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#i can't pull out the episode quotes every time i have a theory or it becomes a bit passé but know they are always on my mind
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so about the header that proceeded today's statement:
Viability as agent: Low
Viability as subject: None
Viability as catalyst: Medium
i didn't know what to think of this part of the entry at first, but the longer the statement went on... was the institute in this universe trying to manufacture avatars?
the dice can't do anything without someone to use them, they can't be an "agent" by themselves, but might be capable of manipulation, so in that aspect their viability is "low."
the dice could be a "subject" in the sense that they could use further studying, but the statement itself was a very thorough investigation of their workings, so in that aspect their viability is "none."
the dice seem to influence their holder to roll them, or at least find more victims to roll them, and could therefore be described as a "catalyst" for someone's becoming. but, as seen in the statement, their owner can give the dice to someone else (albeit not without consequences), so in that aspect their viability is only "medium."
so what about the line following all this, what does "Recommend referral to Catalytics for Enrichment applicability assessment" mean? if we go by this interpretation, i'd say it could mean the institute wanted to find a way to make the dice even more potent as an artifact, maybe even remove that pesky ability for their owner to reject them.
imho all of this this brings a whole new level of context to the events of episode seven, of unknown violent agents going after an influx of objects that seemed straight out of artifact storage. was that the nature of the titular "magnus protocol" first mentioned in episode four, the one that involved the starkwall group? containing or destroying potential artifacts before the institute could get their hands on them?
it also makes their "gifted kids program," and sam's link to it as one of the kids being studied, all the more horrifying to think about. was it not just avatars in general they were after, but child avatars specifically? no wonder gertrude got so defensive over the possibility of sam and celia dragging gerry back into the institute's business last episode, we all picked up on her clearly knowing more than she's letting on but now we might know the shape of that information a bit better.
and one final bit of food for thought... this statement had a lot of familiar themes, didn't it? free will or the illusion of it, gambling and not-so-random chance, the statement giver being done in by one final hit from what feels like a bit of an addition... all hallmarks of a certain mother of puppets. doesn't it seem fitting that "chester" would use this kind of statement to warn sam about what harm pursuing the magnus institute could bring to him, considering the one his voice might draw from? and doesn't it seem so painfully ironic that his warning seems to have only driven sam further into that web?
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weirdtrashpanda · 3 months
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Hazbin Hotel Songs Analysis
Aka Rei has a new hyperfixation and has to talk about it or he will explode
Since I basically grew up on Musicals (it's in my blood) and I do appreciate a hell centered cartoon/animation, of course my new fav is Hazbin Hotel.
Since the first episode I can't stop listening to the songs and well... my theorist brain is doing overtime. So here's a layman analysis of the music.
I will get to my theories about the story and such at some later point.
Let's go! Spoilers ahead, duh.
First of all: Sam Haft is a genius. Alex Brightman is amazing. And every character has a genre or at least signature instrument. And obviously a lot of my own opinions.
Happy Day in Hell
We basically get hit in the face with a classical Musical Number and get to know Charlie's dream and her musical style. Plus some small hints at Vaggie's background.
The music and the style is very reminiscent of Overtures from modern Musicals, which is very fitting.
Hell Is Forever
Already a callback to previous songs, but fast. Once Adam starts the genre switch to rock, which is Adam's signature style.
Before his guitar solo is a pretty nice reference.
The message is basically "Fuck you, I do what I want bitch"
Stayed Gone
Ah yes, the sexual tension /hj
The beginning is very rhythmical, controlled and straight (ha). Once Vox gets going it gets more swingy with repeated patterns. The quick parts show what a talker he is.
Alastor slides in and slowly takes the song over like in Hells Greatest Dad. Also the piano gets a bit more present once Alastor joins.
In the end Alastor completely took over.
It Starts With Sorry
At first this song seemed so random, but well. Now it makes sense.
When Sir Pentious starts singing, in the background there's a guitar mimicking snake Rattles.
