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ad-j · 4 months
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WATCHLIST 2023: Dead Man Walking
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kwebtv · 1 year
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 A Christmas Carol  -  TNT  -  December 5, 1999
A Hallmark Entertainment Production
Running Time:  95 minutes
Stars:
Patrick Stewart as Ebenezer Scrooge
Richard E. Grant as Bob Cratchit
Joel Grey as Spirit of Christmas Past
Ian McNeice as Albert Fezziwig 
Saskia Reeves as Mrs. Cratchit
Desmond Barrit as Spirit of Christmas Present
Bernard Lloyd as Jacob Marley's Ghost
Dominic West as Fred
Trevor Peacock as Old Joe
Liz Smith as Mrs. Dilber (Charwoman)
Elizabeth Spriggs as Mrs. Riggs (Laundress)
Kenny Doughty as Young Ebenezer Scrooge
Laura Fraser as Belle
Celia Imrie as Mrs. Bennett
John Franklyn-Robbins as Mister Crump (Undertaker)
Claire Slater as Martha Cratchit
Ben Tibber as Tiny Tim Cratchit
Barnaby Francis as Young Boy Cratchit
Tabitha Francis as Young Girl Cratchit
Tim Potter as Spirit of Christmas Future
Jeremy Swift as Mr. Williams
Rosie Wiggins as Fran (Scrooge's sister)
Crispin Letts as Topper Haines
Helen Coker as Betsy
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love-for-carnation · 11 months
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Carnations and Poppies, 1888 Ellen Robbins (1828-1905, American)
Ellen was a botanical illustrator known for paintings of wildflowers and autumn leaves. She was known for work so realistic that, as one contemporary wrote, bees might light on her flowers. Although she received some training from Stephen Salisbury Tuckerman, she was largely self-taught. In her 20s, Robbins began producing books of flower illustrations. In addition to publishing books, Ellen sold original paintings through a shop in Boston. In the 1840s, she began creating textile designs, as well as designs for tiles and needlework. With increasing success, Robbins was able to travel abroad and to take time off in the summer, when she often spent time in Maine with the writer Celia Thaxter. She became one of the first of a series of prominent artists who stayed at Thaxter's Appledore House hotel, where she painted the flowers in its famous garden.
Ellen's works https://www.invaluable.com/artist/robbins-ellen-vtaluotg63/sold-at-auction-prices/
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mattmurdocksthighs · 25 days
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MEET MY OCS (shows)
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name: amelia avery thompson show: outerbanks love interest: rafe cameron faceclaim: fivel stewart
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name: astraea collins - astraea simmons show: criminal minds love interests: darren wilson (oc), matt simmons occupation: military sniper, bau profiler faceclaim: elizabeth olsen
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name: celia river rhodes show: julie and the phantoms love interest: reggie peters faceclaim: diana silvers
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name: juliet carolyn shepherd show: grey's anatomy love interests: jackson avery, arizona robbins, carina deluca, alex karev occupation: neurosurgeon faceclaim: adelaide kane
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name: lady dove show: merlin love interest: sir leon faceclaim: sarah gadon
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name: astryn stark show: house of the dragon love interest: jacaerys velaryon faceclaim: rose williams
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name: riley morris show: riverdale love interest: reggie mantle faceclaim: lucy hale
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name: bianca stirling show: pretty little love interest: faceclaim:
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name: bradley stirling show: pretty little liars love interest: faceclaim: nick robinson
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name: marin quinn show: yellowjackets love interest: lottie matthews occupation: lawyer faceclaim: mila kunis
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name: tara winchester (nee. scott) show: supernatural love interests: dean winchester, meg masters, sam winchester occupation: hunter faceclaim: jessica alba
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name: stephanie 'steph' kane show: the 100 love interest: john murphy faceclaim: chloe bennet
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name: nina grey show: shadowhunters love interests: victor aldertree, raphael santiago kind: nephilim parabatai: lucas callahan faceclaim: conor leslie
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name: lucas callahan show: shadowhunters love interest: jace herondale kind: nephilim parabatai: nina grey faceclaim: brenton thwaites
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name: celeste lucas show: the walking dead love interests: daryl dixon, eliza moore (oc) occupation (pre): bartender faceclaim: alycia debnam-carey
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name: elizabeth 'eliza' moore show: the walking dead love interest: celeste lucas (oc) occupation (pre): detective faceclaim: cobie smulders
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name: wyatt moore show: the walking dead love interest: occupation (pre): bodyguard faceclaim: stephen amell
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name: olivia ann cohen show: the wilds love interest: toni shalifoe faceclaim: natalia dyer
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name: mila carson show: the wilds love interest: kirin o'conner faceclaim: holland roden
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name: rosalind 'rosa' lahey show: teen wolf love interest: lydia martin kind: werewolf faceclaim: madelyn cline
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name: nathaniel wilkes show: teen wolf love interest: stiles stilinski kind: hellhound faceclaim: brenton thwaites
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name: theodore 'theo' barnett show: peaky blinders love interest: michael gray occupation: boxer faceclaim: rudy pankow
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name: leah calloway show: peaky blinders love interest: finn shelby faceclaim: rachel zegler
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name: alexander madden show: peaky blinders love interest: john shelby occupation: distillery owner faceclaim: boyd holbrook
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name: felicity allen | kid flash show: titans love interest: jason todd powers: superspeed faceclaim: katie douglas
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gamingshots · 3 years
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The Outer Worlds (Obsidian Entertainment, Leonard Boyarsky, 2019)
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ulisaypo · 5 years
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Celia, didn’t I tell you our new statistics-based advertising model would be a hit?
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beepboopxn · 5 years
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Celia very shy
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scenesandscreens · 3 years
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Dead Man Walking (1995)
Director - Tim Robbins, Cinematography - Roger Deakins
"I want the last face you see in this world to be the face of love, so you look at me when they do this thing. I'll be the face of love for you."
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abs0luteb4stard · 2 years
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W a t c h i n g
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fereldanwench · 5 years
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celia robbins is an absolute delight and i really hope she enjoys her date with monarch’s local himbo
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leighlim · 3 years
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DM me as soon as you get confirmation that Sam did serve as an alternate for Glenn on Sundays. :))))))
(I'm not sure if it's an effect of hearing about Kitty's book...but....I now want to grab a copy of this along with Simon Taylor's 'One Night Stand')
Was I surprised to see James Marsden asking a question? Kind of. But it makes sense though...as there are parents who watch the show with their kids. Unless...the shoutout of the film is more....for the parents?
Another surprise was Sam able to answer the question! Then later make an Olaf reference (how it wouldn't be good to head to Brisbane during summer). Does Sam love those films but rarely gets a chance to show how much?
(I know...I'm heading towards his Twitter feed now....)
PS: Is it a coincidence that it's the five of them...but....geez....the chemistry is good!
PPS: Had a peek at The Malthouse and the note about Sam also shows up. If you're in Melbourne...I hope you get in one of the Sunday shows (or split your friend group into two to compare and contrast Sam and Glenn's performances)!
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Highlight:
Marty: Don't forget. The highlight for me as well would be finishing my stand-up tour, Tom, which is never ending. And people: If you want to give the gift of laughter this Christmas. Feel free to buy a friend a ticket. Um.....
[The audience laughs]
Tom: 'Cause this has been postponed and postponed and postponed
Marty: And I'd like to end it as much as the people with the tickets.
[A chuckle from the audience]
Tom: There's an endorsement.
[Sam smiles]
Sam: How are you going to think your Kevin Rudd references are going to go?
[Marty grins.]
Marty: I've got a couple of Julia Gillards in there.
