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joseshin · 4 years

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CATS: 1998 vs 2019

Alright, going to do this already. Note: these are my personal opinions. Intelligent rebuttals will be considered and replied to, anything else may likely be ignored. Also spoilers, and LONG. So onward to a comparison of the 2019 movie against the 1998 filmed stage version.

Edit before posting: Apparently I never queued this. I feel a little silly now

Plot/Framing: The use of an abandoned Victoria to frame the introduction of the plot of the Jellicle Ball and Munkustrap acting as narrator/guide to Victoria is a decent idea, and one that worked fairly well. Granted, when you take a book of poems and turn them into songs, it’s a little hard to create plot for a musical, but inspiration comes from everywhere. Victoria is a pretty blank slate for directors to work with, so having her be the framing vehicle is a really good idea. She’s the white cat, the dancer, doesn’t have any specific lines of dialogue or song attached originally.

I think that Munkustrap didn’t have enough presence in the movie. He’s the primary narrator, he needs to be someone we want to pay attention to, not just because he’s the one who happens to be singing or speaking at the moment. Maybe it’s a difference in how the two versions were filmed, and the focus was a little more on Victoria as our window into the world of Jellicle Cats, but I didn’t catch myself looking for him, or even noticing him in some shots, and you want your main source of information to be someone/thing you’re aware of, if only to see the mood of the scene.

“Jellicle Songs for Jellicle Cats” and “The Naming of Cats”: I thought the pacing was a touch fast, but I can understand trying to get all the material of the musical to fit into a film. Same with the cut lines here, and it did flow very well for the most part.

Having each cat introduce themselves via their song, and thus their entry into the competition for the Jellicle Choice, is interesting, and it does give a reason for not doing either the songs “The Awefull Battle of the Pekes and the Pollicles,” or “Growltiger's Last Stand,” as they are the Jellicles entertaining each other in “play within a play” scenes. It also gives Growltiger a reason to be a villian/henchman of Macavity’s, by using a snippet of his song during one of the capture sequences.

“The Old Gumbie Cat”: I was not happy. Rebel Wilson is an amazing singer and actress, and I was very much looking forward to her interpretation of Jennyanydots. What I saw was a petulant, whiny brat, instead of the example of Edwardian do-gooder. Also, the mouse costumes were ridiculously bad, and the replication of the cockroaches was just showing off CGI work for no real effect.

“The Rum Tum Tugger”: No. Why would you use this version, it’s a trainwreck? And the music choice made no sense! Jazz by itself would have been fine, but as far as the hip-hop/rap elements go? Are we trying to make the timeframe screwy? I miss the rockstar Tugger.

“Grizabella: The Glamour Cat”: Alright, Jennifer Hudson is amazing. That said, I don’t think she made sense as a casting choice. Grizabella is older, she’s past her prime and her singing should have more of that age and grit to it that shows her experience. If you’re going to use someone younger, at least put some convincing age makeup on her, and choose a singer who has a huskier tone.

“Bustopher Jones”: James Cordon did a very good job to make this about more than a cat who eats his way through life, though I’m not sure about his scavenging through the trash. He’s supposed to get huge amounts from the gentlemen’s clubs he attends, I would have thought the proper attitude of “the St. James’ Street cat” would not allow for his digging in the garbage. And the sensitivity about his weight was stupid.

“Mungojerrie and Rumpleteazer”: Perfect. The mischief makers in their element, and Victoria having to deal with the fact that they can be not nice cats, it works.

“Old Deuteronomy”: Judi Dench was an interesting choice for the role, but it works. There are some slight differences that come with having a matriarch for the Jellicle tribe instead of a patriarch, and they were handled with grace. It also is a way to give Dame Dench a role in Cats that fits her experience, since her injury during the rehearsals for the original London opening meant her planned dual roles didn’t happen.

“The Jellicle Ball”: The dancing was nice, and I liked the way several other cats became more than faces in the crowd during it.

“Memory(Prelude)”: Again, I just don’t think Jennifer Hudson has the age for this to work. Beautiful rendition though.

“Beautiful Ghosts”: A Victoria solo. Huh. It makes sense, given that Victoria is the primary viewpoint character in this version, for her to have something of her own. And it’s a pretty little song.

