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aion-rsa · 4 years

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The Godfather Coda: The Death of Michael Corleone Proves a Little Less is Infinitely More

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This Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone analysis contains spoilers.

The ending will be discussed at length. If you haven’t seen it, I’ll make you an offer you can’t refuse. Find the film, watch it with fresh eyes, then come back and celebrate The Death of Michael Corleone.

“The power to absolve debt is greater than the power of forgiveness,” Michael Corleone observes in the revelatory new opening of Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone. He may well be speaking for Francis Ford Coppola. The Godfather Part III concluded the family saga, made a profit for Paramount Pictures, and garnered seven Oscar nominations in its time, but Coppola has never been forgiven for it. The 1990 film has such an undeserved reputation, it almost feels like there was a vendetta against it. Having seen the new cut several times, the director can finally be absolved of sins he never committed.

Coppola’s finale has been bashed for its structure. Critics said he was just going through the motions and the arc of the first two films, and doing it much too slowly. However, the filmmaker was making one long film, and this is the conclusion. It references the other two films because the reality which forms this family history is well known. It is canon, the arcs are similar because each film dissembles William Shakespeare’s King Lear. The Godfather, Part III also has the balls to wear its opera cape up front, and it’s a Sicilian one. But does it move as slow as critics accused? We get an ear bite in the first quarter, a helicopter mass execution, and enough intrigue for three Hitchcock films.

The Godfather, Coda is not much different than The Godfather Part III. Coppola only cut five minutes from the 162 minutes of the original. But like a good haircut, it makes a difference, even though I think he took too much off the top. The streamlining speeds it up and makes it feel more tragic. Michael’s regrets are palpable, the dangers he and his family face are recognizable. It’s the same movie but tighter. The Godfather and The Godfather Part II are perfect films, like Casablanca or Citizen Kane, not a single scene is less than flawlessly framed, acted, and situated. The third one is a little sloppy. It happens. Martin Scorsese’s Mean Streets is sloppy and works perfectly because of it. To this writer, Mean Streets packs more of an emotional punch than Goodfellas, which is also cinematic perfection from setup to cut. The Godfather III is rough around the edges.

Coppola loves the editing room as much as any wine vineyard. He recut Apocalypse Now Redux, and added scenes which may not have been imperative, but are wholly welcome. Coppola filled in the storyline to The Cotton Club for his reworking. When The Godfather trilogy was recut and re-released as a seven-hour chronological saga, it was like hearing the Beatles’ White Album with discarded tracks included. Scenes which landed on the cutting room floor were put back in. The Godfather, Coda takes scenes out. We get less of Eli Wallach’s Machiavellian cannoli-lover Don Altobello, which is a shame because his performance has grown on me since my initial viewing. Coppola also cuts Talia Shire’s Connie Corleone when she goes full-on Lucretia Borgia, ordering an execution in a chapel.

The Godfather Part III is the purest of the saga’s films in terms of cinematic input. The first film was a masterful adaptation of Mario Puzo’s book. The second one also drew heavily from the book. By the third, the motion picture saga was on its own. Part III was also the first of the films which didn’t have the Godfather himself, Vito Corleone, in it. Marlon Brando’s performance is more than iconic; it is Americana itself. Robert De Niro bridges generations as the young Vito in The Godfather Part II. Al Pacino’s Michael is the only godfather here.

“The Pope, the Holy Father, on this very day has blessed Michael Corleone. You think you know better than the Pope?”

The original cut of The Godfather Part III opens on the flooded Corleone compound in Lake Tahoe and dissolves to Old St. Patrick’s Cathedral in Lower Manhattan’s Little Italy. The Godfather, Coda opens with a low-angle establishing shot of the exterior of St. Patrick’s Cathedral. It looks like a relic of another time. It is surrounded by the cold steel and glass of modern architecture. The midtown cathedral represents old money.

The first scene is a meeting between Michael Corleone and head of the Vatican Bank, Archbishop Gilday (Donal Donnelly). The Vatican is selling controlling shares in real estate conglomerate Internazionale Immobiliare to the Corleone family. These details don’t come out until 30 minutes into The Godfather Part III. By now putting the Vatican meeting at the beginning, followed by the Vito Corleone Foundation celebration, it fits better into the structure of The Godfather, and gives the proper weight to the deals with the Holy Roman Church.