Again a very Broadway song. I cannot get over that this again is Alex Brightman!
Respectless
I love it.
Carmilla's theme is obviously Latin with a Spanish guitar. And Velvet's Hip Hop or at least something similar, not sure because not my type of music.
Zestials small part shows how adaptable he is.
Whatever It takes
Hopefully we get more songs with Zestial.
Again it starts with guitar, and turns into a amazing power ballad. It shows Carmillas passion and devotion to her family.
Veggies part on the other hand is so "weak". Which totally makes sense, since she is still so scared. We also get some hints again. In the background you can hear a kind of glockenspiel.
The duet makes now more sense. Daphne Rubin-Vega is crushing it, amazing voice.
Poison
Ah yes, the controversial song. Tbh stop, listen again and start thinking. Chill.
EDM seems to be Angel's genre which is so fitting.
The lyrics are heartbreaking. No, he is not glorifying his abuse, he doesn't know another way. Angel has given up, he is trapped. So the least he can do is have fun. He's already in Hell, so fuck it.
The last chorus. Ah! This is not Angel Dust, this is Anthony breaking down.
Loser, Baby
No one was prepared for this. Keith David could fuck me just with his voice, respectfully.
Husk's style is kinda idk, brass ig. But don't quote me on that.
The lyrics are perfect and so relatable.
Fun Fact someone on TikTok pointed out: Husk offers Angel his hand and only pulls him along when Angel takes his hand. We stan a gentleman.
Hell's Greatest Dad
Electro Swing! The title alone shows Lucifers Pride. And how much he cares about Charlie.
Again Alastor butting in to take control. God, he loves being that guy.
The violin solo, such a nice reference.
Headcanon: Mimzy waited for the perfect time to bust in.
More Than Anything
Ah yes, the midpoint dramatic ballad duet.
It's so boring but sweet. They harmonize so nicely. Who doesn't love a good healthy bonding song.
Also harmonies in this song a peak.
Welcome To Heaven
I know this voice! Blaine from Glee went to Heaven!
The style is so clean and fake, perfect. Also organ.
The lyrics are low-key petty. Also Molly?!
You Didn't know
Such a dramatic song, very musical end of act 1.
Love the switch when Lute starts singing, again with rock but much more controlled than with Adam.
Emily's theme is also very mousy in the beginning.
The callback to Hell Is Forever is so nice, the harmonies though...
Big reveal at the end. Adam is a Dick. (Hehe)
Out For Love
Heck yea! Carmilla centered song.
Very Latin and passionate, love it, still with a modern flair.
Tbh Carmilla is underrated.
Ready For This
You go girl! Again very Broadway.
Once the cannibals join in it gets more old-timey, which fits the period the Town is in. Really sounds like a cheery war song.
Rosie and Alastors dynamic is amazing, just two queer besties being their true self.
This song also gets us excited for the final battle and stills shows Charlie's anxiety.
More Than Anything (Reprise)
This was torture. Normally a Reprise is very telling, example Hamilton.
I was so scared for Vaggie. Still amazing song, good representation.
Finale
What an ending! I was in tears.
The little callbacks amazing, Lucifer being there for his daughter. Everyone supporting her now. It's really a perfect Finale song.
Vox and Valentino being gay and their usual self.
Alastor's part reaks of foreshadowing. No, Alturist is probably not his surname. And no, he doesn't really care about Charlie and Co, he is there for power.
Conclusion
Amazing music and storytelling. Perfect for the mental ill 18+ theater nerds.
The Living Tombstone are amazing! Listen to their music.
Looking forward to the next season.
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huadie · 3 years
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anchor liveblog post.
the curse of prophecy: all of my high tier kins channel tmg.
" somebody’s gonna get hurt / i hope it’s not me / but i suspect it’s going to have to be.
