy divorces with Rivera following the theme of suffering throughout her paintings. The thorns around her neck could be a visual representation of how it felt to grieve her relationship much like the nails did in ‘The Broken Column’, though it could have a religious meaning referring to Jesus’s crown of thorns. Kahlo also incorporates Mexican culture into this piece with each animal representing something different that is relevant to the context of the painting with hummingbirds symbolising love, black cats symbolising bad luck, Dragonflies symbolising prosperity and monkeys symbolising lust. “This self-portrait was created following Kahlo’s divorce to Diego Rivera (…) There are obvious religious overtones to the piece using Jesus’s crown of thorns. Kahlo has painted herself as a Christian martyr, enduring the pain of her failed marriage (…) In Mexican culture, hummingbirds signify falling in love and are used in love charms (…) Kahlo often used vibrant flora and fauna as backgrounds for her self-portraits, to create a claustrophobic space teeming with fertility. It is thought that the emphasis of her monobrow and moustache – with the lines of her eyebrows mimicking the wingspan of the hummingbird around her neck – was intended as a feminist statement.” – Tara Lloyd, Singul art Magazine, 2019

This painting is a great look into Kahlo’s attention to detail and how every piece of her paintings represents something, she is very in touch with her culture and has great understanding as how to show her emotions and life experiences in each of her pieces. “Like many other of her paintings, this artwork is a lot akin to a painted assortment of symbols. Every element in this painting gives specific clues to Kahlo's mental state, perhaps none more than her still, direct, emotionless gaze that seems to express the immediacy of her pain.” Audrey V, Wide Walls, 2018

To sum up everything thus far Frida Kahlo is an incredible artist who poured her life into her work, her pain and passion has made her paintings so iconic in this modern age. She has become a symbol not only for Mexican artists but female artists as well, paving the way for many like her in the years to come. In response to why she painted so many self-portraits Kahlo responded, “I paint self-portraits because I am so often alone, because I am the person I know best”.

Bibliography

Galeria Valmar, artes visuals, 2019

Zuzanna Stanska, The daily art magazine, 2017.

Griff Stecyk, Startle, 2019.

FridaKahlo.org, 2017

MaryFrances Knapp, Seven Pounds, 2017

Tara Lloyd, Singul art Magazine, 2019

Audrey V, Wide Walls, 2018