#felicia upon seeing the suit do weird shit for the first time: that thing is fucking ALIVE ‼️‼️
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idk if its comics published years after the original arc capitalizing on the fact that the whole “alien suit is actually a living alien itself!!” plot twist has been well known for decades now, or what, but the way that like literally everybody figured out that the suit is alive meanwhile peter’s just in denial and is constantly like “naw no way, its just super advanced alien tech, its 100% not alive” is so fucking funny
#felicia upon seeing the suit do weird shit for the first time: that thing is fucking ALIVE ‼️‼️#peter: no it isnt .#mysterio upon seeing the suit do weird shit for the first time: that thing is fucking ALIVE ‼️‼️#i was on marvel wiki a few days ago apparently doctor strange also figures it out#and even apparently TALKS to the symbiote#LIKE ITS SO FUNNY#AND YOU DONT INFORM SPIDERMAN THAT HIS SUIT IS ACTUALLY A LITTLE BUDDY ???#like literally everyone figures it out excspt for peter himself and then has the audacity to be surprised about it#- but then again its probably just comics published years later reframing it due to the lack of plot twist now#brot reads marvel comics#symbiote spiderman (2019) 3
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I made a full 13-episode animated web series with Plotagon.
Creator’s Commentary
I was just messing around and then this happened.
I stumbled upon Plotagon via Aris Martinian’s Worm Abridged series, itself a derivative work based on Wildbow’s epic web serial Worm. Impressed by the software’s results, I downloaded it on a whim. The editor soon draws you into its fast and intuitive user interface and before long I had a draft of what would become “I Hate You”.
Having seen Aris Martinian’s work on Worm Abridged and Satan’s Threads, I really wasn’t expecting to produce anything on that level of quality. Instead I saw it more as an outlet - and indeed, the themes of Are You Happy are representative of the kind of headspace I’ve been in. Most literally, a recent falling out inspired the rough outline of episode one.
I’ve gone on a bit of a kick lately in terms of using restrictive programs to tell stories. Plotagon’s plot editor is almost the antithesis of Marvel: Create Your Own (an online comic editor I used to create “Everything Is Red Now”) in that using it doesn’t feel like deliberate self-harm. Making stuff with Plotagon is actually a lot of fun.
The “movie script” aspect of the editor is inspired and you can hit play at any point to see what you’ve got so far. Sure, there are restrictions - you can only have two characters in a scene, you often have next to no control over camera angles, there aren’t really enough actions (and, to a lesser extent, expressions) to choose from, strange intonation can often ruin the delivery of lines, and most of the program’s assets must be purchased via microtransactions. It’s far from a perfect experience, and yet at the same time I can’t get mad at Plotagon. There’s an infectious, self-aware excitement to be found throughout the developers’ promotional videos, and you can’t help but share that excitement at times.
Plotagon includes its own video-sharing service, which seems to mostly be used by middle-schoolers as a strange kind of social network. I left that aspect of the program alone, choosing instead to render my videos directly to mp4 and thumbnails as animated GIFs (features which feels almost too convenient for this program, but I’m not complaining).
I also chose to ignore the “record your own dialogue” feature and the optional subtitles. A theme I was going for was that these characters struggle to communicate, and the stilted auto-generated dialogue played into that. However, that same awkward delivery ended up making a fair few jokes fall flat. In hindsight I probably should’ve just changed the jokes.
Plotagon gives you a few characters to start off - four teenagers and two adults in an even gender split, plus Santa. The two adults are Ms. Green, who I forgot to utilise, and Mr. Hernandez. The teenagers are Jessica, Samir, Lizzie, and Scott (the guy Mr. Hernandez picks a fight with in episode two). It also provides “Chris the custom character” as the only editable example.
I messed around in the character editor and created Katia and Philippe, and later made Detective Raymond and the devil (who I dubbed “Literally The Devil”) as the plot demanded. It’s only now that I realise I gave Philippe the same t-shirt and footwear as Chris - oh well. I’m also not really sure why I gave Katia red eyes like LTD.
I’d planned to give Raymond some kind of uniform, but everything good was locked. His strange outfit ended up informing his character.
Literally The Devil was male at first, basically by default. I soon decided to avoid the traditional slick-hair-and-a-suit look in favour of a fiery haircut and casual clothing. Their t-shirt, which reads “Speak up against bullying!” was chosen on sight. Trying to find a combination of lower-body clothing that worked with this t-shirt proved difficult, and the decision to make LTD female was cemented when I realised that the red skirt looked far better than the other options (although how this turned out at the bus stop was unfortunate). Lizzie clearly had problems with authority, and I liked the idea that she identified with the devil on some level. I guess LTD’s design is just a manifestation of that.
