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papermoonloveslucy · 3 years

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ELIZABETH TAYLOR

February 27, 1932

Elizabeth Rosemond Taylor was born on February 27, 1932, in Hampstead Garden Suburb, London. She received dual British-American citizenship at birth, as her parents were United States citizens. The family lived in London during Taylor's childhood. In early 1939, the Taylors returned to the United States due to fear of impending war in Europe.

In California, Taylor's mother (a former stage actress) was frequently told that her daughter should audition for films. She made her screen debut in There’s One Born Every Minute (1942). She was ten years old. Two years later she played the leading role in National Velvet. This launched a meteoric film career that won her two Oscars (1961 and 1967).

Lucille Ball first met Elizabeth Taylor in an arranged ‘set visit’ during the shooting of 1953′s The Long, Long Trailer. After that, they appeared twice on the same television shows, but did not share screen time.

“’A Star Is Born’ World Premiere” (1954) ~ a live television broadcast of the red carpet interviews before film’s world premiere.

“Sunday Showcase: A Tribute to Eleanor Roosevelt on Her Diamond Jubilee” (1959)

Although she started appearing on television in the early 1950s, her scripted TV debut came in 1970 when Lucille Ball invited her to appear (along with her priceless engagement ring and her actor husband, Richard Burton) on a very special episode of “Here’s Lucy” titled “Lucy Meets the Burtons” (HL S3;E1).

For this show, a special Guest Star credit was created. Liz got top billing! Although this episode kicked off the third season, it was filmed much later and moved up as the season premiere airing on September 14, 1970.

It ultimately became CBS’s highest rated show on the air for the 1971-72 television season. It was also the best remembered episode of the entire series.

This show’s plot was built around the real-life publicity achieved when Richard Burton bought his wife Elizabeth Taylor a 68 carat Cartier diamond ring worth over a million dollars. Property Master Ken Westcott created two replica rings for the medium and long shots which were crafted from chandelier crystals. Although he wanted to keep one after the shoot, Ball took one and Taylor took the other.

A thirty minute documentary film “Lucy Meets the Burtons: A Comedic Gem” was included on DVD release of “Here’s Lucy” season 3. It includes interviews with Lucie Arnaz, Carole Cook, and behind the scenes footage.

Although this was their first and last time acting together, Taylor and Ball appeared on several television specials together, although they usually did not share screen time.

“Dinah!” (1977) ~ Dinah Shore interviews the First Ladies of Entertainment. Taylor is interviewed via remote telephone connection.

“Happy Birthday, Bob” (1978) ~ 75th birthday salute to Bob Hope at the Kennedy Center in Washington D.C. Taylor talks about the previous evening’s reception featuring President Jimmy Carter and reads a message from Prince Philip, The Duke of Edinburgh. Taylor talks about Hope’s contributions to the USO.

“General Electric's All-Star Anniversary” (1978)

“Women I Love: Beautiful But Funny” (1982) ~ Bob Hope takes a look back at the beautiful and funny women he has worked with over the years.

“Bob Hope's Unrehearsed Antics of the Stars” (1984)

“Bob Hope's High-Flying Birthday” (1987)

Elizabeth Taylor’s personal life was no less dramatic than her on screen roles. She was married eight times to seven men, marrying Richard Burton twice.

Larry Fortensky (1991-1996)

John Warner (1976-1982)

Richard Burton (1975-1976)

Richard Burton (1964-1974) 1 child

Eddie Fisher (1959-1964)

Mike Todd (1957-1958, his death) 1 child

Michael Wilding (1952-1957) 2 children

Conrad Hilton (1950-1951)

Taylor’s later years were spent doing philanthropic work, concentrating on AIDS and LGBTQ rights. Following her conversion to Judaism, Taylor became an active supporter of Jewish and Zionist causes.

In 2000, Taylor was designated a dame, the female equivalent of knight, on the queen's coveted New Year's list of titles and awards.

"Well, I've always been a 'broad.' Now it's a great honor to be a dame!"

Dame Elizabeth Taylor died on March 23, 2011 of congestive heart failure at age 79.

TAYLOR MADE!

