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#badly drawn bbu
badly-drawn-bbu · 5 months
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In which Billie celebrates the 20th anniversary of classic 2003 Game Boy Advance RPG, Mario & Luigi Superstar Saga.
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mochaotter · 3 months
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{INSERT THAT ONE SCENE FROM GOOFY GOOBER YOU KNOW WHAT I'M REFERENCING} Anyways I loved the BBU Holiday special that was made by @badly-drawn-bbu (if you don't follow them already what are you doing???) Dutch was my favorite part and as soon as I saw him in his fabulous outfit I had to draw this
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robinfollies · 3 months
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Howdy hey, I’m Robin!! 🌈🌼🫧
★ Artist, animator, and magic little creature!
I’m primarily a Billie Bust Up fanartist (I love this game a lot!!), but I like/draw a lot of things :3 the main programs I use are Procreate, IbisPaint, and ToonSquid!
You can find my portfolio + other socials on my carrd!
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★ Other Blogs:
@elmtwig -> my less “professional” sideblog! I reblog stuff, yell in tags, and maybe say stuff over there sometimes ^_^
@badly-drawn-bbu -> a silly little BBU fanblog I co-run with my friend!
★ Tags:
#robin’s art –> my art! otherwise sorted by #[year] art + fandom/character tags
#robin animates -> animations!
#comicfollies -> comics i’ve drawn! :3
#robin’s follies -> for sillier doodles and things :3
#checking the mail -> askbox tag! my inbox is always open. ask me about my ocs or my headcanons, tell me your own, lemme hear it! i love getting asks :3
#robin’s ramblings -> in which i talk about stuff :3
#reblogfollies -> reblogs!
#The Panderity Chapter -> Tag for the story surrounding my BBU OCs Pandora and Verity!!
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rozex21 · 4 months
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Because I started a bbu art and I don't think I'll end it today,,, I wish all of you merry Christmas!!
@gayest-squrrel/@ssstupid-sssnake
@multi-fandom-official-account
@youreverydayghost/@ghoulishsweets
@anxietytheowl
@annatheavian277
@aristotlefan
@shadowtoons-arinanon
@bgsartcavern/@ask-cueball
@badly-drawn-bbu
@breezehurricane
@piny1234
@vorktyunal
@orbotforkliftcertified
@kek-bebra
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alyssa-h35134 · 26 days
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I JUST WANTED TO LOOK AT @badly-drawn-bbu AND I SAW AN AIRFRYER AD 😭
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isntthisblank · 2 years
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Tw: whump, condtioned whumpee, bbu/pet whumpee, dehumanization
Caretaker didn‘t know what they were doing. They just wanted to get some groceries, but the yelling from the second-hand-pet shop across the street had drawn his attention.
He should‘ve just kept walking, but instead he decided to look. He had to, because the screaming sounded like they were in much pain.
And that was how he had ended up with a shaking pet, that was supposed to be put down, in his house.
———————————
It was a bad Pet. It knew that, because it inconvenienced his master enough, to throw it out. It should‘ve been put down and it‘s new Master could‘ve gotten a better Pet. No, no! it should be grateful that it‘s master decided to let it live! But still, it shouldn‘t be shaking in it’s masters house. It should make sure it can be useful!
“Hey. Can you come here?”
It lifts it’s head to look at Master, who crouched a couple feet in front of it. It has already made him get onto it’s level! It’ll get punished so badly for inconveniencing master!
Slowly the pet crawled near Caretaker. ”My name’s caretaker. What’s yours?” the man asked witha friendly voice.
“W-whatever, you want to call me, m-Master.”
“Well, first of all, don’t call me Master please-“ the pet flinched hard and Caretaker barely surpressed a sigh. He was never keen on the whole Pet system. ” second, how about Whumpee?”
“I-if that’s what you want to call me, Ma-, Sir! i’m sorry, Sir!” The pet curled in on itself, trying to signal how sorry it was.
“No worries. I understand that you may need some time to get used to everything. How about we first eat something?”
As Caretaker watched the Pet crawl behind him into the kitchen and kneel next to the table, he knew it would be hard to make Whumpee ever trust him.
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peachy-panic · 3 years
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Truth & Lies
(This picks up directly following this piece)
Tag list: @whumpervescence @shiningstarofwinter @distinctlywhumpthing
CONTENT WARNINGS: General BBU warnings, human trafficking, referenced/implied non-con, mentioned past minors of minors, blood, restraints, medical setting. 
Panic washes over him the moment the door closes behind them, putting him alone in the exam room. In the silence, he can hear only the sound of his labored breathing, obstructed by the plastic intrusion that has been secured between his teeth, straps cutting into his temples. His hands are bolted to the front edge of the table on either side of his thighs. The position pulls his posture forward just enough to be uncomfortable, his shoulders curling forward to accommodate the short buckle on the cuffs. He tries, to little avail, to calm the rising panic at the feeling of restraint. 
