Sirène, Charles-François-Prosper Guérin, 1896, Cleveland Museum of Art: Prints

Size: Sheet: 40.1 x 30.5 cm (15 13/16 x 12 in.); Image: 28.1 x 23.8 cm (11 1/16 x 9 3/8 in.) Medium: Color lithograph from bound volume containing 50 lithographs, each with a tissue paper guard

https://clevelandart.org/art/2014.695.ii

The Jockey, Henri de Toulouse-Lautrec, 1899, Cleveland Museum of Art: Prints

Medium: lithograph

https://clevelandart.org/art/1926.125

La Maison hantée: To All Appearances, It Was a Hand of Flesh and Blood Like Mine, Odilon Redon, 1896, Cleveland Museum of Art: Prints

Medium: lithograph

https://clevelandart.org/art/1966.413.5

キス 🍰! All my troubles on a burning pile.★☆

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Landscape with Deer, Karl Bodmer, c. 1840, Cleveland Museum of Art: Prints

Medium: lithograph

https://clevelandart.org/art/1985.151

St. Catherine in the Clouds, Peter Paul Rubens, Cleveland Museum of Art: Prints

Medium: etching

https://clevelandart.org/art/1923.1110

Nude Woman with Towel, Standing, Edgar Degas, 1891-92, Cleveland Museum of Art: Prints

Size: Sheet: 37 x 25.5 cm (14 9/16 x 10 1/16 in.); Image: 28.4 x 15.2 cm (11 3/16 x 6 in.) Medium: lithograph

https://clevelandart.org/art/1942.84

Jason and the Dragon, Salvator Rosa, c. 1663, Cleveland Museum of Art: Prints

Jason's quest for the Golden Fleece required him to bypass a fearsome dragon, which he was able to do with a sleeping potion given to him by the witch Medea. Rosa selected classical narratives to prove he was a great and learned painter of histories, and he showcased the novelty of being among the first 16th- or 17th-century artists to portray this particular story. Rosa turned the ancient epic into a moody struggle by transmitting the mystery and magic of his earlier witchcraft imagery. Utilizing the energetic and spontaneous qualities of his draftsmanship, the violence of Jason's feat is emphasized by a claustrophobic and savage environment of crags and "blasted" trees that frames the dynamic diagonals of the hero and recoiling dragon. Size: Sheet: 39.1 x 23.7 cm (15 3/8 x 9 5/16 in.) Medium: etching

https://clevelandart.org/art/1966.730

The Book of Job, William Blake, 1825, Cleveland Museum of Art: Prints

Medium: engraving

https://clevelandart.org/art/1963.303

The Promenade (Landscape with Cypresses), La Promenade (Paysage aux cyprès), Henri-Edmond Cross, 1897, Cleveland Museum of Art: Prints

In 1891, Cross adopted a Neo-Impressionist technique and began painting in a pointillist manner influenced by Georges Seurat and Paul Signac. In that same year, Cross left Paris and moved to the south of France, settling in Saint-Clair, a small hamlet near Saint-Tropez. There he concentrated on seascapes and scenes of peasants in harmony with the landscape. The sensuous silhouettes of the cypresses and the swaying circle of figures by the water’s edge exemplify Cross’s decorative treatment of the landscape, also recalling the Japanese color woodcuts and Art Nouveau designs that inspired other Neo-Impressionists at the time. Medium: color lithograph on chine collé

https://clevelandart.org/art/1952.209

The River Bank or Geese, Alfred Sisley, 1897, Cleveland Museum of Art: Prints

Medium: lithograph

https://clevelandart.org/art/1942.1053

The Golden Legend (Legende Dorée), Armand Point, 1897, Cleveland Museum of Art: Prints

Medium: color lithograph

https://clevelandart.org/art/2016.233

Les Vieilles histoires: Ta Bouche, Henri de Toulouse-Lautrec, 1893, Cleveland Museum of Art: Prints

Medium: lithograph

https://clevelandart.org/art/1950.322

Hantise, Odilon Redon, 1894, Cleveland Museum of Art: Prints

Medium: lithograph

https://clevelandart.org/art/1931.49

Woman on Quay, Honfleur, John Henry Twachtman, Cleveland Museum of Art: Prints

Medium: etching

https://clevelandart.org/art/1969.270

Deer at Rest, Karl Bodmer, Cleveland Museum of Art: Prints

Medium: lithograph

https://clevelandart.org/art/1940.1093