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#i only listened to baobabs from her but man fuck you
abimee · 2 months
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regina spektor has made some really nasty and racist zionist posts and explicitly says her music isn't for you if you support palestine so. im rly feeling the loss of her music for my fanmixes but i thought you should know
oh thats vile
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secretradiobrooklyn · 3 years
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The Singing Senator Edition | 5.22.21
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Secret Radio | 5.22.21 | Hear it here.
1. Dara Puspita - “Bertamasja”
Dara Puspita was an Indonesian band, active right from the start of rock n roll — like, they jumped into it in 1964. I love how it sounds like gnarly garage rock until the lead guitar tone pulls out and reveals a super VU sound. With a surf structure! It’s just about a perfect nugget of song. 
2. Yol Aularong - “Sou Slarp Kroam Kombut Srey (Rather Die Under a Woman’s Sword)”
Yol Aularong has the wildest voice, and total commitment to rock’s magic transformative power, even in a context where he was risking his life. He does things that would make Screamin’ Jay lean back and appreciate. The arrangements and his delivery just o’erbrim with life and character. 
3. The Psychedelic Aliens - “We’re Laughing”
This band is like Atomic Forest in that they’re just the answer to any collector’s wildest dreams of rarity: they’re a Ghanaian band who released exactly 8 songs and were big in the Accra scene. The groove of this song, especially in headphones, is just mesmerizing, and his delivery gets gradually more and more abstract. It sounds like Marijata and what I wish WITCH sounded more like. Undeniable.
- Glenn Miller Orchestra - “Sunrise Serenade”
4. Prewar Yardsale - “Turn On (Live Peel Session)”
We got into Prewar Yardsale through Jeffrey. Because we got into this band that he introduced us to, he said he had some rarities and other tracks. That he sent our way, and this is from that.  
5. Chai - “In Pink (feat. MNDSGN)”
I think first it was the New York Times, then the Guardian, then the New Yorker all writing about this band essentially in the same week — and we definitely had no idea what they sound like. This song had just debuted on YouTube 18 hours earlier. I think, especially now through repeated listens, it’s a rad track. I love the way MNDSGN winds his vocals into the song, then has his passage, then smoothly winds his way out again. It’s like meeting a really interesting person at an already cool party.
6. Waipod Phetsuphan - “Ding Ding Dong”
Siamese music — Thai music. The guitar part is so primal and the drums so bright in the fills and meanwhile it sounds like he’s casting a spell. And what a refrain.
7. Jacques Dutronc - “J’ai me un tigre dans ma guitare”
One of the greats — I have loved every song of his I’ve ever heard. This song really makes me appreciate his band, especially his drummer. 
8. Orchestra Baobab - “Kelen Ati Leen”
When we started WBFFing, it was partly because we were being blown away by the indisputable proof of James Brown’s influence on, and interaction with, the entire world. I don’t think I realized JB was a lot bigger than the Beatles in huge swaths of the world. This track is fundamentally expressing a JB groove and doing their own entire thing at the same time. The lead vocals’ flavor is just off the charts and the band is SO tight. 
9. Pierre Vassilou - “Qui c’est celui-là?”
What IS this song? It’s in French but it sounds like Brazil — I guess really it sounds like Os Mutantes. 
10. Betti-Betti w T.P. Orchestre Poly Rythmo - “Mahana”
The abundance of T.P. Orchestre keeps on giving. This beautiful, beautiful song is from an album they did with Cameroonian star Betti-Betti, who basically expressed the pain of her country so precisely that the whole nation mourned her passing when she died young. This melody is just stunning, and the harmony 
- Stunt Double - “Be My Baby”
Ace track from some of our favorite people in all of LA.
11. Bug Chaser - “Crowley’s Kids”
I don’t know if Bug Chaser is active at the moment, but some of our favorite STL shows have been watching and/or playing with Bug Chaser. We did the City Museum rooftop twice — and we split favorite VU songs at the Lou Reed Farewell show. Two drumsets, way too much information per track, and an epic live show with a lead character who knows how to lose himself in a song.
12. Eko Roosevelt - “Attends Moi”
We learned about Eko Roosevelt by glimpsing him in a movie about Betti-Betti. He’s a handsome bearded gentleman behind a piano. The first songs by him that got us were super heavy disco, but this one has its own special power. Lately Paige has been singing and playing it on guitar — I’m kind of hoping that we hear her version of “Attends Moi” in another broadcast.
13. Manzanita y Su Conjunto - “Shambar”
One of the sweetest musical gifts in our life has been the discovery of Analog Africa’s ever-growing musical jackpot. They sent their list a note recently about an upcoming record focused on Manzanita y Su Conjunto and their path through cumbia music, and there are two  tracks available now counting this one. We’ll be getting this record, this shit is amazing.
Paige: “I gotta get in touch with Mrs. Link.”
14. Lizzy Mercier Descloux - “Fire”
This song is from her 1979 debut, “Press Color,” and man, what an undeniable new character on the scene! She was based in Paris, hooked up with Michel Esteban, and together they not only established a store of crucial Parisian punkness but also published a fucking MAGAZINE called “Rock News”!! While making music like this! Eventually they moved to New York in 1977 (natch) and as far as I know just continued to be the coolest humans on Earth. I can’t wait to share some of her other tracks with you — besides the brilliant first album, there’s a whole record called “Zulu Rock”! 
15. Os Mutantes - “A Minha Menina”
And as always I think: What did the Beatles think of this music?! They must have known about it, they must have. To me it really brings a whole additional level that the Beatles wanted to get to but literally didn’t know how — and Os Mutantes did. 