And all he can think is that he has done this to himself. 
He messed up. He had messed up so, so badly and the reality hadn’t fully settled over him until the door clicked shut, and the blur of the past several minutes came crashing into him with a sudden, sickening clarity. And now there is nothing he can do to take back his actions, his words, and he knows that no apology will be enough to smooth it over regardless. Still, he feels one bubbling in the back of his throat uselessly, trapped behind the gag and the slow, constant trickle of blood.
Suddenly, the sensation steals all his focus, until all he can feel is the warm liquid in his nose and throat, and the suffocating realization that he is helpless to stop himself from choking to death alone in this room, chained to a fucking table. 
His arms tug instinctively against the cuffs, but the steely hold on his wrists only serves to bolster his panic. Oh, god. What has he done? All at once, he is sorry. Jaime is so, so sorry and he wishes he could take it back but ‘sorry doesn’t do shit for me, baby,’ he can hear Mr. Torley’s rumbling voice clear as day in his ear. 
He jerks forward away from the phantom presence, a whimper caught in his throat that has nowhere to go. These flashes of imagination feel so real sometimes and Jaime can’t always tell them apart from what’s in front of him, just like when the Handler had pulled his sweatshirt over his head at intake, and when the gray fabric cleared his eyes it had been Mr. Torley’s face staring back at him, grinning in the glow of the bedside lamp that had been harsh, white Facility fluorescents only seconds before. 
He hadn’t meant to lash out. Jaime can’t recall ever stepping out of line like that, not since… not since his first week in the training facility. He has enough sense to know that fighting back won’t get him anywhere good. But something had snapped in his mind when they began undressing him of his street clothes, and it was as if he was no longer at the helm of his own body. His arm had lurched forward on instinct, striking out at the figment in front of him because this wasn’t right, he was supposed to be done with Mr. Torley, he had served his six month contract and it was supposed to be over.
It was supposed to be over. 
He had barely recognized the crunch that gave under his fist in the moment, nor the white blare of pain as the blow was reciprocated with double the strength. There was blood and a struggle and a distant screaming that made his head vibrate like the sharp, resounding clang of metal on concrete.
And then he blinked, and now he was here, and his head hurts and he can’t breathe right with all the blood and he is so, so sorry no matter how much it won’t matter in the end. It never matters.
He hates that he is sorry. He hates that he is back here. He hates that he can still feel Mr. Torley like static on his skin even though he isn’t legally his anymore. He hates the feeling of the bit between his teeth, reminding him of a hazier time in his memory, carved out with white tiled walls and bright lights and constant, unyielding pain. 
Jaime lets his head fall forward, cringing at the sticky dampness of his t-shirt against his chin, and focuses all his energy on trying not to cry. More than anything now, he needs to retain his already limited ability to breathe.
Even so, he can’t stop his breath from catching when he hears the telltale swipe of a clearance key at the door.
*******
Sebastian’s feet stutter beneath him as he pushes through the door. His eyes are drawn immediately to the anchor points along the front of the exam table, which currently serve to immobilize the terrified young man between them. He can see that the skin around the restraints is already pink with irritation. The boy’s head is ducked in what looks to be a quiet surrender, and he can’t see his face but he watches as a drop of blood hits the lap of his pants. Sebastian’s muscles freeze up. It’s only a fleeting moment, but he’s sure his recovery is not nearly as graceful as he hopes it is as he clears his throat and steps into the room. 
He lets the heavy door fall shut behind him, effectively sealing himself into the reality that he is now in charge of this person bolted to a table. It has become a daily occurrence long ago to question every life choice that had brought him to this place, but especially now he can’t help but think he’s made a horrible mistake. And then the light clinking of metal on metal draws his focus to where the boy has twisted his hand inside his restraints just enough to grip the side of the table, knuckles white and trembling, and it occurs to him how selfish he is for thinking that he is the one in the room who has earned the right to fear. 
He should say something. He knows he has to be the one to say something, because the Companions - the patients - aren’t allowed to initiate conversation without direct invitation. He knows this, but the knowledge doesn’t un-stick his tongue from the roof of his mouth or dissolve the lump that’s blocking his airway. For a moment, all he can do is stare. 
“Hi,” he says finally by means of a feeble introduction. He clears his throat, trying for something that doesn’t sound so much like a question. “I’m Dr. Tate. Sebastian. You can… just Sebastian is fine. If you want.”
Incredible, Seb. Off to a confident start. 
He might see the slight incline of the patient’s head in acknowledgement, or he could be imagining it. Either way, he moves on. 
