Tumgik
#don't even get me started on TMBTE
melit0n · 5 months
Text
Tumblr media
So you're telling me...Dark Signs, Ascensionism, Aqua Regia, The Love You Want, NAZARETH and the live debut of TMBTE all on the same setlist?? And I wasn't there??
Dude.
31 notes · View notes
moonchild-in-blue · 5 months
Text
Sleep Token Wembley Bingo
As promised, here it is: the Wembley Bingo cards of your predictions on what might go down at Wembley. Once again, thank you @fivewholeminutes for the og post!!
There are two versions, Red and Blue. They have the same predictions, but arranged in different ways. Just save the card you want and play along on Saturday! I may or may not have a ~prize~ for whoever completes a bingo.
Tumblr media Tumblr media
A lot of the predictions were very similar, so I just combined them to save space. There are a few that have been left off, either because they already happened or for some other reason, and others that make sense for them to still be there - better explanations under the cut (because I don't want to spam anyone's dash):
Predictions that have already come true and have thus been cut off:
TMBTE (song) live debut
New masks/gold motifs for the Vesselettes
Vesselettes being aloud to move/dance
Unmasking (the double mask - I was already thinking of leaving this one out to avoid any possible conflict, so I'm using the Great Unmasking of ii and iv as an excuse)
Predictions that have already come true but are still on the card:
Aqua Regia mix-up - it happened once already BUT it could still happen or not on Wembley, so I'm leaving it, because funny
Better/Bigger stage production - we got the super cool LED logo and amazing lights, but it's still very much possible for Wembley to have something extra/different
Predictions that I have cut off:
Unmasking/Identity reveal (see above)
Siam/Cleo cameo - for logistic reasons and for the snakeys well-being, I think it's safe to assume they won't be present (even though I'd love to see that 🐍)
Ritual starting on time - again, logistics are hard to control and late starts are pretty common. I figured this one was innocuous enough to leave out
iii screaming with a microphone - we don't know if he will be able to be present at all so, this one had to leave. I want you to have a change of getting a bingo!
Live official recording of the show (for a dvd or replay) - Adam Ross has stated a few weeks ago that the band does not wish to have a professional recording of their Rituals, and so an official pro-recording is a bit impossible
Previous tour props, like hats, etc - if we go by the German Rituals, they don't really bring anything over so, very very unlikely to happen
It will be a normal show - while I agree that there's a small chance Wembley will be just another regular ritual, there are a few extra special things that are bound to happen anyways, so in truth, it will never be a truly normal show. (also I needed to cut off one more 😬)
If any of these does end up becoming true, I am contractually obliged to grant you three wishes, so come find me afterwards.
Predictions that have been combined:
New masks/ new paints/ gold motifs/ new costumes - it all falls under the new/upgraded costume slot (although I kept Vessel and the guys separate)
Dancers /silent performances / theatrical elements
Pyrotechnics / Setting things on fire
Fields of Elation/ Sugar/ Telomeres/ The Apparition/ more songs in general - these were the ones most predicted to comeback/debut, so I combined them in the old songs/debut slot
Euclid/TNDNBTG - most people said it would start with The Night and end with Euclid, although I have seen a few variations in order. I kept the most common one, but it's game if on reverse
(Euclid appeared too many times, so that song has a special slot - just as TMBTE album played in full)
Stage props/ Background videos / Bigger lighting
Hozier being present; a Collad or a Cover
Remember, this is all in good fun! Some of these are super silly and fun, others are very likely to happen. What matters is that we all have a bit of fun while emotionally recovering form the London show (because we all know it'll be incredibly emotional!)
If this is not your thing, then that's totally fine too! Above all, let's all be nice and respectful to one another!
💙 Worship 💙
60 notes · View notes
foundationsofdecay · 2 months
Text
Thinking about the escalation from the metaphor of being overtaken and swept under and away in Drag Me Under across the rest of the discography. The way that the agency shifts, the meaning evolving gradually but drastically over time. Going from "pull me beneath the surface, deep into you" to "flood me like Atlantic, weather me to nothing, wash away the blood on my hands," then from there to being "trapped under the surface of your words.”
Each album has a track that roughly thread the same surface message as Drag Me Under. In the case of TPWBYT this is Telomeres, where we see "you guide me in to safety and silence," though here we get a hint of this being a shared act - "and we go beyond the furthest reaches, where the light bends and wraps beneath us, and I know as you collapse into me this is the start of something." This track, in addition to Vore later on, are almost like litmus tests for how this relationship is evolving, and how this metaphor as a projection of that is beginning to change. In fact, this language continues to change in the following track, asking to "wash me clean before I pull myself beneath the waves." Note that almost all of these are passive, us being the object, with the exception of this line in High Water, which is very fitting for a track about solitude and determination to not be a burden on the other person, and what we see in Telomeres.