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Episode Rating: 7/10
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someonetellmehow · 2 years
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Adrift and at Peace
Clarke, now a successful cardiac surgeon, comes back to Polis after years of being away for med school (amongst other reasons). As she wrestles with burying the memories of a certain woman, she learns of the terrifying secret her mother and best friend kept from her.
Lexa, born and raised in Polis, is pretty sure that she'll also die in Polis. With her health insurance running out, and her only treatment meant to be taken for the rest of her life, she thinks everything's only a matter of time before she joins her parents in the afterlife.
As these two exes meet once again and marry for the sake of health benefits, will their love be rekindled or end in tragedy?
OR
A retelling of Henry and Teddy's love story from Grey's Anatomy, Clexa style.
Chapter One
"Clarke!"
Hearing her name shouted out by the barista, Clarke gets up from the chair she's been lounging on and takes her piping hot cappuccino. She's going to need her first cup of coffee if she ever wants to survive the day, especially a day that is the start of many working in a new/old environment. With her mother.
Speaking of, as she's walking towards the hospital, Abby's contact flashes on Clarke's phone.
"Clarke! Where are you? Are you already here?"
"You're the second person to shout at me today, and it's only 7:30. I'm fine, by the way. The flight's great and Dr. Robbins sends her regards. Thanks for asking, mom."
"You know I'm just excited to see you, Clarke. I haven't seen my baby in 2 years."
"Yeah, alright. I'm excited to see you, too, mom. I just stopped by to get some coffee. I'm on my way to the hospital right now."
"Great! Find me when you arrive, and then I'll have someone give you a tour. I also want you to meet someone, Clarke. I'm pretty sure you two will hit it off."
Clarke can already see the cogs turning in her mother's mind. Abby isn't really subtle in setting her up with doctors and lawyers that she sees as a potential son-in-law. Despite wanting a family of her own and approaching that age, she's never been interested in any of the men her mother set her up with. They're either too arrogant and full of themselves, or were dismissive of her career and spent the whole time ogling her. Nothing in between. Well, except for that one time when she had a lunch date with a son of her mother's colleague and he came out to her as gay. And that he has a secret lover. He told Clarke that, much like her, he's only been going out with the women his mother sets him up with to divert her attention away from his sexuality and boyfriend. He even gave Clarke a proposition; that they marry each other just for show and to shut their parents up, and that they were free to take on their own lovers. As much as Clarke fantasized being Evelyn and finding her own Celia, she wasn't sure if actually living it was something she can handle, and promptly declined.
Rolling her eyes, Clarke replies with a quick, "Okay, mom. Love you, bye!" and hung up before Abby can even reply.
With a sigh, she gives a quick look at where she is. It is weird, being back as an adult to the place where she grew up. She can see child Clarke on the swings in the park, aggressively trying to reach great heights until she can touch the stars. She can see a 10-year old her biking around, trying to keep up with Raven who doesn't need training wheels anymore unlike her. She can see a rebellious Clarke trying out smoking just to piss off her mom but got a coughing fit instead and sworn off from doing it again. She can see her teenager self giving away her first kiss to the quiet kid with deep brown hair and brilliant green eyes. She can see them mov-
Blinking away the few tears that formed in her eyes, Clarke stops herself from remembering. She's here as a brand new person with a different perspective on how things should be. She's here as an adult, and a guarded one, at that. She buries the memories in the deepest parts of her, pretending that it's so that it can't hurt her anymore. That the remembering only brings ache and tears and heartbreak. She ignores that the memories also bring out the yearning, the love that only those hair and eyes and lips and laugh and voice were able to bring out of her. She ignores that ever since she landed, she's been wanting to see her first, more than anyone. She tells herself to forget, and continues on her way.
A few minutes later, she finally arrives at the hospital she'll be working at for a few months. Taking a deep breath, Clarke mentally prepares herself for the day ahead.
"Be good to me, Arkadia," Clarke mutters to herself as she enters the hospital with the letters A-R-K-A-D-I-A proudly emblazoned in the front.
///
After wandering around the halls by herself, sure that she can find her mother's office by memory and the signs decorating each wall, Clarke gave up and simply followed the direction that pointed her to the nursery.  With her alibi covered and the few minutes of free time on her hands, she figures she could do with a bit of peace before their reunion. She certainly did NOT purposely get herself lost on the hospital she's known since she was a toddler.
Arriving in the nursery, she is disappointed to see that there are no babies to see and coo at. The blinds are closed, and there are very few people around the hallway.
As Clarke thinks of other places to hide in for a few minutes, she hears someone behind her.
"You're too early. The babies are scheduled to be displayed at 10 and then again at 3 in the afternoon. Better be early for that one though. It's always a sold out act."
"Raven!" Clarke says as she barrels into the brunette in blue scrubs and white coat.
Reciprocating the hug she is currently engulfed in, Raven smiles and asks the blonde. "When did you get here? And why are you here and not at your mom's office?"
"I just got here earlier. Thankfully there was a flight from Baltimore to Polis so I didn't have to spend an evening with children having tantrums inside a tin can. And I am here in a nursery to enjoy my last moments of peace before I see my mother. You know she's been wanting to see me married for some time now so she sets me up with these random guys."
"Hey, who knows. Maybe you will."
The two take each other in, happy that they're finally seeing each other after so long.
"How are you, Clarke? As in really?"
Confused, Clarke replies, "I'm okay, Raven. Why?"
Raven, on the other hand, seems to be at war with herself. "Have you-."
A beat.
Raven's playful demeanor comes back after she cuts herself off, deciding that it isn't the right time nor is she the right person to say the secret that she's been sitting on. "Nothing. Let's go to Dr. Griffin's office. I'm sure she's been waiting for you since yesterday."
"Ugh. Fine. I hate that I'm still a child when it comes to my mom."
"Oh! I just realized that we'll be having two Dr. Griffins now. I'll call you baby Dr. Griffin." Raven laughs. "What if you two are in the same room? I'll call your mom Dr. Griffin and you Dr. Griffin's mini-me."
"Don't you dare, Raven!"
The two doctors continue arguing on the way, not without the threats and playful slaps from the blonde and the exaggerated cries of pain from the brunette.
///
"Knock knock. Dr. Griffin, I found this little blonde puppy wandering around. Thought you'd want to adopt it," Raven says as she and Clarke enter Abby's office.
"Clarke!" Abby hurriedly gets up and locks Clarke into a tight hug. "How are you? You look like you haven't slept, but I guess that's true for us all. Was Dr. Robbins making you work too hard?"
"I'll leave you two alone. Let's catch up later, mini Dr. Griffin. Bye, big Dr. Griffin!" Raven bids goodbye to the two.
"Thank you, Raven." Abby replies. She then turns to Clarke. "So? How are you?"
The two sit, with Abby behind her desk and Clarke on the other side, feeling very much like on her first job interview. "I'm fine, mom. I just landed earlier but I can take the day to roam around, familiarize myself with the floor, maybe see some of Dr. Altman's patients before I crack open their chest."
"But where are you staying? Do you want to come home? I'll have your room cleaned up."
"I'm staying at a hotel. It's much nearer to Arkadia than our house. I'll get by. I'm guessing I'll be spending most of my time here, anyway."
"Okay, but if you want to come home just tell me."
"I will."
Silence. Not really an awkward one, but not so comfortable either. It's been so long since they've been alone together and talk of things not related to medicine. Thankfully, Abby breaks it first.
"Dr. Altman is scheduled to take the month off because of personal reasons so we're really grateful to have you here, Clarke. Raven is around, but it doesn't hurt to have more hands on deck."
"I'm happy to be here, mom. Or Dr. Griffin."
Abby then smiles at her, filled with the motherly love that Clarke craved back then. "I'm really proud of you, Clarke. I'm sure your dad is, too."
Feeling the talk verge on dangerous territory, Clarke replies with a simple, "Thanks".
