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luluwquidprocrow · 4 years

Text

and i’ve written pages upon pages trying to rid you from my bones

originally posted: august 25th, 2019

word count: 13,060 words

rated: not rated

beatrice/bertrand/lemony

heavy angst, canon compliant, with enough canon divergence that makes the canon compliance worse, epistolary

summary:

and if you don’t love me, let me go.

[a much less than 200 pages break up letter.]

opening notes:

title from the engine driver by the decemberists

By the time you read this

I guess an at least interesting description of us could be like ships passing in the night

I think now is

I think now might be the time for us to

First of all, I have canceled my subscription to the Daily Punctilio, which was just a good move on my part to begin with, and second of all, I couldn’t believe all that anyway, but third of all, do you know, Lemony

You’ll think me such a damn hypocrite, won’t you.

Why now? Why would I

Why would you do this now?

My Heart and I

ENOUGH ! we're tired, my heart and I.

We sit beside the headstone thus,

And wish that name were carved for us.

The moss reprints more tenderly

The hard types of the mason's knife,

As heaven's sweet life renews earth's life

With which we're tired, my heart and I.

II.

You see we're tired, my heart and I.

We dealt with books, we trusted men,

And in our own blood drenched the pen,

As if such colours could not fly.

We walked too straight for fortune's end,

We loved too true to keep a friend ;

At last we're tired, my heart and I.

III.

How tired we feel, my heart and I !

We seem of no use in the world ;

Our fancies hang grey and uncurled

About men's eyes indifferently ;

Our voice which thrilled you so, will let

You sleep; our tears are only wet :

What do we here, my heart and I ?

IV.

So tired, so tired, my heart and I !

It was not thus in that old time

When Ralph sat with me 'neath the lime

To watch the sunset from the sky.

Dear love, you're looking tired,' he said;

I, smiling at him, shook my head :

'Tis now we're tired, my heart and I.

So tired, so tired, my heart and I !

Though now none takes me on his arm

To fold me close and kiss me warm

Till each quick breath end in a sigh

Of happy languor. Now, alone,

We lean upon this graveyard stone,

Uncheered, unkissed, my heart and I.

VI.

Tired out we are, my heart and I.

Suppose the world brought diadems

To tempt us, crusted with loose gems

Of powers and pleasures ? Let it try.

We scarcely care to look at even

A pretty child, or God's blue heaven,

We feel so tired, my heart and I.

VII.

Yet who complains ? My heart and I ?

In this abundant earth no doubt

Is little room for things worn out :

Disdain them, break them, throw them by

And if before the days grew rough

We once were loved, used, — well enough,

I think, we've fared, my heart and I.

-Elizabeth Barrett Browning, who knew what she was talking about

My Dearest Darling,

You call me a lot of things but, to be perfectly frank (not Ernest), Lemony, I think I’ve always liked that one the least. There was that summer where, among other things, Bertrand was trying to come up with nicknames for us in that charming way of his, and he came up with a real mess of awful nicknames and then I came up with the list we could Never Repeat In Public (capitals necessary) and then you said something very sweet to both of us, and anyway, we know what happened there, but the point of this is that you held us close and said, very seriously, that you would never ever ever ever ever (for the span of what I’d figure would be maybe two pages, short but evenly-spaced), no matter what happened, call Bertrand ‘Bert’ and that was damn good of you because Bertrand is not a Bert and never will be. We were right to veto Bertie, as well. He is a Bertrand, through and through. The other point was that you wound up calling us nicknames too but dearest darling was maybe the worst of all of them. Bea was my favorite. I liked the way you said it and I liked the way it sounded and I felt noble perfect unstoppable invincible worried fragile good when you said it. And that was good.

Speaking of, right now, Bertrand is with Kit, and don’t worry, they’re not talking about you (I know how you worry). They’re talking about boats and maps and cooking spices and Widdershins will probably come by later to give them both his version of A Stern Talking To (capitals debatable) about open water expeditions, which will probably be something like, ‘Fire this harpoon at anything suspicious! Aye! Shoot first and ask questions later! Aye!’ and it’s a real miracle that man doesn’t have a whole boatload of albatrosses hanging around somewhere. (Unless he does, and I just haven’t seen it.)

Bertrand and I—well, we’ve kept the house up. Even though he has that thing for natural light, you know what I mean. But we’ve managed to decorate it nicely. I got the Gothic Furniture (capitals required), he got his large windows, there is a last unopened root beer bottle in the fridge because every time we look at it both of us think about how you said it’s impolite to take the last one, and I thought, maybe I’d save it for when you came back but I don’t

The last thing I want is to

Bertrand and I, we’re going out to dinner tonight, because we’re still not all that comfortable with the kitchen yet. I mean, why did we get such a fancy kitchen? I’m sure one of these days I’ll come around to it and it’ll be fine but right now it’s, it seems a hassle, I guess. So we’re going out and I’ve already decided that I’m going to order this truly egregious amount of pasta and no one will stop me!

We don’t really have any plans for tomorrow. As it stands right now. We’ve both been sort of taking things as they come lately. Bertrand, Bertrand’s been very busy. Both of us have been busy, but I think he’s been trying to keep his mind occupied. A lot of us have. Even Hector looks more concerned than he usually does. I saw him the other day—not here, in town—and I didn’t think it was possible for Hector to look that harried. So much has been happening lately, I feel like even I haven’t had time to catch my breath, even in this part of the city. It’s like everything’s been going a mile a minute, taking me with it, and the moments where it stops, the moments where I have the time to think, are unbearably, agonizingly slow. But most of my life has been like that, you know.

And I know, I know you are too. Busy. And concerned.

I know.

When you

Did you

The last performance of our play was three days ago. Since the Daily Punctilio doesn’t have a theater section anymore, Bertrand and I haven’t been reading any rave reviews but we were rereading but, what can you do. Geraldine’s moved on to some other column now too, something about, I don’t even know, tax evasion? Shoes? I can never understand a single thing she writes. Even that ‘Secret Organizations You Should Know About’ thing didn’t even pan out, can you believe that? All she did was write about Esmé! All that trouble for

It looks like it’ll be the last play for a while. I know they wanted us to go on longer, but, well, that’s how it has to be. Don’t know what I’m going to do with myself without a script to lug around, but I’ll probably memorize something for kicks. Gilda Farrell’s lines, maybe, that’d be fun.

But it’d be better if you

This is really the first time I’ve had one of those unbearably slow moments in a while, and of course the first thing I think of is you. You and Bertrand have always filled those gaps for me, but now it’s different. It’s just

I saw Jacques the other day and he

Ramona’s the only one who hasn’t been so

I want to see you so much, Lemony. With everything I have, I want you with me, and I keep hoping that if I close my eyes, when I open them again, there you’ll be, alive and well and next to me and real. Or I’ll walk away from my desk and this letter and when I look back it’ll all have been a bad dream, the worst nightmare I keep stopping and hoping and when you’re not there and I’m still here I

I don’t know how to do this. I can’t

I didn’t want to do it like this.