The scene also reestablishes the Corleones as a family of great wealth. They have so much money they can bail out the Vatican. We don’t know how they made that money; we get very little detail about the years between The Godfather Part II and the late 1970s, when The Godfather, Coda is set.

We assume the Corleones had nothing to do with heroin, probably sidestepped any involvement in the Kennedy assassination, and stuck with the traditional vices, which could be best maneuvered into real power. We can imagine a Hoffa scenario because of their union involvement, but we get little indications of business beyond the chase for legitimacy. With this deal, Michael will be one of the wealthiest men in the world.

Moving the meeting also casts the archbishop in the same role that the funeral director played in the opening scene of The Godfather. The priest’s favor becomes his regret, but in a way that inverts the structure of the original film. The funeral director came to Don Corleone seeking justice after chasing the American dream, believing in it with all his soul as much as he believed in holy Mary, mother of God.

Archbishop Gilday’s impossible dream is to turn that around, to siphon the American success of the Corleone family back to Italy, after skimming his part, of course. Michael is awarded the Order of St. Sebastian from the Catholic Church after the charity run by his daughter Mary (Sofia Coppola) donates $100 million to the institution. Immobiliare is the other side of the coin, and it is a beautiful flip.

The move also fits the film closer to the original 1972 classic, positioning the Vito Corleone Foundation ceremony as the wedding scene, and introducing us to the players, and the ones who don’t play well with others. Joe Mantegna plays Joey Zasa, who is a stand-in for the John Gotti ascendancy, running Don Corleone’s old territory now that the family has moved up. Eli Wallach ties us into the family behind the family. Vincent Mancini is the bastard son of Sonny Corleone and his mistress Lucy. Actor Andy Garcia clearly enjoys this part. He turns into James Caan a few times.

Sofia Coppola’s performance has been called flat, amateurish, and not in the same universe as the rest of the film. Mary is an important part. For most of the audience, she is the most recognizable character as far as an entry into the world of the underworld. Sofia did it because her father needed her, and quickly. Winona Ryder’s unexpected bout of physical exhaustion didn’t fit with Paramount’s time schedule, and the studio’s replacement options didn’t fit the age of the character.

Coppola’s 18-year-old daughter, Sofia, still had baby fat on her face. She’d made appearances in Rumble Fish and Peggy Sue Got Married, and was used to working with her father, even though she was not an actor. European filmmakers cast non-actors all the time; they bring a real quality to roles. Lenny Montana, who played Luca Brasi in The Godfather, was a former wrestler who came to the set as the bodyguard of a ranking Colombo family member. Martin Scorsese’s mother Catherine makes an appearance in The Godfather Part III. Sofia is playing herself, a college freshman who wants to help her father.

This makes the gnocchi scene feel almost uncomfortably incestuous. Mary is Vincent’s first cousin, and we can see in the way they look at each other; it’s wrong even though it feels so right. Sofia is natural in her scenes, not emotive. She is the tourist the audience needs to circumnavigate the treacherous waters. Mary is the civilian who becomes the collateral damage of the Corleone family life. She takes the bullet intended for her father, Don Michael Corleone. Sofia did the same for her father, becoming the scapegoat for a job she took to get his movie in on time.

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Mary’s death scene has been called the worst in the history of motion pictures. It never was, and as presented in the recut, it’s entirely, emotionally effective. It’s not Bette Davis in Dark Victory, and even though it happens on the stone steps of a church, it isn’t James Cagney’s death scene in The Roaring Twenties. It isn’t meant to be. It is sad. The death itself is one of the most underplayed in film, but the music gives it the tragedy to match Michael’s reaction.

It is hard to resist the pull of the music when considering how much of a worthy ending this cut is to The Godfather saga. The themes are the trilogy’s blood and wine. Composer Nino Rota tells us when to celebrate and how to mourn. We relive Michael’s lost love Appollonia more through our ear’s memory than we do from the faded black and white photograph in the old Sicilian villa. And his reunion with Kay evokes the post-war era they met in. The music ties the film together so beautifully that this time around it feels like the skin of the original, rather than its clothes.

