i think we need to talk about this unit thematically
i know it's "haha april fool's day, they're stuck in a futuristic city and rui wants to study the silly sekai aliens" but like... hear me out
im pretty sure these 4 were picked because they all have one major thing in common— the fact that they were failed by society.
kaito v1 was a commercial failure on release, to the point where other vocal synth companies looked at his low sales and consequently made less male vocal synths— leading to the large gender gap in vocal synths that we still have today (although its less than what it was ~5 yrs ago imo). i think clpl actually considered this when picking kaito for this unit solely because it's vbs kaito— the kaito that most strongly resembles old fanon kaito in how he can easily be described as a carefree dumbass that loves icecream.
rui was ostracized his whole life for being "dangerous" with his shows by his classmates, as well as being isolated because of how he was "different" from the other kids (implied neurodivergent). this lead to rui struggling with depression as well as a myriad of other issues (such as his abandonment issues) later on.
akito was ALSO ostracized for being too serious about his passions and having a "bad attitude", which lead to him developing an inferiority complex as well as leading to him essentially being overly polite to strangers because of his past trauma where he was publicly humiliated, had his reputation ruined, and brought disgrace to a place he loved just for accidentally spilling water on someone 💀 (find a way out is so real) ((also i choose to see akito as neurodivergent mainly because of how his behavior is framed idk i feel like him being overly polite is him masking, esp. when u compare his behavior between different people.. recent example: how he acts around rui vs how he acts around mafuyu for example)) (((also, he's rui's narrative foil, so it just makes a lot of sense???)))
and then there's haruka, who was so close to being the "perfect" idol but couldn't because of her trauma from hurting mai— she was unable to meet the expectations of being an idol under the pressure of probably not only her managers but also the large fanbase she always wanted to give hope to
471 notes
·
View notes
Oumota comic, Part 1
Headcanon - Kaito has nicotine withdrawal during the events of Danganronpa V3 (among other things, what happens to him there). Just a cute little comic
Part 2: https://www.tumblr.com/breadmecoshy/747478711136354304/jhgfd?source=share
This headcanon was born out of Kaito's official art with a tobacco pipe, and how irritable and aggressive Kaito is sometimes portrayed
I think he started smoking with the handouts of his older comrades at his astronomical internship. Maybe he thought it was cool, or maybe he just didn't want to be perceived as a child :D
To be continued! (and only Kaito and Kokichi will be in it, I promise)
589 notes
·
View notes
hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
222 notes
·
View notes