I don’t want you to I’m, burying the lede, or doing any of this on purpose or anything, because by now you’ve definitely noticed how long this is (although, personally, I’m only at the beginning, but I have a feeling this is going to get long—I know I’ve said I could run laps around the city in the time it takes you to finish a single metaphor but between the two of us we both know I could go on for much longer and will), and you have a vague idea, or a concrete idea, or an idea you don’t want to think about, of where I’m going to go with this. If it was something simple it wouldn’t be like this. If I was just, telling you the news, I wouldn’t need so much time, and I need so much of it. I’m setting the stage trying to making sure I wanted to I can’t just

I am a weak woman, Lemony Snicket. And that is a complete lie, you and I know, but I am a weak woman and I don’t want to be but my hands are shaking.

You and I. You and I know so many things.

So why should we

We both know how to make Ramona laugh, and the right amount of sugar for Olivia’s tea, and where Jacques will be on Tuesdays even though he pretends he doesn’t keep a regular schedule, and where Monty has his keys stashed in his garden, and everything possible about Bertrand, including what book he’s reading right now even though you haven’t been home in two months (it’s still that cat book because he says he wants to see the look on your face when he reads it out loud after dinner) (it’s still that cat book), and what kind of records Kit wants for her birthday even though she never has the time to play them, and even what Esmé is going to eat tomorrow because would you believe that herring is still in, to her continued consternation. She can talk all she wants about how good herring is but I still see that look on her face when she eats it! Every meal, Lemony! I’m giggling as we speak and I wish you could see her because it is one of the funniest things I’ve ever seen in my LIFE

Maybe those things are superficial, but they’re things we know about people, about ourselves, and that counts, doesn’t it? And—and I know what you look like when you wake up and I know what you look like when you’re fixing your typewriter and I have to help and I know what you look like when you think I’m not looking at you, and there was a time where that meant you didn’t look like everyone you knew had just died. You know what I look like at my worst, the worst I ever let you see. You knew it anyway. You It was enough.

And Bertrand. I know I’ve said it before but, you and I were so lucky. Lots of good things came from of this, right? The three of us, you and me and Bertrand. Our apartment and that wallpaper we took down in Bertrand’s when he moved out of his, with those horrendous yellow stripes. The cat we pretended to have and the elaborate medical history we made for it so we’d all have an excuse to go home early. (That poor cat, though. I don’t think it would’ve been possible for it to really survive like that. We should be better to our imaginary pets next time in the future.) Watching Bertrand dance to my records, which was terrible because we hadn’t taught him to dance yet. Trying out those new recipes. Keeping the windows open in the summer. The diner down the street, the ice cream shop on the corner, that night it rained and we all stayed outside and got soaking wet because why not? Bertrand making that excessive amount of soup the next day. You telling us we were the only things that mattered. Bertrand would push your hair out of your face when you were sleeping and I wanted to watch that for the rest of my life. I wanted it to be the last thing I ever saw.

Those moments, every moment. Reading in the dark, losing my glasses, you stopped dead the first time we were out with Bertrand and he was under a streetlamp and you both looked so beautiful and you kissed him for the first time and you didn’t even remember to be nervous.

And those million citations Jacques didn’t give us for public indecency during that spring he was disguised as a police officer. (He was definitely kidding when he brought it up. There was no way he could’ve seen us.)

It makes me so happy, to think about all that. I love you and Bertrand so much. I

Oh Lemony. I don’t think I can do any of this.

-------

In other better happier general news, Gustav let Bertrand and me see the pictures from the wedding, and then he archived them, because we agreed that was for the best, and Bertrand figured you’d probably say the same. I look absolutely stunning, and Bertrand looks incredibly handsome even though he finally admitted he agrees with you, that hat was not his style, and you, Lemony, in that white suit that matched Bertrand’s with those peach-colored flowers because peach is a better color than I ever gave it credit for and it looked so good in the spring because it was the color the wall in the living room turned when the afternoon sun hit, you look

It was such a beautiful day. Still spring, and right after Bertrand’s birthday. Us, Kit, Jacques, Ramona, Olivia, Dewey, Hector. Jerome was invited—or he was supposed to be, who knows what happened there. We barely saw Gustav the whole time too, since he kept climbing up into trees for better angles. The smallest place we could find that would hold all of us and be so out of the way. The cake Kit made, against everyone’s expectations. Ramona cried, because of course she did. All those flowers, no one could move the whole time for walking into at least six bees, but no one minded. So much love. It was palpable, and my whole body was alive with it, with such a soft warmth I could barely breathe. I don’t think I ever stopped smiling, not while dancing or singing or kicking my shoes off because such mortal trappings cannot contain me, or when you and Bertrand danced and you cried, or when a crow flew overhead and we all stopped, just for a single second, before every one of us decided not to care. For a few hours one glorious afternoon.

You look happier than I’ve ever seen you before and now I don’t know if I’ll ever see you like that again or forever and I’m sorry, I was right, I can’t do this, I can’t do this I can’t do this I can’t do this

-------

I’ve taken a few deep breaths and I’m ready to

Oh who am I KIDDING

Lemony I love you so much and I need you so much my heart is going to break with it

justice does not need eyes to see,

but truth built himself eyes

in the porcelain patterns of his world

and let them do the talking

in the skies he

so kindly

let them see,

with the eyes he gave them,

one after another

after another

i was something else

but i lived so close beside

that they could not accuse me

of being blind

but i could’ve seen everything

if i could see with every eye,

one after another

after another

after another,

every eye

a certainty,

every eye

the truth,

every eye

mine alone.

You told me when we were younger that I should give rhyming verse a try and, well, Lemony, not everything you said was good advice.

-------

I do, though. I love you a great deal. I think it confuses people. Besides the fact that some of them never understood our relationship with Bertrand (cowards), I get the impression some of our associates don’t know why I love you. Which is just stupid of them, and I don’t owe them anything, none of them are going to read this. It’s not their business why I love you, it’s ours. And I love you because

How can you explain why you love someone? Someone can say ‘they make me laugh’ as much as they want and sure it’s true but is that really why? Can you ever really say why? Isn’t it enough to love somebody, with everything you have? To say, that’s the one I want, for the rest of my life? Who could I possibly need to defend myself to?

I love you because I love you, because I look at you and think I love you, because I inhale and exhale that I love you, because every part of me only feels right with you.

I love you because you embarrassed me but I thought you were kind. I love you because I didn’t ever have to explain anything. I love you because you always came back to me. I love you because you made me happy. I love you because you didn’t let anything stop you from loving me. I love you because you loved me. I love you because when you took my hand I thought I could do anything with that love.

I love you because you were mine. I love you because you looked at me. And I love you because it was more than that, it always was.