With the familial talk out of the way, they discuss matters about her contract. Clarke is set on the hospital for a few months, and is to take on some of Dr. Altman's patients as she takes her days off.
After their talk, Clarke stands up and Abby stretches her hand out for the obligatory handshake. "Welcome to Arkadia, Dr. Griffin," Abby says, her pride for her daughter evident on the big smile she's wearing.
Clarke, also sporting a genuine smile, replies, "Thank you, Dr. Griffin."
As Clarke walks to exit, Abby asks her, "Clarke? Did Raven tell you something?"
"Something what?"
With the confusion clear on Clarke's face, Abby breathes a small sigh of relief. "Nothing, dear. Don't mind what I said. Have a nice first day."
"Ohhkay. And it's not a first day. That starts tomorrow."
As the door clicks behind Clarke, Abby slumps in her chair. She knows that with Clarke there, it'll only be a matter of time before she finds out. She's only hoping that while Clarke is still blissfully unaware, she'll be able to mend her relationship with her daughter.
///
On the other side of the hospital, a nurse is finishing up the papers of a patient who came to the ER with wounds that needed stitches. It was a college student, a frat boy by the looks of him, who believed that wearing any protective equipment while doing stupid stunts are not cool and, she quotes, "for pussies". If only she got a dollar every time she had to attend to such patients, she'll probably be able to buy that coffee machine she's been wanting for months now.
As she hands the patient's file to Lincoln, she looks for other patients unattended on the ER beds. With a quick sweep, she notices one familiar face calmly watching the chaos that has always filled this part of the hospital.
She reaches the woman in quick few strides with her file on her hand. "What happened? Are you alright?"
"Hi. Yeah, I'm alright. Just a bit out of breath these past few days. Figured it could be something so I went here."
"Past few days? You know better than that. You should've been here the moment you felt it."
"Is that any way to speak to a poor, ill woman?" The patient then fake coughs, "See? You hurt me, Cos."
Not giving in to the attempt of making light of the situation, Costia bites her lip to prevent herself from making another angry remark. "I'm sorry. I'll be taking your vital signs, okay."
"Okay."
As Costia prepares to take the woman's pulse, she signals for another nurse. "Page Dr. Reyes down here. Now."
"Right away."
"You're so bossy, Costia. I don't mind waiting."
"Well, I do. Now, I'm going to take your pulse, okay?"
A nod.
"You're going to be alright, Lexa. It's okay," Costia says, more to convince herself than the woman patiently sitting on the bed.
Lexa, now accustomed to Costia's tells, gives her a soft smile instead. "Don't worry, Costia. I'm fine. I'll be fine".
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tuseriesdetv · 3 years
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Noticias de series de la semana
Renovaciones
Netflix ha renovado You por una cuarta temporada
Amazon ha renovado Jack Ryan por una cuarta temporada
Starz ha renovado Blindspotting por una segunda temporada
HBO Max ha renovado Doom Patrol por una cuarta temporada
HBO Max ha renovado Titans por una cuarta temporada
Pennyworth se muda de EPIX a HBO Max, que la renueva por una tercera temporada
Noticias cortas
CBS encarga temporada completa de NCIS: Hawaii y FBI: International.
Bosé será desarrollada por Paramount+.
Jennifer Coolidge (Tanya) volverá en la segunda temporada de The White Lotus.
Octavio Pisano (Joe Velasco) será regular en la vigesimotercera temporada de Law & Order: SVU.
Fichajes
Emma Corrin (The Crown) protagonizará Retreat. Será una joven detective.
Common (Never Have I Ever, Hell on Wheels) será Sims, el jefe de la seguridad judicial del silo, en Wool. Tim Robbins (Mystic River, Dead Man Walking), Rashida Jones (Parks and Recreation, The Office) y David Oyelowo (Selma, Nightingale) serán Bernard, jefe del departamento de informática; Allison, trabajadora del departamento de informática y esposa de Holston; y Holston, el sheriff del silo.
Harvey Keitel (Bugsy, Reservation Dogs), Laura Harrier (Hollywood, One Life to Live), Grace Zabriskie (Twin Peaks, Big Love), Olunike Adeliyi (Workin' Moms, Flashpoint) y T.J. Atoms (Wu-Tang: An American Saga) se unen a Iron Mike como recurrentes. Serán Cus D'Amato, el primer entrenador de Tyson (Trevante Rhodes); Robin Givens, la actriz y primera esposa de Tyson; Camile D'Amato, la esposa de Cus; Lorna Mae, la madre de Tyson; y Barkim, ladrón y amigo de Tyson.
Michael Peña (Narcos: Mexico, The Shield) se une a la cuarta temporada de Jack Ryan. Se desconocen detalles.
Melanie Lynskey (Castle Rock, Two and a Half Men) será Betty Gore, la amiga de Candy Montgomery (Jessica Biel) en Candy.
Patton Oswalt (The Goldbergs, King of Queens), Nat Faxon (Ben & Kate, The Conners), Carlos Valdes (The Flash, Arrow), Erinn Hayes (Childrens Hospital, Kevin Can Wait), Patrick Walker, Raphael Sbarge (Once Upon a Time, Murder in the First), Chris Conner (Altered Carbon, The People v. O.J. Simpson: American Crime Story), Anne Dudek (Mad Men, House M.D.), Brian Geraghty (Big Sky, Chicago PD), Nelson Franklin (Black-ish, Veep), Reed Diamond (13 Reasons Why, Homicide: Life on the Street), Johnny Berchtold, Adam Ray (American Vandal) y Billy Smith (Homeland) serán Chuck Colson, consejero de Nixon (Danny Winn); Bob Haldeman, jefe de gabinete de la Casa Blanca; Paul Magallanes, agente del FBI; Peggy Ebbitt, amiga de los Mitchell; Frank Willis, guardia de seguridad; Charles N. Shaffer, abogado de John Dean (Dan Stevens); John Ehrlichman, la mano derecha de Nixon; Diana Oweiss, la secretaria de John Mitchell (Sean Penn); Peter, el guardia de seguridad de los Mitchell; Dick Moore, mano derecha de John Dean; Mark Felt, director asociado del FBI; Jay Jennings, hijo de Martha Mitchell (Julia Roberts); Ron Ziegler, secretario de prensa de la Casa Blanca; y Ken Ebbitt, amigo de John Mitchell; en Gaslit.
Celia Weston (Modern Family, American Horror Story), Michael O'Neill (Rectify, Scandal) y Gable Swanlund (The Shrink Next Door) se unen como regulares a Echoes. Tyner Rushing (The Terminal List), Hazel y Ginger Mason (The Blacklist, The Post), Alise Willis (Ruthless) y Madie Nichols (The Outsider) serán recurrentes.
Kathleen Robertson (Bates Motel; Beverly Hills, 90210) será Rosenfeld Guoliang, miembro importante del círculo de confianza de Marco Inaros (Keon Alexander),W en la sexta y última temporada de The Expanse.
Natasha O'Keeffe (Peaky Blinders, Misfits), Meera Syal (The Kumars, The Split) y Ceara Coveney se unen a la segunda temporada de The Wheel of Time.
Adam Korson (SurrealEstate, Imposters) será recurrente en Maggie como Daniel, un hombre dulce y autocrítico que ha abandonado el crossfit.
Bryana Salaz (Team Kaylie, Best Friends Whenever), Keyla Monterroso Mejia, Ciara Riley Wilson (L.A.'s Finest) y Shiv Pai (Iron Fist) protagonizarán Freeridge.
Melissa De Sousa (Valley of the Dolls, The Best Man) y McKinley Freeman (Hit the Floor, Queen Sugar) serán recurrentes en Our Kind of People como Alex Rivera, reportera financiera y exmujer de Raymond (Morris Chestnut); y el padre de Nikki (Alana Bright).