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episodes 1-3: the general doesn't deserve the sympathy he gets. i'm not excusing a woman who killed happy girls on their wedding days, but i do think he owed her that closure. sending his son just pits the burden onto someone who wasn't involved. he should look his failures and mistakes in the eyes. if you can't count on a god to do that, who can you expect it of? it's disgusting. / i feel so tired and sorry for the girl who died saving a man who hated her and hurt her friend. i don't think kind people should be on the hook for ignorance and spite so willingly. her life for his was an unfair trade. / He's Cute. and wildly unexpectedly gentle considering the whole "demon" thing. / b tells me i'll have kin ptsd about the face disorder, but right now it's just heartbreaking. nobody deserves to live with that kind of fear. nobody deserves to live with that kind of pain. / b also implies someone in heaven is doing it to them for fun and i just want to say right now that i'm going to pull his dick off thru his mouth. that's a tier of evil that should have your blood start boiling inside you in an attempt to disinfect it. that was a child. that was just a scared little boy. not a prop or a toy or a plot device. a child. / i like the baby generals. they are so nineteen but it's nice to see it. i know anime leans on comedy skits a lot, but they can carry it off. they're charming. / heaven looks a bit shit. all of that meditation and betterment and it just makes you a spineless politician with the power to airbend? christ on a bike.
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episode 4-5: initial reactions. watching him swing between fuck-me eyes and genuine emotional distress at no signal i can see is a lot. he's a good painter. i think i get the gist of where he's coming from but it feels insane to me. the twitch duels were cute. he clearly cares a lot more than he enjoys devilry so it's insane to me that he's that strong. general jr destroys me. imagine being so pompous and negligent you'd give your child your name. has he ever been allowed to be his own person? meow meow etc. the face disease is horrific. he was just a kid. he was so scared and in pain. i like the temple. i like that it's raggedy and messy. maybe it should be over-repaired, so people in need can take from it? it's definitely not very reverant, but. gods should serve their people. quotes all of small gods here etc. they should want to serve their people. they should be happy to see their temples valued below human life. it would be nice to live in a ghibli film forever, and read books and cook warm food and paint.
episodes ???. thoughts said out loud. gods own their people. thousands, one, here and now you are alive. gods are owned by their people. it's a cage. it's the most beautiful cage possible. to feed starving people from your hands. the bread and the fishes cut out of you. to give and give and give, to be asked for things you have never had and give them next. each prayer should strip you to the bone. can you imagine? to be so trusted, so cared for, so beloved, so followed, to have so much given to you freely and happily. a live lived to save others is the only beautiful thing. the only beautiful thing! a god should be owned by each of their believers individually. selfishly and shallowly and demandingly. like a child needs you. the power to put a fish back in the water is a blessing so heavy thinking about being created for it should make you wail. to be - for people, for the birds and the trees and the fish too, but for the people. it should break your heart. you should never let it become monotone. sunlight into wine.
on love: i trust b. i trust b. to love him here like this and love him in this skin and then find him again in a book and on a screen and fall in love with him there too, to watch myself fall in love with him too. nobody has ever earned what he freely gives. i want to give it back. oxygen to dioxide, i want to find all the places he stands and pour it back into him. i want to show him how beautiful he is. to love someone like that is a miracle and i want to pull it apart. i want to make him familiar with me and bored of me, i want him to wake up each morning taking me for granted, i want him to be so safe and secure in his place in my heart that it stops being a gift. that it wears down and falls apart. the velveteen rabbit. i want to hold him in my hands like a bubble that hasn't popped and i want to use him like the doorway to a world where even if i had to hurt and be hurt and fall and learn to grow, i can come home at the end of it. my growth can mean something, my stronger back can bear more weight, my lessons can be shared. i want it to mean something. i want to have faith in myself again. in the resurrected kingdom of his arms i can find it - build it. i can come home. it can have turned to gold while i did not see it. it can have worth, i can have worth, i can bend and not break. i can have a claim on things without losing them, without it cursing them. just him. i'm not greedy, i'm not selfish, so please - just him.