Although she may not have appeared, Elizabeth Taylor’s name was mentioned on Lucille Ball’s sitcoms many times.

In “Lucy is Matchmaker” (ILL S2;E27 ~ May 25, 1953) Elizabeth Taylor’s name is not mentioned, but her face is quickly seen on camera on the cover of a magazine in a newsstand!

Although her name is never stated, Elizabeth Taylor was clearly one of the influences when Lucy donned “The Black Wig” (ILL S3;E26 ~ April 19, 1954). Taylor sported short dark hair throughout much of the 1950s, including in her latest film at the time, The Girl Who Had Everything. Instead, Lucy gives Italian actresses like Gina Lollobridgida and Anna Magnani the credit.

In “Ricky’s Movie Offer” (ILL S4;E6 – November 8, 1954) Lucy and Ethel accidentally knock out talent scout Ben Benjamin. Lucy revives him and tries to act casual, as if in mid-conversation. “Do you mean to tell me that Elizabeth Taylor looks just as pretty off screen as she does on?”

In “Hollywood Anniversary” (ILL S4;E24 ~ April 4, 1955) the list of celebrity guests supposedly coming to Lucy’s anniversary party includes Elizabeth Taylor and Michael Wilding, her second husband.

Incredibly (or perhaps legally), Liz Taylor’s name IS NOT explicitly mentioned in “Lucy Plays Cleopatra” (TLS S2;E1 ~ September 30, 1963) although the premise was clearly influenced by the smash hit film that came out that same year starring Taylor as Cleo. She was the third to play the Egyptian queen on film, after Theda Bara (1917) and Claudette Colbert (1934).

In “Lucy Goes to a Hollywood Premiere” (TLS S4;E20 ~ February 7, 1966) one of Lucy’s rare movie magazines has a (fictional) article titled “Marriage is Not for Me” (supposedly) written by Elizabeth Taylor when she was 12 years old! By that time, Taylor’s love life was fodder for Hollywood gossip mongers and tabloids.

In “Lucy Dates Dean Martin” (TLS S4;E21 ~ February 14, 1966) Eddie Feldman (Dean Martin) says that while Lucy is attractive, she is no Liz Taylor. Or Gina Lollobrigida. Or Brigitte Bardot.

In “Lucy and the Starmaker” (TLS S6;E4 ~ October 2, 1967), after singing for Lucy, Tommy (Frankie Avalon) says he never thought he had more than an average voice. Lucy replies “if that is an average voice Elizabeth Taylor is an average housewife.”

In “Lucy and Robert Goulet” (TLS S6;E8 ~ October 30, 1967) Lucy Carmichael says she once entered an Elizabeth Taylor look-alike contest and never even heard from them!

In “Lucy and the Lost Star” (TLS S6;E22 ~ February 26, 1968) starring Joan Crawford, Lucy says that “Mr. Mooney wouldn’t lend a dime to Richard Burton even if he left Elizabeth Taylor as collateral.”

In “A Date For Lucy” (HL S1;E19 ~ February 10, 1969) Lucy and Mary Jane fantasize about dream dates for an upcoming soiree. They mention Richard Burton, but add that Elizabeth Taylor wouldn’t approve.

In “Lucy the Stunt Man” (TLS S4;E5 ~ October 18, 1965), Mr. Mooney jokingly says that he’s testing for the male lead in Liz Taylor’s next picture!

In “Lcuy Goes on Her Last Blind Date” (HL S5;E16 ~ January 8, 1973), when Vanda is trying on the engagement ring Ben gave Lucy, she says “Liz Taylor, eat your heart out.”

In “Milton Berle is the Life of the Party” (HL S6;E19 ~ February 11, 1974) Elizabeth Taylor is just one of the more than 15 celebrity names mentioned!

