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#i also had never heard of SEA until reading that sfgate article!
thewaltcrew · 9 months
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Imagineer Rolly Crump (February 27, 1930 – March 12, 2023) in "Disneyland's 10th Anniversary" from the anthology series Walt Disney's Wonderful World of Color, aired January 3, 1965
Roland "Rolly" Crump started his career at Disney as an animator in his 20s. The man who ran the animation department at the time of Crump's hiring reportedly told him years later that "what you showed us was the worst portfolio of anyone ever hired in animation."
His first three years as at WED Enterprises provided little interaction with Walt.
Crump: All I did was absorb. I watched how everyone reacted to Walt, and the strengths and the weaknesses of the different guys. I studied Walt Disney and what it was like to work with him, but I wasn't participating until after three years. That's when I started talking. I learned that if you show something to Walt, it has to be something he hasn't seen before.
He called the period working with Walt "the happiest time of my life."
Crump: It was a great job. You were thrilled to do what you were doing. I was, anyway.
Rolly Crump's strange, bold, chaotic, and graphic style stands out strongly among his Imagineering peers. With his distinct touch, Crump was able to create some of the most visually memorable iconography for Disneyland, including the façade of It's a Small World (based on Mary Blair's styling) and the tiki god and goddess statues in the Enchanted Tiki Room.
Always a man who was protective of artist identity and integrity, he would often refer to rides by their primary visionary. The Haunted Mansion was Yale Gracey's ride, It's a Small World was Mary Blair's.
Crump: I was given the job of kind of supervising It's a Small World. I knew it was only going to work if everything looked like Mary Blair. As far as I was concerned, this is a Mary Blair ride.
And had the Museum of the Weird been built, it would've been Rolly Crump's.
It started out with Crump creating drawings and concepts for the Haunted Mansion. All the strange objects he describes in the "10th Anniversary" episode are all ideas and visuals he came up with. His peers told him his ideas would be "too weird" for Walt but after a presentation to the boss, Crump found Walt sitting in his office chair the next morning.
Crump: The first thing he said to me was, "You son of a bitch. All that stuff you showed me yesterday? I couldn't sleep."
Crump: The next day, what happened was Walt came in and said, "OK, we're going to do a Museum of the Weird, that's where we're going to use all that funny stuff you showed me yesterday." All he had to do was go home and spend some time with himself and he'd come up with everything. He was a delight to work with... You never felt like you worked for Walt. You felt like you worked with Walt because that's the way he made you feel. He encouraged your creativity. He was part of the magic. He was part of everything we did.
Unfortunately, the project died with Walt. After his unexpected passing, the project was dropped.
Crump: Management didn't like it. Walt passed, and he took the museum with him. No one else wanted to fool with it.
But the Museum of the Weird lives on. Marvel created a comic book based on the attraction called Seekers of the Weird. The fortune teller character Crump designed, Madame Zarkov, is referenced in Big Thunder Mountain Railroad and was written into the the elaborate Easter egg SEA (the Society of Explorers and Adventurers, a fictional secret society incorporated in many Disney attractions to tie their lore). And the window on Main Street USA that honors Crump for his work features three of his most famous pieces: the Tower of the Four Winds from It's a Small World (built for the 1964 World's Fair and unfortunately torn down because it was too big to move to Disneyland), Maui from the Enchanted Tiki Room, and the coffin clock.
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