enjoy the silence.
just another digital glitch art outing conceived by baze.djunkiii
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Gabriel Boyer, Kitsuné musique
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THEM THEM THEM THEM I HUMANIZED THEM!!!!! I FINALLY DECIDED ON THE DESIGNS😭🙏💥💥💥
I LOVE THEM SO MUCH GRAAAAHHHHHHH
Speaking of design details.
Zooble doesn't have their right leg and left arm, and they also don't have their right eye. Instead, they wear prosthetics. And they also have a damaged left ear, which is why they have hearing problems. Zooble also has a facial injury that they hide behind a mask.
Gangle wears theatrical makeup. She also wears a black bodysuit under her ribbons. And the manicure fits her makeup lol, it's the same blue color
I have nothing more to add about their design, they just look cool💅✨
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One of the things I wanted to draw the most once I had free time, the Digital Circus gang all fancied up for a party! At first I was gonna go a little more serious with their outfits, but they ended up being a little silly by the time I sketched them out. Which I liked!!
Caine and Bubble aren't here because drawing Caine was a STRUGGLE I CAN'T DO IT RIGHT
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recombinance (2004). Early works with DV data corruption, 20 years ago. As I mentioned in a recent post about NIN’s 2002 And All That Could Have Been DVD, I became during the creation of that film fascinated with the aesthetics of Y2K-era consumer digital video. I was drawn to the uniquely chunky corruption blocks that occurred on lightly-damaged DV tapes, how they were sparse and sometimes gentle in nature.
I filmed some soft gradients, some out-of-focus landscapes and other smooth organic surfaces, and then damaged the tapes (wrinkling the tape, applying magnets/heat, just enough to disrupt the data but still let the tape pass through), seeking the right balance where the harsh digital corruption disrupted and contradicted the soft backdrop while also at times trying to become part of it.
It’s how things felt in the post-millennium migration to all-things-digital, like our old organic analog world was fading out of focus as more of it became rapidly mass-digitized, encoded, and compressed down into tiny efficient grids that more or less replicated what we were at the expense of all the complicated gradients of humanity in between.
Harsh DV data glitches and video interlacing against soft organic textures would form much of the inspiration and methodology of my NIN With Teeth album art in the latter part of 2004 and early 2005.
You can read more about my digital glitch art processes for With Teeth, and download a full tutorial, on my Patreon.
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I… loved the amazing digital circus. So I need to draw something sad and existential and complex so I don’t just stand shaking in place like Kinger unable to express my feelings in wooORRDS
also maybe I should add seeing as amazing digital circus is trending and there’s a lot of people here all of a sudden this isn’t ship art i just think their dynamic is interesting
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