#Elizabeth Taylor #Lucille Ball #Here's Lucy #The Lucy Show #I Love Lucy #Richard Burton #TV #Film #Cleopatra #Liz Taylor

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huahsu · 5 years

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YEAR OF THE GHOST DOG

[TL;DR version for the New Yorker -- I loved many great short songs and became obsessed with (1) a very old, much longer one (2) and YouTube comments this year.] [links to previous year’s lists at the bottom]

A while back, I found myself in an extended funk. The reasons are uninteresting and honestly a bit dumb, a mix of everyday bummers and more existential stuff, all of which manifested in a kind of 360º sluggishness. I couldn’t really figure my way out of it but I believed that I would eventually stop feeling this way.

One night, I saw that someone online was selling a copy of the Emulations “These Are the Things,” a magnificent soul ballad 7″ out of Oakland. I wasn’t exactly homesick for the Bay Area, but something about the song’s roots, as well as its overwhelming feeling of optimistic yearning, resonated with (through?) me. There’s a moment when the singer’s falsetto peaks, and the piano starts cascading, and things feel like they’re going to work out after all. The copy for sale wasn’t in great shape, and it cost $100, an extravagant amount of money to spend on a piece of music. But I convinced myself that I’d feel better at some point, weeks, months, or years later, and I’d listen to my Emulations single, and recall that weird summer/fall.

As often happened with independently produced records of the sixties and seventies, “These Are the Things” was pressed on styrene, rather than vinyl. Styrene is a kind of plastic that’s lighter, cheaper and much more fragile than vinyl, and you can tell the difference by a kind of hollow plink when you put it on a turntable. Styrene also means that it has a limited life, and that each time the needle drags across its grooves, the record degrades a little bit. Over time, styrene records that get played a lot no longer sound as crisp or clear (or so it seems). I listened to it once it arrived, feeling a bit of regret at this wild expenditure, but also imagining my future self’s gratitude. I imagined entering into communion with everyone who had played this copy before me. I decided to only listen to the song once a year, if that--after all, each time I listened to the record, the song was changing, slightly.

A few months later, I felt normal (whatever that means) again, and the record became a marker of...I’m not sure what--maybe a kind of blind, stubborn optimism. Someone years later uploaded the song onto YouTube, which means I can listen to it whenever I want. This fall, I was trying and failing to spend less time on the Internet. But I decided that, instead of going on Twitter and Facebook, I would just read comments fans left on YouTube. I became obsessed with reading all the intimate histories people shared with one another--the chance encounters, the teenage dates and breakups, the seventies shop owners who recalled the days when stocking the right hit single could cover an entire month’s rent. I was listening to the Emulations when I noticed this comment, from Deric Jackson, who was apparently one of the group’s members: “I sung this song when I was 19yrs old. It was a pleasure to record and send this messageout into the airways. I have been with the women that God had given me to marry when I was 22yrs old. I did not understand at that time I was singing about my own life and the women who I had not met, but how wonderful it is to be with my wife fo 35yrs and life is still a breath of fresh air and wonderful. I would like to say to all real men love your wife, never worship her only one to worship is God alone.“ I’m pretty agnostic about most things relating to providence. But I felt as though I had been living in these words: “I did not understand at that time...” Jackson’s song was a prophecy, maybe even a conjuring, of his own path, and I wonder what he hears when he listens to it now. Sometimes you don’t know what’s coming next. But there’s always another song, and it doesn’t always sound the same as the last time.

(LATE 2017 BUT I REALLY DOUBT ANYONE NOTICED AKA THE FRENCH “MO BAMBA”) Junior Bvndo, “T’as ça #3 (Kylian Mbappe)”