episode 6: there's something that hurts about letting other people see what you'll tolerate. what you'll do. the places in your life where you have pathetic history and where you are attempting to be someone who only existed today grinding against one another. i know he knows. i know it isn't a stolen moment, a chance to decide how i exist to someone before they decide it for me. i sleep beneath that painting and whenever i wake up in the night i feel him pretend that he is asleep. i know. i know. but it could have - it could have been. it could have been a lie that i got to play with. a tiny self indulgence. aren't you tired of stars? aren't you tired of being the tree that cannot bend in a storm? of holding yourself down? everyone else does it so easily. everyone else lets go. everyone else knows how. if i can't learn then i want to pretend. i want to be unwanted, and - and meet people. by chance, just chance, and like them and have them like me. no promises i made before i learned i couldn't keep them. just... something smaller. i talked about multiverse theory. how it isn't in the coin flip, but the atoms of the coin. how in one dot you can know everything. every grain of sand in a desert. i cannot survive existing with people thinking of me. not well and not poorly. i want to disappear into it. maybe nobody else is obligated to finish the work. maybe their contributions are a blessing. but i can't... learn how to let it go. it's all i have left in me that i recognize, somedays, as it gathers dust and makes me sick to breathe around. what am i if i am not that? i want to know. i'm scared to know. i will never be allowed to find out.
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on being loved: god. it is too much. i don't hate it. it doesn't disgust me. but i feel like a plate being washed in every inch of the sea before i am allowed to see dry land again. i feel like i won't survive it if i look at it because it is a mosque decorated in mirrors, because it is mathematically perfect, because it holds the tiny miracles of angles and existence and light on par with the miracles of human heart and existence, because to make at all is to change the world for the first time, because i do not want to see what it reflects. i do not want to see it. i would be better if it lied to itself, if it was delusional and selfish and obsessed with smoke tricks. if it saw silk and paint and stopped looking. i don't want to know what i look like with my hair down, with my face clean, with my feet dirty, with my hands raw - i don't want to see what it sees to know that it loves there too. i don't want to follow it. i don't know how to make it stop. how could i - how could anyone be held accountable for this? to this? to prayers and plans and a kindness that changes the world in every grain of sand it has and again the next second, how could anything be worth this? and if it could - it couldn't be me. not a collection of stupid wishes and failures and betrayals-by-failure. not me with my hair down. silk could be worth this.
on being loved now that it isn't the middle of the night, and my body isn't betraying us both, and i can remember that there are an infinite number of steps between 0 and 1: but really, it's just ink. just paper. if it's - if he. if it's everything. if it's everything. then it can be one thing. it can be this thing. it can be the blindness. it can be me with my own hands over my own eyes like a shutterbox pretending i don't know how to see myself and admit that the pea beneath my mattress only hurts me - that it's small, to him, that it isn't sharp, that it's a phantom limb i can't stop being tormented by and only ever that. can that be enough to start? can i let it? it's atoms again. grains of sand. if he can love this, he can love everything. if i can see this, the rest falls away. there are more universes where we are kissing than every atom from the start to the end of time. that's how it works. i'm going in circles. you don't mind, do you? i'm writing this for you. you're the only person reading this. i don't know why i'm being impersonal about you when i'm being possessive about me. it won't protect me. it won't make it less terrifying to think of, and it won't make it less painful for you to read. i know you're already mad at yourself for being too much. for making me think that it's too much. you're kind to me like that, even when things are my fault. but if we can sit here together, and i can know that you know i can't imagine being loved, and that that - that moment, that dot, me unable to count to the place where numbers end - is something you love too. if i can just see this one moment, and not doubt it or question it or be afraid of it. it can be enough. because you know how hard i'm working to get to even this first step. you know how hard i'm working. you know how scared i am. you know it isn't you. you'll wait for me, with me, and you won't hate me for it. you promised.