By the end of the film, the emperor has no clothes. Michael thinks he can break a glass ceiling through legitimate business but admits “The higher I go, the crookeder it becomes.” Senators and presidents have men killed. The church is no different. Legitimacy is an illusion. Coppola saw The Godfather Part III as an epilogue. Paramount wanted to grow a franchise. Coppola had to be persuaded to make a sequel to the first film. Paramount wanted Coca-Cola instead of wine. And they treated The Godfather Part III like the Fredo of Godfather movies.

Fredo is all over this film. How he died is the first question Mary asks Vincent. It’s the last rite in Michael’s confession to the Vatican priest who will become Pope, a scene which contains one of the funniest exchanges in the film. Michael tells Cardinal Lamberto (Raf Vallone) a list of his sins would take up too much time. The first cut may have been the deepest, but the final cut in The Godfather, Coda is the most ironic. Coppola adds the subtitle, in quotations, apart from the puppeteer logo of the films and book, and then takes exactly that promise away.

The final scene cut from The Death of Michael Corleone is the death of Michael Corleone.

The Godfather Part III ends as Michael is sitting alone outside a villa in Sicily. All family debts have been settled, but he has no family left. He is wearing dark glasses, slumps in his chair, loses his grip on the orange in his lap, and falls dead to the ground. Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone ends, not only with him still alive, but wishing him Cent’anni, telling the audience it means “for long life” and reminding viewers “a Sicilian never forgets.”

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The phrase actually translates to 100 years. Imagine how many Godfather sequels could be made in that time. Michael is left alive, alone. Atonement is beyond him. He loses his family just as he is on the precipice of finally being able to give them what they need. But the coda to Mario Puzo’s The Godfather, Coda: The Death of Michael Corleone is an allegory to what Paramount wanted, more life. Yes, Al Pacino’s Don Michael Corleone spent all this time waiting for them to pull him back in.

The Godfather, Coda: The Death of Michael Corleone is available now on Blu-ray and digital.

The post The Godfather Coda: The Death of Michael Corleone Proves a Little Less is Infinitely More appeared first on Den of Geek.

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davidjjohnston3 · 3 years

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Thoughts on philosophy of education non-toxic and detoxifying edition

Needless risk. I said years ago, “The quality of the peace determines the quality of the war.” What is the life-expectancy for an African child-soldier who started at 8?

Everyone in America wants to be or thinks they can be or can make their kid Ender Wiggin.

ES - Mom, school, hakwon, piano hakwon, church

MS - friends

HS - destiny, purpose, and often, couples

My last ideal H&M Hail Mary projects

-from Promise Nine “Clover”

- from Mother Superior Mrs. Catherine Cho’s “Inferno.” Elinor Wylie or What She Shall Be. We shall walk in the snow. Purity and controlled aggression; ardor; candor; and mayhap, without apologizing forever.

- Digging up all my buried treasure from the days when I had good psychiatrists like Dr. Z. who said a comment over the 2012 election. “The Winners.”

Young people have ardor and candor and are good writers but lack opportunity / life-chances. They engage ideas. Sometimes they ignore their own faces and hands and this is in part because, as I have repeatedly noticed, the old who HAVE ideas just want bodies.

Hence, “My Teacher’s Pet Grace.” “My grandmother [shoot me in heart].”

I have other thoughts and feelings about this but it’s my private concern.

I have no idea who is gonna make it or how. “Wonhago...” America seems demoralized. Whitefish Bay, where I love, where someone knows my name, at Sendik’s feels like they are not sure they can win.

I used to love their Pumpkin Festival and even took Mom and Pop.

I started “Uncle Sam” about a geography teacher who retired too soon and is fond of Krystal Jung Soojung. I think his name was “Samuel Johnston” and in past he had a Southern undermining friend I based on Miles Patrick Klee who always tried to “bottom shelf” him down to his essential pathetic condition; whereat I was repeatedly pigeonholed(?) by all my “friends” or ex-constituencies.

“Uncle Sam” evolved eventually in to “Send for Your Love” which is my masculine counterpart(?) to something like “The Hen Who Dreamed She Can / Could / Might Fly” whereby I thought I failed as a hakwon and HS teacher but had a solid even immortal concept for Phi. of Ed. and teacher-training.

