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hoangbvk · 5 years

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9 ống kính phù hợp dành cho Fujifilm X – Series (Phần 2)

Tiếp theo phần 1 ở phần hai chúng tôi sẽ giới thiệu những ống kính còn lại cùng tìm hiểu bạn nhé.

>> Xem thêm: Máy ảnh canon và Sony A6400

6. Fujinon XF 56mm f/1.2 R: Ống kính Fuji chụp chân dung tốt nhất

Với chiều dài tiêu cự cố định 27mm (tương đương 41mm ở định dạng 35mm), Fujinon XF 56mm F1.2 R tạo ra một trường nhìn tương tự mắt người. Điều đó có nghĩa là ống kính sẽ có khả năng nắm bắt khung cảnh chính xác như khi bạn quan sát bằng mắt. Hệ thống AF của ống kính sử dụng một mô-men xoắn cao động cơ coreless DC độc đáo có tác dụng làm thay đổi vị trí tất cả các thấu kính phía trước (căn nét trước) để đạt được một tốc độ lấy nét trong nháy mắt. Chính vì thế, công việc theo dõi bất kì đối tượng nào cũng trở nên dễ dàng hơn với Fujinon XF 56mm F1.2 R. Một thấu kính đúc aspheric giảm hiệu quả mức độ biến dạng hình ảnh. Hơn nữa, hiện tượng bóng ma và lóe sáng được giảm một cách hiệu quả trong khi bảy lưỡi hoành tròn tạo hiệu ứng bokeh mịn dạng kem để tạo ra bức ảnh sắc nét và rõ ràng. 7. Fujinon XF 14mm F2.8 R: Ống kính Fuji prime siêu góc rộng chụp phong cảnh và kiến trúc tốt nhất

Ống kính này hội tụ các ưu điểm như cung cấp độ sắc nét cho hình ảnh, giảm tối đa hiện tượng biến dạng và quang sai Chromatic. Fujinon XF 14mm F2.8 R dành cho những người đang tìm kiếm một ống kính góc rộng chất lượng cao phục vụ cho mục đích chụp kiến trúc, cảnh quan…Hệ thống AF tuyệt vời của ống kính sẽ không bỏ lỡ bất kì chi tiết đáng giá nào của đối tượng, ngay cả khi đối tượng đó không đứng yên. Hiện tượng tối 4 góc (vignetting) không đáng kể có thể xảy ra nhưng không ảnh hưởng đến hình ảnh. 8. Fuji XF 90mm f/2 R LM WR: Ống kính Fuji tele chụp chân dung tốt nhất

Ống kính tele này có trọng lượng 540g nên dễ dàng thao tác và cầm nắm trong một thời gian hoạt động dài. Sẽ không thành vấn đề trong việc cung cấp những hình ảnh cực kỳ sắc nét ngay cả khi Fuji XF 90mm f/2 R LM WR được chụp với khẩu độ tối đa f/2.0. Ống kính Fujifilmnày hoạt động rất nhanh và đem lại hiệu ứng boketh long lanh tại khẩu độ rộng nhất cũng như cũng giảm vignetting làm cho hình ảnh sắc nét và rõ ràng hơn. Một động cơ tuyến tính được thêm vào cung cấp khả năng lấy nét nhanh chóng, yên tĩnh và chính xác. Với khoảng cách lấy nét tối thiểu đạt 60cm và độ phóng đại 0.3x, bạn cũng có thể sử dụng ống kính này để chụp ảnh thể thao, ghi lại những bức chân dung đẹp hay thực hiện một bộ ảnh cận ảnh về các loài hoa và côn trùng. 9. XF60mm f/2.4 R macro: Ống kính Fuji chụp macro tốt nhất XF60mm f/2.4 R macro là một ống kính tele tầm trung cung cấp hình ảnh sắc nét ngay cả khi bạn cho khẩu mở tối đa. Thậm chí tại mức khẩu f/2.4, quang sai màu trên hình ảnh cũng không đáng kể. Vấn đề về hệ thống lấy nét của ống kính này đã được nhà sản xuất khắc phục, vì vậy, bạn có thể hoàn toàn yên tâm về tốc độ ngắm và bắt nét đối tượng. Thiết kế nhỏ nhẹ cũng giúp ống kính này ghi điểm với người dùng. Tìm hiểu thêm những thông tin mới nhất tại Điện máy Bình Minh bạn nhé như máy ảnh chẳng hạn.