The decision to do thirteen episodes (the typical length of a “run” of TV) including a three-part finale was made at some point after episode seven, with the death of Mr. Hernandez death serving as a springboard for the rest of the story. Indeed, it isn’t until episode four that we get some kind of explicit continuity. The title of the finale, “The Agenda”, and its inconsistent numbering are a reference to the three-part Season 2 finale of Beast Wars: Transformers of all things.
Three episodes of the series end with the line “bye Felicia(s)”, and another three end with “well shit”. There’s a parallel where Lizzie expresses disappointment in an authority figure using the latter phrase in her first and last episodes - Jessica’s use of the phrase in episode six is less disappointed and more surprised.
“White-Hat Hacking” is, incidentally, my least favourite episode of the series. Most background music is available under the editor’s “music” category, but some falls under “sound” for some reason. Once a sound is played, it cannot be stopped manually - this means that the “pirate ditty” I wanted to use for Jessica needed to play for a set length of time and I needed to stall in order to get Raymond’s entrance right. This basically resulted in a bunch of low-effort jokes existing purely to support another low-effort joke - someone getting arrested for piracy.
Other episodes I rate poorly include episode three, “What Are We Learning Today?”, and episode nine, “Ever Get Tired Of Movies?”. Episode three is barely thirty seconds long and consists of maybe two jokes, and the “well shit” line doesn’t really work in the moment.
Episode nine, on the other hand, is the third-longest. With Jessica and Lizzie both under arrest I knew I was planning a breakout, so I grabbed two random characters I’d thrown together in the editor and sat them down on a sofa. I guess I find the idea of people watching a movie together occasionally weird, because it’s a kind of social interaction without social interaction (I suppose that’s why it’s such a popular choice for first dates), so I decided to use that as the basis of Katia’s insecurities. I’m not really happy with how her relationship with Philippe came across, and I think that’s mostly down to eccentricities in intonation and animation. The first draft of “Ever Get Tired of Movies?” was even less funny than the final draft, which says a lot. Still, it provides an interesting change of pace - the fact that Katia and Philippe’s flaws aren’t as blatant as those of the rest of the cast helps cement them as worthwhile additions in my opinion.
I’m probably happiest with how episode seven, “The Faculty Bathroom”, turned out. Jessica’s monologue in episode six opened the door for a single-character episode, and something about the idea of showing Mr. Hernandez on his forty-five minute smoke break appealed to me. Only one bathroom is available freely, one which clearly belongs in a house, but most people often perceive their teachers as living in their schools and I like the idea that, on some level, Mr. Hernandez lives in this bathroom.
We’ve all had teachers who are nice enough people but who are terrible at their jobs, and Mr. Hernandez falls squarely into that category. We don’t even know he’s a teacher until his second appearance, because in his first he’s too busy getting advice from a man dressed as Santa.
A friend of mine suggested that Santa should quote Genghis Khan in “What is the Meaning of Life?”, and this quote ended up informing his behaviour in the rest of the series. I knew from the start that this man wasn’t really Santa, and I like the juxtaposition between who he is and how he presents himself.
I didn’t set out to have a particular “protagonist” in this series, but Lizzie settled into that role and I ran with it as best as I could. The final episode, in my opinion, struck a good balance between humour and offbeat drama. I’d kept the weirdness firmly rooted in reality until that point, which makes LTD’s introduction all the more surprising. Incidentally, the sound effects used for the transitions to and from the green room were: “death beam”, “arrow hit”, “bone crack”, “fart”, “crash”, “soda can opening” and “swoosh”.
Several people commented on the abruptness of the ending, saying that it lacked closure. Does LTD actually exist? Does hell? I’d say no, but it doesn’t really matter either way. I see the finale as being about Lizzie recognising that her life isn’t going in a direction she likes and deciding to change that, and I guess that was enough for me.
I picked the title Are You Happy mostly on a whim - LTD asks Lizzie this question in the finale, and I think almost everyone in the show is unhappy about something or other. Bo Burnham has a song under the same title, but that wasn’t an intentional link. If I had to pick an overall theme for the series, I’d probably choose Precious Kid’s “Jaded”, not least because it includes the question “are you happy” in its lyrics.
Plotagon remains on my taskbar for now, unopened. People have asked if I plan to make any more. Probably not, but you never know.
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