I discovered “All Loves Excelling” actually in Lake Geneva (where FSF was born) at a consignment boutique with a 21-year-old cat on a digression back from Chicago where I’d just interviewed at the ROKCG for the first or second time. I didn’t understand it at all but felt it “cool, keol, jeongdeokhan” that a Headmaster wrote a private school novel because I HATE Gossip Girl.

There was also “The Midwestern Novel” a study I never ended up reading but which tickled me(?) which I fancied or was taken with because I had assumed if not inferred that most Midwesterners only gazed dead-eyed with “tarnished mournful beady-eyed German mirrors” at the literature of the coasts.

That is / was not true. For one thing there is me. For another many people “hide their virtue” as a Japanese said. They also pour their pure hearts and their creativity and “apercus” (not acumen) into creating little families, households, and other things which remain idle ideas for some apartment-dwellers. Astronaut farmers here there be - if only they would launch from the pad; but IDK since I’m an outsider here to all but myself.

Wallace Stegner

It is important / critical / crucial to know what is going on in the present moment or there’s no end to the reading of history or anyway it is for other people - “Sheep May Safely Graze.”

10.

Whitefish Bay - “Bay of Slow Hopes” - at least thank the Lord =/= Milwaukee.

11.

I’ll never forget the Vietnamese girl at World War Z. However JiU going for the popcorn and no movie is like a dream come true to me.

This is why I gave away my precious SS-9′s and SS-7′s a few months ago - I sincerely thought it was Acts 2. “Husbands look on your wives’ brows, hold your daughters’ and sons’ hands at the library, vote Republican, don’t even vote, don��t outsource, don’t send for, don’t go.”

“My Love Don’t Cross That _”

TW-1 used to like it when I said “Don’t do that” but I stole the line from Big Bad Boris.

I used to compose in Tumblr when I thought this aspect of the past was a small deal. Now I want to give butter and honey and “daily bread, viaticum” (M. Scott Peck Gifts for the Journey DNR - he said “I’m a prophet not a saint” which is 100% non campus mentis suicidal).

12.

What’s Dong Joo Lee up to, under the moon or sun, by mirror or torch / lamp, by moonlight or throw-light.

I imagined him on an aircraft carrier with an F-35 blasting “You Could Be Mine” or “You Shall Be Mine.”

He said, “I wrote on a paper I want to join Navy JAG, I did, God is good.”

He looks great / beautiful in white + killer facial hair for a Kor.

When I met Chi Hye Kim I a saw a comet walking around and remembered his back-muscles sheathed in fat / water-retentions before our years of?

13.

I’m against BP but “F U pay me”

14.

I used to listen to “Adagio Cantabile” all the time and think, “repression, going over and over, re-reading and re-reading, mystery religiose, not wanting to know, student crush, Angel Stays Here, repression, repression, repression, rejection, unwillingness to “rebel against evil.”

Siyeon Paradise - run

away

and that bubblegang 5 song,

aoi tori

caritas tori

golden dove missive

15.

“Our New World” as letters or love-letters

A Half Day after MS and Pizza at Bunny’s

16.

Half-days are terrible and the staff don’t even develop

As Dale Duncan said at Family Buffet, “Hell no.”

He moved south and got gay-”married.”

Also blogs about his genius pedagogy

17.

The other song I should have held in my heart’s arm-wing-chaingun-magazine was “Don’t stop flying till you find me, high sky light-debt-bond.”

18.

What’s Richard M. Dienst up to and since I can’t seem to get me a sinecure in Wisconsin can I get a familiar river old boy country road take home at RU. Will teach for not even food, not even thanks...

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blogparadiseisland · 6 years

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Nature Trump Attacks Democrats at Rally, but Mostly Steers Clear of Scandals

Nature Trump Attacks Democrats at Rally, but Mostly Steers Clear of Scandals Nature Trump Attacks Democrats at Rally, but Mostly Steers Clear of Scandals http://www.nature-business.com/nature-trump-attacks-democrats-at-rally-but-mostly-steers-clear-of-scandals/

Nature

President Trump’s rally in Charleston, W.Va., on Tuesday is among the many midterm campaign stops he is expected to make over the coming weeks.CreditGabriella Demczuk for The New York Times

CHARLESTON, W.Va. — President Trump invoked on Tuesday fears of immigrant crime and angry mobs as he began a weekslong push to try to preserve the Republican majority in Congress as the party braces for midterm losses amid a cascade of scandals involving members of his inner circle.