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go2google · 7 years

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#cinematography #camera #825 NEW Fuji Fujifilm XF 90mm f/2 R LM WR Lens http://go2google.com/product/new-fuji-fujifilm-xf-90mm-f2-r-lm-wr-lens/

#camera #photos #photographer #picture #shoot #cinematography #cinema #lights #pictures #sh

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sailorrrvenus · 5 years

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How Much a Full Pro Camera and Lens Set Costs for Each Brand

Photographer Terrance Lam’s friend recently purchased Sony’s entire line of pro G Master lenses. Curious about how the cost stacks up against other ecosystems, Lam decided to do some research and find out how much equivalent camera and lens kits cost for other brands.

“[My friend] was curious about the wisdom of [his purchase],” says Lam, a marketing consultant and professional photographer based in British Columbia, Canada.

Lam looked up current non-sale prices from B&H for the most popular pro lenses and camera bodies for each system (excluding some newer full-frame mirrorless models that don’t have a wide range of equivalent lenses yet).

For each brand, Lam included the following:

24mm F/1.4

50mm F/1.2 or F/1.4

85mm F/1.2 or F/1.4

90mm or 100mm Macro

135mm F/1.8 or F/2

16-35mm or 14-24mm F/2.8

24-70mm F/2.8

70-200mm F/2.8

100-400mm F/5.6

Popular Pro Body

Here are the individual and total costs that resulted:

Here’s a summary of the total cost Lam came to for each brand:

Sony FE: $20,380

Canon EF: $18,590

Nikon F: $19,014

Pentax K: $13,073

Leica L: $39,738

Panasonic L: $23,657

Fuji XF (APS-C): $12,940

Olympus/Panasonic (MFT): $12,986

“Pentax is hugely a winner as the lowest cost full frame system to buy into,” Lam tells PetaPixel. “While I only included Fuji for APS-C as I feel it’s got the best balance of pro and lens quality.”

source https://petapixel.com/2019/03/08/how-much-a-full-pro-camera-and-lens-set-costs-for-each-brand/

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pauldeckerus · 5 years

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How Much a Full Pro Camera and Lens Set Costs for Each Brand

“[My friend] was curious about the wisdom of [his purchase],” says Lam, a marketing consultant and professional photographer based in British Columbia, Canada.

For each brand, Lam included the following:

24mm F/1.4

50mm F/1.2 or F/1.4

85mm F/1.2 or F/1.4

90mm or 100mm Macro

135mm F/1.8 or F/2

16-35mm or 14-24mm F/2.8

24-70mm F/2.8

70-200mm F/2.8

100-400mm F/5.6

Popular Pro Body

Here are the individual and total costs that resulted:

Here’s a summary of the total cost Lam came to for each brand:

Sony FE: $20,380

Canon EF: $18,590

Nikon F: $19,014

Pentax K: $13,073

Leica L: $39,738

Panasonic L: $23,657

Fuji XF (APS-C): $12,940

Olympus/Panasonic (MFT): $12,986

from Photography News https://petapixel.com/2019/03/08/how-much-a-full-pro-camera-and-lens-set-costs-for-each-brand/

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orendarling · 7 years

Photo

Warsaw, Indiana

May, 2017

Oren Darling

Fuji X-Pro2, XF 55-200mm @ 90mm, f/8, 1/220s, ISO 1600

#Black and White #lensblr #imiging #luxlit #photographers on tumblr #original photographers #xpro2 #reflection

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lensinserze · 4 years

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%^ Fuji Fujifilm XF 90mm f2 R Super EBC LM WR Lens 90/2 #223 https://ift.tt/2ZZ6unI

#lens #lenses #camera

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updatedc-blog · 6 years

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New Post has been published on http://www.updatedc.com/2018/10/24/fujifilm-x-t3-vs-x-t2-autofocus-eye-af-test-best-x-t3-sd-cards-bugs-codec-comparison-massive-fuji-x-t3-roundup/

Fujifilm X-T3 vs X-T2 Autofocus, Eye AF Test, Best X-T3 SD-Cards, Bugs, Codec Comparison – MASSIVE Fuji X-T3 ROUNDUP

Dylan Goldby Youtube – Final Fujifilm X-T3 Review

older lenses (such as XF35/1.4) are now much faster. Now he can shoot and track his kids with face detection at F1.4

confident AF

surely worth the upgrade from Fujifilm X-T2

Fujifilm X-T3 Roundup

There are tons of reviews about the Fujifilm X-T3 out there. So I digested it all for you and share a collection of videos and blogs post here on FujiRumors.

For those in a hurry, I have made a summary of what they say in some of the longer videos.

At the very bottom, you will find two Fujifilm X-T3 reviews made by FR-readers for Fujirumors.

It’s a massive roundup, so grab a beer, scroll, and enjoy.