I love you because of the records you played. I love you because of the time we taught Bertrand to make root beer floats. I love you because you’d rehearse our lines with us even though you can’t act. I love you because of the way you would stand in the kitchen and wonder what you should make for dinner. I love you because you said you’d plant strawberry bushes in the backyard. I love you because you could never stand Geraldine Julienne. I love you because we would all sit around the table in my apartment and critique the newspaper articles together. I love you because you’d never take the train. I love you because Bertrand and I found every shortcut in the city for you. I love you because you and Bertrand would knit me the ugliest sweaters on purpose. I love you because you would take care of the bats for me and you were terrible at it.

I love you because you were wonderful where it counted. I love you because we’d stay up late and watch movies. I love you because you would hold Bertrand like it was the most important thing in the world. I love you because you would furrow your brow when you read something you didn’t like. I love you because you’d take me to the beach when it was cold. I love you because we went on picnics in the summer. I love you because when I walked into our apartment and then when I walked into our house it always felt like home. I love you because we made up that cat. I love you because you’d sing with me. I love you because Bertrand would take us bird-watching and name the birds with us. I love you because you bought me flowers.

I love you because you told me what happened. I love you because we went back there with you. I love you because I went into the lighthouse. I love you because I wasn’t going to not go. I love you because no one else would’ve gone. I love you because we let you walk out the door there and I knew you would come back.

I love you because we used to make out in the back of the movie theater and we’d take turns with Bertrand and then try to piece together what even happened in the movie when we got home. I love you because you used to sit in dark rooms with me and pretend we were ghosts and scare the other volunteers. I love you because we could just read for hours and not say a word. I love you because you let me cry in the bathroom. I love you because you would make up songs on the accordion when I was upset. I love you because I would whistle along when you did songs I knew. I love you because you would go out of your way to buy crackers. I love you because you would say things like “when we first met, you were pretty, and I was lonely” and you let me laugh. I love you because you would write me notes during class. I love you because you looked the same way I did the first time we saw Bertrand—shocked, and then a little impressed, and then irritated, because who did he think he was? I love you because who did any of us think we were, really. I love you because we grew to not care. I love you because we became people I was proud of.

I love you because you would feed that cat in the back alley on your way home and I would watch you from the window. I love you because that cat followed us to our house and then we had a real live legitimate cat until someone across the street put out better cat food. I love you because of the way you would read out loud, because you couldn’t act but when you read it was like seeing the sunrise for the first time. I love you because the one thing you did that was better than Bertrand was make tea. I love you because you taught me all your cookie recipes. I love you because we got you to sleep in the middle so we could protect you. I love you because they couldn’t take that away from me.

I love you because I’m here in an otherwise empty house, some boxes still unpacked, letting the dust settle, pouring my heart out when I don’t want to, because I do love you with everything I have, every part of me, every bone and every sigh and every drop of blood, and that’s the end of that. That’s all there is, I love you. That’s what it comes down to, I love you. That’s the only thing I want to say, I love you.

I do, I do love you. Lemony, please believe me.

-------

I know Bertrand has his own thoughts, his own opinions. He doesn’t want to admit that he does, but he gets this, look, on his face. Like he doesn’t know what to do with himself, he doesn’t know what to do with his hands, like he’s lost something special but it was there a moment ago, wasn’t it. He thinks I haven’t noticed. After all this time, he thinks he’s not supposed to be here, and you it hurts, is all.

And as much as Bertrand is a part of us, indelibly, forever, just as you are, both of you so a part of me that I ache with it, this letter is between you and me. Not because it was the two of us first. But because you know, for as much as I don’t want to, I’ll say the things Bertrand won’t.

That’s how this has to be.

-------

So.

Olaf’s started talking to me again, which I didn’t think would happen in a million years. Although maybe I shouldn’t call it talking? More like, he sort of shows up if he knows I’m at headquarters (which is far and few between anyway so, really, what the hell?) and lounges in doorways with these big smiles and says these dramatic things at me instead of to me, which he can’t possibly expect me to believe. How stupid does he think I am? Because I’m not. He keeps going, hey Beatrice, have you read the Daily Punctilio? And I don’t say anything to him, even though yes, I’ve read the Daily Punctilio, dammit.

You and I both know what’s in the Daily Punctilio, and for a while I thought, maybe you were writing those articles yourself, part of another fragmentary plot, and that you’d tell me about it later, and you’d explain it to me, even though I wouldn’t need it to be explained, not really. But you didn’t. Not that you didn’t explain, you just, you just didn’t tell me anything. And you were gone and I couldn’t even see you anyway and that was what really made it hard? It wasn’t like I doubted you. I didn’t. I didn’t doubt you. I knew you wouldn’t do any of those things.

But everyone looked at me and they looked so damn pitying, like, oh it happens to the best of us, only he’s not the best of us. Maybe you should’ve seen it coming, well you know what he’s like, as if nothing had ever happened? As if we hadn’t grown up together? As if we wouldn’t have followed you to the ends of the earth because we believed in you? It’s not everyone, but it’s enough. Like some of them don’t owe you their lives.

Bertrand says that people deal with things in different ways, and saying those things about you is probably just another way they’re dealing with everything. Don’t you think it’s harder, it’s gotten harder, as we’ve gotten older? But they don’t have to throw you under the bus to do it. They don’t have to vilify you to make themselves feel better. They don’t have to look me in the eye like that, like I’m some, some poor miserable thing, or like I have to be protected, or like I don’t know what I’m doing, or like they can’t even trust me.

But what does that make me?

And Olaf would grin at me and I would hold my head high and look him back and spit in his face. I wasn’t going to let it get to me. It had only been a month. How long is a month, in the grand scheme of things? What does a month matter, against the beginning of a lifetime? And when a month became two, what did that matter?

-------

I wouldn’t say that Hector and I were ever particularly close, but I’ve actually seen a lot of him lately. We meet up for tea because he keeps saying there’s something he wants to talk to me about but mostly he sits there and looks at his tea and I pretend I’m not super uncomfortable. And then he insists on paying the check, in exact change.

When I see Hector, I think about Haruki. I know how close they were. And Haruki respected you so much, more than anyone else. As in, he respected you more than he respected any of our other friends, but also more than maybe anyone else respected you, because that was how Haruki was. Loyal, the best of the best, and so fierce about it. I wanted him there at our wedding.

Haruki was really the first person we lost, I guess. And I hate how we’re never going to know how it happened, because they say no one else was there, and the one person we do know was there, he’s never going to say a damn thing about it, and we all know that for sure. But I remember everyone gathering around to write Haruki’s obituary and how little we had to say. Not because we didn’t know him. But because, what were we going to say? What did we have left to say, who did Haruki have left, besides us? And what were we?

Hector looks at me and I don’t know what to say to him. He doesn’t know what to say to me. I’m terrified he’s going to tell me I should’ve known better too because then I won’t be able to stand it. But he just looks at me and I try not to cry and I’m trying not to cry now because he’s feeling it too, this awful business of feeling like things are starting to break. Sometimes I feel Hector is going to disappear, too.