on being forgiven: i don't know how to do it for myself. i don't know how to blame people for what they do to me unless it's the most extreme circumstance. i forgive too much that shouldn't be and hold ignorance and spite against others long past when it's fair. i handwave any scar someone gave me while they were suffering and never let go of what they do to others. i don't know what makes it different when it's me. i guess i know how to forgive myself for being scared and lost and for making bad decisions under the influence of... whatever... but not lazy cruelty. not letting something bad happen because i felt like it. all i do now is watch. all i do is let things slide past me again and again and again and do nothing to help and it can't matter that my heart breaks about it when theirs don't if none of us get up, and i remind myself that small steps do more than a single leap that uses me up but it's so hard to believe that here and now in the world where i could die if i tried again and harder still to comprehend in a world where 800 years of lives were made and suffered through and lost and i did nothing that matters to help. maybe all of the horrible backstory parts you're so scared of me seeing will be ones where i could do something, where i could climb up and let everyone take a raw bite out of me and go without starving for just one day, and then this won't cut me up inside like i swallowed a hedgehog. some days i am the hedgehog. trapped inside me, unable to stop being something that cuts to have there, unable to get away. i don't know how you can forgive me. i don't even know if you know what i need forgiving for. if i apologize for saving your life - for coming back to you again and again and again and being so selfish and. i don't know. for being me, while you try to love me, instead of being the person i can't forgive myself for not being, who deserves to be loved by you like this. but you'll forgive me. how do you do it? how do you stand it? i'm jealous of you. of how easy your heart warms up. of how kind you are.
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kosmi 1-6 rewatch: i dislike pei su less now that i can see him as a person with a horrific job and less as a vehicle for the lies i know pei ming told about every woman he ever used and threw away. "i burned the scroll and won the war on my own" yeah right. gotta get that out first before i start collecting my thoughts. um.
one: the ascention, the earthquakes, (all that fuss for a scrap god. you told me the order it went in, when i asked, and i still think it's funny in a way that validates what i've been saying for something only the most in-need ask for help with to rattle the bells from warlord's palaces. they aren't ignorable. more than - more than anything else, anything before, i can be proud of this. i can be proud of myself for this.) i hate the way people look at you like you're infected with something because they can't play pretend that their inaction isn't malice any more. the bets and jokes and sneers. what have you done, lately? what help have you given? what good are you? and then there's me: starting as ever in unfixable debt, anchoring desperately to simple kindnesses, too tired to do more than smile. it's not worth it. it's never worth it. (being loved and losing it is worse than never knowing. being able to love yourself and losing it is worse than that.) the way that heaven sits unfixable and unchanging and incompetent. i'm proud of them for making something of their futures. i am. i don't begrudge them anything. i trust their character and i trust them to try to do the right thing for the people. i'm glad they didn't fight hua cheng. the kids are sweet. they're little carbon copies of their generals. it's sweet. it's kind. i like how... okay, they're mean and short tempered and fight like cats in a bag, but it's just the way you are at that age. it's not personal. it's easier to stand. i know there's gender coding tm in the novel, but i hate man-in-a-dress gags that point out that the man looks bad in a dress. i thought it was fine.
one point five: ok. i'll talk about it. the butterflies on the dress, the gentle music, the way our colours matched, the way your hand felt in mine. the sound of rain. i didn't know people could be so gentle. i didn't know they knew how. i think it was better for my health, before, when i assumed the best i ever saw was the best people were capable of. worse for me, though, to believe that. i'd forgotten what it was like to see myself in someone else's eyes as welcome.