I WILL LISTEN TO ANYTHING THAT USES DISTORTION Sheck Wes, “Wanted” OR OLD SCHOOL STABS Santi feat. Shane Eagle and Amaarae, “Rapid Fire” EVEN MORE THAN THAT, I LIKE THINGS THAT SOUND MESSY AND SLOPPY BUT ARE ACTUALLY PERFECT Caleb Giles featuring Cleo Reed, “Name” WOULDN’T HAVE BEEN AS GOOD AS IF IT HAD BEEN PERFECT, THE WARPED AND SMUDGED BEAUTY IS WHAT MAKES IT BEAUTIFUL Tirzah, Devotion Niagara, Apologia SAME, BUT SLIGHTLY OFF-STEP Blood Orange, “Charcoal Baby” THE BEST GENRE OF MUSIC REMAINS “SADE” Sade, “Flower of the Universe” and “The Big Unknown” Amber Mark, “Love is Stronger Than Pride” Bon Iver and Moses Sumney, “By Your Side” Kelela, “Like a Tattoo” 808s AND HEARTBREAK AND NEAR-OCTOGENERIANS Swamp Dogg, “She’s All Mind All Mind” I WASN’T AS ENAMORED WITH A LOT OF “NEW JAZZ” BUT DID LIKE Sam Wilkes, Wilkes Sam Gendel and Sam Wilkes, Music for Saxofone & Bass Guitar …WHICH REMINDED ME A BIT OF THIS FACEMELTING REISSUE (RIYL: ALICE COLTRANE, DON CHERRY, ETC ETC) John Tchicai, With Strings SPEAKING OF TERRIFIC JAZZ-ADJACENT STUFF Dos Santos, “Manos Anjenas” THE ORIGINAL “BIG MOOD” Okonkolo, Cantos THE YEAR I REALLY REKINDLED MY LOVE OF THE CELLO Clarice Jensen, For This From That Will Be Filled Oliver Coates, “A Church” …WHICH I DEFINITELY PREFER TO VIOLIN--ESP PIZZICATO--THOUGH THIS WAS QUITE GOOD Sudan Archives, “Nont for Sale” HARPS ALWAYS SOUND GOOD Leya, The Fool Meg Baird and Mary Lattimore, Ghost Forests ALWAYS HAVE TIME FOR WOODBLOCKS AND VIBES Kate NV, для FOR AS WELL AS MIAMI BASS SIGNIFIERS (KICKSTARTER FOR CITY GIRLS TO RAP OVER DJ BATTLECAT IN 2019) City Girls, “Act Up” AND BANJO DRONE...WHY NOT Nathan Bowles, Plainly Mistaken ALBUMS THAT I LIKED IN 2018, AND THAT I SENSE I WILL LIKE EVEN MORE BY THIS TIME NEXT YEAR Ben LaMarr Gay, Downtown Castles Can Never Block the Sun Neneh Cherry, Broken Politics AN ALBUM THAT I WISH WAS TEN ALBUMS Tierra Whack, Whack World AN ALBUM I WISH WAS JUST A LITTLE BIT LONGER Pusha-T, Daytona OF THE MANY REASONS I MOURN THE DEATH OF “THE ALBUM,” ONE IS THAT I ALWAYS LIKE TO HEAR WHAT PEOPLE DO WITH THAT LAST SONG YG, “Bomptown Finest” OR HOW ALBUMS, FULL OF SIGNS, ANGLES, FLEETING MOMENTS, CIRCULATE AND RE-CIRCULATE Angelique Kidjo, Remain in Light AND HOW THEY ARE LIKE WHAT NOVELS REPRESENTED IN THE AGE OF POETRY—OPPORTUNITIES TO LIVE INSIDE COMPLEXITY, SPACE, A DEMOS U.S. Girls, In a Poem Unlimited ONE OF THE BEST ALBUMS OF THE YEAR WAS A SOUNDTRACK... Kendrick Lamar et al, Black Panther AND TEASER FOR Jay Rock, Redemption AND ANOTHER WAS JUST SOME RAP SONGS Earl Sweatshirt, Some Rap Songs WHICH ISN’T TO SAY ARTISTS DON’T STILL VALUE AND HAVE FUN WITH THE FORMAT Vince Staples, FM A TWENTY-FIVE TRACK ADVENTURE INTO VIBES Pink Siifu, ensley AND SOMETIMES TWENTY MINUTES OR SO IS ENOUGH boygenius, boygenius ONE MORE ALBUM THING – FIRST SONGS HAVE ALWAYS FELT LIKE THESIS STATEMENTS, AND STREAMING HAS ONLY APPLIED MORE PRESSURE TO THE SOOTHING, BEWITCHING, PERFECT WELCOME Mac Miller, “Come Back to Earth” MAC MILLER AND THUNDERCAT LOOK SO HAPPY HERE whole thing, but esp six minutes in, and even more so about nine minutes in THE BEST VIBES Show Dem Camp feat. Boj and Ajebutter 22, “Damiloun” Koffee, “Toast” HAPPY-GO-LUCKY B/W DEVIL-MAY-CARE Shoreline Mafia, “Nun Major” I LIKE NEF AND EPs PERFECTLY SUIT HIM Nef the Pharaoh and 03 Greedo, Porter 2 Grape