Lily Cardone (Bernie the Dolphin) y Lowrey Brown (The Gifted) serán las versiones jóvenes de Irene (Sissy Spacek) y Franklin (J.K. Simmons) en Lightyears.
Djouliet Amara (Guilty Party) será recurrente en la segunda temporada de Superman & Lois. Interpretará a una estudiante de Smallville High con un pasado lleno de secretos.
Kausar Mohammed (What Men Want), Wilder Yari y Theo Germaine (The Politician, Work in Progress) serán recurrentes en 4400 como Soraya, amiga de Jharrel (Joseph David-Jones) que trabaja en el departamento de informática; Jessica, agente de Seguridad Nacional y exnovia de Keisha (Ireon Roach); y Noah, uno de los aparecidos.
Kalyne Coleman será recurrente en Interview With the Vampire como Grace, hermana de Louis (Jacob Anderson).
Pósters
              Nuevas series
AMC encarga Tales of The Walking Dead, antología episódica en la que veremos a personajes nuevos y antiguos.
Apple TV+ ha encargado diez episodios de Shrinking, que sigue a un terapeuta en duelo (Jason Segel; How I Met Your Mother, Freaks and Geeks) que comienza a incumplir las normas y decir a sus clientes exactamente lo que piensa, ignorando su formación y la ética, originando así enormes cambios en las vidas de los demás y también en la suya. Escrita y producida por Segel junto a Bill Lawrence (Scrubs, Spin City) y Brett Goldstein, guionistas de Ted Lasso.
FX encarga The Bear, comedia sobre un joven chef (Jeremy Allen White; Shameless, Homecoming) que vuelve a Chicago para llevar el restaurante familiar. Con Ebon Moss-Bachrach (Girls, NOS4A2), Ayo Edebiri (Dickinson, Big Mouth), Lionel Boyce (Hap & Leonard), Abby Elliott (Odd Mom Out, How I Met Your Mother), Liza Colón-Zayas (In Treatment, David Makes Man), Edwin Lee Gibson (Fargo) y Matty Matheson (Workin' Moms). Creada y producida por Christopher Storer (Ramy, Dickinson), que dirigió el piloto.
Ryan Murphy y Jamie Lee Curtis quieren producir Outfielder, sobre el hombre que inventó el high five, para Netflix. Se trata de Glenn Burke, de Los Angeles Dodgers, que chocó esos cinco el 2 de octubre de 1977. Burke fue el primer jugador de las Grandes Ligas de Béisbol en salir del armario durante su carrera profesional. Escrita por Robert O'Hara (Slave Play, Insurrection), que también la dirigiría.
Patricia Clarkson (Sharp Objects, Six Feet Under) y Nathalie Emmanuel (Game of Thrones, Four Weddings and a Funeral) protagonizarán Gray, thriller de espionaje basado en una idea original del novelista David Baldacci, escrita por John McLaughlin (Black Swan, Carnivàle) y dirigida por Ruba Nadda (Frankie Drake Mysteries). Producen Baldacci y Clarkson, que interpretará a Cornelia Gray, una espía que lleva 20 años huyendo de los agentes del gobierno que sospechan que es una traidora y regresa a su antigua vida justo cuando se descubre que hay un nuevo topo dentro de su vieja red de espionaje poniéndola a ella y a su red en peligro.
Bess Wohl (Grand Horizons) escribirá para televisión la limited series The Children's Hour, adaptación de la obra de Lillian Hellman (1934) que tuvo versión cinematográfica en 1961 y que trata sobre dos mujeres que dirigen un internado de chicas y son acusadas falsamente de mantener una relación sentimental. La serie expandirá la historia para incluir detalles del caso legal en el que está basada la obra y profundizar en la comunidad que rodea a la escuela y en la mente de la joven acusadora. Produce Jon Robin Baitz (Brothers & Sisters, The Slap).
Fechas
La segunda temporada de Temple llega a Sky Max el 28 de octubre
La decimotercera temporada de Doctor Who se estrena en BBC One el 31 de octubre
Head of the Class llega a HBO Max el 4 de noviembre
La segunda temporada de Saved by the Bell se estrena en Peacock el 24 de noviembre
La tercera temporada de Hanna se estrena en Prime Video el 24 de noviembre
La segunda temporada de Alex Rider se estrena en IMDb TV el 3 de diciembre
La sexta y última temporada de The Expanse se estrena en Prime Video el 10 de diciembre
La segunda temporada de Crossing Swords se estrena en Hulu el 10 de diciembre
Stay Close llega a Netflix el 31 de diciembre
Peacemaker se estrena en HBO Max el 13 de enero
La segunda parte de la undécima y última temporada de The Walking Dead se estrena en AMC el 20 de febrero
Tráilers y promos
The Shrink Next Door
youtube
Temple - Temporada 2
youtube
Dickinson - Temporada 3 y última
youtube
La casa de papel - Últimos episodios
youtube
Doctor Who - Temporada 13
youtube
Colin in Black & White
youtube
Gentefied - Temporada 2
youtube
Narcos: Mexico - Temporada 3 y última
youtube
You - Temporada 4
youtube
The Sex Lives of College Girls
youtube
Curb Your Enthusiasm - Temporada 11
youtube
Saved by the Bell - Temporada 2
youtube
The Expanse - Temporada 6 y última
youtube
Hanna - Temporada 3
youtube
Alex Rider - Temporada 2
youtube
Mayor of Kingstown
youtube
Hawkeye
youtube
Swagger
youtube
Big Mouth - Temporada 5
youtube
Peacemaker
youtube
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moviemosaics · 7 years
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Dead Man Walking
directed by Tim Robbins, 1995
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kourumi · 4 years
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Huevember Day 21- #138afe
Celia Robbins!
"..Perhaps it's time we took matters into our own hands."
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bongaboi · 3 years
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2021 Grammy Awards: The List.