Fujifilm X-T3 (save $130 w/grip): BHphoto, AmazonUS, Adorama, Focuscamera

FujiRumors is everywhere: Facebook, RSS-feed, Instagram, Youtube and Twitter

News, Rumors and Community Fujifilm X-T facebook group Fujifilm X-T facebook page

Blog Posts

laroquephoto – first moments with the Fujifilm X-T3

keithwee – Model shoot with Fujifilm XF56mm F1.2 and X-T3

gizguide – Fujifilm X-T3 Review – Best Value, All-rounder APS-C Mirrorless Camera!

creativityinnovationsuccess – The X-T3 is Fujifilm’s Finest Camera for APS-C Photography and Super 35 Video Right Now

findingrange – Fujifilm X-T3 first impression

findingrange – Fujifilm X-T3 and XF 56mm f1.2 APD: Portraits Around Soho

dc.watch – Fujifilm X-T3 Review 1

dc.watch – Fujifilm X-T3 Review 2 (High ISO and AF)

scvphotoideas – Hejnar Photo Announced Dedicated Arca Style QR Plate for Fuji X-T3

mostly.photos – Fuji X-T3 – Santorini, Greece – Photography Guide

thephoblographer – Fujifilm X-T3 (It’s a Crop Sensor Powerhouse)

imaging-resource – Fuji X-T3 Field Test Part II

fstoppers – Fujifilm X-T3 review

dcfever – Fujifilm X-T3 quick test

Best Memory Cards

Fujifilm officially recommends here the following SD-cards for Fujifilm X and GFX series cameras:

Toshiba Exceria Pro

SanDisk Extreme Pro

Sony SF G

Lexar Professional 2000x

Alik investigates more in depth the questions which SD cards work best with the Fujifilm X-T3, also if you really push the X-T3 to its limits by shooting for example 4k 400mbps in-camera video. Check out the full article at alikgriffin here.

Also Reggie Ballesteros investigates the question, which are the best SD-cards for Fujifilm X-T3, and he compares UHS-I vs UHS-II performance on Fujifilm X-T3. Check out the video below or click on his youtube video here.

Bug Reports

Alik also wrote about strange pixels in the Fujifilm X-T3 EVF and LCD as well as color shifts in EVF. Check out the report of the problem at alikgriffin here.

Videos

The Everyday Dad shared his Fuji XT3 One Week Later Review… and he wonders, who needs Full Frame anyway?

CONS:

sometimes when you cut the video in post, it changes exposure – DEALBREAKER, but fixable via firmware

battery life

PROS:

eye AF/face detection in video mode works really really really well. Awesome autofocus

Eterna is great. Looks great out of the box. Saves lots of time in post

one of the TOP video cameras

APS-C is his favorite sensor size

lots of video options

the best camera for the price

Check out the full video at The Everyday Dad Youtube

_ _ _

Maarten Heilbron has published his 35:01 minutes Fujifilm X-T3 review.

PROS

he likes the style and usability

Autofocus (also eye and face autofocus)

best in class monochrome, now even better with temperature adjustements

impressive video specs make it best in class

with F-Log up to 12 stops dynamic range and best noise results

rolling shutter not as pronouced as most of its competition

smooth focus in video (speed can be set to taste)

movie silent mode allows to store video/still settings separately

the camera app alerts about new firmware and you can update the camera via remote app

clear and well organized menu, with exception of the setup tab

best APS-C on the market

CONS

no IBIS, but they have very fast lenses

not so smalles and lightes mirrorless camera, X-T20 is better if size/weight is a priority

no articulating screen

swipe touch functions can be activated erroneously

no explicit way to select the subject to track

no in camera focus stacking option

buffer could be better

in super low light, face detection less reliable

4GB file size limit in video (but this will be solved via firmware, as we reported on FR)

_ _ _

Hugh Brownstone’s final Fujiflm X-T3 review is out, and he calls the X-T3 a “Shock to The System”. Check out the full video here, and Pros and Cons below.

PROS

thanks to the dials, the most instinctive camera to use. It delivers the shortest distance between intent and execution

film simulation

dramatically improved face / eye tracking

tracking AF better than Sony A6300/A6500

a leap beyond X-T2 and sets new standards in mirrorless camera

1 or 2 firmware updates away from Canon dual pixel AF performance, but already now superior eye AF

X-T3 changed the playing field and challages the 2 leaders in the mirrorless place, Sony and Panasonic. Also, Canon and Nikon have to move even faster now

CONS

joystick could be placed better and feel better

Fuji must update some of the older lenses

no IBIS (no pixel shift)

FF still superior high ISO and dynamic range, but not sure if Canon EOS R is really better than X-T3

X-H2 with IBIS and X-T3 sensor will appeal to many people

Video AF should be even more tuned via firmware for more smoothness

no flippy screen

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Dylan Goldby Youtube – X-T3 Low Light Autofocus Test vs X-T2

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Gordon Laing Youtube – Fujifilm XT3 – 4k vlogging test with XF 18-55mm