RAPPING AS FAST AS YOU CAN OVER FREESTYLE/HI-NRG WILL NEVER SOUND BAD TO ME… SOB X RBE, “Paid in Full” SOB X RBE, “Carpoolin’” …ALTHOUGH THEY ALSO SOUND SICK OVER FAKE GHOST DOG BEATS, TOO, THIS WAS ONE OF MY SONGS OF THE YEAR SOB X RBE, “Paramedic!” SAME WITH MEDHANE Medhane, “The Garden” TRIPPIE REDD PUTS OUT A LOT OF MUSIC FILLED WITH TRANSCENDENT MOMENTS, BUT RARELY MAKES TRANSCENDENT SONGS, AND IT PAINS ME A BIT THAT MY FAVORITE SONG OF HIS THIS YEAR WAS Diplo featuring Trippie Redd, “Wish” TRIPPY-ASS DOO-WOP Cuco, “Sunnyside” A STRONG HARMONY IS A VISION OF WHAT LIFE COULD BE Ben Pirani, “How Do I Talk to My Brother?” WHERE WERE U IN 94 Young Echo, Young Echo SWEAR I'VE NEVER HEARD MUSIC THIS “GREY” ManOnMars, ManOnMars IF YOU ARE GOING TO MAKE A FAKE D’ANGELO SONG, IT SHOULD BE THIS GOOD Patrick Paige III, “Voodoo” LIKED THIS, BUT IT’S ALSO POSSIBLE TO BE A BIT TOO FAITHFUL TO THE PAST Teyana Taylor, “Hold On” NOT QUITE FAYE WONG DOING THE CRANBERRIES (RIP DOLORES O’RIORDAN) BUT STILL MEMORABLE Katherine Ho, “Yellow” LIKE THE BEST PARTS OF FEELS-ERA ANIMAL COLLECTIVE, BUT TAIWANESE Prairie WWWW

NEVER THOUGHT TO VISIT THE LOUVRE UNTIL The Carters, “Apeshit” video BROWN EXCELLENCE Humeysha, Departures "BROWN BEATS” FOREVER RIP Cameron Paul

MY FAVORITE DISCOVERY OF THE YEAR Pharoah Sanders playing “Kazuko” in a tunnel near the Marin Headlands LIKE NONE OF ITS INFLUENCES (FOOTWORK, AMBIENT), LIKE NOTHING ELSE OUT THERE, REALLY Foodman, Aru Otoko No Densetsu DARESAY SKI MASK WOULD NOT HAVE BEEN BOOED OUT OF THE CIPHER Ski Mask the Slump God, Beware the Book of Eli THE MOST FAMOUS PERSON I’VE SEEN ON THE BIG SCREEN AT THE PAST THREE YEARS’ NETS GAMES IS Young M.A., “PettyWap” DEMOS FROM A GROUP I HAVE ALWAYS ADORED, BEFORE THEY FOUND THE SOUND THAT I ADORE The Nonce, 1990 EXTREMELY GOOD AND LARGELY OVERLOOKED REISSUE Suzanne Menzel, Goodbyes and Beginnings FOUR TET IS GOING THROUGH HIS LIVE ARCHIVES, AND IT’S A TREAT TO STUDY HIS ARC/EVOLUTION Live at Hultsfred Festival, 18th June 2004 Live at LPR New York, 17th February 2010 Live in Tokyo, 1st December 2013 Live at Funkhaus Berlin, 10th May 2018 STRANGE TO LIVE IN A MOMENT WHERE BEING WEIRD SEEMS A BIT DERIVATIVE. STILL, THIS IS BLISSFUL SahBabii, “Anime World” HAPPY FACE Smino, “Klink” SAD FACE Drake, “In My Feelings” (especially this version) “JIM FROM THE OFFICE” FACE Pusha-T, “The Story of Adidon” STOLE YOUR FACE Sophie, “Faceshopping” FACE/OFF YG and Mozzy, “Too Brazy” Sammy Bananas feat Antony and Cleopatra, “Slow Down” Kode 9 and Burial, Fabriclive 100 GASSED FACE E-40 and B-Legit, “Whooped" ABSOLUTELY FACEMELTING Todd Barton and Ursula K. Le Guin, Music and Poetry of the Kesh VACATION AWAY MESSAGE SiR, “D’Evils” Bad Bunny x PJ Sin Suela x Nejo, “Cual Es Tu Plan” BEST OPENING DISCLAIMER TO A VIDEO 808INK, “Come Down” “TAGS: LATIN CHORAL CUMBIA GOTH LOS ANGELES” San Cha, “Cosmic Ways”