New age
Best New Age Album
More Guitar Stories – Jim "Kimo" West
Songs from the Bardo – Laurie Anderson, Tenzin Choegyal & Jesse Paris Smith
Periphery – Priya Darshini
Form//Less – Superposition
Meditations – Cory Wong & Jon Batiste
Jazz
Best Improvised Jazz Solo
"All Blues" – Chick Corea, soloist
"Guinnevere" – Christian Scott Atunde Adjuah, soloist
"Pachamama" – Regina Carter, soloist
"Tomorrow is the Question" – Julian Lage, soloist
"Celia" – Gerald Clayton, soloist
"Moe Honk" – Joshua Redman, soloist
Best Jazz Vocal Album
Secrets are the Best Stories – Kurt Elling featuring Danilo Pérez
ONA – Thana Alexa
Modern Ancestors – Carmen Lundy
Holy Room: Live at Alte Oper – Somi With Frankfurt Radio Big Band
What's the Hurry – Kenny Washington
Best Jazz Instrumental Album
Trilogy 2 – Chick Corea, Christian McBride & Brian Blade
on the tender spot of every calloused moment – Ambrose Akinmusire
Waiting Game – Terri Lyne Carrington and Social Science
Happening: Live at the Village Vanguard – Gerald Clayton
RoundAgain – Redman Mehldau McBride Blade
Best Large Jazz Ensemble Album
Data Lords – Maria Schneider Orchestra
Dialogues on Race – Gregg August
Monk'estra Plays John Beasley – John Beasley
The Intangible Between – Orrin Evans and The Captain Black Big Band
Songs You Like a Lot – John Hollenbeck with Theo Bleckmann, Kate McGarry, Gary Versace and The Frankfurt Radio Big Band
Best Latin Jazz Album
Four Questions – Arturo O'Farrill & The Afro Latin Jazz Orchestra
Tradiciones – Afro-Peruvian Jazz Orchestra
City of Dreams – Chico Pinheiro
Viento y Tiempo - Live at Blue Note Tokyo – Gonzalo Rubalcaba & Aymée Nuviola
Trane's Delight – Poncho Sanchez
Gospel/contemporary Christian music
Best Gospel Performance/Song
"Movin' On"
Darryl L. Howell, Jonathan Caleb McReynolds, Kortney Jamaal Pollard & Terrell Demetrius Wilson, songwriters (Jonathan McReynolds & Mali Music)
"Wonderful is Your Name"
Melvin Crispell III, songwriter (Melvin Crispell III)
"Release (Live)"
David Frazier, songwriter (Ricky Dillard featuring Tiff Joy)
"Come Together"
Lashawn Daniels, Rodney Jerkins, Lecrae Moore & Jazz Nixon, songwriters (Rodney "Darkchild" Jerkins Presents: The Good News)
"Won't Let Go"
Travis Greene, songwriter (Travis Greene)
Best Contemporary Christian Music Performance/Song
"There Was Jesus"
Casey Beathard, Jonathan Smith & Zach Williams, songwriters (Zach Williams & Dolly Parton)
"The Blessing (Live)"
Chris Brown, Cody Carnes, Kari Jobe Carnes & Steven Furtick, songwriters (Kari Jobe, Cody Carnes & Elevation Worship)
"Sunday Morning"
Denisia Andrews, Jones Terrence Antonio, Saint Bodhi, Brittany Coney, Kirk Franklin, Lasanna Harris, Shama Joseph, Stuart Lowery, Lecrae Moore & Nathanael Saint-Fleur, songwriters (Lecrae featuring Kirk Franklin)
"Holy Water"
Andrew Bergthold, Ed Cash, Franni Cash, Martin Cash & Scott Cash, songwriters (We the Kingdom)
"Famous For (I Believe)"
Chuck Butler, Krissy Nordhoff, Jordan Sapp, Alexis Slifer & Tauren Wells, songwriters (Tauren Wells featuring Jenn Johnson)
Best Gospel Album
Gospel According to PJ – PJ Morton
2econd Wind: ReadY – Anthony Brown & group therAPy
My Tribute – Myron Butler
Choirmaster – Ricky Dillard
Kierra – Kierra Sheard
Best Contemporary Christian Music Album
Jesus Is King – Kanye West
Run to The Father – Cody Carnes
All of My Best Friends – Hillsong Young & Free
Holy Water – We the Kingdom
Citizen of Heaven – Tauren Wells
Best Roots Gospel Album
Celebrating Fisk! (The 150th Anniversary Album) – Fisk Jubilee Singers
Beautiful Day – Mark Bishop
20/20 – The Crabb Family
What Christmas Really Means – The Erwins
Something Beautiful – Ernie Haase & Signature Sound
Latin
Best Latin Pop Album or Urban Album
YHLQMDLG – Bad Bunny
Por Primera Vez – Camilo
Mesa Para Dos – Kany García
Pausa – Ricky Martin
3:33 – Debi Nova
Best Latin Rock or Alternative Album
La Conquista del Espacio – Fito Páez
Aura – Bajofondo
MONSTRUO – Cami
Sobrevolando – Cultura Profética
Miss Colombia – Lido Pimienta
Best Regional Mexican Music Album (Including Tejano)
Un Canto por México, Vol. 1 – Natalia Lafourcade
Hecho en México – Alejandro Fernández
La Serenata – Lupita Infante
Bailando Sones y Huampangos con Mariachi Sol De Mexico De Jose Hernandez – Mariachi Sol De Mexico De Jose Hernandez
Ayayay! – Christian Nodal
Best Tropical Latin Album
40 – Grupo Niche
Mi Tumbao – José Alberto "El Ruiseñor"
Infinito – Edwin Bonilla
Sigo Cantando al Amor (Deluxe) – Jorge Celedon & Sergio Luis
Memorias de Navidad – Víctor Manuelle
American roots
Best American Roots Performance
"I Remember Everything" – John Prine
"Colors" – Black Pumas
"Deep in Love" – Bonny Light Horseman
"Short and Sweet" – Brittany Howard
"I'll Be Gone" – Norah Jones & Mavis Staples
Best American Roots Song
"I Remember Everything"
Pat McLaughlin & John Prine, songwriters (John Prine)
"Cabin"
Laura Rogers & Lydia Rogers, songwriters (The Secret Sisters)
"Ceiling to the Floor"
Sierra Hull & Kai Welch, songwriters (Sierra Hull)
"Hometown"
Sarah Jarosz, songwriter (Sarah Jarosz)
"Man Without a Soul"
Tom Overby & Lucinda Williams, songwriters (Lucinda Williams)
Best Americana Album
World on the Ground – Sarah Jarosz
Old Flowers – Courtney Marie Andrews
Terms of Surrender – Hiss Golden Messenger
El Dorado – Marcus King
Good Souls Better Angels – Lucinda Williams
Best Bluegrass Album
Home – Billy Strings
Man on Fire – Danny Barnes
To Live in Two Worlds, Vol. 1 – Thomm Jutz
North Carolina Songbook – Steep Canyon Rangers
The John Hartford Fiddle Tune Project, Vol. 1 – Various Artists
Best Traditional Blues Album
Rawer than Raw – Bobby Rush
All My Dues are Paid – Frank Bey
You Make Me Feel – Don Bryant
That's What I Heard – Robert Cray Band
Cypress Grove – Jimmy "Duck" Holmes
Best Contemporary Blues Album
Have You Lost Your Mind Yet? – Fantastic Negrito
Live at the Paramount – Ruthie Foster Big Band
The Juice – G. Love
Blackbirds – Bettye LaVette
Up and Rolling – North Mississippi Allstars
Best Folk Album
All the Good Times – Gillian Welch & David Rawlings
Bonny Light Horseman – Bonny Light Horseman
Thanks for the Dance – Leonard Cohen
Song for Our Daughter – Laura Marling
Saturn Return – The Secret Sisters
Best Regional Roots Music Album
Atmosphere – New Orleans Nightcrawlers
My Relatives 'nikso' Kowaiks – Black Lodge Singers
Cameron Dupuy and The Cajun Troubadours – Cameron Dupuy And The Cajun Troubadours
Lovely Sunrise – Nā Wai ʽEhā
A Tribute to Al Berard – Sweet Cecilia
Reggae
Best Reggae Album
Got to Be Tough – Toots and the Maytals
Upside Down 2020 – Buju Banton
Higher Place – Skip Marley
It All Comes Black to Love – Maxi Priest
One World – The Wailers
Global music
Best Global Music Album
Twice as Tall – Burna Boy
Fu Chronicles – Antibalas
Agora – Bebel Gilberto
Love Letters – Anoushka Shankar
Amadjar – Tinariwen
Children's
Best Children's Album
All the Ladies – Joanie Leeds
Be a Pain: An Album for Young (and Old) Leaders – Alastair Moock And Friends
I'm an Optimist – Dog On Fleas
Songs for Singin' – The Okee Dokee Brothers
Wild Life – Justin Roberts
Spoken word
Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)
Blowout: Corrupted Democracy, Rogue State Russia, and the Richest, Most Destructive Industry on Earth – Rachel Maddow
Acid for the Children – A Memoir – Flea
Alex Trebek – The Answer Is... – Ken Jennings
Catch and Kill – Ronan Farrow
Charlotte's Web (E.B. White) – Meryl Streep and Full Cast
Comedy
Best Comedy Album
Black Mitzvah – Tiffany Haddish
I Love Everything – Patton Oswalt
The Pale Tourist – Jim Gaffigan
Paper Tiger – Bill Burr
23 Hours to Kill – Jerry Seinfeld
Musical theater
Best Musical Theater Album
Jagged Little Pill – Kathryn Gallagher, Celia Rose Gooding, Lauren Patten & Elizabeth Stanley, principal soloists; Neal Avron, Pete Ganbarg, Tom Kitt, Michael Parker, Craig Rosen & Vivek J. Tiwary, producers (Glen Ballard & Alanis Morissette, lyricists) (Original Broadway Cast)