--------

I guess the question I started to think was, how long was I going to wait. Bertrand and I had waited for longer, and then there were times where we never waited, and hadn’t we reached a point where we weren’t supposed to, anymore? But then, when you’re married, aren’t you supposed to do whatever you have to?

But doesn’t it go both ways? One half can do their part but doesn’t the other half have to do something too and how much is it before you’re asking too much but how long is it before you’re not doing enough and when you’re married aren’t you supposed to know the answers to all the questions, the right and the wrong ones, you’re not supposed to care and you’re supposed to be there and it’s all is supposed to be okay, and

We never did do anything traditionally, though, did we?

-------

I saved the article. I didn’t save all of them, but I saved this one.

-------

UNIDENTIFIED BODY IDENTIFIED

The unidentified body recently pulled from the downtown river has been identified as local ex-theater critic and renowned person of interest, Lemony Snicket, who was last seen surveying the river and saying, “How deep do you think it really is?”

“For the record,” said the local police, who preferred to remain nameless and sent in their response by postcard from three towns over, “it was three feet.”

Mr. Snicket was identified by a source who was also unidentified, but proved their credentials by singing a variety of showtunes for the newspaper staff, to great applause.

“Yes, I suppose that’s him,” said the source, when asked to identify the photo of the river, which was presented to them while they were drinking a glass of water, because they were parched after the showtunes. When the glass of water spilled on the photograph, the source went on to say, “Oh, that’s definitely him.”

The body in question disappeared as soon as it was found, but the police have no reason to suspect foul play, as no livestock was found at the scene, the morgue, or the local bakery, and neither does our source.

“Can I leave now?” asked the source. “I need to go pick up my glasses.”

Mr. Snicket has recently been the suspect in a number of crimes, including arson, lockpicking, theft, and jaywalking without a license. He has been described as “that’s not what I would call a grey suit, it leaned closer to charcoal.” There is no planned funeral service at this time.

-------

Bertrand and I laughed a lot, because it was the most outrageous article we’d ever read, and we kept talking about what sort of bakery would even allow livestock inside, and of course we knew it was about you, but of course it wasn’t you, because we didn’t know where you were but we knew you were alive. You were alive, so no matter what we read or what anyone told us, no matter who wanted to believe what, we knew the truth.

And, again, Lemony, it wasn’t that I needed you to explain. It was that I wanted you to tell me. I wanted you to let me in on it. I wanted you to call or come by and tell us, your husband and your wife, hey no big deal but I’m gonna fake my death for the foreseeable future, is that okay? And instead I have to find out from Olaf waving it in my face? I have to find out from some absurd article I shouldn’t have even looked twice at? I have to find out from people I thought were my friends telling me I should have known better?

I sure don’t need to tell you, but, we just got married, Lemony! And we had a house and a life and plans and no matter what happened, no matter what else we had to do, because there was no way we were ever going to give this up and we knew that, we were going to stay together, we were going to do this, what we promised, not to other people but to ourselves, and each other, and

Sometimes I want to think that you planned it like that, that you sat down and thought to yourself about the best worst way to do it and you thought, leaving us alone like this and faking your death and not saying a single word was the greatest way to break our hearts, especially after marrying us, that would hurt the most, you wanted to do it so you did it and you got away from us for good like you always wanted because you were never going to stay and you knew it, because then I can hate you like I’m supposed to and stop thinking of the way you smile at me

I hate that you aren’t a cruel person, I hate that you didn’t do it on purpose, I hate that the real true human tradition is that people are human and nothing else

How am I supposed to do this?

a bird up in her chamber

eats love for breakfast lunch and dinner

and steadily gets thinner

sings songs she won’t forget,

in the darkness by the lamps

says the shapes of lonely words

said by lonely people

in lonely rooms

to feel better about

being

what is a life with this alone

what is a life

like this?

“when we grab you by the ankle, where your life is ours to take

you’ll soon be doing wicked things, they’ll keep you long awake

when your whole life is a secret then you’ll be a volunteer

and you’ll scream a long time later, for

the world was never quiet here.”

-------

Bertrand has been making lists. You know his tendency to organize, but the funny thing is he just keeps leaving them places. I’m sitting on like, three of them.

To Do

-Check maps

-Apologize to D

-Extra key

-Secure boat

-Study family trees

To Buy

-Thick, sturdy rope

-Do they make portable record players?

-Paintbrushes (for then and now, so get extra)

-White curtains? Will they match? Check ‘To Think’

-Extra wires, no candles!

To Think

-Ask Kit about Bernadette

-Examine garden for hiding spots

-Turtles or foxes?

-What if it turns out to be true?

-Or birds??

Definitely not birds.

-------

You know, I haven’t seen Jerome in a while. Maybe it’s also been two months, I’m not sure. I feel like, even before the wedding, we weren’t seeing much of him—although it wasn’t like Jacques paraded him around or anything in the first place—but since then, I don’t think Jacques has even talked about him.

This means Jacques’s Tuesdays are open now, although you’d never know it. He still only shows up when he wants to. And if he doesn’t want to, then you have as much luck finding him as finding a grammar rule Jo doesn’t know. It must run in the family. I hate to

I had Kit get ahold of him for me. Sometimes I feel like I don’t know what to say to Kit anymore, which is unsettling, but Kit acts like she always does. She comes over and makes herself at home and talks to both of us like this is average everyday Kit business for her. I don’t know if I admire her tenacity or if it’s going to be something else I can’t stand down the line. I don’t know yet. She hugged me when she left, though. That’s just how Kit is. And I don’t really want to lose that.

I wasn’t sure if Kit would know, the thing I wanted to ask Jacques. I guess it wouldn’t surprise me if she did, but when I saw her I thought, maybe she didn’t know. She didn’t talk about you at all. And it wasn’t the ‘I’m Kit Snicket and I’m Being Purposefully Vague For Reasons, Now Deal With It’ sort of silence, it was the ‘I’m Kit Snicket and I Refuse to Admit I Don’t Know This Piece of Information, So I’m Going to Rearrange Your Bookshelves’ sort of silence. Still don’t know where she put T.S. Eliot. I think she took it with her.

Jacques didn’t want to talk to me. He’s too polite to say it, but I could tell. He kept making excuses, and by the time we finally got him to come here, he was uncomfortable and I was on edge. He came right out and said he couldn’t stay long. He knew why I wanted to talk to him and he told me straightforward that he couldn’t tell me.

I’m not proud of what I said to him.

-------

If it was the last day, but it probably was but Lemony, I don’t I sure didn’t know.

I will remember every second until the day I die.

We waited until after the wedding to move into the house, especially because the only honeymoon we wanted was for the three of us to be there together, alone, for a little while. It was on the outskirts of the city, away from everything else, and we barely told anyone. We didn’t even tell everyone from the wedding.