“What is your…” He pauses, clearing his throat. Name? Is that what he wanted to say? He knows as well as anyone that he isn't allowed to use his. If he does and anyone hears him, it will only land him in deeper trouble. Which is maybe the last thing on Earth Sebastian wants. Instead, he asks, “What can I call you?”
For the first time since he entered the room, Sebastian sees unmistakable movement in the muscles of the boy’s neck. There seems to be a moment of hesitation, and then he lifts his head to level with Sebastian’s gaze, and he nearly takes a step back.
By some miracle, Sebastian has made it this far into the program without witnessing - or god forbid implementing - the use of heavy restraints on a patient. Today, it seems, his luck has run out. The boy stares up at him with dark, empty eyes over a round bit of black plastic secured over his mouth with the WRU logo emblazoned in silver. A fucking gag.
A slow-dripping acidity makes its way into Sebastian’s stomach. The picture in front of him is so starkly, uniquely horrifying that it stops him in his tracks. It’s exactly the kind of raw imagery that WRU conveniently left out of their pamphlets and commercials and brightly-colored career packets. This, he thinks to himself, is the truth behind every lie they sell. 
“Oh,” he says, stunned, the word slipping out of him in a breathy gasp. He forces himself to take a step toward his patient, choosing to ignore the quickly concealed flinch. “I don’t… I don’t think we really need that, right?” He says a pitch too high. The patient’s eyes track him warily as Sebastian moves closer, an outstretched hand hovering in his direction. “Uh. Can I?”
Instead of the permissive nod he expects, the young man’s eyes flit over to something to the left of Sebastian’s shoulder then back again, holding his gaze. Sebastian turns and finds a tin box affixed to the wall just behind the door. He blinks, and when he looks at the patient again with confusion written all over him, the boy hesitates — which he seems to do before each new move — and then angles his head just enough so that Sebastian catches a flash of silver at the back of his neck.
A small padlock. Holding the straps of his gag in place. 
The room wavers around him. 
“Key,” he chokes out dumbly in a whisper. “Right, I— right.”
He turns on his heel and crosses stiffly to the box on the wall. His hands are shaky when he opens the hinge, fingers brushing over the small selection of keys dangling inside. For a horrified moment, he catches himself wondering what other inhumane devices these could possibly go to. He doesn’t allow himself to linger on the thought. It won’t be helpful here.
The smallest key catches his eye, looking to be the most likely to fit the lock. 
“Is it alright if I—?” He turns back with the intention of seeking his consent, but he finds that the boy has already lowered his head to allow him easier access to the lock. “Okay,” he says quietly, mostly to himself. 
Sebastian works as quickly as his nervous fingers will allow and feels a tangible weight lift from his chest as the lock releases. 
“There,” he says, stepping back immediately once the intrusion has been removed. He tosses it into the sink basin in the corner, not wanting to look at it for a moment longer, as he is sure his patient would agree. “Better?”
The patient waits a moment before raising his head again. “Th...thank you.” He murmurs without meeting his eyes. His voice is low and brittle and nearly knocks something loose inside Sebastian’s chest. 
A slow trickle of blood swells out from his bottom lip, the bit from the gag almost definitely having irritated whatever injury had already been put there. For half a second, Sebastian wonders why he doesn’t reach up and wipe it away, and then he realizes—
“Shit! Your hands.” He’s back at the box before he can spare another thought, sifting through the row of seemingly identical keys. He doesn’t really allow himself time to consider the possible reasons why he shouldn’t be removing the restraints, including but not limited to breaking protocol on his first day off probation and having no actual idea if this person was a physical threat to him or not. All he knows for sure is the visceral feeling he gets in his gut every time he sees him bleeding and bound to a fucking table when he should be here to receive care.
“Sir?”
He whips around to find the boy watching him with naked apprehension, as if he isn’t sure he has clearance to have spoken. 
“Really, Sebastian is okay,” he reiterates. “Or Dr. Tate, if you want to be formal.” Of course he’s going to be formal. His entire existence is a series of formalities, meeting new strangers and having to pay them undue respect, and none of it has anything to do with what he wants.
Sebastian watches something flicker in his eyes, a momentary break in the solid wall before it closes up again. “Yes, Dr. Tate,” he says with an automatic obedience that flips Sebastian’s stomach. His lips part just slightly as if he is going to say something else, but instead he glances pointedly down toward one of his wrists. The way he holds it allows Sebastian to see the silver hook attaching him to the table with what looks to be a similar mechanism to a heavy-duty carabiner. 
Oh. There is no key for these. Just a simplified method that doesn’t allow the restrained person any access to release the clip. 
He wastes no time crossing back to him. “You’re not going to start swinging on me, are you?” Sebastian says, mostly as a joke to cut the tension, but it’s the wrong thing to say, and he knows it as soon as the boy’s eyes darken and fall away to his lap.