“The Moments of Happiness”: It doesn’t have quite the impact it should, since the only real witness to Deuteronomy is Victoria here. It works better when the entire clan is being given this lesson, even if most of them don’t understand it yet.

“Gus: The Theatre Cat”: Ian McKellan, ladies and gents, in a role that suits his age and expertise? I almost don’t miss Jellylorum. Also the lead up to it, with him giving some words of wisdom to a fellow performer? Yes, and yes!

“Skimbleshanks: The Railway Cat”: The vocals and dancing went very well, but I kept getting distracted by the costume. What’s up with that facial hair and the suspenders? Also, the way the scenery shifted during this song where it never had with any other Jellicle performance. More questions than answers here.

“Macavity: The Mystery Cat”: Hoo boy. Where to begin? Making Bombalurina one of Macavity’s cronies sits a little funny with me, but I understand the logistics behind the choice. The one place though, the one place that lyrics should absolutely have been changed in the entire show and you MISSED IT!?!?!?!? Idris Elba is not a ginger cat, there is no way to make him a ginger cat, and you didn’t try to make him a ginger cat, so why does the song define him as one? You couldn’t try, I don’t know: “Macavity’s a midnight cat/ He’s very tall and trim”?? Instead, you call him ginger, and thin. Ugh. Also, as much as I love to watch Elba, a lot of the threat of Macavity in the musical comes from the fact that this is the first time he’s been openly on stage, and not just a shadowed figure hiding along the fringe. Using Macavity often earlier in the movie, having him spirit away the other competitors for the Jellicle choice so obviously, damps down on that. Shadows crank up anticipation better than overt threats most of the time. The stage version creates a scarier Macavity, though I’m sorry to say it.

The use of catnip is kind of hilarious as a drug, though I’m a little sad there was no fight between Munkustrap and Macavity, and that the Jellicles all came under Macavity’s power so easily. Little annoyed that Griddlebone and Bombalurina seem to just melt away after the song, but understanding not wanting to use T Swift for “lesser” plot type issues.

“Magical Mr. Mistoffelees”: Mistoffelees is adorable here. This show is as much him coming into his powers and abilities as it is introducing Victoria to what it means to be a Jellicle. His attempts, as he tries again and again to bring back Deuteronomy, are laced with just enough desperation that he’s trying his hardest without making it overacting. The final success, when he’s sure he’s failed utterly, is so very sweet.

“Memory”: Same critique as before. The thing about Grizabella’s songs is that they are reminiscing. Looking back on a more golden youth. Crying for understanding that those without experience in the shades of gray life throws at you won’t have. It’s significant that Victoria (or Jemima, depending on the rendition) reach out to her, but Deuteronomy is the only one who has no problem with her, even from the get-go. You need someone with either a hell of a shitstorm life experience, or just plain experience to get that.

“The Journey to the Heavyside Layer”: I liked the transition of the broken chandelier into a balloon carrying away Grizabella. Little confused at Macavity’s loss of power, but okay.

“The Ad-dressing of Cats”: Deuteronomy addressing the crowd certainly brings the magical nature of cats to the fore, leaving the audience wondering how long she and the rest of the Jellicles have been aware of our view into their world. I liked how when she was describing the food gifts a person can give to their cat, all of those surrounding her got excited.

Costuming: Just bodysuits and CGI ears, tails, and whiskers do not turn people into convincing cats. The giant wigs of the stage show, while an 80′s throwback to the extreme, also change the profile of the face to better mimic a feline skull. I get it, having that poof would have been annoying with having to deal with the CGI ears, having to compensate for every fur twitch, but still! Also, nobody’s fur had any significant fluff amount to it whatsoever, it was all extra elements, like the coats and other accessories, but you could have used the legwarmers and armwarmers of the stage show give a better illusion of volume to fur. Having everyone be sleek shorthairs is boring. To my mind, the makeup was not convincing enough either.

Final thoughts: The movie version was okay, casting choices were decent for the most part, but I have to say that all together, I prefer the 1998 version. It could also be that the actors for the filmed stage version had been doing these roles for some time and it shows, especially in movements. Don’t get me wrong, the movie actors are good at their jobs, but there’s a difference in living a role for months or perhaps years during a stage run, tweaking things each performance, research and changing your approach, and making a movie, trying things only to have to move on to the next shot.

