#base cleph
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IM SO BACK WITH TEXTPOSTS
#textposts#super paper roblox#spr#adventure forward 2#af2#adventure forward#spr slander#cylam#the person tuckers talking to is my protagonist interp :D#ronzanda#wiscara#aristris#pink i#base cleph#bubble tea | my art
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Pink i and Base cleph are divorced
:3
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BASE CLEPH MORE LIKE. BASED CLEPH 💪🙏🔥💯
#alright im admittedly a little more nervous to be posting this#this is based on Personal headcanons#is the world ready for transfem base cleph /silly#spr#super paper roblox#base cleph
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A few WIPS for y'all
1st one is fanart of the design of Swap Wiscara made by @jumbledpages (aka @iamindebt). Honestly I just really like the AU and where it looks to be going. I can't wait to see more designs of the characters, especially the bad guys/Dusskar's crew.
Sketch:
The finished line art(this is currently in the coloring/rendering phase):
And the second one is of the design of Base Cleph I was gifted by @theothergueck which I'm in love with (with tiny additions; adding Bass Clef dots at the end of the wings and also technically the whole headset thing he has in game). If I messed anything up or misinterpreted some things with the design, then I'm sorry dude I'll fix it.
Sketch:
Finished linart(this is also in the coloring/rendering phase):
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I'm assuming this ask blog is dated to be happening after the events of SPR. So, Base Cleph, Tretone(if he is brought back a life for the blog or we're talking to a ghost). Options of each other after the whole final battle, and no second musical war actually happening in sight?
Base Cleph : “Tretone was a foolish man for being Antagon’s follower. However, i commend his open mindedness. No matter what, he didn’t deserve to die
Base Cleph : “I just got chills”
Tretone : “ Base Cleph has a strange moral code. I’m not sure on opinions but he has changed alot since back then “
Tretone : “ And hopefully, the peace treaty is still on, hopefully there no longer will be war anymore”
((you guys really gotta stop getting autocorrected man 😭😭😭 i’ve been getting strokes from reading these since the cogen ask /nsrs))
i am genuinely so sorry because i feel like i’m mischaracterizing people like base cleph, tretone, antagon and such—
((also sorry i took so long to answer because damn are they confusing to draw in any sort of change for my art style 🙏🙏🙏 also next ask is about protagonist so AAAA))
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how the hell do you draw bloody unrobloxians
like example a, BASE CLEPH
example b, TRETONE
honestly i haven’t drawn them before the ask and im trying so hard and is failing miserably
send help pls how
the best i got sorry guys 😭😭😭😭 i havent drawn tretone yet
also you like the antagon in my art style? because i’ve never watched avatar but searched fire nation for inspiration 🙏🙏🙏🙏
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Base cleph, base cleph ples
Base cleph!!!!!! It's been a really long while since I drew this goober
I feel like the current design ihave it's kinda lame :// I'll rework it maybe some time!!
#super paper roblox#base cleph#i remember i used to draw basd cleph all the time a while ago he was my fave along w pink i#i lovb this guy frfr#double aA&
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I don’t think I posted these here so hav this
one thing I gotta say I love musical zone / chapter 7 it was,, *THE* chapter of spr,, I find it interesting as hell ,,, most specifically pink I and Base Cleph specially on musical war 1 era 💔* cries historically * and also otempiss is also there lolz!
#paper roblox#Pink I#base cleph#otempes#i have. so many headcanons of them I could fill an entire document with them#shitting bricks
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base cleph and pink I still like nukes and otempes half heartedly tries to stop them only because it's annoying when he's petting boxdra
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soo i've been getting hyperfixated on guts and blackpowder and i got the idea to make a crossover using it and super paper roblox, Heres the concepts i made, first the line Infantry, scriptliss, wiscara and protagonist
The musicians, tretone and base cleph
And lastly, priest otempes
I'll make more if i have time
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Parcial II. Primera Fase Biografía de Donato di Pascuccio di Antonio (Bramante)
Arquitecto y pintor italiano, de nombre Donato di Pascuccio di Antonio, conocido como Bramante. Nació en Monte Asdrualdo, en 1444 y murió en Roma en 1514. Siendo así unos de los arquitectos más influencie del renacimiento aportando sus conocimientos y técnicas en este periodo de tiempo.
Entre las primeras obras conocidas, se encuentran unos frescos realizados en Bérgamo en 1477, donde realiza figuras de filósofos y perspectivas arquitectónicas en la fachada del palacio del alcalde. En Milán, en 1478, dirige los trabajos de reconstrucción de la iglesia de Santa María Presso San Sátiro. Por estos trabajos se deduce que su formación la llevó a cabo en la culta corte de los Montefeltro, en Urbino, donde pudo estar trabajando en el círculo de Piero della Francesca como pintor de perspectivas y realizando trabajos de arquitectura para el palacio ducal.