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Lok Cheung Youtube – Fujifilm’s answer to full frame cameras: X-T3 Hands-on Review

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Lazy Video Guy Youtube – Fuji XT3, Auto ISO for video – clickless smooth transitions

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x-man Youtube – Fujifilm X-T2 vs. X-T3 Face/Eye Detection Comparision

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Engadget Youtube – Fujifilm X-T3 Review

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POLISH: x-man youtube – Fujifilm X-T3 – część pierwsza – WPROWADZENIE

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camtheman Youtube – Fuji XT3 vs Fuji XT2

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Chih-Mao Chen Youtube – Fujifilm X-T3 vs X-T2 Low Light Autofocus Test (XF 23/1.4, XF 56/1.2)

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First Man Photography Youtube – Fujifilm X-T3 Real World Review

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Wai Lam Youtube – Fuji X-H1 vs X-T3 – Part 2

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Lazy Video Guy Youtube – Fuji XT3, h.265 vs h.264, 10-bit vs 8-bit (codec comparison)

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FUJIFILM X-T3 CINEMATIC SUNRISE TEST FOOTAGE | 10BIT 4K 60FPS | FUJI 35 F2 from Jacob Martin

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Xing Liu Youtube – Fujifilm X-T3 Sportswear Portraits w/ Victoria (90mm F2 WR & 35mm F1.4)

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Focused on Eternity youtube – Fuji XT3 auto focus perfoming beautifully!

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Lazy Video Guy Youtube – Fuji XT 3, Face Tracking AF for Video

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Matthew Seratti – Fujifilm X-T3 Review for Street Photography: Worth the Upgrade? In short: Yep. Focussing speed and accuracy is dramatically better also in low light.

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Clifton Cameras youtube – Fujifilm X-T3 Review

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Ming Pixels Youtube – Fujifilm X-T3 Studio Shoot Tethered with Capture One Pro First Impressions

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Sierra Creative youtube – How to set up your Fujifilm X-T3 for better Video – Fuji X-T3 Video Set- Up and Menu Guide

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Sierra Creative Youtube – Video Guide for the Fuji X-T3 – Part 2 – How to set up your Fujifilm X-T3 for better video

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Carlos Quintero Youtube – Fujifilm XT3 Hands-On First Look with sample footage & stills

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Carlos Quintero Youtube – Fujifilm XT3 Film Simulation first look at cinematic picture profile examples

Carlos Quintero Youtube – Fujifilm XT3 Low Light High ISO Test with 6400 ISO F-Log Graded Samples blog

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Brandon Washington Youtube – The Best Mirrorless Camera UNDER $2,000 !?! | The Fuji X-T3 Full Review | Look out Canon and Sony!!!

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ian worth youtube – FUJI X-T3 video settings for Run & Gun FILM MAKING

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Jason’s Lessons Learned Youtube – Fuji XT-3 2 Week Update and Review

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Sierra Creative Youtube – Hands on with the Fuji X-T3 in Venice Beach

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Alps Lifee Youtube – Decommissioned – Fuji Xt3 Short Film 4k

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A Very Nice Picture Youtube – Fuji X-T3 4K 60fps Sample Video – Atomos Ninja V

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David Cuerpo Jr Youtube – Fujifilm X-T3 Sample Footage: David & Sydney’s First Dance

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CyberPhoto AB Youtube – Videoexempel Fujifilm X-T3 4K

What’s Wrong with the Fujifilm X-T3

What’s wrong with Fuji’s X-T3 – guest post by Dean Holland

You see the most flaws in the ones you truly love, and my new love is the Fuji X-T3, the most delightful camera I’ve used in 40 years. After a week of solid abuse, I’m happy to rely on it as the main camera on any shoot.

But it’s not perfect, and I know FujiFilm listens to feedback. So before I buy another one, here are the things I’d love Fuji to think about…

You can’t set anything by feel – you have to gaze upon the camera’s beauty to set everything. And it takes you out of the moment. The dials spin endlessly without hard stops or a different click like you find on the X-Pro2, so you can’t go by touch to set 3 clicks back from the end to hit a favourite setting – you have to look. Function buttons all bring up menus that scroll endlessly – you can’t memorise “one click back from the top” – you have to stare as you adjust. You can’t easily set the focus point to the right side of the screen without looking because it wraps to the left side if you overshoot. You can’t even memorised “three taps” of a button to jump to a menu setting – it’s tap then use a different button to scroll through the menu. All tiny things, but they break your flow, take you out of the moment, and mean that practice won’t make you faster or help you keep eye contact with a model. Photographers’ eyes are our most important asset – please don’t tie them up looking at the camera. A distinctive click on the “A” position of dials would make operation faster and more sensual. Firmware options to stop menus wrapping back to the start and to disable unused menu items would help muscle memory take over and free us up to see.