I watched the sunrise, the soft shadows sliding along the sheets on the bed, catching on the suitcases we still hadn’t unpacked all the way, you and Bertrand warm beside me, and I didn’t want to get up. We put the best bed in the whole world in our room, and rightly so. High bed posts but no canopy because Bertrand was worried about dust. Crisp white sheets and I was so excited to look when we finally got up and see the wrinkles mashed down in them from where we slept because that meant it was ours for real. That rich wine comforter that it was too hot to use the first night so we still had it folded up at the foot of the bed, but you had this look in your eyes when we spread it out like you couldn’t wait for winter and when we’d be squished up against each other underneath it for warmth.

That morning, I just wanted to lay there and savor it. It wasn’t like we’d never been in the same bed before, or that we even needed to be married, but! To know I could hold it in my hands, that’s what it was.

And then Bertrand rolled over and got an elbow into my side somehow and you mumbled something about Wedding Pancakes (capitals implied) and then we had to eat breakfast.

I checked. The wrinkles were all there.

-------

Bertrand and I.

We haven’t

We’ve been

We’ve been angry at each other.

And you know Bertrand, he doesn’t get angry, really, he gets, more disappointed than anything, but he’s. He’s been angry. At me. I know.

I get scared, because I don’t know what to do, so I, I can’t hold a conversation without yelling at somebody, and it’s usually Bertrand, and I hate yelling at him and sometimes he starts to yell back.

We’re not. Okay. Right now.

We weren’t supposed to do this without you and I don’t want to find out that we can’t, Lemony. And I know we can but I know it’s also not a matter of doing it with or without you, because that’s awful, I just keep wondering what if you were what held us all together and if you’re not here how are Bertrand and I supposed to go on like this. Saying the wrong things, avoiding each other, not coming home. I guess that’s how we’re ‘dealing’ with it but that’s sure some sick way to do it.

I don’t want to lose anybody and fighting for them means that I want to keep screaming until everything stops.

-------

Jacques said you’d be back soon enough.

I told him I needed to know how soon was soon.

He said soon enough.

I said that wasn’t enough.

I never though of Jacques as one to yell. And he didn’t really yell, he mostly raised his voice, like I couldn’t hear him. I mean I was definitely talking over him but it was because I could hear him and I didn’t want to.

No one can tell me anything I don’t know. I know they think I haven’t felt the same worries as everyone else but that’s because I never wanted them to think that I did. And I did too good a job, apparently. I know we live hard lives, Jacques. I know it requires sacrifices, Jacques. I know there’s no guarantee, Jacques. I know there’s things you have to give up. I know you can’t be childish or selfish in this business. I know we knew what would happen. I know sometimes no matter how hard you try, you’re just going to fail.

He told me to wait for you.

-------

After breakfast, we organized the library, because we still had so many things in boxes but we agreed we had to get that done. We put everything in, every repeat copy and every notebook because we actually had room for everything instead of trying to cram it all into smaller bookshelves. The library was the biggest room in the house and had that beautiful windowseat. (It still does. We’re still in this house, after all, but this moment, this day, just isn’t right now.) I’ll admit I spent more time lounging on it than I did organizing books, but, you sat on that windowseat with me, you knew how comfortable it was. I loved those windows and how bright the sun was (really.) and how good I knew it was going to look when it was raining. And you agreed, and Bertrand rolled his eyes at us, and I told him, he got his natural light, what more did he want?

For two people to stop lazing around and figure out if we were going in alphabetical order or by genre or by which ones most recently made us cry over lunch, Bertrand said.

It was alphabetical, of course.

We forgot about lunch, because we put the record player in the library until we could find another place for it and started playing our favorites. Bertrand could dance by then, obviously, we wouldn’t have married him if he couldn’t. We were very good at dancing together, after practicing for so long. No one was ever going to do a better three-way tango and we all knew it.

We picked through the fridge and some of the wedding gifts, once we got hungry and tired of dancing. We found out Jerome somehow still sent us at least thirty coasters, and learned that he apparently wildly overestimates our social life, because there was no way we were going to be inviting thirty people at a time over anymore, or at least, not for a while. You and Bertrand stacked them in the dining room in a cabinet, and those you organized by color. Then we stood at the window there and looked out into the garden (the best view of it was from the dining room) and talked about the flowers we were going to plant, and how Ramona was going to send us (express) a clipping from one of the rosebushes in her garden, the ones we’d look at during her family’s masked balls.

We went to the corner store down the street and you and Bertrand pretended to fuss over tomatoes while I was looking at loaves of bread and when I turned around you were buying flowers for me, red and bright and beautiful. We put them in the kitchen while we all made dinner (salmon, with cherry tomatoes). Somehow I found the time to make sorbet for dessert and it was only then we realized how late it was and we laughed a lot that day and laughed a lot then because we didn’t need to care about things like that. Our house was barely put together and we tried to find a way to use every single coaster from Jerome and we hadn’t had words with the city about the electricity yet because there was so much we’d had to do beforehand that we had to use candles. We all had matches, and we weren’t naive enough to think we wouldn’t have them.

I can’t tell you how powerful I felt, lighting those candles, because I know you and Bertrand felt it too. This was our doing and ours alone. This space was ours. We looked at each other over the candles, the shadows on our faces, and we’d never looked clearer.

We could’ve lived forever, in that moment.

-------

I called your brother a coward and I told him that whatever happened to Jerome now that he wouldn’t protect him was his fault and his alone and if he could live with himself that’s fine but I couldn’t if I didn’t try to do this and if he didn’t tell me where you were I was going to kill him where he stood and he shouldn’t even think for one second that I wasn’t capable of doing what had to be done and if that meant I had to kill for what I wanted then I would.

-------

You kissed us in the morning. You smiled. You walked out the door and then came back because you forgot your hat and Bertrand and I were still laughing even as the door shut behind you.

And then you were gone.

-------

Kit came by again, after.

We sat in that silence.

She told me that it was the one thing they hadn’t told her. She hadn’t known, until I asked Jacques. We don’t have anywhere else to go, she said, in a moment of unprecedented candidness. So we always come back.

“I underestimated him,” she said.

I told her she could keep The Wasteland, since it was practically hers because it had been yours. Kit smiled. She didn’t say much else.

-------

Bertrand and I aren’t the only ones losing someone here and I forgot that.

Jacques and I looked at each other for a long time. I tried to apologize and he kept shaking his head. He told me where you were. He told me he didn’t know when you’d be back—or if you would at all. He told me he was the one writing the articles in the Daily Punctilio. He turned away from me. Then he gave me his handkerchief, and put his hand on mine, and got up and left.

-------

What it feels like, Lemony, is like you

It feels like you picked

It feels like we didn’t matter and

And it’s not like we could ever choose or have one or the other I know I know I know but

We’re never going to be without it but I thought that

WE GOT MARRIED, FOR FUCK’S SAKE, LEMONY SNICKET

You picked an idea of nobility that you spent the past ten years struggling with and denouncing and promising you’d never

It wasn’t like we ever set out to save you anyway I

At the end of the day, that’s it. You picked the organization over us. And I didn’t think we were going to have to draw lines like that. At least not now. At least not right now. Because that means I have to make a decision. Because it means I can’t only think about me. Because it means I can’t keep waiting. And even if I could, I wouldn’t want to.