BEST USE OF “OOCHIE WALLY,” STILL ONE OF MY FAVORITE BEATS EVER Stefflon Don, “Oochie Wally freestyle” BEST USE OF “SUPERTHUG” Rico Nasty, “Countin’ Up” EVERYTHING ABOUT THIS--THE HEADBANG MINIMALISM, THE LAS VEGAS WALGREENS--BUT ESPECIALLY THE LINE ABOUT WELLS FARGO Rico Nasty, “Trust Issues” “ORGASM ADDICT” (RIP PETE SHELLEY) Victor Oladipo, “One Day” “I JUST TOOK A FLIGHT TO FRANCE TO COP CARDIGANS” Black Thought and Styles P, “Making a Murderer” “AT THE EMIRATES I MILLY ROCK” Manzo and Malachi Amour, “Lingard” DOPE TUNE, AND UNEXPECTED KELLYANNE CONWAY REFERENCE JPEGMAFIA, “1539 N. Calvert” YEAH YEAH YEAH (RIP MARK E SMITH) Travis Scott and Drake, “Sicko Mode” R-E-S-P-E-C-T (RIP ARETHA FRANKLIN) Rosalia, El Mal Querer REEL DEAL, “DRIPPIN’ DOPE (SAXAPELLA)” (1989) Gunna, “Top Off” WAMP WAMP (WHAT IT DO) B/W WAIT (THE WHISPER SONG) Vallee feat. Jeremih, “Womp Womp” SAD REGGAETON IS NOT BAD Bad Bunny, “Solo De Mi” SOUNDS GOOD TO ME, 2002-PRESENT Temani, “Power” Westerman, “Confirmation” REAL LIES, POET LAUREATS OF “YOUNG PEOPLE THINKING ABOUT BEING OLD” Tom Demac and Real Lies, “White Flowers” A SONG DESIGNED TO SOUND LIKE IT CAME OUT THIRTY YEARS AGO, WHICH ALSO FEELS LIKE IT CAME OUT A MILLION YEARS AGO (IT WAS JUST JANUARY) Bruno Mars feat. Cardi B, “Finesse (remix)” TAY-K WAS JUST A YEAR AGO Comethazine, “Highriser” FAVORITE 2 BRIDGES MUSIC ARTS “MIGHT AS WELL” RANDOM PURCHASE OF THE YEAR Kizaki Ondo Preservation Society and Clark Naito, 木崎音頭 Kizaki Ondo FEELS LIKE IT CAME OUT TEN YEARS AGO (IT WAS JUST JAN/FEB) BUT I NEVER GREW TIRED OF IT Rich the Kid, “Plug Walk” ODDLY REASSURING THAT PEOPLE STILL JANGLE Massage, “Oh Boy” Earth Dad, “Walter” ...AND DISCOVER WORLDS FROM WITHIN THEIR BEDROOMS Soccer Mommy, Clean ...AND EXPLORE THE CONTOURS OF GROWLING AND NAGGING Sada Baby and Drego, “Bloxk Party” ...AND CAN USE THE PAST TO MAKE SOMETHING SO VISIONARY AND FORWARD-THINKING Virginia Wing, Ecstatic Arrow Mitski, Be A Cowboy ...AND LOOKING FOR FOURTH WORLDS Arp, Zebra ...AND MAKE IMPOSSIBLE RHYTHMS Heavee, WFM ...AND THAT ARTISTS I HAD NEVER HEARD OF, WORKING IN IDIOMS I HAD NEVER HEARD OF, MIGHT STILL BLOW MY MIND Odunsi (the Engine), rare. JUNGLE LIVES X-Altera, “Blowing Up the Workshop” mix TOP THREE TIMES I SAW STANDING ON THE CORNER THIS YEAR 3 - The Merciful Allah Black Hole Theatre 2 - The Time it All Ended with Fireworks on Grand St. 1 - An Empty Storefront During a Blizzard