zero point five: flashback sequence goes here. of course i remember what it was like to be loved, and work towards a clear goal that helped people. of course i remember what it was like to have a home that loved me back. he looked so scared as he fell. he looked terrified. i don't... i'm not good. at hating people. when i know everyone is driven to where they arrive in some degree or other. but that - whatever the reason they think they had, it isn't enough. it couldn't ever be enough. i hate seeing the human face disease. i hate how scared they are. how obviously in pain they are. i know they can't have survived. but i wish they could. i would give anything if they could. i would give anything up for it. have i talked about responsibility enough that this isn't a surprise yet? nobody should be that scared. nobody should suffer who hasn't chosen it to protect others. nobody should have to choose it, either, but if heaven has already failed you -
two: i hate that bald man. i hate watching that poor freckled girl throw herself on him again and again to save him just because he's human, while he takes every turn to re-learn hate and jealousy and hurt others. when he talks to his friends he almost humanizes himself, and i hope the time he spends as a crab fixes the rest. i truly do. but god i hate to see it. i hate being unable to do anything, because she chose it, because she knows him more than me, because her heart is kind enough to reach out to him even as it betrays and abandons the people in-need who can only go to her for help. you have to triage need. a life lived with the intent to harm others cannot come before a life lived with the intent to help, or to simply survive. anyway. the concern i get shown whenever i talk about the butterfly ghost is so charming.
three: i hate pei ming. his story is shallow and self-praising, his jilted lover competent and proud before he cured her of that with a kiss. i don't believe she broke her legs. i don't believe he passed over the chance to shortcut his way into glory. am i supposed to believe women just act like that? they just break their own knees for attention? she destroyed herself for him and he can't even pretend to care. not even at the end. not even to lie, and let her move on. so, what? thirteen girls die terrified and alone on the happiest day of their lives (- and we know it was happy for them, we know they went smiling up the path, we know they were excited) because he didn't have the stamnia to apologise to one person he hurt? i hate him. i hate his name, i hate his family, i hate his legacy of butchers, i hate his cowardice in sending pei su to grind out his cover story and then hide his mistakes where he doesn't have to look. i hate him. / i feel. so bad for that boy. he was so scared. do you know how scared you have to be to take scissors to yourself? i do. i have, literally, in the last year, actually. and that was... one cut. to avoid the risk of infection. sleeping on a wound that screams at you? he was a child. he was just a child. i let him down. there's no excuse. he needed reassurance. he needed protecting. i let him down.
four: i like that shrine. i like making it, owning it, doing something meaningful. i think a shrine for scrap should be made of more materials than it needs. i think it should be a place to sleep, always, and a place to eat, and you should be able to strip the roof if you need to. i don't care about what is proper, or respectful. respect the god of scavenger birds by surviving at any cost. by using what is useful. by taking what is free. i can build it again. if i know - if i can believe one good thing about myself, it's that i can build it again. as many times as it takes. i won't wear out. i won't give up. i can build it again. and how lucky, this time, to have help. there are so many things i can't do, even now. i need to learn. i never even thought about it until i saw that door. too long alone in my own head. too many years spent without it feeling worth the effort when a band-aid would hold.
four point five: again, ok, fine. i'll talk about it. you're beautiful. your eyes are like starlight, your smile is the warmest thing i've ever seen, your hands should be buried in an instrument, your painting is beautiful, your laugh is endearing - what do you want from me, here? of course i was looking. it's different to look now with your hand in mine than it was, then, to look just to look. to count threads just to count. to run my fingers through your hair and across your palm just to touch something. of course i knew. who wouldn't know you? who couldn't tell? but then, what was i going to do? know it? say it? ask things? better to be stupid, and naive, and find out what knife is waiting for me when it happens. i'm tired of speeding through the sweet moments to get to the next blade. i'm tired of being pushed from place to place. i'm tired of being alone. wasn't it fun? didn't we have fun? didn't you like talking together and cooking together and waking up in the morning in an empty shrine with the promise of another day to fill it? do i have to scream and shout and be suspicious and accuse you of - what! of holding my hand? of helping me? of being the exact same as everyone in heaven still deigning to look at me and thinking of me only as a tool to an end in a plan that will hurt people who did nothing wrong but pray? what can the harvest hope for if not the care of the reaper man? if it's - it always hurts. it always hurts. if it's going to hurt. why shouldn't it be kind first? why shouldn't i play stupid and keep you close and be usable without a heart left in me to break? why shouldn't i enjoy it for what it is, if it's all a lie? better me than someone who would be hurt by it. you're smart, and easy to talk to, and you're helping. you can't unbuild that door. unsweep the entryway. you can't undo the physical evidence of when you were kind. that's enough. that's all i can ever ask of people.