#CATS #cats the musical #CATS 2019 #CATS 1998 #movie review #movie critique #i forgot this was in my drafts

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pulaasul · 4 years

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Rebelling Skull - 2

A Sequel to Femoral Meeting.

After meeting an organization dedicated to exterminating Shadows, Ryuji finds his path crossing with said organization more times than he’d like. Is it mere coincidence or simply something from a past he’s unaware of, haunting him?

FFN I AO3

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Songs featured in this chapter are Rise's own song True Story and After the Rain by the idolgroup W from the Idolm@ster Side M game.

True Story

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After the Rain

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https://www.project-imas.com/wiki/AFTER_THE_RAIN - Lyrics so you can sing along, and there's an English translation.

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Shout, friends! Just those words you really mean

And let your voice be heard all over the world

Stand up when you hear the knock on the door

It's me, come on out;

As Rise sang the song, the entirety of Shujin's student body cheered as they sang along. A lot of them were waving their hands in support and solidarity.

"Cannot believe that the new Student Council President managed to drag in Risette." A boy cheered. "THE Risette!"

"Forget Risette!" Another student grinned. "They managed to rope in Kanamin and other Idol groups!"

"I know right!" A girl agreed. "They even managed to get HighXJoker and W to perform earlier!"

"Risette!" Mishima cheered. "THE RISETTE!"

"Calm yourself man.' Ryuji chuckled. "I know it's unbelievable."

"Speak for yourself Ryuji." Anne rolled her eyes. "You were just gushing about Risette yesterday."

"Can you blame me?!" Ryuji countered. "It's effin' Risette!" He justified. "At least I know how to control myself more than others." He added as he took a glance at Mishima who nodded enthusiastically.

"Do you think she'll sign me an autograph?" Mishima asked his companions.

"Don't get your hopes up." Ryuji grinned. "They prolly have a lot of security, we won't be able to get close."

Anne simply shook her head and sang along to the song.

Get ready for your True Story.

With a raise of Rise's right hand, the song ended.

"How is everyone doing?!" Rise greeted her audience.

The audience cheered even louder at the question. Some jumped in glee and even shouted in both awe and admiration.

"I see." Rise chuckled. "Is everyone enjoying the show?!"

"YES!" The audience enthusiastically responded.

"Such an energetic bunch." The idol commented. "On behalf of my fellow idols here, I would like to thank the Student Council and the school's administration for making this concert possible." She bowed in front of the audience. "There are a few reasons why this concert was made possible."

The audience fell silent at the announcement. They didn't think that they were special enough to be given a special concert by these top brand idols.

"Last year, Suguru Kamoshida was arrested for sexual harassment." Rise stood up straight. "Recently, a lot of new cases of physical assault and injury surfaced against him."

The peanut gallery were silenced at the mention of the disgraced teacher, as a few of the students looked at the male members of the volleyball team. Mishima felt uncomfortable at the stares he was receiving.

Ryuji simply put his arm over Mishima's shoulders and squeezed them as he ignored the stares he was also receiving.

"The injuries may not have been fatal, but it certainly broke a lot of dreams." Rise somberly added. "To offer some words, please help me welcome back the idol group W."

Two men wearing identical outfits, in different colors, walked on stage. One of them was wearing a pair of eyeglasses.

"Thank you Risette." The man with glasses spoke. "I'm Kyosuke Aoi."

"And I'm Yusuke Aoi." The other twin stated. "But I'm sure you already knew that." He joked.

The audience laughed at the joke the eyeglass-less twin made.

"You knew us as athletes before we retired." Kyosuke continued.

"We retired early because of the injury I got during one of our games." Yusuke admitted. "But before we continue I'd like to call onstage others."

"Other athletes who faced relatively the same troubles as Yusuke." Kyosuke supplied.

"Help us welcome Tomohito Sugino-senshu and Takeshi Yamamoto-senshu" Rise introduced as another set of two athletes walked on stage.

The crowd has gone wild with their cheers as two of Japan's celebrated baseball players were on stage. The largest cheers came from the active athletes of the school, especially the baseball athletes.

"Hello Shujin." Sugino waved at the crowd. "How's everyone doing?"

The greeting from the athlete just made the cheers from the audience even louder.

"What an energetic bunch." Yamamoto chuckled. "Aren't they?"

"That I can agree on." Sugino joined in.

"Is this what an idol really feels like?" Yamamoto questioned. "It's kinda bizarre." He commented.