Face/eye detect is trigger-happy, sometimes locking onto inanimate things that resemble faces, making the camera unusable until you cancel face detect. You should be able to tap, swipe or just swear loudly to override face detection instantly.

Face/eye detect doesn’t let you choose which person in a group to focus on – it picks the person nearest the middle of the frame. It’s infuriating. I frequently have to turn off the amazing face/eye detection just when it should be most useful.

In manual mode, the viewfinder offers three options for displaying image brightness, white balance or neither. But it doesn’t indicate which it’s doing! I flit between these options regularly to mix flash and ambient light… and this sets a trap for my doom. If I now swap from aperture priority to manual without checking the viewfinder mode, I’ve got a 66% chance that the viewfinder will look great even if I’m 5 stops underexposed. So I’ve developed an obsession of changing shutter speed just to check if the viewfinder is responding. It would be simple to fix with a warning sign when exposure is not being simulated.

The live histogram has two personalities – one is accurate and dependable, and the other a lying, treacherous monster. There’s no indication which you’re seeing. It’s a histogram of the viewfinder, not the image, so if the viewfinder isn’t set to simulate exposure, the live histogram is a total fiction. Worse than useless, because you might believe it. Please, Fuji, hide the nasty lying live histogram when the viewfinder is not simulating exposure, or slap a big warning triangle on it. Then we’d know our viewfinder mode too.

AF-C tries to focus at the shooting aperture, so at f/16 continuous focus is slow and unreliable. Not a problem in most situations, but a biggie with flash-lit close shooting in dim light – like social events, or moving animals up close. I have to fight with AF-S instead. Canon have gotten around this on their mirrorless EOS R cameras, so it’s solvable.

Touch/drag to focus is delicious when you’re using just the rear screen. It’s smartphone smooth: quicker than the joystick and 100% precise. But everything falls apart when you look through the viewfinder. Those same drags become erratic. The faster you swipe, the less the focus moves – up to 12 swipes to prod-prod the focus point across the screen, while any one of those swipes might hurtle the focus point along, wrapping it over to the wrong side. You have to drag painfully slowly if you want precision, so the nudge-nudge of the joystick ends up faster. Please let the touch AF work the way it does already on the rear screen alone: touching the right side puts the focus on the right. It would give us speed AND precision at once – we could use all 425 AF points with no speed penalty, and glasses users (whose noses are nowhere near the screen) get a reason to smirk.

And finally, a lament…

I wish I could assign a temporary states of the camera to a function button, like Sony’s fabulous “Recall Custom Hold” function. It turns one camera into two. I often miss priceless candids when I’m shooting with flash because I can’t change enough settings in time. So I carry two Fujis to do the job of one Sony. On Sony, you hold button X to temporarily override all the camera’s settings to your chosen preset, like Aperture priority at f/2.8 with auto ISO 3 and eye-detect AF-C and Continuous High, flash off and AF engaged.

But love sees past such minor flaws. I just want to shoot with this camera. It’s delicious. It feels like the love child of my two all-time favourite cameras – the Nikon F4 and Olympus OM-4Ti. Surprisingly fast, dependable, traditional, small, and a genuine pleasure to use. Three working hours after getting the camera, it took the lead on a shoot when I left my Nikons at the previous shoot (not my proudest moment). It turned out to be a blessing – the X-T3 performed better than the Nikons ever have. Anyone wants to buy 3 full-frame Nikons and a set of pro lenses? I’m finally ready to commit 100% to Fuji.

Review by Manuel for FR-readers

Good morning everyone.

I hope your all fine and well. Here is my experience with the X-T3 so far:

Battery:

It seems to me, the battery does not exceed the life of the X-T2. Its more the opposite, but I use the BG most of the time, so this is not so much an issue for me.

AF:

Yes its much faster and better. Even my older “slower” AF lenses are working faster with less hunting (but can sometimes). The face Tracking seems to work well, sometimes it even tracks the “face” of my cat. in lower light (my livingroom at dusk) the focus slows down a bit, but not as much like the X-T2. on very fast AF lenses like the 50-140mm i could not see a difference to the X-T2 (IMO) Video AF is much better, and Face tracking works quite well. The AF speed can be adjusted wich is very neat.

Video:

Love the 4K footage with eterna, easy to grade and looks great. Oddly the H.265 codec ist still not supported in the PS & LR suite (you can find different forums about that issue). Note; if you use H.264 you only have 8bit colors instead of 10 bit in H.265.

Ergonomics:

Well… its a Fuji… not much different than a X-T2, i like the fact, the Buttons (AF-L / AE-L) are a bit bigger and easier to find. also the top Dials to choose Singe / continues shooting are a bit bigger and now easier to turn.