“A vote for any Democrat in November is a vote to eliminate immigration enforcement, to open our borders and set loose vicious predators and violent criminals,” Mr. Trump told thousands of supporters during a rally in Charleston, W.Va. “They’ll be all over our communities. They will be preying on our communities.”

In a wide-ranging, more than hourlong speech that touched on the potency of his political endorsements, his love of coal and promises to build a border wall — with a paean to his mother’s turkey recipe thrown in — Mr. Trump worked the crowd into a frenzy, repeatedly demonizing Democrats as coddlers of lawbreakers who would take the country down a dangerous path.

“The Democrat Party is held hostage by the so-called resistance: left-wing haters and angry mobs,” he said. “They’re trying to tear down our institutions, disrespect our flag, demean our law enforcement, denigrate our history and disparage our great country — and we’re not going to let it happen.”

On a day that his former campaign chairman, Paul Manafort, was convicted of financial fraud and Mr. Trump’s longtime lawyer and fixer, Michael D. Cohen, pleaded guilty to campaign finance violations that he said were directed by Mr. Trump himself, the president mostly steered clear of those subjects.

But the rally offered a vivid tableau of an extraordinary period in Mr. Trump’s already tumultuous tenure. The president is growing more defiant by the day even as the scandals appear to pose an increasingly serious threat to him, embarking on a cross-country tour in an urgent push to bolster his party’s chances of keeping control of Congress.

It was Mr. Trump’s sixth visit to West Virginia, and the leading edge of an intensive effort in which officials say he will headline rallies intended to stoke Republican enthusiasm and hold fund-raising events to stock the party’s campaign coffers. The state is home to Senator Joe Manchin III, who is facing a competitive race for re-election despite breaking ranks with his party and becoming the first Democrat to meet with Judge Brett M. Kavanaugh, Mr. Trump’s pick for the Supreme Court.

As Mr. Trump made his way to Charleston on Air Force One, news of Mr. Manafort’s conviction and Mr. Cohen’s plea dominated Fox News on the in-flight monitors. The president touched only glancingly on the issue in front of his enthusiastic crowd and never named either man. But he did denounce “fake news and the Russian witch hunt,” and taunted the team run by Robert S. Mueller III, the special counsel, which secured the convictions against Mr. Manafort.

“Where is the collusion?” Mr. Trump shouted as his supporters cheered. “You know, they’re still looking for the collusion. Where is the collusion? Find the collusion.”

But he quickly pivoted to border security, which he said was “at the beating heart of this election.”

“Democrats want to turn America into one big, fat sanctuary city for criminal aliens, and honestly, honestly, they’re more protective of aliens — the criminal aliens — than they are of the people,” Mr. Trump said.

He led the crowd in a chant of “build the wall,” repeating his false claim that the wall along the Southwest border was already being built — Congress has banned the allocation of border security funding to construct anything but existing barriers — and promising that it would soon be finished.

“That wall is coming along,” Mr. Trump said. “All of a sudden, it’s going to be finished, and it’s going to be very, very effective.”

When Patrick Morrisey, the state attorney general who is Mr. Manchin’s Republican challenger, led a chant of “lock her up” — referring to Hillary Clinton, Mr. Trump’s former campaign rival — the president egged on the crowd, pumping his fist rhythmically with the shouts.

Mr. Trump repeatedly denounced Democratic congressional leaders and said supporting Mr. Manchin would hand them control of Congress.

“There’s no worse nightmare for West Virginia this November than Chuck Schumer running the Senate and Nancy Pelosi, with Maxine Waters, running the House,” the president said, naming the top Democrats in the Senate and the House, along with Ms. Waters, a 14-term congresswoman whom he has derided as crazy and “low I.Q.”