-------

I found out the other day.

I had a feeling, though. You just, you either have the feeling or you don’t, right? And I did. And I keep thinking about what your reaction would be. What you’d say. I keep thinking about your eyes, bluer than blue. I keep thinking about the world we said we were going to make when we were kids, the people we said we’d be. We were tiny and young and idealistic and you’re really only that way once in your whole life and when you’re not anymore, you can’t go back.

-------

We can’t go on like this.

stripped off my dress like a skin,

peeled

so you could see everything

not only then,

but always.

didn’t know i was doing it,

guess i never really ran out of clothes.

you took off you shirt

and I was jealous.

you only needed to do it once and there you were.

I thought.

but now I keep finding shirts

in the places where I found you

and I can’t

find anything

that was mine

to put back on

I really can’t do anything

-------

Enclosed you’ll find the ring. I know it’s not just the ring I married you with, but the ring I married Bertrand with, but whenever we look at it we think of you and I’m the one who has to wear it all the time and I can’t.

But I don’t want to give it back because what if it’s the only thing I get to keep of you? But it wasn’t ever mine anyway, or yours, and who knows, maybe Ramona will marry Olivia with it someday, and maybe you’ll be there, only you wouldn’t be if you got the ring back, you’d never show your face again.

And that’s not what I want, I don’t want you out of my life, Lemony, but if I give it back then maybe I do. Maybe that is what I want. Maybe I never want to see you again like this.

-------

Okay, I have to ask. I have to, because Jacques kept his mouth shut about this.

The last time you saw us. Not the day, but the morning, walking out the front door. Did you know you weren’t coming back? You just left like you always did, to go to the newspaper, before Bertrand and I went to the theater, and as far as leaving someone for good goes that’s so

Did you meet up with Jacques, or Hector, or Jo, or even Kit, and did they tell you? Did headquarters address you personally? Did you take an assignment from someone else? Did someone corner you and were you trying to protect us? Was that the only way you could do it, going into hiding and faking your death? Who else was involved, besides Jacques? How long was it going to go on for? Did they expect you to do it by yourself? Did you have a plan, did any of them have a plan? What fragmentary plot was it even a part of? Did you know you weren’t coming back? Could you even come back? Did it even happen right away? Did it start out as some mediocre assignment you were going to tell us about later and then what happened so that I was reading the paper and there you were being accused of things I knew you’d never do? Why didn’t they ask me? Why didn’t they ask Bertrand? Why didn’t they ask us? You knew we’d do it together, we swore we’d do it together, why didn’t you tell us? What made it so that you couldn’t?

Or did you really decide for yourself that that was it?

I don’t want to believe that. I don’t, Lemony. I want to believe that it was one thing and then another but do you know why I can’t, why I keep asking? Do you understand why I need to know the truth? Why I need to be able to put it together? Why waiting and trusting isn’t enough anymore?

--------

No one could ever extinguish my love, Lemony, no one, nothing, not a single solitary thing ever, nothing could do it, but my trust is a different matter. Loving someone and trusting someone are two different things and I know you know that as much as I do. You. Knew. All. Of. This.

-------

You know. If it had ended at the article. I might’ve been okay with it. I might have. Not making any promises, because we both know better than that. But I might’ve. I could’ve.

It didn’t end with the article.

Olivia had a short-lived assignment working the telegrams recently. She gave Ramona a very specific telegram. Olivia was honestly surprised it had come through at all. That something like that would be sent over such an insecure line. And of course she showed Ramona. They didn’t show it to anyone else. Which was lucky, because you know Olivia. She wanted to do whatever she could.

Ramona sent it to me. Right away. I got it yesterday. She said she’d never felt worse in her entire life. She said she was sorry. She’s the only one who didn’t sound patronizing about it.

J.S.,

AS WELL AS CAN BE EXPECTED STOP GOING ON FULL STOP

M.K.

I never liked Monty Kensicle all that much as a name either.

-------

Lemony I can’t help but think that you’re sick of me, sick with me

It wasn’t like I ever—like I did it to be similar, I would NEVER, because both of us had our reasons for why we did what we did, you on that train, me and Bertrand at the opera. We knew what we were doing. Did we regret it? Enough for it to hurt, on the wrong days. Not enough for it to matter, in the long run. But enough for it to stop me every once in a while, in the way I know it stopped you.

But, but did you think, you couldn’t love someone who

Which would be, extraordinarily hypocritical of you, not to mention

I know you still think about it and I know how much it

I paid my price for what I did, Lemony, and so did you, and I didn’t

Is that how it works? Is that what happens? Is this what else I have to give up, for some shred of nobility, is my life going to be one mistake after another because I followed an order and I though they were right enough? Not even right, right enough, how stupid—is everything that happens to me going to be because of that? Am I losing you because it’s what I deserve?

Don’t I deserve good things? Don’t I still deserve happiness, and stability, and love, and a family, and all those things I worked so hard for? Because nobility wasn’t the end of it for me, this was what we wanted, something better, something for us, something we deserved, and this can’t be it, this can’t be the only thing we get for all of that, there has to be something else! And if I lose everyone close to me because of this organization Lemony I swear I don’t know what I’m going to do I feel like I’m going to lose my mind like this

--------

I think of you out there, alone, and probably cold because you never bring a damn jacket with you anywhere. It’s summer but I’m imagining you as being cold, but I think that’s just because it’s sort of what you do when anyone thinks of someone as being anywhere alone.

Or, I’m just—I’m thinking of you out there, alone, for sure. I’m doing that. I’m thinking. About you. Alone.

I’m

thinking.

I think of you. Out there. Letting Jacques know, letting Olivia know, because you had to know who was working the telegram, otherwise you wouldn’t have sent it, I think of you going out of your way to tell your brother and not me and Bertrand and maybe you thought they’d tell me anyway but I had to pull teeth to get it from Jacques and if it had been anyone else! No one but Olivia would have said! You got lucky! But not enough! Because you still didn’t tell us! You went out of your way to not!! You! I think of you! Doing that instead of having the nerve! The decency! To tell us first! You!

How could you

-------

I think of you, out there—hiding in the middle of nowhere with only the occasional newspaper for company, which, let me tell you, Lemony, is a very frustrating existence. You know what? I keep wanting to hope that you are dead because somehow that would make this easier, I can be angry at a dead man. But I can be angry at anyone, can’t I. Dead or alive, it doesn’t matter. I can be angry.