16. Suburban Lawns - “Janitor”
Sometimes I wonder why something that sounds so objectionable can be the most vital music in the world. Like, nothing about the lyrics or the way this song is sung should be appealing — and instead, this song is brilliantly undeniable. It’s even better when you see them performing it. If you don’t know what they look like, I guarantee you she will be a surprising character.
My favorite words on it ever are something someone wrote as a comment under the video of their TV performance of this song: “Spent 15 years as a janitor. Can confirm every word.”  
17. Sinn Sisamouth and Ros Serey Sothea - “Mou Pei Na”
These two are just amazing characters in the pre-Khmer Rouge Cambodian music world. Ros Serey Sothea’s voice is totally unique, and Sisamouth has a sincere urgency that gives the whole song a surprising narrative shape.
18. Ranil - “Ángel Terrenal”
Analog Africa again — the cure for what ails you. They are truly combing the world for music that amazes. They played the length of the Amazon river and did their best to stay out of big cities after a bad experience with a record label. So they released these psychedelic jungle masterpieces on little slabs of vinyl that they sold up and down the river. Can you freaking believe that? 
- Salah Ragab - I believe you are responsible for telling us about Salah Ragab, Josh Weinstein. So good.
Also, as promised, further information about glue traps and why they’re so harsh (and how to pull off a successful rescue!) can be found here.
19. Dagi D - “Beka”
I feel like I knew my musical life had changed when I started thinking of every visit to an Ethiopian restaurant as a valuable moment to learn as much about the music as possible — especially Meskerem in St. Louis, it must be said. It turns out modern Ethiopian pop music is super addictive and can easily get stuck in your head for days. 
20. Raxstar - “Jaaneman”
We’re still pretty new to Kensington, our neighborhood in Brooklyn. We knew that a Muslim holiday called Eid al-Fitr was happening, and when it was happening, but we were still surprised by what a joyous holiday it was in our neighborhood. Everyone of all ages was out in their fines, which involved a whole lot of sequins and shining metallic threads. The men wore a lot of caftans and those excellent long shirts and/or jackets, most with beautiful patterns. We went for a long walk and just enjoyed seeing a holiday at full pitch — excited kids and tutting grandmas, people carrying big flower arrangements (in the shape of a crescent and star!), heavy-looking tins of food headed toward a feast, even fireworks overhead. We crossed paths with a group of dudes all dressed up in various states of celebration, from a sharp Western-style two-piece suit to an even sharper South Asian suit with a Nehru collar and snug caftan. It looked like they had just finished the parental part of the night and were deciding where and who to meet up with — exactly like, say, Thanksgiving night in your hometown. It felt like, from Coney Island to McDonald, Church to Cortelyou, it was New Year’s Eve for everyone but us. 
After our walk we returned to our apartment and set up a little folding table out back to enjoy a glass of wine in the warm air. Our neighbors across the fence were still in the midst of family time, with tons of kids running around, including a teensy little girl on a tiny little pink scooter and a gaggle of beautifully awkward teens in the posture and attitude that says “stand by your cousins and let me take your picture.” As the evening wore on and the parents drifted back inside, the young adult contingent got a speaker going, and soon we were catching tracks we’d never heard before. The one that made us first pay attention was “Jaaneman,” with the vocalist’s super-charismatic delivery and priceless accent. We found ourselves Shazaming song after song, and thus started learning about Desi hip hop, a whole world of East Asian immigrant tracks that offer a lens into life in the US and UK that I haven’t really seen since watching “My Beautiful Laundrette” many years ago. Fascinating!
“Jaaneman” literally means “soul of me,” but translates to “my love” or “my darling.” Check out Raxstar — I’d love to see him play SNL and get an impression of what he’s like live. Just last month he released “Forever Jaaneman,” which updates his original smash hit and is also a very strong track.
21. Nate Smith - “Spress Theyself”
One of the last shows we got to see in St. Louis was Nate Smith at Jazz at the Bistro, and holy smokes, what a pleasure to see him do his thing up close. I love this solo album because it sounds like a practice sesh that died and went to heaven. It doesn’t have a song’s logic, but it does follow the feel of a great intuitive exploration of a beat, wandering through subdivisions and feel variations with complete ease. 
22. Jefferson Airplane - “White Rabbit”
This is Paige’s call. I think it’s cool because I can hear the direct connection between this and Erkin Koray’s Anatolian psych rock style, which I previously had no idea about. This listen through, we’ve both been appreciating how overwhelming massive Grace Slick’s voice is.
23. Marie France - “Dereglée”
Another cut off the fantastic Born Bad Records comp “Paink,” and more proof that punk was happening in other languages at the same time. (Though I think they called themselves “méchant”… or denied being méchant, depending) The album art reveals that Marie France happened to look uncannily like a punk Marilyn Monroe, which only makes both MM and MF cooler. 
24. Operation Ivy - “One of These Days”
I was never for one second a punk in high school, but I knew that the Op Ivy t-shirt was the essence of functional punk.
- Shin Joong Hyun - “Moon Watching”
25. Shin Joong Hyun - “Spring Rain”
This guy has an otherworldly sense of melody and performance that indie rock only starting catching up with decades later. This is the guy sometimes referred to as the “Korean godfather of rock.” He was active from the early ‘60s til 1975, when he was arrested, tortured and banned in South Korea. Eventually, the leader who had hammered down on him died, and he was able to begin piecing his life back together. These iconic, evocative, cinematic recordings would sound great in any decade. 
Spoiler: it wasn’t! We walked across the bridge and it was a thoroughly magical New York evening. 
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