But Mr. Trump also added new material to his stock of well-worn rally staples. He regaled the crowd with the story of how, he said, he had jawboned NATO allies into paying more for their own defense. In doing so, he confirmed reports — which the White House had previously refused to do — that he had privately threatened to withdraw from the trans-Atlantic alliance at a summit meeting in Brussels last month.

Mr. Trump said an unnamed leader of another country had asked him, “Would you leave us if we don’t pay our bills?”

“Now, they hated my answer,” he said, adding, “I said: ‘Yes! I will leave you if you don’t pay your bills.’”

Then, he added, “you could see those checkbooks came out for billions of dollars.” But while NATO member countries have increased their military spending over the past year in part as a result of Mr. Trump’s relentless focus on what he calls their delinquency, none pledged any additional money after his closed-door outburst in Brussels.

And Mr. Trump’s frequent claim that NATO allies are in debt to the United States for the cost of the alliance is a misstatement. The funding in question is a target agreed upon by all member countries in 2014 that each should move toward spending 2 percent of their own gross domestic product on defense by 2024.

Still, Mr. Trump used the story to underscore a familiar talking point, saying, “We are a country that has been ripped off by everybody, and we’re not going to be ripped off anymore.”

Mr. Trump also threw in some bizarre flourishes, at one point comparing the time it takes to cut a good trade deal with the patience required to roast fowl.

“We’ve got to take time — it’s got to gestate, right? The word gestate. It’s like when you’re cooking a chicken,” the president mused. “Time, time, turkey for Thanksgiving. My mother would say, ‘Oh, eight hours.’ I said, ‘Eight hours?’ She made the greatest turkey I’ve ever had. It takes time.”

Before Mr. Trump’s visit to West Virginia, White House officials outlined what they said was an aggressive midterm campaign effort that would capitalize on the president’s ability to draw crowds to rallies — held largely in deeply conservative states where he is already popular — and put his muscle behind the Republican National Committee’s fund-raising efforts.

In a phone call with reporters, multiple senior officials familiar with the president’s plans for the midterms said Mr. Trump would be participating in at least eight rallies over the next six weeks and as many as 16 fund-raisers, which officials said had raised more than $227 million for the Republicans so far this election cycle.

Mr. Trump will visit at least seven states — and as many as 15 — in the next six weeks, the officials said, including North Dakota, South Dakota, Missouri, Montana, Nevada, Kentucky and Tennessee. Most are not traditional battleground states, but several are home to Democratic senators who face difficult re-election fights. At recent campaign rallies, in stops in places like Indiana and North Dakota, the president has seemed to relish taking punches at those vulnerable Democrats, with the constant rallying cry that they are obstructing his agenda.

On Tuesday in Charleston, Mr. Trump lauded the power of his endorsement, claiming that he single-handedly turned around the fortunes of Republicans whose popularity had been lagging before he announced his support.

“Look, I don’t want to brag about it, but man, do I have a good record of endorsements,” Mr. Trump said.

He cited as an example Representative Ron DeSantis of Florida, who is facing Adam Putnam, the state’s agriculture commissioner, in a primary contest next week for governor.

“I gave him a nice shot and a nice little tweet — ding ding! — and he went from like three to 20-something,” the president said, adding that with “my full and total endorsement,” Mr. DeSantis was leading his primary opponent by about 19 points. In fact, while Mr. DeSantis had opened a lead in the race after Mr. Trump’s endorsement, a poll released by Florida Atlantic University on Tuesday actually showed him roughly tied with Mr. Putnam.

Julie Hirschfeld Davis reported from Charleston, W.Va., and Katie Rogers from Washington.

A version of this article appears in print on

, on Page

of the New York edition

with the headline:

Skirting Scandal, President Stokes Fear to Stay on Message for Midterms

. Order Reprints | Today’s Paper | Subscribe

Read More | https://www.nytimes.com/2018/08/21/us/politics/trump-rallies-west-virginia-midterms.html | https://www.nytimes.com/by/julie-hirschfeld-davis, http://www.nytimes.com/by/katie-rogers

Nature Trump Attacks Democrats at Rally, but Mostly Steers Clear of Scandals, in 2018-08-22 08:43:57

#Nature of Business in the Current Market

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magicwebsitesnet · 6 years