I want to hope that you never sleep comfortably again. I want to hope that every sea is too uneven and every desert is too hot and every mountain is too cold and everywhere you go it’s too much. I want to hope that you try and come back and see how good and happy Bertrand and I are without you and you have to realize, you really did mess up. I want to hope that your boat goes down in the middle of the ocean and I know for sure! I want to think that you’ll be so miserable without us and it’ll never have been worth it!!

You’re out there, without us. Without me.

I hope it was worth it.

-------

What am I going to do?

I’m not picking. It’s not—I’m not capable of that, picking between you two, and I know you both had this ridiculous fear that I was going to, but I wasn’t, and I’m still not. I am selfish and clingy and I know what I want and I love what I have, and I love both of you and Bertrand loves both of us and I was ready to stake my life on the fact that you loved both of us too.

And I hate that I have to say it! Because I do! Apparently I do have to, Lemony! If it comes down to, who would I rather do this with, who would I raise a family with, who would I trust more than anything, and you made me make this choice, I’m sorry it can’t be the man who ran away from me! And part of me keeps thinking I’m not even me for saying that, I’m not, I’m not the Beatrice that was going to tear a room apart with her bare hands to get what she wanted, who would scale walls and climb buildings and shoot a gun and could ski and fence by fourteen, I’m not, taking risks, I’m not doing whatever I have to, and that everyone who told me Bertrand was boring (because there were people!!!) and safe and uncomplicated was right and that I’m betraying some fundamental aspect of myself by not even trying, and that I’m hurting Bertrand especially for making him a damn pawn in what I think my life is

But it’s not like I never did! It’s not like I didn’t spend years and years of my life trying to be a good person, trying to create the life I wanted, all of this is me, every ugly thought and every bad decision and every unfinished book and every theater script I keep leaving around places and every single page of this as I try to figure out where I want to go from here! And it just comes back to one thing, Lemony, just one thing! That we can’t do this! That I can’t have you in my life like this! That I didn’t believe it would happen but here it is, it’s happening!! I can’t avoid it! You walked away from me and expected me to be okay with it! You expected me to wait! You expected me to do it! You expected EVERYTHING from me and I only have so much to give, I’m only so much, I CAN’T DO EVERYTHING

And do you know what I am? Do you know what I am, really, when I get right down to it?? I am this, this awful woman with blood on my hands asking you for something that even I could never give anybody, not you or Bertrand or myself and I’m so sick of everything, I’m so sick of myself, I hate everyone and myself most of all, for being like this, for turning into this person, I hate hate hate hate hate all of this and how we were raised and what our future is going to be and what I’ve done and what is it going to take, for things to be better, for me to be better, for—what is it going to take, Lemony, for you to walk back through that door again and not do it over and over and over and I can’t keep letting you do this, I can’t, not to me or to Bertrand, I can’t keep hoping you’ll be there when I wake up and I can’t keep dreaming we’re going to die and I can’t keep pretending that anything about us has ever been okay or ever will be okay! Nothing about this is okay and how am I only realizing it now? How long have we been fooling ourselves into thinking that we could do this? How long do I have to be kind about this? How long do I have to play nice about you and this?

I’m UPSET and I’m ALLOWED TO BE and I

don’t

know

can

forgive

you

I don’t know if I want to. I don’t know if I can look at you anymore.

I don’t know.

Do you know how it was, Lemony? It was us first. You and me. From the second we saw each other in that green-walled room, it was you and me. Lemony and Beatrice. Root beer floats and being purposely mysterious to each other when we talked and being too clever. And I thought that meant we could do anything. We could die and I’d be happy because I was with you. As long as I had you.

And then there was Bertrand. And life felt different. Bertrand made it different, Bertrand made life different, he made it worth something else. And the bond that you and I had? Irreplaceable. And what we created with him only made it better. We had room in what we had for something so good. It really was Bertrand. I don’t know what would’ve become of us if it hadn’t been for him. And I saw that in you, too. You thought it too.

That was when I worried. When I started dreaming about terrible things happening to us. To you. I kept running from it because I didn’t know what else to do. I just didn’t want to lose you. I didn’t want to lose.

I’m scared to do anything. I’m scared to be wrong. I’m scared to know anything else.

I’m scared to die.

I don’t think you are.

I’m not sorry.

-------

Here are some questions. Here are some facts. Here are some things.

1 – I’m tired.

2 – I can’t even wonder if we should have done things differently anymore, right after that moment we met. In that room, I never imagined any of this.

3 – Sometimes I do think you lied all along. And that’s not a reflection on our associates or anything but just, see question/statement 1.

4 – You had to have thought about what would happen.

5 – How could we have a family like this?

6 – Did you think you could run all your life? Did you think that would work out? That Bertrand and I would be satisfied with that?

7 – Did you want me like that?

8 – What am I supposed to do?

9 – How long did you think we could keep this up?

10 – Was I wrong?

11 – What did you want?

12 – I know you’d thought about what a family with us would look like and I didn’t think you’d let anything stand in the way of that and maybe that was where I was naive.

13 – What would you say if I asked you this in person?

-------

After all this, I—

Bertrand has asked me if I have any spare pens.

-------

Lemony—

A long time ago, I sat in the diner near your apartment. We’d all known each other for a while, and you and Bea were very much together, and I didn’t quite feel like a third wheel anymore but I also didn’t feel like I was a part of everything yet. We were still dancing around each other, and I was doing it truly, incredibly badly.

I was in the habit of meeting Jo on weekends, when we would go over our reports together because we worked in similar places. We’d meet in the diner. I would arrive early and take a seat near the door. It had the best view of your window. You never turned the lights on, but I would look at it and think about you and—I’m completely serious—write the worst poetry ever to exist. You and Bea have always been much better at it. Jo would take it upon herself to help and suddenly they were these grammar-specific poems, which meant I definitely was not going to send them. Jo is many things; Jo is just not particularly a writer of romance.

I never told you or Bea, because it didn’t seem noteworthy, once we were together. But, things happen in your life and you wish you’d been able to say so much more than you did. I wanted to tell you about the face Bea makes when you aren’t there. She bites her lip and frowns around the kitchen when there’s a lull in the conversation in the spots you would usually say something clever. I wanted to tell you how the bed doesn’t feel the same when you aren’t in it. Bea says the wrinkles don’t set the same, and I feel like it’s emptier without you. I wanted to tell you that the hottest summer days—and I feel like there have been an endless amount of them so far this summer, humid and muggy and not the least bit sultry—even they feel cold when we can’t see you. I wanted to tell you that every time I do the laundry, I remember how you can’t fold socks. I wanted to tell you that I’ve stopped folding socks altogether, which has become quite the problem. Bea and I have stacks of socks in the bedroom now, which is just silly. I wanted to tell you that I love watching you put your hat by the door when you come home, resting it on the table as gently as possible, giving such a small gesture has such a big importance.

I took those things for granted. So much of my life, I’ve thought that loving things so fiercely and so determinedly could be enough, and I’ve relied on that love to get me through what we had to do. Even when the three of us weren’t together, I think I would’ve been happy to stay that way, because I could still love both of you regardless, and just that would’ve been enough. Just to be able to love you, and have your companionship. I would have cherished that always.