Amélie – Audrey Brisson, Chris Jared, Caolan McCarthy & Jez Unwin, principal soloists; Michael Fentiman, Sean Patrick Flahaven, Barnaby Race & Nathan Tysen, producers; Nathan Tysen, lyricist; Daniel Messe, composer & lyricist (Original London Cast)
American Utopia on Broadway – David Byrne, principal soloist; David Byrne, producer (David Byrne, composer & lyricist) (Original Cast)
Little Shop of Horrors – Tammy Blanchard, Jonathan Groff & Tom Alan Robbins, principal soloists; Will Van Dyke, Michael Mayer, Alan Menken & Frank Wolf, producers (Alan Menken, composer; Howard Ashman, lyricist) (The New Off-Broadway Cast)
The Prince of Egypt – Christine Allado, Luke Brady, Alexia Khadime & Liam Tamne, principal soloists; Dominick Amendum & Stephen Schwartz, producers; Stephen Schwartz, composer & lyricist (Original Cast)
Soft Power – Francis Jue, Austin Ku, Alyse Alan Louis & Conrad Ricamora, principal soloists; Matt Stine, producer; David Henry Hwang, lyricist; Jeanine Tesori, composer & lyricist (Original Cast)
Music for visual media
Best Compilation Soundtrack for Visual Media
Jojo Rabbit – Various artists
A Beautiful Day in the Neighborhood – Various artists
Bill & Ted Face the Music – Various artists
Eurovision Song Contest: The Story of Fire Saga – Various artists
Frozen II – Various artists
Best Score Soundtrack for Visual Media
Joker – Hildur Guðnadóttir, composer
Ad Astra – Max Richter, composer
Becoming – Kamasi Washington, composer
1917 – Thomas Newman, composer
Star Wars: The Rise of Skywalker – John Williams, composer
Best Song Written for Visual Media
"No Time to Die" (from No Time to Die)
Billie Eilish O'Connell and Finneas O'Connell (Billie Eilish)
"Beautiful Ghosts" (from Cats)
Andrew Lloyd Webber and Taylor Swift (Taylor Swift)
"Carried Me with You" (from Onward)
Brandi Carlile, Phil Hanseroth and Tim Hanseroth (Brandi Carlile)
"Into the Unknown" (from Frozen II)
Kristen Anderson-Lopez and Robert Lopez (Idina Menzel featuring AURORA)
"Stand Up" (from Harriet)
Joshuah Brian Campbell and Cynthia Erivo (Cynthia Erivo)
Composing/Arranging
Best Instrumental Composition
"Sputnik"
Maria Schneider, composer (Maria Schneider)
"Baby Jack"
Arturo O'Farrill, composer (Arturo O'Farrill & The Afro Latin Jazz Orchestra)
"Be Water II"
Christian Sands, composer (Christian Sands)
"Plumfield"
Alexandre Desplat, composer (Alexandre Desplat)
"Strata"
Remy Le Boeuf, composer (Remy Le Boeuf's Assembly Of Shadows featuring Anna Webber & Eric Miller)
Best Arrangement, Instrumental or A Cappella
"Donna Lee"
John Beasley, arranger (John Beasley)
"Bathroom Dance"
Hildur Guðnadóttir, arranger (Hildur Guðnadóttir)
"Honeymooners"
Remy Le Boeuf, arranger (Remy Le Boeuf's Assembly Of Shadows)
"Lift Every Voice and Sing"
Alvin Chea & Jarrett Johnson, arrangers (Jarrett Johnson Featuring Alvin Chea)
"Uranus: The Magician"
Jeremy Levy, arranger (Jeremy Levy Jazz Orchestra)
Best Arrangement, Instruments and Vocals
"He Won't Hold You"
Jacob Collier, arranger (Jacob Collier featuring Rapsody)
"Asas Fechadas"
John Beasley & Maria Mendes, arrangers (Maria Mendes Featuring John Beasley & Orkest Metropole)
"Desert Song"
Erin Bentlage, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (Säje)
"From This Place"
Alan Broadbent & Pat Metheny, arrangers (Pat Metheny featuring Meshell Ndegeocello)
"Slow Burn"
Talia Billig, Nic Hard & Becca Stevens, arrangers (Becca Stevens featuring Jacob Collier, Mark Lettieri, Justin Stanton, Jordan Perlson, Nic Hard, Keita Ogawa, Marcelo Woloski & Nate Werth)
Package
Best Recording Package
Vols. 11 & 12
Doug Cunningham & Jason Noto, art directors (Desert Sessions)
Everyday Life
Pilar Zeta, art director (Coldplay)
Funeral
Kyle Goen, art director (Lil Wayne)
Healer
Julian Gross & Hannah Hooper, art directors (Grouplove)
On Circles
Jordan Butcher, art director (Caspian)
Best Boxed or Special Limited Edition Package
Ode to Joy
Lawrence Azerrad & Jeff Tweedy, art directors (Wilco)
Flaming Pie (Collector's Edition)
Linn Wie Andersen, Simon Earith, Paul McCartney & James Musgrave, art directors (Paul McCartney)
Giants Stadium 1987, 1989, 1991
Lisa Glines & Doran Tyson, art directors (Grateful Dead)
Mode
Jeff Schulz, art director (Depeche Mode)
The Story of Ghostly International
Michael Cina & Molly Smith, art directors (Various Artists)
Notes
Best Album Notes
Dead Man's Pop
Bob Mehr, album notes writer (The Replacements)
At The Minstrel Show: Minstrel Routines From The Studio, 1894-1926
Tim Brooks, album notes writer (Various Artists)
The Bakersfield Sound: Country Music Capital Of The West, 1940-1974
Scott B. Bomar, album notes writer (Various Artists)
The Missing Link: How Gus Haenschen Got Us From Joplin To Jazz And Shaped The Music Business
Colin Hancock, album notes writer (Various Artists)
Out Of A Clear Blue Sky
David Sager, album notes writer (Nat Brusiloff)
Historical
Best Historical Album
It's Such a Good Feeling: The Best of Mister Rogers
Lee Lodyga & Cheryl Pawelski, compilation producers; Michael Graves, mastering engineer (Mister Rogers)
Celebrated, 1895–1896
Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer (Unique Quartette)
Hittin' the Ramp: The Early Years (1936–1943)
Zev Feldman, Will Friedwald & George Klabin, compilation producers; Matthew Lutthans, mastering engineer (Nat King Cole)
1999 Super Deluxe Edition
Michael Howe, compilation producer; Bernie Grundman, mastering engineer (Prince)
Souvenir
Carolyn Agger, compilation producer; Miles Showell, mastering engineer (Orchestral Manoeuvres In The Dark)
Throw Down Your Heart: The Complete Africa Sessions
Béla Fleck, compilation producer; Richard Dodd, mastering engineer (Béla Fleck)
Production, non-classical
Best Engineered Album, Non-Classical
Hyperspace
Drew Brown, Andrew Coleman, Shawn Everett, Serban Ghenea, David Greenbaum, Jaycen Joshua, Beck Hansen & Mike Larson, engineers; Randy Merrill, mastering engineer (Beck)
Black Hole Rainbow
Shawn Everett & Ivan Wayman, engineers; Bob Ludwig, mastering engineer (Devon Gilfillian)
Expectations
Gary Paczosa & Mike Robinson, engineers; Paul Blakemore, mastering engineer (Katie Pruitt)
Jaime
Shawn Everett, engineer; Shawn Everett, mastering engineer (Brittany Howard)
25 Trips
Shani Gandhi & Gary Paczosa, engineers; Adam Grover, mastering engineer (Sierra Hull)
Producer of the Year, Non-Classical
Andrew Watt
"Break My Heart" (Dua Lipa)
"Me and My Guitar" (A Boogie wit da Hoodie)
"Midnight Sky" (Miley Cyrus)
"Old Me" (5 Seconds of Summer)
"Ordinary Man" (Ozzy Osbourne featuring Elton John)
"Take What You Want" (Post Malone featuring Ozzy Osbourne & Travis Scott)
"Under The Graveyard" (Ozzy Osbourne)
Jack Antonoff
"August" (Taylor Swift)
Gaslighter (The Chicks)
"Holy Terrain" (FKA Twigs featuring Future)
"Mirrorball" (Taylor Swift)
"This Is Me Trying" (Taylor Swift)
"Together" (Sia)
Dan Auerbach
Cypress Grove (Jimmy "Duck" Holmes)
El Dorado (Marcus King)
Is Thomas Callaway (CeeLo Green)
Singing for My Supper (Early James)
Solid Gold Sounds (Kendell Marvel)
Years (John Anderson)
Dave Cobb
"Backbone" (Kaleo)
The Balladeer (Lori McKenna)
Boneshaker (Airbourne)
Down Home Christmas (Oak Ridge Boys)
The Highwomen (The Highwomen)
"I Remember Everything" (John Prine)
Reunions (Jason Isbell And The 400 Unit)
"The Spark" (William Prince)
"You're Still the One" (Teddy Swims)
Flying Lotus
It Is What It Is (Thundercat)
Best Remixed Recording
"Roses (Imanbek Remix)"
Imanbek Zeikenov, remixer (SAINt JHN)
"Do You Ever (RAC Mix)"
RAC, remixer (Phil Good)
"Imaginary Friends (Morgan Page Remix)"
Morgan Page, remixer (Deadmau5)
"Praying for You (Louie Vega Main Remix)"
Louie Vega, remixer (Jasper Street Co.)