four point now: yes i know you wouldn't, now, i know you now, i don't need to gamble. i know you'd build a thousand doors. i know there's no trick. i know that it's safe. i know that i could have accused you and screamed and bit you and nothing would have made a difference and you still would have been kind. i know. i promise i know. i just... have to say where it was before. i have to tell you how important that kindness was, and how much i was willing to be kind to my own self to keep it near me. you understand what i mean, right? the tiny unforgivable act of making a mistake that could only hurt me? i know, i know. cocky to assume it would just be me hurt. but - if i was right to hope for nothing, i would make sure of that. i would make sure of it. i would do what i needed to to make sure only i was hurt for my selfishness.
five: i hate that we built a shrine and the next day something like that waltzed in. now we have to clean again. (i said in the stream, how funny it was to run that only survivor scam, how quickly it falls apart if you've ever seen real suffering, if you know what a survival rate is.) the rest i don't remember. i like working as a team. i like how much the kids hate you. they can tell too. i don't know what they see. but they worry about me. why do they worry so much? do their generals have something invested in me? are they just trying to do what they can now, and my caring for them isn't a one-way road? do you look that sketchy?
six: talking about the plot? in a sandstorm? no. you should keep my hat on. you look so sweet and cute and shy in it. i love the way you crumple when you aren't at the wheel, when an interaction happens without your instigation. maybe i'm not the only one bad at taking kindness. maybe i should offer it to you more often. you smell nice. like hot clay and silk. it's subtle. is that a ghost king thing, or is it just you? i like it. i can't imagine what i smell like. i hope... lillies and cotton. something soft. i'll ask you one day. i'm not surprised you were the most solid thing in a storm. i won't be surprised if you keep being that. i should have let you catch me. i should have dragged you with me. are you immune to it? could you stop it? would you pretend to be as useless and helpless as i am? i want to keep putting you in situations in disguise just to see what you do. it's fun! it probably shouldn't be, and i'm sure i'm setting myself up for a public shriving the more it becomes obvious who you are and how much i depend on you, but. i don't care. if i suffer for it, so what? what difference will that make? what could one more condemnation possibly do?
six point five: i like seeing sqx. i still read that as squeeks. i like seeing squeeks. i like sharing this with teddy. i like knowing that the way we are together can translate to here. i like how kind he is to me, and how funny, and sweet. i want to see him be happy. i want to see him be happy even though i know enough to infer it won't last. i know you love me with the power of a thousand angry wasp queens but it's nice to just sit next to him and joke with him and pretend for a little bit that i got to do this all the time. that i spent all my years drinking honey and rosewater and laughing with him, that things were as kind and easy as they're allowed to be. it's cute when i say he has a moral code and he gets offended. it's cute when i say he's a bitch and he gets offended. i like the way it makes all three of us laugh. i like seeing a place in my heaven where you could be. i don't want you to give up what you built. you built it because you had to. but when i'm sitting with my head on his shoulder, it's a window to that place where heaven exists to help people, where none of us ever had to learn what misery really was.