En 1482 llegó de Florencia un ambicioso artista llamado Leonardo da Vinci: sintiendo que Lorenzo de Medici no apreciaba su talento como se merecía, había ofrecido sus servicios a Sforza (maquillando un poco su currículum, ya que se presentaba como “ingeniero militar” cuando tan solo aspiraba a serlo). Tenía más o menos la misma edad que Bramante y ambos artistas entablaron una buena relación y aprendieron el uno del otro.
En la corte de los Sforza, en Milán, en el complejo monumental de Santa María presso San Sátiro, Bramante recoge la herencia espiritual de los máximos arquitectos del Quattrocento: Brunelleschi y Alberti, sentando las premisas de un nuevo camino para la arquitectura renacentista, creando una espectacular representación del espacio y mezclando las grandiosas estructuras reales con aquellas sugeridas mediante las posibilidades ilusionistas de la perspectiva. En esta corte coincidió con Leonardo, con quien mantuvo un fecundo intercambio de ideas y experiencias. También proyectó la rectoría y el claustro de San Ambrosio, trabajos para la catedral de Pavía y para el castillo de Vigevano y realizó el diseño de la plaza adyacente del castillo, una de las más geniales sistematizaciones urbanísticas de todo el Renacimiento. De 1490, es el Cristo de la Columna, única pintura sobre tabla conocida de Bramante. La última gran obra de su etapa milanesa es la intervención en Santa María delle Grazie, en la que plantea una estructura centralizada, reflejando su conocimiento profundo sobre los grandes monumentos paleocristianos y románicos de Lombardía, anticipando ideas y soluciones que alcanzaran su madurez en los proyectos para San Pedro de Roma.
En 1500, inicia los trabajos dentro del claustro de Santa María della Pace donde se muestra ligado a las experiencias arquitectónicas del período lombardo (Los Lombardos se enfocaban en la monarquía, en un rey que gobernaba, pero luego del reinado de Cleph, un rey que tomo decisiones despiadadas sobre los ciudadanos, el pueblo decidió no tener más un rey y que los comandantes militares tomen el control de la ciudad). Aunque la aplicación de los principios de la perspectiva monofocal, de la proporción y de la simetría, junto con un acusado sentido del ritmo, de la armonía y del equilibrio, ponen la base para la configuración del lenguaje clasicista.
En 1502, inicia la construcción del templete de San Pietro in Montorio, terminado hacia finales del primer decenio del siglo XVI y proyectado para ser el centro de un amplio patio porticado que había ampliado su ritmo circular.
En octubre de 1503, Julio II es elegido Papa, con él se inicia una de las mayores empresas artísticas, Bramante fue nombrado superintendente general de todas las construcciones papales, cargo con el que proyectó la unión de los palacios Vaticanos con la villa de Inocencio VIII, mediante el patio del Belvedere y dio comienzo a los trabajos de la reconstrucción de la Basílica de San Pedro. Ninguno de los proyectos fue finalizado por el artista, ni en su continuación se mantuvieron enteramente los diseños originales, aunque las soluciones adoptadas condicionaron los trabajos posteriores y dieron impulso a una nueva orientación de la arquitectura del Renacimiento.
De sus obras que más destacan, se encuentran:
· Iglesia de Santa María delle Grazie.
· Templete de San Pietro in Montorio.
· Claustro de Santa María della Pace.
· Jardines del Belvedere.
· Proyecto de San Pedro del Vaticano.
· Palacio Caprini.
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Dussekar is an enegmatic and strange character, shrouded in mystery
[LONG POST INCOMING] [[like its massive]]
1st off, tell me if he EVER, at all , ONCE actively helps you
Chapter 1, Otempes does most of it
Chapter 2, Wiscara tags alongside you to take her scissors back and beats up herbrother ro do so
Chapter 3 you just go with Otempes, but THIS is when you meet Dussekar
Chapter 4 is primarily a solo mission, with Wiscara telling you where to go
Chapter 5 everyone tags along, EXCEPT Dussekar (put a pin in that for me)
Chapter 6, Tucker (who does not need to help) convinces you to take a more active approach instead of waiting for a problem to occur and then solving it (see chapters 1, 2, and 4)
Chapter 7 Base cleph and Otempes solve this, you coming along because Claire told you too.
Chapter 8 EVERYONE gets involved
...yeah hes not the defenition of a "team player".