"Young & Alive (Bazzi vs. Haywyre Remix)"
Haywyre, remixer (Bazzi)
Production, immersive audio
Best Immersive Audio Album
The judging for this category was postponed.
Production, classical
Best Engineered Album, Classical
"Shostakovich: Symphony No. 13, 'Babi Yar'"
David Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)
"Danielpour: The Passion of Yeshua"
Bernd Gottinger, engineer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)
"Gershwin: Porgy and Bess"
David Frost & John Kerswell, engineers; Silas Brown, mastering engineer (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra & Chorus)
"Hynes: Fields"
Kyle Pyke, engineer; Jesse Lewis & Kyle Pyke, mastering engineers (Devonté Hynes & Third Coast Percussion)
"Ives: Complete Symphonies"
Alexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel & Los Angeles Philharmonic)
Producer of the Year, Classical
David Frost
Beethoven: Piano Sonatas, Vol. 9 (Jonathan Biss)
Gershwin: Porgy And Bess (David Robertson, Eric Owens, Angel Blue, Metropolitan Opera Orchestra & Chorus)
Gluck: Orphée & Eurydice (Harry Bicket, Dmitry Korchak, Andriana Chuchman, Lauren Snouffer, Lyric Opera Of Chicago Orchestra & Chorus)
Holst: The Planets; The Perfect Fool (Michael Stern & Kansas City Symphony)
Muhly: Marnie (Robert Spano, Isabel Leonard, Christopher Maltman, Denyce Graves, Iestyn Davies, Janis Kelly, Metropolitan Opera Orchestra & Chorus)
Schubert: Piano Sonatas, D. 845, D. 894, D. 958, D. 960 (Shai Wosner)
Shostakovich: Symphony No. 13, 'Babi Yar' (Riccardo Muti, Alexey Tikhomirov, Chicago Symphony Orchestra & Chorus)
Blanton Alspaugh
Aspects Of America - Pulitzer Edition (Carlos Kalmar & Oregon Symphony)
Blessed Art Thou Among Women (Peter Jermihov, Katya Lukianov & PaTRAM Institute Singers)
Dvořák: Symphony No. 9; Copland: Billy The Kid (Gianandrea Noseda & National Symphony Orchestra)
Glass: The Fall Of The House Of Usher (Joseph Li, Nicholas Nestorak, Madison Leonard, Jonas Hacker, Ben Edquist, Matthew Adam Fleisher & Wolf Trap Opera)
Kahane: Emergency Shelter Intake Form (Alicia Hall Moran, Gabriel Kahane, Carlos Kalmar & Oregon Symphony)
Kastalsky: Requiem (Leonard Slatkin, Steven Fox, Benedict Sheehan, Charles Bruffy, Cathedral Choral Society, The Clarion Choir, The Saint Tikhon Choir, Kansas City Chorale & Orchestra Of St. Luke's)
Massenet: Thaïs (Andrew Davis, Joshua Hopkins, Andrew Staples, Erin Wall, Toronto Mendelssohn Choir & Toronto Symphony Orchestra)
Smyth: The Prison (Sarah Brailey, Dashon Burton, James Blachly & Experiential Orchestra)
Woolf, L.P.: Fire And Flood (Julian Wachner, Matt Haimovitz & Choir Of Trinity Wall Street)
Jesse Lewis
Gunn: The Ascendant (Roomful Of Teeth)
Harrison, M.: Just Constellations (Roomful Of Teeth)
Her Own Wings (Willamette Valley Chamber Music Festival)
Hynes: Fields (Devonté Hynes & Third Coast Percussion)
Lang, D.: Love Fail (Beth Willer & Lorelei Ensemble)
Mazzoli: Proving Up (Christopher Rountree, Opera Omaha & International Contemporary Ensemble)
Sharlat: Spare The Rod! (NOW Ensemble)
Soul House (Hub New Music)
Wherein Lies The Good (The Westerlies)
Dmitry Lipay
Adams, J.: Must The Devil Have All The Good Tunes? (Yuja Wang, Gustavo Dudamel & Los Angeles Philharmonic)
Cipullo: The Parting (Alastair Willis, Laura Strickling, Catherine Cook, Michael Mayes & Music Of Remembrance)
Ives: Complete Symphonies (Gustavo Dudamel & Los Angeles Philharmonic)
LA Phil 100 - The Los Angeles Philharmonic Centennial Birthday Gala (Gustavo Dudamel & Los Angeles Philharmonic)
Langgaard: Prelude To Antichrist; Strauss: An Alpine Symphony (Thomas Dausgaard & Seattle Symphony Orchestra)
Nielsen: Symphony No. 1 & Symphony No. 2, 'The Four Temperaments' (Thomas Dausgaard & Seattle Symphony)
Elaine Martone
Bound For The Promised Land (Robert M. Franklin, Steven Darsey, Jessye Norman & Taylor Branch)
Dawn (Shachar Israel)
Gandolfi, Prior & Oliverio: Orchestral Works (Robert Spano & Atlanta Symphony Orchestra)
Singing In The Dead Of Night (Eighth Blackbird)
Whitacre: The Sacred Veil (Eric Whitacre, Grant Gershon & Los Angeles Master Chorale)
Classical
Best Orchestral Performance
"Ives: Complete Symphonies"
Gustavo Dudamel, conductor (Los Angeles Philharmonic)
"Aspects of America - Pulitzer Edition"
Carlos Kalmar, conductor (Oregon Symphony)
"Concurrence"
Daníel Bjarnason, conductor (Iceland Symphony Orchestra)
"Copland: Symphony No. 3"
Michael Tilson Thomas, conductor (San Francisco Symphony)
"Lutosławski: Symphonies No. 2 & 3"
Hannu Lintu, conductor (Finnish Radio Symphony Orchestra)
Best Opera Recording
"Gershwin: Porgy and Bess"
David Robertson, conductor; Angel Blue & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
"Dello Joio: The Trial at Rouen"
Gil Rose, conductor; Heather Buck & Stephen Powell; Gil Rose, producer (Boston Modern Orchestra Project; Odyssey Opera Chorus)
"Floyd, C: Prince of Players"
William Boggs, conductor; Keith Phares & Kate Royal; Blanton Alspaugh, producer (Milwaukee Symphony Orchestra; Florentine Opera Chorus)
"Handel: Agrippina"
Maxim Emelyanychev, conductor; Joyce DiDonato; Daniel Zalay, producer (Il Pomo D'Oro)
"Zemlinsky: Der Zwerg"
Donald Runnicles, conductor; David Butt Philip & Elena Tsallagova; Peter Ghirardini & Erwin Stürzer, producers (Orchestra Of The Deutsche Oper Berlin; Chorus Of The Deutsche Oper Berlin)
