Vienna/Salieri related Singularity below because I needed to share my brainrot full of nerd arcane knowledge from my music classes in 5th grade so expect nerd arcane knowledge with added references, delusions, bad life choices and inaccuracies (also since its a delulu setting watch me screw entirety of FGO canon) ANYWAY FUCK IT WE BALL THAT’S MY SINGULARITY

Vienna: Revolution and The Little Tragedy of a Kapellmeister

- Events take place in 1825, in Vienna at time of ruling of Francis I when Holy Roman Empire fell and Austrian Empire was established. More specifically it takes place after May of 1825, and significant story divergence takes place after Francis I have died 10 years earlier than he was supposed to in 1935. This event is supposedly connected to a group of people that desire the return of HRE to its former glory and reestablishment of an absolute monarchy.

- Upon arrival in singularity, it’s pretty clear that entire thing was successful and countries that were established after HRE’s fall exist no more. Results of HRE’s fall and French Revolution were also annulated. this in itself threatens human foundation because as a result it shows futility of revolution and results in social and law stagnation.

- When collecting an information about current situation and facing an aggressive response from imperial army, Guda and Mash were aided by Camille Desmoulins (Archer, because as witness accounts state ‘… Desmoulins [was] among them arming himself with a bayonet rifle and two pistols, and embarked upon the Storming of the Bastille’) and Maximilien Robespierre (Berserker, because Robespierre faced growing disillusionment among others due in part to the politically motivated violence advocated by the Montagnards), who are also hunted by imperial forces due to being two among many famous figures who instigated French Revolution that ultimately led to fall of monarchy not only in France but later in Europe as a whole. These two are reluctant to work together and constantly exchange acidic comments, mostly Desmoulins, because he’s angry at his ex-friend for betraying their goal of freeing the country of an absolute monarchy and Robespierre being a supporter of Terror policy and resulting in their ultimate executions. These two agree to set aside their bitterness and work together with Guda to set human history back on track, because they were the ones to start French Revolution, even if it didn’t turn exactly the way they wanted it, it was still a big moment in humanity’s history.

- Further information gathering put things to more clarity: current ruler of New HRE is Joseph II who by this time is supposed to be dead. Main crew does get a chance to encounter him but ultimately is unable to defeat him as he’s now - he’s clearly in possession of a Holy Grail but appears to be in clear enough mind to be negotiated with. Furthermore, Joseph II is clearly aware that his existence contradicts proper flow of human history, he acknowledges that his actions ultimately will bring destruction to foundation of humanity, and he’s genuinely sad he has to do it, but he also wants to do it because everyone he held dear were destroyed by humans with excessive cruelty. At that moment Avenger Marie Antoinette appears and upon seeing Robespierre and Desmoulins initiates battle out of anger towards people who started her downfall which resulted in beheading. Clearly being overpowered, Guda and company retreat. After that Joseph and Marie decide to pay a visit to Salieri.

- While being pursued by imperial soldiers, they are aided by Marianna Auenbrugger (Caster) and Joseph Haydn (Caster) who escort them to a hideout where other various musicians and composers are hiding. It’s pretty much a company of Casters and a Berserker (Beethoven) who are puzzled at such turn of events - if Joseph II has issues with Revolution and downfall of monarchy as a whole, then why all of them - musicians and composers - were summoned as well, at the same time. Furthermore, they all are also being actively hunted by imperial soldiers.

- Back in Palace Marie is happily chatting with barely conscious Salieri. After she leaves, small shadow materializes and approaches Salieri promising him a soon arriving salvation. At the same time, Joseph has a conversation with Napoleon, but it’s not going that great. Joseph understands Napoleon’s desire to become an Emperor once again but he’s also not allowing him to take rule over country again, not after such spectacular failure. Multiple monarchs do not mix well. Aside from desire to reclaim his position, Napoleon also wants a rematch for that shameful result of Battle of Borodino.

- In middle of discussion among Guda and others arrives Pyotr Bagration (Rider, since in Battle of Borodino he was injured while riding a horse) and informs others that apparently they need to move or else they’ll be found and none of them are in proper state to fight back. In middle of moving they meet Andrei Bolkonsky (Saber) who gladly agrees to join and discusses with Bagration their real and fictional experiences at Battle of Borodino. Bolkonsky also mentions that he saw Pushkin wandering streets of Vienna until he was chased down by soldiers. Bolkonsky himself was ignored by soldiers despite being a man who participated in war, yet a writer and poet is chased aggressively.

- Just as they move, they stumble upon Pushkin being cornered. After helping him out, Pushkin (Archer, he himself is puzzled at being summoned not as Caster but as Archer due to his last duel) provides information that hunt after him was a specific priority order from Joseph II. Eventually it was deducted that the reason for specific hunt after Pushkin and other musicians is because of Salieri, whose role in this Singularity is unknown. More accurately to say it’s because of Pushkin’s ‘The Little Tragedies’ cycle, specifically ’Mozart and Salieri’ that was one of the reasons for Salieri’s false fame as a jealous murderer. At the same time palace if full of masterful piano play. In his chambers Salieri patiently listens to a child playing a piano. Salieri, still tired and barely conscious, praises said child before falling asleep. Child goes out and stumbles upon Joseph. ‘Keep going and you’ll forever erase my existence from his. That’s what we both want, aren’t we?’