The people on stage opted to wait for the peanut gallery to calm down before proceeding with their objectives.

"Pretty much." Both members of W shrugged.

"Sugino-senshu and Yamamoto-senshu are here to tell us their respective experiences." Kyosuke voiced out as the audience quieted down.

"Guess I'll start." Sugino grinned. "My career as a baseball player was halted before it even started." He shared.

A lot of people gasped at this information as Karasuma at the back simply shook his head with a small hint of a smile adorned his face.

"I'm not naming any specific schools but one of the middle schools I attended had this stupid segregation policy." Sugino continued. "The failing students of the graduating class were to be separated from the other students and were prohibited from ever participating in any club activities." He supplied. "I belonged to that group of students."

"Cruel." One person from the audience commented.

Anne and Mishima simply looked at Ryuji, who was clenching his fists as they listened to the baseball athlete's speech.

"My grades suffered due to my low self-esteem." Sugino admitted sheepishly. "I just couldn't imitate the power and pitch of a very popular baseball player at that time." He supplied. "Hence why I was put in that class." He added. "But that didn't stop me, a teacher in that class taught me not to give up on my dreams."

Mitsuru looked at Karasuma but the man simply shook his head as if response to an unspoken question.

That's when it dawned to Mitsuru that the teacher the athlete was talking about was the very same assassin that disguised himself as a teacher.

"He also taught me that I should also have another goal." Sugino continued his spiel. "'Life is too unpredictable' was what he always said and there may be a possibility that our dreams won't ever come true."

Sugino paused for a few moments and gauged the audience's reaction, He noticed that some of the boys were slack jawed while the girls were covering their gasps at his revelation.

"So instead, he asked us what we would want to become if our ultimate dreams were to be, for lack of better term, cancelled." Sugino let his other hand hold the microphone. "He never did let us answer that question, instead he offered a piece of advice." He smiled as he reminisced on the teacher. "He simply told us to also work towards our other dreams so that we may live a successful life even if our primary dreams were nulled."

The audience simply did not expect that the Slithering Sugino would've faced problems as dire as he did.

"Guess I'm up next." Yamamoto chuckled. "I am more of an average student." He laughed. "I slept in class, failed in school and all that."

This got a lot of chuckles from the students.

"I used to believe that the only thing I'm good at was baseball." Yamamoto shared. "Then came a time when I broke my wrists from practicing so much." He smiled.

Another round of gasps were heard in the gymnasium.

"Because of that, I tried to take my life."

The entire school were surprised at the revelation. Some people were covering their mouths, some were even slack-jawed at the information.

Out of all the students, Anne was the most affected by the information. She remembered the day her best friend jumped off of the school building just to escape Kamoshida's cruelty. The pain and grief that event caused her came back with full force.

Ryuji, the ever supporting friend, simply placed his other arm over Anne's shoulders and squeezed it tightly.

Anne simply clung to the boy's uniform like a lifeline.

"As ridiculous as this would sound, I thought that the baseball god had no use for me and decided to throw me away." Yamamoto gave a hearty laugh.

But nobody saw the humor of the statement.

"I was saved by my best friend." Yamamoto grinned. "Well he really wasn't my friend at the time." He chuckled. "Anyway he saved me by being his self-deprecating self." He added with another chuckle. "He had told me before that effort was the only way that's why I broke my hand practicing."

Elsewhere a man with brown hair smiled at the words.

"That was when my dad approached me." Yamamoto wasn't finished. "He told me that I shouldn't focus on one thing and one thing only." He continued. "We swooshed, swished and bam the sushi's complete." He laughed.

"I didn't understand the last part." A few murmured.

"His dad basically trained him to make sushi." A few of the athletes answered to their peers.

"That and he basically pushed me to be my savior's friend." Yamamoto smiled. "He's got me a lot opportunities both in and out of sport events."

"That means I'm up next." Yusuke voiced out. "Well we already told you our story." He chuckled. "But there were things we left out."

"Yusuke and I promised to be on the same team always." Kyosuke supplied. "That's why I also retired from playing." He added. "But back then I had nowhere else to go to."

"Then we met someone." Yusuke smiled. "He proposed the idea of being idols to us." He admitted. "We were reluctant at first."

"But the prospect of being on the same team was enticing." Kyosuke admitted. "In the end we accepted the offer that's why we're here."