{HONORABLE MENTIONS -The Time They Brought a Monolith -THEME DE YE-YO [Respect to the Gods]} SONG OF THE SPRING, SUMMER, WINTER, YEAR, STILL UNDEFEATED ### A CHURCH AND JOHN LENNON’S “IMAGINE” :: 2017 SIKH DEVOTIONAL MUSIC :: 2016 SPOOKY BLACK :: 2015

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papermoonloveslucy · 7 years

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LUCY’S WEDDING PARTY

S3;E8 ~ November 2, 1970

Directed by Jack Donohue ~ Written by Sam Perrin and Ralph Goodman

Synopsis

Harry goes to his college reunion and leaves Lucy to house-sit. When a friend of Mary Jane's loses her wedding venue due to a mix-up, Lucy invites her to use Harry's house. But when Harry comes home unexpectedly, Lucy must play hide the wedding guests!

Regular Cast

Lucille Ball (Lucy Carter), Gale Gordon (Harrison Otis Carter)

Desi Arnaz Jr. (Craig Carter) and Lucie Arnaz (Kim Carter) do not appear in this episode.

Guest Cast

Mary Jane Croft (Mary Jane) makes her sixth series appearance as Mary Jane. Croft played Betty Ramsey during season six of “I Love Lucy.” She also played Cynthia Harcourt in “Lucy is Envious” (ILL S3;E23) and Evelyn Bigsby in “Return Home from Europe” (ILL S5;E26). She played Audrey Simmons on “The Lucy Show” but when Lucy Carmichael moved to California, she played Mary Jane Lewis, the actor’s married name and the same one she uses on all 31 of her episodes of “Here’s Lucy. Her final acting credit was playing Midge Bowser on “Lucy Calls the President” (1977). She died in 1999 at the age of 83.

Lyle Talbot (Freddy Fox) previously played Harry's lawyer in “Lucy Takes Over” (S2;E23). He was a ‘B’ movie actor who made several films for Ed Wood, including what is considered one of the worst films ever made Plan 9 from Outer Space (1959). This is last appearance on the series. He was previously seen on two episodes of “The Lucy Show.”

Freddy Fox is an old college classmate of Harry's at Bullwinkle State.

Bruce Gordon (Grandfather Konstantine Kasos) played Frank Nitti on “The Untouchables” (a Desilu show) as well as a parody of that program on “The Lucy Show” called “Lucy the Gun Moll” (TLS S4;E25). Gordon had appeared on Broadway in the long-running play Arsenic and Old Lace (1941-44) with Boris Karloff. He was also on Broadway with Charlton Heston and Katherine Cornell in Antony and Cleopatra (1947-48). He died in 2011 at age 94.

The character says he is 77. Gordon was just 54 at the time of filming.

Paul Picerni (Father Lambros) makes the first of his four appearances on “Here's Lucy.” He also appeared with Lucille Ball in the 1975 TV movie “Lucy Gets Lucky.”

In the final credits this character is listed as “Mandikos”. This may be a hold-over from an earlier version of the script.

Cynthia Hull (Cleo Menikos) played Ann on the Desilu show “Here Comes the Brides” (1968-69). This is her only appearance with Lucille Ball.

The character's first name is probably an homage to Cleo Smith, Lucille Ball's cousin and the series' producer. Cleo is the bride.