- After circle of soldiers becoming smaller and smaller it was agreed to launch an assault on Joseph’s residence and claim grail from him, especially now that they know the reason for his actions. At entrance they’re greeted by Napoleon who refuses to let them pass. Bagration isn’t happy to see familiar face, just as Bolkonsky. Fight ensues and in middle of it appears Dantès to aid a little because apparently he’s not a fan of Napoleon and remembering whole thing that was the reason for him imprisonment he can’t deny himself the chance for a little revenge. In the end, Bagration, Bolkonsky, Dantès stay to deal with Napoleon. Before separation Pushkin jokes about meeting Dantès but not the one who shot him (d'Anthès) /a play of phonetics because in Russian both d'Anthès and Dantès sound the same/

- Further in Palace they encounter Marie Antoinette. She does mention how it’s ironic how she and them (Desmoulins and Robespierre) were beheaded for sake and as a result of Revolution. She asks them if ending like they did was worth it. They in return ask if beautiful and compassionate queen that held her head high at her own execution and loved her people would bitterly destroy bright future of her people and country over bitterness and anger. Marie desires to behead them herself just to see how it feels to be on other side of guillotine.

- Guda and Mash with others encounter Joseph and ask him why exactly he’s doing that. Joseph doesn’t really answer, but does mention that it’s not only about anger and frustration, it’s also about love and compassion. He does mention that humanity is plagued with idiocy and lack of thinking, and thus it has no right to exist. Joseph also mentions that he doesn’t care about restoring monarchy, it was about his closest people he cared the most about, but seeing Napoleon being summoned it did paint a clear picture of natural power struggle. As of seeing Pushkin, he becomes clearly obsessed with targeting him. ‘After all you’re one of the reasons he ended up like that. Unforgivable, absolutely unforgivable. It’s a shame Mozart wasn’t summoned, I would’ve liked to put my sword through his neck.’

- After Joseph’s defeat appears a little boy and takes Holy Grail. Disappearing Joseph calls him ‘Salieri’ before bitterly correcting himself and calling little boy ‘A cursed abomination’. Supposedly ‘Salieri’ stabs him with Blade of Wildlife saying that Joseph himself did an awfully bad job at granting Salieri’s wish and by analogy getting rid of ‘him’. After that ‘Salieri’ addresses Pushkin as ‘one of his creators’ and uses Grail to fully transform and don Wailing Facade. After near defeat he, barely holding himself together, runs away. Guda and others chase him only to find a little ‘Salieri’ with damaged spirit origin protectively covering a man on bed whom Beethoven recognizes as Antonio Salieri. Both boy and man are Servants and have awfully unstable yet almost identical Spirit Origin.

- Actual Antonio Salieri comforts little ‘him’ and thanks him for granting his actual wish of seeing people he loved once again. ‘Salieri’ retorts that his true wish was desire to get rid of ‘Salieri who murdered Mozart’ and humanity as whole, that was the thought of dying Salieri. Salieri explains that it was a momentary hate and bitterness that colored his last moments in life he ultimately never regretted. Just as he embraces ‘Salieri’, he says, that despite everything he does not regret ‘Salieri’ or ‘Gray Man’ existence, because despite their weird and unstable situation he’s the one keeping Salieri’s Spirit Origin somewhat whole and allowing Salieri to manifest at all, since myth is much more famous than actual person.

- After Salieri’s death, his bitterness and rumors along with fake accusation merged into ‘Salieri’ who shared feelings and memories of real Salieri. Gaining his own sentience as ‘Salieri who murdered Mozart’, this ‘Salieri’ was angry at humanity for doing this to a simple man who was too nice to be treated like that at end of his life and decided to carry out his last wish with Grail that was given to him. To maintain proper existence he used grail to summon Salieri. Then Joseph, but Joseph despises ‘Salieri’ for being a product that ruined actual Salieri he cares about. ‘Salieri’ proposes a deal: Joseph can’t kill ‘Salieri’ for it will send both him and Salieri back to Throne or even worse completely damages their Spirit Origin so they’ll never be summoned again. Instead, Joseph can take this as a chance to destroy the world that executed his precious little sister and completely twisted his beloved kapellmeister. By doing that Joseph will erase future where Salieri is known as ‘Salieri who murdered Mozart’, which means Salieri won’t have to suffer anymore.

- In the end Salieri apologizes for all the trouble. Salieri says that he doesn’t regret ‘Salieri’ being a part of him and asks ‘Salieri’ to give Grail to Guda. After it’s done, Singularity starts to fix itself, Salieri disappears first as a summon of Grail and ‘Salieri’ follows. Salieri wishes that next time they’ll meet it will be a willing peaceful summon for them both as whole, much stable existence.

- After that in Chaldea before Salieri is summoned, Joseph is summoned first because he needs to keep an eye on both his sister and beloved kapellmeister. After that Salieri is summoned as a Double class - Antonio Salieri (Ruler) and ‘Antonio Salieri’ (Avenger) /aka local tired man keeps check and adopts a shy but feral child who occasionally wants to stab Mozart, Pushkin and Joseph II with different states of success/.