IQ:

The 26MP BSI Sensor produce some nice Images, to my eye the images (compared to the X-T2) are slightly sharper, but only if you pixelpeep.

The DR seems improved (if you compare the charts), but honestly….. in post production i could not tell….

What i really liked was the new “Chroma” function, especially in landscape. The high ISO noise in RAW seems to be the same to the X-T2 (at least to my eye) in jpg the X-T3 seems to be slightly better.

Well, the improvements doesn’t seems to be much, BUT, altogether there add up and if you watch the forest instead of the tree, the new X-T3 makes sense. I like it, esp. the new Face Track AF helps my work a lot and the additional MP are nice to have.

Source from fujirumors

#camera #Canon #Fuji #Fujifilm #lens #mirrorless #news #Nikon #Olympus #om #Panasonic #rumors #sensor #Sony

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hoangbvk · 5 years

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Những ống kính phù hợp nhất dành cho Fujifilm X-T2

Dành cho tính đồ của fuji hãy cùng tìm hiểu thêm thông tin mới nhất của chúng tôi. Những ống kính phù hợp nhất dành cho Fujifilm X-T2 Điện máy Bình Minh xin giới thiệu cho bạn loạt ống kính chỉ dành cho chiếc máy ảnh này với đa dạng về số lượng bạn có thể lựa chọn cho mình theo từng mức giá cùng đón đọc bạn nhé. >> Xem thêm: DJI OSMO POCKET và Nikon D3400

1/ Những ống kính tiêu cự cố định tốt nhất dành cho X-T2

>> Nội dung mới: NIKON D5600

-Fujifilm XF 56mm f / 1.2 R : Lý tưởng cho chụp chân dung. Fuji XF 56mm f / 1.2 là một ống kính siêu nhanh, cung cấp chân dung sắc nét. Nếu bạn chụp những thứ như chân dung và đám cưới, bạn hoàn toàn muốn ống kính này. Giá bán:19,900,000 VNĐ

-Fujifilm XF 90mm f / 2 R LM WR : Là một ống kính prime nhanh khẩu độ với độ dài tiêu cự tương đương với 137mm và độ mở tối đa F2.0, mang hình ảnh cực kỳ sắc nét với bokeh giàu ngay cả ở khẩu độ tối đa. Các ống kính có thời tiết và chống bụi cấu trúc với bảy con dấu trên ống kính. Ống kính này đặc biệt rất phù hợp cho một loạt các ứng dụng chụp hình, đáng chú ý nhất chân dung, nơi xử lý trực quan, hiệu quả nhanh chóng, và khả năng kiểm soát tập trung của bạn là tối thượng. Giá bán:20,190,000 VNĐ

-Fujifilm XF 35mm f / 1.4 R : Ống kính này mang lại hình ảnh với độ rõ nét tuyệt vời, thậm chí với khẩu độ rộng mở tại F1.4. Thiết kế độc đáo này mang đến hình ảnh trong đó trọng tâm là pha trộn với bokeh mịn. Với độ dài tiêu cự tương đương với 53mm trong định dạng phim 35mm, nó là một-phải có quang cho tất cả các chủ sở hữu X-Series. Giá bán: 12,090,000 VNĐ

2/Những ống kính zoom tiêu chuẩn tốt nhất dành cho X-T2

Fujifilm XF 16-55mm f / 2.8 R LM WR : Là ống kính zoom chịu được thời tiết và chống bụi thiết kế bền với 14 điểm niêm phong, làm cho nó hoàn hảo cho phóng viên ảnh người không muốn thỏa hiệp khi điều kiện thời tiết là những thách thức lớn nhất. Cho dù chụp phong cảnh góc rộng hoặc chân dung vừa tele, các XF16-55mm F2.8 R LM WR mang lại kết quả hình ảnh xuất sắc. Giá bán: 24,300,000 VNĐ

-Fujifilm XF 18-55mm f / 2,8-4 R LM OIS : Là ống kính tuyệt vời nhờ kích thước xách tay nhỏ gọn của nó, động lấy nét bằng mô tơ nhanh tuyến tính tự và được xây dựng trong các chức năng ổn định hình ảnh của bốn điểm dừng đảm bảo thoải mái, tự tin chụp ngay cả trong tình huống khó khăn . Giá bán:8,500,000 VNĐ

-Fujinon XF 18-135mm F / 3.5-5.6 R LM OIS WR : Ống kính này bao gồm một loạt các cảnh quay, từ góc rộng tương đương 27mm đến tele 206mm, có 5,0-stop tác dụng ổn định hình ảnh tiên tiến nhất thế giới và có cấu trúc kháng thời tiết cấu với niêm phong áp dụng cho hơn 20 khu vực. Giá bán: 17,900,000 VNĐ Nguồn: https://dienmaybinhminh.com/tin/nhung-ong-kinh-phu-hop-nhat-danh-cho-fujifilm-xt2.html