Sam Chew Jr. (Joe Andropopolas) comes from one of the oldest families in Pennsylvania. This is just his fourth screen credit in a career that featured hundreds of TV and film appearances.

The character is billed in the final credits as “Groom”. He has no dialogue.

The wedding guests, musicians, and dancers are played by uncredited background performers.

The episode is introduced on the series DVD by Bruce Gordon (Grandfather Kosos) and Paul Picerni (Father Lambros).

On this date, in the metro New York TV market, a viewer could watch a rerun of “The Lucy Show” at 10am (WCBS), a rerun of “I Love Lucy” at 7pm (WNEW), and this new “Here’s Lucy” at 8:30pm (CBS). The TV Guide cover that week featured Mike Connors (”Mannix”) who would appear as Joe Mannix on “Here’s Lucy” in 1971. “Mannix” was the last successful TV show to be produced by Desilu.

When Lucy tries to sneak into the office in the morning, Harry tells her to stop tiptoeing through the tulips. This is yet another in a nearly weekly series of references to “Here's Lucy's” competition on ABC, “Rowan and Martin's Laugh-In.” A regular performer on the show was a stringy-haired eccentric named Tiny Tim, who had a hit song with “Tiptoe Through the Tulips” which he also played on the ukulele.

When Lucy says she knows one Greek named Spiro, Mary Jane immediately thinks she's referring to Spiro Agnew (1918-96), the 39th Vice President of the United States under Richard M. Nixon. Like Nixon, Agnew later left office in disgrace and was replaced by Gerald Ford, who then replaced Nixon as President. Lucy corrects Mary Jane that she is referring to Spiro Shapiro who owns a Greek restaurant down in Chinatown.

The series also mixed cultures for comedy in the opening scene of “Lucy and the Generation Gap” (S2;E12) which was set in Murphy's Pizza Parlor, owned by Murphy Irving Fong!

When Harry enters the office in his old college threads, Lucy calls him handsome Joe Namath, a professional football player who also had a career in show business. In 1972 he guest-starred as himself on “Here's Lucy.”

It is mentioned that Lucy is a widow, something that is rarely discussed.

Harry and Freddy carry Bullwinkle pennants that were last used in “Lucy, the Co-Ed” (S3;E5) during the song “Collegiate.”

“Lucy and the Golden Greek” (TLS S4;E2) also featured Greek dancing and co-starred Mary Jane Croft.

Harry's home is decorated with the very same roll-top desk that Lucy Carmichael had in her living room on “The Lucy Show.”

“I Love Lucy” had a wedding episode where Lucy Ricardo re-did her vows. In real-life, Lucy and Desi also renewed her vows in a Catholic Church on June 19, 1949 after being married for nine years.

On “The Lucy Show” Lucy Carmichael hosted the wedding of her sister Marge (Janet Waldo).

Memory Lapse! Harry just recently put on an show for the alumni at Bullwinkle University in "Lucy, the Co-ed" (S3;E5). Isn't that a sort of reunion? Why another one so soon? Also in "Lucy the Co-ed" (S3;E5), the college is called BU (Bullwinkle University) but here it is named BS (Bullwinkle State) for the sake of the double entendre.

Throwing Shade! When Lucy backs away from Harry in the final scene, she bumps into the lamp shade which wobbles. Lucille Ball, however, never loses focus!

Shut the Door! After Lucy fetches Harry and Freddy's coats from the closet, the door swings open. Without much ado and barely a glance to her right, Lucille Ball reaches over and shuts it as the scene continues.

Sitcom Logic Alert! Why doesn't Lucy just send the kids to the movies and use her own home for the wedding?

“Lucy’s Wedding Party” rates 3 Paper Hearts out of 5

This episode has a straightforward plot and lots of laughs. Even though it is not a musical episode, they manage to incorporate two full Greek wedding dances! Getting a bit cheekier, this episode offers two racier jokes: the acronym BS (Bullwinkle State) on Harry's shirt and saying that Harry is full of it (popularity). The interaction between Harry and Lucy at the end of the episode seems especially realistic and free from the usual farcical hysterics. Instead of getting wet, Harry ends up wearing the wedding cake!

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