what power obliges from you: action. movement, always. there is no down time, no sleep, no rest, no running. if you seek people out to rule them - and that is what ascention is, seeking to rule, to tie your survival to your treatment of them - then you cannot do it with force and with ignorance and with the desire to coast. like. i'm not stupid. i know men do. for centuries and centuries with no repercussions, until the king on the rope for his people is as far related to the man who razed their lands as i am, (but inheriting evil is a choice too). i know how easy it is to punish and hurt and demand. how easy it is to hold people for ransom. but that isn't... that isn't power. that isn't kinghood or godhood or divine right. it's worthless. it's the other end of a sword. it kills you both to use. there's no light left in the world, no wonder, no chance to be saved by others so long as you are the thing that keeps you both drowning. you should wake up in the middle of the night for them without being asked. you should bleed for them without being asked. you should be ready to die for them without them ever knowing. even at their worst. at their most entitled, afraid, undignified, ignorant - if they are those things, the blame falls on you. if you are voted in democratically or born to the monarchy and not hanged in the streets it is the same either way: the people have chosen, they are asking you for something, and if you live in their gold and silk and sing their songs instead of smashing your own head in with a rock then you have agreed to the terms. why would anyone be unwilling to do that? afraid to do that? if you can do even a little bit more than someone else they are owed half of the excess. you cannot live in the world alone. you must not live in the world alone. ask the people above you to bleed for you and the people below you for nothing. there is no hierarchy beyond "i can help you" and "please help me" and there is no meaning beyond it either. every day it is hard to remember this but you have to, both parts, without losing either. why wouldn't anyone want this? what else is there to strive for but to better help others, to be someone with an abundance to share, to be used like that for the survival of everyone. isn't that happiness? to be as connected to everyone around you as a river is? to give water and fruit and blessings and promises and safety and shelter? you can seek power without understanding that it is only deeper service, but you will never do anything worthwhile with it. the gold will rot with your corpse. we find immortality in one another, and the celebration of giving more.
???: i saw a video of someone opening their back gate onto a meadow of the same single flower. it was beautiful. that's what it feels like when i catch you looking at me. we could grow flowers, couldn't we? we could plan a garden? i don't want to see myself fall and fail twice at least, or fight a war, without something kind at the end. i want you to tell me there's a way to still be like this - repairing doors, eating small meals, sleeping in warm air - after all of that is done. i want to build something selfish and self-sufficient together. i know we already are. in the things we talk about the jokes we make at my own expense whenever further plot implies at me. and in how excited i was to find out that the word for butterfly was this one. but i want to make things with our hands again.
episode 7: well. i'm glad it was me.
episode 7 (a day later): i'm still glad it was me. i'm proud of the kids for how brave they are, proud of that general for saving lives every time - and god, it was so funny sitting there in a circle of contempt for him, touching a gravestone people had hand cut and hauled up the mountain and carefully ingraved with their thanks, thinking about how loved and how much gratitude he must have died surrounded by. thank you for making them treat it with respect. thank you. he did his best. i'm almost jealous of it. imagine how nice it would be to help people, and have them see that you helped them, and be happy about it, and think kindly of you. i'm glad that you understood how important his actions were. i feel less alone when you're beside me on matters like that. anyway - i'm glad it was me. you're so bad at letting people care for you. i can tell you've been alone with only yourself to depend on for a long time. but your heart is so soft, you know? you don't even know it. you deserve to be protected. to be with people who want to protect you. it doesn't matter if you could have caught it in time, or survived a bite if you didn't - you should be able to think of yourself as precious to others. to me. i don't want to see you hurt. i don't ever want to take your hard-won strengths for granted. on the last day of earth, i want to move between you and danger as quickly and without apology as i did then. you're so easy to care for. do you know? and i'll be okay. i know you blame yourself for it because you said, because you're never gentle with yourself the way you are with me. but if you hadn't been there, i'm sure i would have stepped between someone else and that bite. i'm sure i would have forgotten again to grab the stinger i was just warning everyone about. you know what would change? if you hadn't been there, if you'd been a bit faster with your own defense, "if" "if" "if" - ? i wouldn't know there was a cure. i wouldn't know where to look for it, or be able to depend on someone helping me find it. that's the difference you made by being there. that's the only influence you had on me that day. you keep giving me the chance to survive my own mistakes. thank you. i can't promise we won't end up here again. i can't promise i won't keep trying to protect you. all i can do is hope that you know i don't mean it as a slight on your capabilities (it isn't! i just care about you. even the strongest man alive should be loved by people who want to shield him from danger) and that you don't get tired of me being so reckless.
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