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photojag · 6 years

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Imagination Mountain and being outnumbered

It is currently Tuesday and we are back from another weekend in nature. This was back to back weekends of camping with friends. The weekend before last was spent in Hot Springs, NC with Wes and his family, and this past weekend was spent in Cosby, TN at Imagination Mountain with the Terry's. We stumbled upon this campground a few years ago and Natasha and I loaded up our 2 boys at the time for the weekend. It rained most of the time then but we still had a great time. Since then our family dynamic has changed for lack of a better word. We are foster parents if you didn't know and currently are only days away from adopting Austin who is 17 and currently annoying me by playing Fortnight. Garbage game in my opinion LOL. We also have a 10-year-old girl and I know nadda about raising a girl. But this isn't about that. This is about spending every second of the weekend with friends and cramming as many activities as physically possible into 3 days. We have known Brittany forever, and Derek and their boys are more like family than friends. I could probably write an entire blog about knowing Brittany but I'll save that for another time maybe. Between our groups, we were 4 adults vs 6 kids plus we ran into one of Atlas' best pals from school, Aiden. He was allowed to hang out with us most of the day as well. So the kids played in the creek, made friends with neighbors, terrorized the playgrounds, heated up the b-ball court, played putt putt, watched a movie, played chess, swam, had ice cream, and even visited the arcade. I'm still tired. So tired in fact that I will stop writing and do what I do. Tell our story via imagery. Hope you enjoy and as always feel free to comment below your thoughts. All images below shot with my Fuji Xpro 2, my xf16mm, xf 90mm, and vintage Minolta lenses.

As always, I also took the film cameras but those will be shared another time. :)

#camping #familytime #cosby #tennessee #adventures #adventure photographer #imagination mountain #good times #fujifilm #filmshotscoming

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karingottschalk · 4 years

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https://www.fujirumors.com/vote-now-the-sigma-lens-you-want-for-fujifilm-x/

In a recent interview, Top Fujifilm manager Toshihisa Iida said that Fujifilm is opening X mount to third parties, and that Tokina will be the first company to offer autofocus lenses for the Fujifilm X system….

Fujifilm X-T4 with Fujifilm VG-XT4 Vertical Battery grip and Fujinon XF 18-55mm f/2.8-4.0 R LM OIS kit zoom lens.

Fujifilm X-Pro 3 with MHG-XPRO3 grip and Fujinon XF 35mm f/2.0 R WR prime lens.

Fujifilm X-H1 with VPB-XH1 battery grip and Fujinon XF 16-55mm f/2.8 R LM WR professional zoom lens.

I have placed my vote for the two current Sigma APS-C lenses most want the company to redesign and make for Fujifilm X-Mount cameras, and if more than two votes were permitted by Patrick DiVino’s survey then I would vote for several more.

The two Sigma APS-C zoom lenses I most want to see redesigned for Fujifilm X-Series cameras

Sigma 18-35mm F1.8 DC HSM | A APS-C zoom lens.

Sigma 50-100mm F1.8 DC HSM | A APS-C zoom lens.

There is little doubt that these two APS-C/Super 35 zoom lenses have proven popular amongst users of a range of camera systems and sensor formats for stills photography and video, whether adapted or in native mount versions.

Australian cinematographer/director Paul Leeming with his Blackmagic Design Blackmagic Pocket Cinema Camera 4K, 8Sinn cage and Sigma 18-35mm f/1.8 Art zoom lens attached with Metabones Speed Booster EF-to-MFT adapter.

The Sigma 18-35mm f/1.8 DC HSM Art zoom is the most popular of the two and is often seen in use in its Canon EF-mount version attached to cameras made by Blackmagic Design, Panasonic and Fujifilm via adapter or natively.

The lens is designed for APS-C/Super 35 sensor-equipped cameras, and is currently available in Canon EF, Nikon F, Pentax K, Sigma SA and Sony A mount.

Both Art lenses are also made in three-gear cinematography versions in Arri PL, Canon EF and Sony E mounts, available for purchase at B&H separately or as a pair with customised hard case.

Both lenses are also available at B&H as a kit for Sony E-mount cameras with Sigma MC-11 Mount Convertor /Lens Adapter to convert Canon EF to Sony E.

If a similar kit were already available with Sigma convertor/adapter for Fujifilm X-mount cameras, one might be sorely tempted.

But it is not, and there are good arguments for both lenses being redesigned and made native with typical X-mount features such as aperture rings but that can be used clicked with 1/3-stop detents or completely clickless, your choice set with the flick of a switch.