"So basically what the four of us are trying to tell you." Sugino began.

"Is that you do not need to focus on one dream only." Yamamoto added.

"Think of other dreams." Yusuke supplied.

"And have something to fall back." Kyosuke continued.

"To live a fulfilled life even if things do not go as planned." Sugino added.

"Because nothing in life ever goes the way we want it." The four of them chorused.

"Wow what an inspiring message from our athletes." Rise praised. "I hope everyone present will take their words to heart." She added. "As sad as I am to announce this." She voiced out. "But we're almost at the end of this concert." She announced.

"Before we end, Risette, do you have something to fall back to?" Kyosuke hurriedly questioned.

"Of course!" Rise affirmed. "My grandma taught me how to make tofus." She shared. "If I'm not an idol now, I'd be inheriting our shop in Inaba," She announced. "Oops sorry grandma, I hope my fans wouldn't hound the area." She sheepishly added.

"I'm sure your grandma can handle the customers." Yusuke assured.

"Oh she definitely can." Rise nodded. "To end this on a high note, W will sing their song 'After the Rain'".

"I would like everyone backstage and for Yamamoto-senshu and Sugino-senshu to join us for this number." Kyosuke asked his idols and athletes. "Sing with us."

The different idols at the back walked on stage at the prompt as both Yamamoto and Sugino looked at each other and shrugged. They faced the former athletes and nodded, delivering their answer.

"Is everyone ready?" Rise questioned.

The people on stage cheered in affirmation.

"On one!" Rise started.

"Two!" Kyosuke and Yusuke yelled in unison.

"Three!" Everyone finished.

The speakers started blaring the opening tune of the song as everyone on stage started clapping their hands.

WE GO! Every time.

KICK OFF! We can start this now.

WE CAN! Run forwards to the goal we are aiming for.

The Idol twins began to sing as their fellow idols and the two athletes clapped in the back.

An indication of rainfall somewhere in the sky

#ryuji sakamoto #persona 5 #anne takamaki #Yuki Mishima #rise kujikawa #persona 4 #yusuke aoi #kyosuke aoi #takeshi yamamoto #tomohito sugino #story #rebsku

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lamekidzine · 4 years

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BLUPHORIA

All Bluphoria’s discography, including their new EP Alone, is on their spotify!

Bluphoria is a psych pop rock band located in and around Eugene, Oregon. The band is fronted by Reign LaFreniere, who is lead guitarist and vocalist, along with Dakota Landrum on rhythm guitar, Rex Wolf on bass guitar and Ben Norman on the drums. Bluphoria was founded in early 2019, and has since performed at house shows, non-profit sets, and even selling out Oregon venues. Recently the band’s debut EP, Alone, was released on spotify. Following the release we contacted Reign and Ben to talk about their experiences with and passion for the local music scene.

Reign, Dakota, Rex and Ben pose for a photo by local photographer Paris Barton @pbarton_art

How did Bluphoria come to be?

RL: Bluphoria is kind of a passion project for me, I started it a year or so ago with some other members. The band started taking a more serious direction and that’s when I found Dakota and Ben. Soon after Rex had been going to a bunch of our shows and followed us and I happened to DM him asking if he was interested in joining too.

What are your major inspirations? How does this influence your work?

RL: Some of our most prominent inspirations are The Beatles, Stones, Hendrix, and Pink Floyd.

BN: My favorites are probably Led Zeppelin, Arctic Monkeys, Cage the Elephant, and the White Stripes. I’ve also been really into IDLES and King Gizzard for a while now.

What does the creative process look like for you?

RL: It usually is a mix of Dakota and I presenting songs followed by the band ironing out the kinks and brainstorming more ideas for them.

BN: We usually write the parts for our own instruments, and as soon as we’ve got that done we all participate in the arrangement and coming up with ideas.

How long has the Alone EP been in the works?

RL: I’ve been writing the Alone EP since about this time last year.

BN: We finished the recording process just before the pandemic, so around early March.

Do you have a favorite song off of Alone?

RL: Girl Like You would probably be my favorite.

BN: I really dig Is It True personally.

What's it like to be a black fronted band in a scene dominated by white fronted bands? How does it affect your writing and your performances?