2nd, Dussekar is just some guy, just some guy that got what he wanted because of a likely meaningless task
3rd, he seems to be apathetic or blatantly NOT CARE about scriptliss despite saying that he does. (put a note about the "apathetic part")
(from chapter 4)
D: ...So you have no idea who released you?
S: N-no... I couldnt see behind me because my entire body was chained... I have no idea who cut the chains either
(Dussekar glances to the paper ball chained to scriptliss's ankle)
D: Hmm... well it seems they missed a chain. And the clamp is tightly secured. Does it hurt to walk?
S: N-n-no... *sniff*
D: Whats the matter?
S: It's just that *sniff* You knew i was chained up... Didnt you?
D: Well... not quite. I heard some rumors. I knew your general whereabouts, but i had no idea you were actually chained up...
D: Im sorry for not going to check up on you sooner. I figured that, wherever you were, you'd be fine on your own.
S: But *sniff* Thats how we lost 1x1x1x1 to the void, too. You assumed that he was safe enough on his own...
D: Hey, can we change the subject? The protagonist is right over there.
S: Oh, hi! Didn't see you over there, Protagonist. Were're just chill out here. Isn't that right Dussekar?
D: Absolutely frigid.
S: Hah! What a Dussekar. Always cracking jokes.
(Nice save)
D: (Shhhh. Put a lid on it.)
This shows us a lot about the characters. Dussekar knew about rumors, meaning he forgot or didnt care to check on Scriptliss, who was IN HIS. WASTEBASKET.
Scriptliss does actually bring this up in their conversation (see red text), instead of confronting this or apologising for it, he changes the subject, focusing on protag.
Once scriptliss notices this he seems a lot more extroverted and friendly from his demeanor not even 5 seconds ago. Most likely scriptliss does not want anyone to find out what happened in pr2 but he does bring up some very good points.
There was no reason Dussekar should not have been able to check in on Scriptliss. Hes immortal, Dussekars immortal, his wastebasket is RIGHT THERE.
(seriously buddy, you cant spend 5 minutes to attempt to reconcile with you only remaining friend? he seems very willing now)
4th
(i would rewrite lanter and dussekars entire conversation but thats like rewriting the bloody bee movie script)
L: ...Are you even listening to yourself? You sound more like a tyrant than the god who you vanquished centuries ago. Just because someone stole your precious little plaything doesn't mean you have to fight so hard to get it back
D: The plotbook isnt a "plaything" its the reality we live in.
L: You truly are no different then the ancient gods who fought to protect everything they ruled over. Have you ever considered that Antagon might just be repeating your own history?
D: well, if you disagree with his actions as much as you disagree with mine, Why dont you go stop him yourself?!
L: Thats not the point. The point is, You need to see your actions from a different perspective before you draw definitive conclusions on people
D: Im well aware of how my actions affect others. I don't need anyone reminding me what the consequences of my actions are. I know exactly what ive done.
L: Alright then. What are you finally gonna do when you finally catch antagon? Surely your not going to send him to banland, are you? Hes just a kid, you know. Until recently, hes been living with his mother. What are you going to do then?
D: ...........
L: Hes just a younger version of you. Are you going to lash out at him when you finally get the plot book back?
D: ..............
L: Well?
idk man dussekar definitely looked like he was considering it. Its bad for antagon because hes a CHILD but its worse for scriptliss because hes immortal. like c'mon dude this is greek mythology levels of punishment.
why did he not try to revive tretone or tess,
major L moment right there
TLDR:
Dussekar as a character seems to show that he does not care about his old friend and has no issues with sending anyone he disagrees with to infinity jail.
it gets better after apologising about screaming at antagon and talking to scriptliss though :thumbs_up:
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Base Cleph would definitely commit tax fraud for a business he works at(never for himself that's too dangerous) if told to. Thou like in a way where he hacks the IRS to make it show he did do the business' taxes.
transgender swag tbh
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you should draw your favourite character from the pr series!!!
YOU ARE SO RIGHT ANON ‼️‼️‼️
#alright it's been enough time TIME TO POST REQUESTS#SURPRISE‼️‼️ it's tretone LMAO#i considered base cleph as well but this guy's been my focus for a lot longer#definitely top ten architects of all time#even though Canonically he is a monster#i just think he's neat#spr#super paper roblox#tretone
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E
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I'mma be real, Base Cleph, you look like you need a drink(and maybe a hug too). Especially after you said you just had chills. You want a cold one on the house, dude?
I unfortunately don't have Bois for you to crack the cold ones open with.
minecraft potion sfx
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