Sigma 18-35mm f/1.8 DC HSM Art Lens

Equivalent in 35mm sensor camera terms from 27mm through to 52.5mm, this lens includes some of my most-used stills and video documentary focal lengths such as 28mm, 35mm, 40mm and 50mm.

With a maximum aperture of f/1.8, it is well-suited to the indoors available darkness in which I often find myself.

It would become my most-used lens for documentary work, to be supplemented with Fujifilm’s Fujinon XF 14mm f/2.8 R for scene-setting shots, or, if talking Sigma APS-C lenses then the Sigma 10-20mm f/3.5 EX DC HSM may be suitable provided a Fujifilm X-mount version is made.

In 35mm sensor terms, the Fujinon is equivalent to 21mm and the Sigma zoom is equivalent to a range of 15mm through to 30mm.

Sigma 50-100mm f/1.8 DC HSM Art Lens

I have long been hoping Fujifilm would release one of my favourite portrait focal lengths, 70mm, as a fast prime lens with closeup capability, but my hopes continue to be dashed each time the company updates its lens roadmap.

In 35mm sensor terms, this lens is 105mm and is the focal length with which I became a portrait photographer.

Sigma’s 50-100mm f/1.8 zoom is equivalent in 35mm terms to 75mm through to 150mm, thus including another popular portrait focal length, 90mm, which is equivalent to 137mm.

Fujifilm’s Fujinon XF 90mm f/2.0 R LM WR prime receives high praise as does the Fujinon XF 80mm f/2.8 R LM OIS WR prime lens, but the Sigma 50-100mm f/1.8 zoom would take the place of three useful portrait and documentary focal lengths at a fraction of the cost of three Fujifilm-made lenses.

The ongoing lack of a professional-quality Fujifilm 18mm prime lens

Fujinon XF 18mm f/2.0 R prime lens.

Fujifilm Australia staff members often confirm that the lens customers want to see radically updated is the Fujinon XF 18mm f/2.0 R, a lens I love and hate, with the emphasis on the latter.

Love is too strong a word for this 28mm-equivalent prime lens, so let’s use “like” instead.

I know some photographers adore it for its many old-fashioned optical and mechanical quirks but for me it is an irritating disappointment.

I have often asked Fujifilm to replace it with a compact Fujicron-style lens for documentary photography or a manual clutch focus Fujilux-style f/1.4 lens for available darkness work and especially for video.

Leica Elmarit-M 28mm f/2.8 Aspheric prime lens for Leica M-System cameras, for me the archetypal discrete 28mm documentary and photojournalism lens.

Leica Summilux-M 35mm f/1.4 Aspheric prime, the lens I would choose if I could only have just one for available darkness and available light documentary photography.

In my Leica M-Series rangefinder days I relied on a Leica Elmarit-M 28mm f/2.8 Aspheric lens mounted on my prime camera with a Leica Summilux-M 35mm f/1.4 Aspheric lens in reserve for available darkness documentary photography.

Incidentally, if I could only have two prime lenses for video work, then I would choose a 28mm equivalent and a 40mm equivalent, or in APS-C terms, 18mm and 27mm.

Fujifilm makes neither focal length as manual clutch focussing primes, much to my ongoing moviemaking disappointment, but I often carry the compact Fujinon XF 27mm f/2.8 and F 18mm f/2.0 R on a pair of Fujifilm rangefinder cameras when needing to be discrete and in the street or places where I don’t want to be noticed, but I would not use either prime lens for video.

Fujifilm makes three excellent primes equally suitable for video and stills photography, the manual clutch focussing Fujinon XF 14mm f/2.8 R, XF 16mm f/1.4 R WR and XF 23mm f/1.4 R but there are no signs the company is serious about extending its manual clutch focus lens range any time soon, whether with primes or zooms.

Shame, given Fujifilm’s recent emphasis on great quality Super 35 video with the Fujifilm X-T4 and the coming Fujifilm X-H2.

If Sigma can be persuaded to make an aperture ring-equipped 18-35mm f/1.8 X-mount zoom then that can help with available light or darkness video work, leaving Fujifilm to finally pull its collective fingers out with a Fujicron-style XF 18mm lens that does need to be faster than f/2.8.

Given the success of the Fujinon XF 16mm f/2.8 R WR, despite its maximum aperture being darker than the f/2.0 of its Fujinon XF 23mm f/2.0 R WR, Fujinon XF 35mm f/2 R WR and Fujinon XF 50mm f/2.0 R WR Fujicron-style siblings, a Fujinon XF 18mm f/2.8 R WR should do just fine for documentary stills, leaving the serious 18mm available darkness video work to Sigma.

Fuji Rumors: VOTE NOW the SIGMA Lens You Want for Fujifilm X In a recent interview, Top Fujifilm manager Toshihisa Iida said that Fujifilm is opening X mount to third parties…

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