From there, going into TMBTE, it begins by introducing an explicit dismissal of this dragged-under metaphor with "beneath the stormy seas, above the mountain peaks, it's all the same to me, it makes no difference." Suddenly it's all about the earth and the sky because we've surfaced from the ocean and soon will begin to ascend, declaring that "I'm stuck in a time when the mountains shook," less about the ocean and more about "the sky above, the earth below." These aren't part of that metaphor in and of itself, but they're a drastic tonal shift that establishes the changes that we do see from here on out.
For example, returning once more to the through-line Drag Me Under-like tracks, we find ourselves in Vore, admitting that "my metaphors fall short in the end, your flesh and bone welcome me in." There's a similar possessiveness, but tinged with this visceral anger and pain, and again focusing on flesh and physicality over the symbolic and vast ocean. Notably, this track uses both the second person plural as well as the first person, muddying the image of this whether it's one person being consumed by the other or if you both are along for the ride. This comes just before Ascensionism, where we find "eternal ascension, setting me free," and indeed we never see the imagery of one person being dragged under or into another using this passive language after Vore.
There are still a few active versions of this, where we are no longer the object but the subject, such as in DYWTYLM, where we're asked if "you roll with the waves, or do you duck into deep blue safety," again a self-induced act. Asking and begging for someone to do this to you, but it still all comes back to you and your own agency in this. Rain comes close to a passive version of this, but the use of the phrase "saturate" is very different from the idea of being dragged under. You're taking someone in rather than being drawn inside, more reminiscent of the lines in Ascensionism about "you want someone to be" and earlier lines like "it's too late for me now, I am altered" from Alkaline. In fact, it's closer to a complete reversal of the original metaphor, but even then you don't get this complete loss of self from either party. The metaphor now has, by this point, morphed into a reciprocal act, embracing becoming inextricably entwined with someone and no longer wanting to lose yourself in the other but joining together instead.
This can only last so long, however, and indeed we don't see this "drag me under" type of language used after Take Me Back To Eden, where "we dive through crystal waters," and from there on out we're trying to break out of the codependency we've established through this evolving language, right on through to Euclid, taking what we've seen in songs like Rain and Alkaline and declaring that we "must be someone new, for me," even as we acknowledge our parallel lines and lives. Our agency here has evolved from wanting someone to take us under and in, to wanting to do this to ourselves, to us both actively doing this, and ends when you finally breathe and come up to the surface without the other person and make your way to shore alone, all expressed through this one bit of phrasing.
46 notes · View notes
a-s-levynn · 4 months
Note
1,2 & 20 for the asks?❤️‍🩹
I'm putting in a cut because it got long and rambly again because i'm appearently unable to skip my tangets and it's fucking sappy as shit because i'm emotional these days.
under the cut: song of the year, album of the year, what i learned this year
1, Song of the year? As much as i want to pick something from TMBTE i have to go with Wake the Dead by blessthefall. I listened the crap out of it since it's release and it very well deserves a shoutout.
2, Album of the year? TMBTE. No question there. Not just because it is and incredible album but it means so much more.
Without it so many things would not have happend to me this year. I like ST before but if there is not TMBTE there is no tour and if there was no tour i wouldn't have seen them live and gone off the deep end. If i wouldn't have seen them live i would not have met a bunch of very nice people who were spending their days in que as well. If i've not met them i probably never would have even touched the fandom.
But there was a new album, there was a tour, i did met amazing people and i dipped my toes into fandom spaces. And what that, or more accurately you guys gave me is what probably makes this album even more special in my eyes. Because even online i usually feel so out of place and if i do more than 2 post a day i'm convinced i'm the most annyoing mf to ever exist.
I don't want to sound too sappy and make it sound dramatic and shit but like.. the year i've had before this and the beginning of this one sent me on the gorund so hard.. So the small things that came with being in ST spaces just kept me going and got me up higher and higher and the crowning on that is this tumblr circle. And now i'm actually don't have waking up in the mornings.
Small things do matter so incredibly much for someone like me, who is emotionally an equivalent of a lone sad cat trying to find shelted in a rainstorm in a sopping wet cardboard box.
So my answer is TMBTE.
3, What’s something you learned this year? What have i learned? Oh boy.. i learned a lot about myself actually. I won't go into detail because that would be long and an entirely different conversation but there was a lot of self reflection and new perspectives and methods and stuff to manage the jumble that is my mind.