RL: I think that there are always unwanted pressures and expectations when you are a minority within a predominantly white music scene. We are first expected to act, create, and be a certain way so it is important for us to challenge the narrative and be who we want to be. We prefer to be true artists and you can’t do that by allowing a community to create a box to stick you in.

Where do you see the band in 5 years? 10 years?

RL: Hopefully playing to bigger crowds and not having to worry about corona.

BN: Honestly I’m not sure. Hopefully on tour in some capacity.

When did you realize you wanted to start making music?

RL: About four or five years ago I picked up a guitar and since then I’ve been trying my best to get better at it every day.

BN: As a profession? Probably around 3 years ago, but I’ve been “making music,” as in playing, for about 10 years now.

How would you describe your sound?

RL: I’d say a mix of car commercial rock with funk, psych rock, and pop influences! Ben hates that answer though.

BN: Rock with psych and surf mixed in, but with pop songwriting.

Have you thought about collaborating with any other local artists? If so, who?

RL: Yes! We have a couple of collabs we are trying to do, mainly with a band called Honey and a rapper from Portland, Creme Brûlée.

If you could change anything about the local music scene, what would it be and why?

RL: Make it more inclusive to black artists. Too often there have been circumstances resulting in the discouragement of POC artists to join the scene. Our scene isn’t overtly racist but it does have it’s fair share a folks with hidden prejudices.

How much time do you typically spend practicing and rehearsing?

RL: pre-corona we were practicing 3-4 times a week. We’ve been in the process of moving into a new house so practices have been put on the back burner for now.

BN: I try to practice on my own as much as I can. Once we get this move done hopefully full-band practices will be more frequent.

What is the biggest difficulty you've faced while being a musician?

RL: I’ve often been told that I should allocate more time to more popular forms of music that coincide with my race in culture, for example, I’ve often been told that I should rap or sing R&B or that rock music makes me “white” somehow. As a musician I am trying to change the narrative back from rock being a predominantly white genre and give the power back to its true pioneers, African Americans.

What do you like to do in your spare time?

RL: that’s a hard question, it depends. Most of the time, when I have nothing to do, I spend time with friends or write more music.

BN: What’s “spare time?”

How do you define success and how do you measure up to your own definition?

RL: I don’t think I’ll ever measure up to my own definition of success, it’d involve me time traveling to a point in time where I could play a huge music festival on mars so...

BN: I’d like to be able to make music my primary source of income. We’re pretty far from that right now though. Also yeah playing Lollapalooza would be sick. Or touring Japan.

What is one of your performances like visually? What's the energy of the room typically like?

RL: Live shows are so much fun because it gives us the opportunity to feed off the crowd. I feel like we bring a lot of energy to the stage and try less to be a couple of dudes just presenting their newest music and more of a show where we try our hardest not to bore the living hell out of you.

BN: Most nights the crowd response we’ve had has been super energetic, and that reflects back into us when we’re playing. It makes for a positive feedback loop of energy, and it’s super fun.

How often does the band or members of the band hang out when not working on music?

RL: Almost everyday!

BN: Pretty much every day, since Reign and I live together now and everyone else lives close.

What qualities do you think make you stand out as a performer?

RL: Idk, I’m not afraid to try something I’m not sure I can pull off. For example, I often would play guitar with my teeth or behind my back while on stage and it took until this past year where I could pull it off successfully. Now the audience will have to endure my shitty moonwalking until I can master that too!

BN: Don’t come to a show until he’s got the moonwalking down. It’s bad.

What advice would you give someone who wants to start making music?

RL: Just do it, don’t isolate yourself and always work with others. I feel like nowadays it’s less likely new musicians will play in front of crowds but that is the only thing that can really organically grow your audience unless you somehow are the luckiest person on earth. People you meet at live shows can help you find more opportunities so always be open to that.

BN: it’s really just a matter of putting yourself out there. Once you take the step into becoming a “musician” it’ll get easier and easier to find outlets and opportunities. Also, practice as much as humanly possible.

What are your favorite and/or go-to pieces of equipment?

BN: I just got a new Ludwig set from 1966 and I will never buy another drumset again. Probably.

Photos by Paris Barton @pbarton_art on instagram

You can find Reign and Ben on instagram @reignchecked and @benniebobjoe. The official Bluephoria band account is @bluphoriaband on instagram.

#lamekidzine #interview #band interview #band #music #zine #interviews

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