Best Choral Performance
"Danielpour: The Passion of Yessuah"
JoAnn Falletta, conductor; James K. Bass & Adam Luebke, chorus masters (James K. Bass, J'Nai Bridges, Timothy Fallon, Kenneth Overton, Hila Plitmann & Matthew Worth; Buffalo Philharmonic Orchestra; Buffalo Philharmonic Chorus & UCLA Chamber Singers)
"Carthage"
Donald Nally, conductor (The Crossing)
"Kastalski: Requiem"
Leonard Slatkin, conductor; Charles Bruffy, Steven Fox & Benedict Sheehan, chorus masters (Joseph Charles Beutel & Anna Dennis; Orchestra Of St. Luke's; Cathedral Choral Society, The Clarion Choir, Kansas City Chorale & The Saint Tikhon Choir)
"Moravec: Sanctuary Road"
Kent Tritle, conductor (Joshua Blue, Raehann Bryce-Davis, Dashon Burton, Malcolm J. Merriweather & Laquita Mitchell; Oratorio Society Of New York Orchestra; Oratorio Society Of New York Chorus)
"Once Upon a Time"
Matthew Guard, conductor (Sarah Walker; Skylark Vocal Ensemble)
Best Chamber Music/Small Ensemble Performance
"Contemporary Voices" – Pacifica Quartet
"Healing Modes" – Brooklyn Rider
"Hearne, T,: Place" – Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra
"Hynes: Fields" – Devonté Hynes & Third Coast Percussion
"The Schumann Quartets" – Dover Quartet
Best Classical Instrumental Solo
"Theofanidis: Concerto for Viola and Chamber Orchestra"
Richard O'Neill; David Alan Miller, conductor (Albany Symphony)
"Adés: Concerto for Piano and Orchestra"
Kirill Gerstein; Thomas Adès, conductor (Boston Symphony Orchestra)
"Beethoven: Complete Piano Sonatas"
Igor Levit
"Bohemian Tales"
Augustin Hadelich; Jakub Hrůša, conductor (Charles Owen; Symphonieorchester Des Bayerischen Rundfunks)
"Destination Rachmaninov - Arrival"
Daniil Trifonov; Yannick Nézet-Séguin, conductor (The Philadelphia Orchestra)
Best Classical Solo Vocal Album
"Smyth: The Prison"
Sarah Brailey & Dashon Burton; James Blachly, conductor (Experiential Chorus; Experiential Orchestra)
"American Composers at Play - William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto"
Stephen Powell (Attacca Quartet, William Bolcom, Ricky Ian Gordon, Lori Laitman, John Musto, Charles Neidich & Jason Vieaux)
"Clairières - Songs by Lili & Nadia Boulanger"
Nicholas Phan; Myra Huang, accompanist
"Farinelli"
Cecilia Bartoli; Giovanni Antonini, conductor (Il Giardino Armonico)
"A Lad's Love"
Brian Giebler; Steven McGhee, accompanist (Katie Hyun, Michael Katz, Jessica Meyer, Reginald Mobley & Ben Russell)
Best Classical Compendium
"Thomas, M.T.: From the Diary of Anne Frank & Meditations on Rilke"
Isabel Leonard; Michael Tilson Thomas, conductor; Jack Vad, producer
"Adès Conducts Adès"
Mark Stone & Christianne Stotijn; Thomas Adès, conductor; Nick Squire, producer
"Saariaho: Graal Théâtre; Circle Map, Neiges, Vers Toi Qui Es Si Loin"
Clément Mao-Takacs, conductor; Hans Kipfer, producer
"Serebrier: Symphonic Bach Variations; Laments and Hallelujahs; Flute Concerto"
José Serebrier, conductor; Jens Braun, producer
"Woolf, L.P.: Fire and Blood"
Matt Haimovitz; Julian Wachner, conductor; Blanton Alspaugh, producer
Best Contemporary Classical Composition
"Rouse: Symphony No. 5"
Christopher Rouse, composer (Giancarlo Guerrero & Nashville Symphony)
"Adès: Concerto for Piano and Orchestra"
Thomas Adès, composer (Kirill Gerstein, Thomas Adès & Boston Symphony Orchestra)
"Danielpour: The Passion of Yeshua"
Richard Danielpour, composer (JoAnn Falletta, James K. Bass, Adam Luebke, UCLA Chamber Singers, Buffalo Philharmonic Orchestra & Buffalo Philharmonic Chorus)
"Floyd, C.: Prince of Players"
Carlisle Floyd, composer (William Boggs, Kate Royal, Keith Phares, Florentine Opera Chorus & Milwaukee Symphony Orchestra)
"Hearne, T.: Place"
Ted Hearne, composer (Ted Hearne, Steven Bradshaw, Sophia Byrd, Josephine Lee, Isaiah Robinson, Sol Ruiz, Ayanna Woods & Place Orchestra)
Music video/film
Best Music Video
"Brown Skin Girl" – Beyoncé, Saint Jhn & Wizkid Featuring Blue Ivy Carter
Beyoncé Knowles-Carter & Jenn Nkiru, video directors; Lauren Baker, Astrid Edwards, Nathan Scherrer & Erinn Williams, video producers
"Life Is Good" – Future Featuring Drake
Julien Christian Lutz, video director; Harv Glazer, video producer
"Lockdown" – Anderson .Paak
Dave Meyers, video director; Nathan Scherrer, video producer
"Adore You" – Harry Styles
Dave Meyers, video director; Nathan Scherrer, video producer
"Goliath" – Woodkid
Yoann Lemoine, video director; Horace de Gunzbourg, video producer
Best Music Film
Linda Ronstadt: The Sound of My Voice – Linda Ronstadt
Rob Epstein & Jeffrey Friedman, video directors; Michele Farinola & James Keach, video producers
Beastie Boys Story – Beastie Boys
Spike Jonze, video director; Amanda Adelson, Jason Baum & Spike Jonze, video producers
Black Is King – Beyoncé
Emmanuel Adjei, Blitz Bazawule, Beyoncé Knowles Carter & Kwasi Fordjour, video directors; Lauren Baker, Akin Omotoso, Nathan Scherrer, Jeremy Sullivan & Erinn Williams, video producers
We Are Freestyle Love Supreme – Freestyle Love Supreme
Andrew Fried, video director; Andrew Fried, Jill Furman, Thomas Kail, Lin-Manuel Miranda, Sarina Roma, Jenny Steingart & Jon Steingart, video producers
That Little Ol' Band From Texas – ZZ Top
Sam Dunn, video director; Scot McFadyen, video producer
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