I’m the one who’s been so lucky, Lemony. When we all got together, I felt like my life began. I felt like you and Bea pulled me along into something beautiful and breathtaking and nothing would ever compare. I felt like it would always be there, for the rest of my life.

And I’m—

I don’t hate you. I could never. You need to know, that no matter what happens, I will never hate you. I can’t promise to not be upset with you, because I am, and a little angry, and a little disappointed, and a lot sad. But I don’t hate you.

You and Bea have such beautiful ways to say things, and I’ve always been so jealous of the way you two write. You told me that both of you were jealous of my tendency to be a little more forthright, at least when I got down to it, because let’s not forget, I did spend two months coming up with nicknames for all of us instead of just telling you how much you meant to me. But I don’t have lengthy or passionate ways to say certain things, is what it is. Actions, definitely. But when I have to say it, it comes out.

I love you.

And I wish you were here.

I never wanted to think about it, I guess. I’ve done a very good job of not thinking of things I didn’t want to think about. We do difficult things and live difficult lives. It takes its toll, and I’ve watched it happen. I thought if I held on tight enough—to you, to Bea, to myself—that we could escape some of it, no matter what we’ve done. And we’ve done a lot. We’ve been kept up in turn by sleepless nights and bad dreams and wondering too much. We’re not going to leave—not for good, and each of us know that—but it could be more manageable, together. We would figure it out, when we needed to. Perhaps I was a bit too optimistic about how well I could do it.

I hate to think it was something we did, or something we didn’t see. I hate to think that you gave up on yourself or on us. I hate to think I didn’t do enough. I know it’s not necessarily anyone’s fault. I know Bea keeps telling me I’m too kind for my own good, and I think it’s because I’m afraid to really feel anything. Feeling it makes it too real, something I have to actually contend with, and I don’t want to. I really don’t.

I want to say—I don’t want to tell you, I just want to say it—that I’m more hurt than I’ve ever been, and I don’t feel like I belong here without you, and that I think, you didn’t want to do it, but you knew what you were doing, and you did it because some things just sound easier, or hurt more but hurt less than others, and that I despise the people that we’ve become. I despise the things that we’ve been made into, and I don’t know how much of it we did to ourselves. I don’t know how much I can change.

I won’t lie, Lemony, because I’ve never been much of a liar. It’s been hard without you. Bea and I haven’t been talking very much, and we get into arguments when we do. We’ve been avoiding each other. It’s hard to avoid someone you live with, for a lot of reasons. But we’ve been managing to do it. I’ve been hiding at the Denouement. Absolutely, definitely hiding. Dewey’s not pleased but he doesn’t say no to the help organizing the archives. Bea’s been going to the theater, even though she’s technically off-duty for the next seven months (it was self-imposed off-duty, which I’ll admit was surprising). When we do talk to each other, Bea has a tendency to raise her voice, which I don’t mind, necessarily, because I understand why she keeps doing it. I have a tendency of late to do the same, which I’m not proud of. Taking it out on each other isn’t good or responsible of us, but it’s where we are right now. It is a miserable place to be.

Bea assumes I’m upset with her, but I’m not. I’m upset with myself, mostly. I keep thinking that none of this would have happened if I wasn’t here, that I made things worse. If you and Bea had just gone on by yourselves, maybe there would be so much less unhappiness. Maybe I was what made it hard for you to stay. Maybe I pressured you, maybe I pressured myself. Maybe this is my lot in life. They’re awful things to think, but I’m thinking them. That’s what people do, when upsetting things happen. We try to figure out where we went wrong. We don’t come up with any answers, but it’s better than sitting around feeling sorry for ourselves, which we do enough of too. I know eventually we’ll stop hurting each other, Bea and I. It just feels a long way away right now. A lot of things feel that way. You, myself, my friends, anything I thought I knew or had.

I’m being very unkind, to myself. That’s not your fault. It’s just something I’m realizing now. I’ve spent a lot of my life being unkind to myself. I don’t know how not to be. There are many things I don’t believe that I deserve, a sentiment I know you understand. It’s hard to feel like we deserve anything, even what we love. The more I think about it, the more I think, maybe that was why. And that breaks my heart and scares me so much, Lemony, that we—you—are capable of feeling such sadness.

Honestly, part of me wants to keep waiting. The part of me that is a fairly patient person is probably willing to do so. But the other part of me that is less patient and a husband to both of you is the part that hurts, and the part that reminds me that I am allowed to say that there is only so much I can take. I want you here more than anything, but I know for sure none of this is ever going to be that simple again.

But going forward from this, I want to feel like I deserve things. There’s only so much time I can spend regretting, or hating myself, or wishing that I had done something different. It’s easy to get caught up in all of that, and I think I still will be, for a while. I think I’m going to keep thinking miserable things for some time to come. But on the other side of that is something else. Not necessarily a happiness, or a satisfaction, but a certain kind of existence. Or, I guess, a kindness.

I love you very much, Lemony, and I can’t imagine doing this without you. I still don’t want to.

But if you have to—Bea and I aren’t going anywhere. We’ll still be here. I can’t promise in what way, but we’ll be here, if or when or anything at all. I hope you can meet us in that something else one day.

Until then, with all my love,

I wish you bluebirds in the spring,

to give your heart a song to sing,

and then a kiss, but more than this,

I wish you love.

And in July, a lemonade

to cool you in some leafy glade,

I wish you health,

and more than wealth,

I wish you love.

My breaking heart and I agree

that you and I could never be,

so with my best,

my very best,

I set you free.

I wish you shelter from the storm,

a cozy fire to keep you warm,

but most of all,

when snowflakes fall,

I wish you love.

Bertrand

face the sun

in the night,

find it in the night

in the pieces,

dig for it,

dig it out with my hands alone.

yes.

what I left –

fragments,

every last eye,

unwelcome.

piling it back in.

new sunlight.

-------

So—the sad truth is that the truth is sad. The real truth is that I never wanted to believe you were right about that. I thought I could get by on good looks and sheer force and well-hidden optimism and believing I was right. I was wrong. We were all wrong, some of us more wrong than others.

Where you went wrong is thinking that we—that I—would be okay with this. And that was where I went wrong too, I admit. The blame could be with all of us.

What I do know is that we can’t be together like this. Not like this. This is where it ends.

I don’t know what will happen tomorrow, or the next day, or the day after that. I don’t know what Bertrand and I will do. And the two of us—Bertrand and I—can figure that out. In whatever way that is. Whatever you’re doing, I leave you to it.

You will—always, always, always—be (somewhere) in my mind, and (deep) in my heart, and wherever (wherever.) (parenthetical required.) you are. Be it a boat, or a cave, or the city, or a grave, true or false. That’s the way you want it. That’s the way I will accept it. Good luck.

Beatrice

#asoue #a series of unfortunate events

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