I also on a pretty good track on learning both reading and writing the ST runes thanks to the ever lovely Misha @thejawsoffate. Arguably i'm far better at reading it already than writing but i'll get there one day.
I also learned that you can't really forget drawing. You need some time to warm it back up but once you did a couple of fumbling attempts the knowledge starts to take shape again. I just looked at the phone i'm using for taking pics of my drawings and it has a separate folder for just art and if i also count the tiny token pieces individually besides the small offerings, i did over a 100 pieces since the end of november which is insane to think about, especially in relation to the fact that it's safe to say that in year i have not drawn more then six pieces.
So yeah. There was stuff? Sorry for making it this long again. 🤦🏻
9 notes · View notes
melit0n · 5 months
Note
I read ur tags about the new ST masks and honestly, I agree, it's very different (very Slipknot and gore-ish) and right now, the discography and overall vibe doesn't match(like a handful of songs have a true metal quality to it) and unless they're gonna start releasing new stuff the vibes kind of...clash? And so far Vessel is the same, so I'm wondering if the others just wanted to stand out more and were given creative freedom or if everything is going to shift at some point :/ I also think its a bit been there done that (but the simpler black and gold mask I like) the others remind me of the Joker or a Shrunken Head
Thank you for the ask anon! To be honest, I saw 'I read it tags about the new ST mask...' and I panicked thinking I was about to get left-right-goodnighted in an ask, but I'm glad it wasn't so, lol.
Further, I'm glad someone agrees with me. I said what I said in my tags on twt and within the hour I had 20+ people in my replies quote tweeting me saying how I 'wasn't a proper fan for not liking the change', how I 'should leave and stop listening if I was going to be negative', and (my personal favourite because it was so absurd) 'you're so one of the people that found them through TikTok. Good to have a cleanse of the fandom if you were only here because you have a mask kink'.
Even had someone tell me to off myself! Which was, y'know, lovely. I don't have any screenshots because I was just sat there trying to figure out how to reply to them, then saw the one that told me to off myself and just had a little overwhelmed cry and deleted the tweet, in which I then got tagged in a now deleted tweet calling me a pussy. You are so loved my ass.
I deleted it because it made me feel really shit about myself (for obvious reasons), but it made me feel more shit when I woke up the next day seeing people say the same things I did (like hoping it was only a Wembly thing, but considering the amount of detail and effort that's been put into those outfits and masks, I think not), and getting nothing but acceptance and neutrality in the replies. I'm not particularly popular on twt since people are fond of copy and pasting my post about Euclid, not giving credits, blocking me when I ask them to, and when their mutuals see that I'm blocked by them they just have at me for no reason, but I think it says a lot about a fandom if they can go from getting everyone to hold up a three for iii at the concerts out of pure adoration to telling someone to off themselves because they don't like the new designs. (sorry for the rant about twt anon)
I'll repeat what I said in my tags; they feel very out of place to me. Again, maybe it's just the fact I'm used to the balaclavas since I've been around here for a while, so all I've really known is Vessel's custom mask and the collective of balaclavas, but they just don't match. They stick out more than Vessel does, both design and colour pallet wise. Vessel is in full black with white accents and a white, red and gold mask, the Esperas are in full black with white accents and a red mask. And then the guys are there, y'know? Don't get me wrong, the amount of detail and effort that's been put into the designs are amazing, and they definitely have to have given each member creative freedom because each mask and design matches the lad's vibe immaculately (especially iii's), but it doesn't match Sleep Token's vibe as a collective. I like IV's design best because his matches his stage presence and ST's vibe (as you said, the simpler gold and black mask), as well as ii's (minus the hair).
I think maybe the hair on ii's and iii's masks in general are throwing me off lol.
Furthermore, Sleep Token's only full on trad metal songs are Gods from Sundowning and Vore from TMBTE, so I got really surprised when I was basically looking at Slipknot masks curated for Sleep Token. ST are known to genre bend constantly, so maybe we will get new stuff. But, considering they've had the same vibe in their music since 2016, I'd be a bit surprised if their new single/new album was just all trad metal, or at least has a lot of aspects of it, but who knows! Maybe change for them is inevitable.
I think it's well known on this blog that the passing of time and change in literally anything is my mortal enemy so seeing this kind of randomly happen gave me whiplash. I don't think I can love the new designs as much as I loved the old balaclavas, but that doesn't mean I don't like Sleep Token anymore, y'know? All I can really do is apologise for having a non super positive opinion and hope people don't hound me on here for it (which, so far, they haven't, and I appreciate you very much for being really chill about this anon). Give me a week and I'll probably be on the boat of liking them and making analysis posts on all the little details, lol
12 notes · View notes