“No, S— Doctor Tate. S-sorry,” the boy stumbles through a rushed assurance, still not meeting his eyes. “I didn’t mean to— I… it wasn’t…” He seems to slow himself with considerable effort, forcing in a deep breath, then out again. “I’m sorry. I will not step out of line again,” he finishes in a quiet, frustrated tone of defeat. 
Sebastian is glad for the distraction of unbuckling his cuffs, which he goes straight to work on, because he’s not sure what to say to any of that. “Sorry,” he murmurs as he frees his left hand from the restraint. “I was only kidding.” 
Another thought pops into his head, and only just stops himself from saying, “Whatever happened, I’m sure those Handlers had it coming.”
Once he is freed, Sebastian tosses the cuffs onto the counter, eager to get them out of his hands. The patient wraps his arms around his middle as soon as he’s able to, keeping his shoulders drawn in even now that he has full mobility to sit up. Sebastian forces himself into clinical mode. He may feel out of his element here and his sense of morality may be steadily decaying in this place with each passing day, but he’s a good doctor. He knows he is. And he needs to remember that he is the one with any amount of power in this room, and he isn’t doing either of them any favors by floundering helplessly. 
“Let’s get you cleaned up before we do anything else,” he says decisively, turning with a bit more confidence in his step to wet some paper towels in the sink. 
“Thank you.” His patient accepts them with something like genuine gratitude, bringing the damp towel to his nose. It seems the bulk of the active bleeding has stopped, so they at least have that going for them. 
It takes a conscious effort to stop himself from staring as the boy cleans himself off with soft, calculated movements. Instead, Sebastian tears himself away to claim the stool in front of the monitor beside the bed. One quick scan of his key card gains him access to the patient intake home screen.
“So, um.” Sebastian clears his throat. “Let’s try that again, shall we? What can I call you?”
“110750, Domestic Services,” the answer comes automatically, as if he didn’t need to be in his own head to recite the words from memory. 
Wordlessly, Sebastian types the numbers into the system. A moment later, a digital chart appears in front of him, and he has to bite down on his cheek to keep from cursing. The photo in the top right corner is dated just over nine months ago, but the person in it looks… so fucking young.
He can’t help but toss a glance at the man on the bed he had just unshackled, gingerly wiping his injuries, and then back at the screen. Less than a year separated the two faces, and yet there was a world of difference etched into the space beneath his eyes, the posture of his spine and shoulders, the hollowness of his gaze. In the photo, he looks afraid. Here, in front of him though, he looks… dismantled.
Which is a horrible thing to think about someone, Sebastian scolds himself immediately. Had things gone differently in his own life and Sebastian himself had somehow landed in this boy’s position, he is quite sure he wouldn’t be handling it with an ounce of the composure most of these people seem to have. He doesn’t like to think about that. 
“Here you are,” he says mostly to fill the silence, nodding toward the screen. “Let’s see…” His eyes scan down the monitor until he sees the highlighted red portion at the bottom, which generally lists the reason for admittance. In his, he finds two lines he immediately wishes he could unread.
Domestic Return Intake Physical.
Comprehensive STI Panel.
As if the words themselves are not enough, it’s the small text inserted next to the second line — only the second line — that really delivers the blow. In barely-there letters next to a bold asterisk, it reads: 
RFR.
Sebastian has seen just enough during his probationary period, in the fleeting glances over Dr. Geer’s shoulder, to understand its meaning. 
Redact From Record.
Sebastian’s mouth feels dry around the swallow he attempts. Despite his best efforts, he’s sure his expression is not as impassive as he hopes. The screen is angled away from his patient, but if what they say about some Companions still losing their literacy during training is true, maybe that doesn’t matter. WRU claims that’s no longer a part of the training process since their rebranding, but as Sebastian is well aware, it wouldn’t be the first or most heinous lie they’ve told. Not by a long shot. 
With the words buzzing around like angry hornets in his skull, Sebastian forces himself to turn toward patient 110750. The blood has been mostly wiped from his face, leaving only trace amounts of pink-tinged skin in its wake, and he has pressed the paper towel into a soiled wad in his fist. 
He is watching Sebastian carefully, like he’s preparing himself for something. Or… like he’s preparing himself for anything, because of course he can’t know what to expect, only that he is helpless to prevent whatever comes. The haunting revelation tucked away inside his patient file is kerosene on the wildfire of Sebastian’s imagination, supplying him with a litany of past horrors that must be swimming behind those eyes to fill them with a dread so pure. 
He suddenly remembers the Handler’s words when they had dragged him in, and it makes more sense now. “Freaked the fuck out at strip and started throwing punches.”
Sebastian can imagine why. 
Overturning the Romantic division of WRU had been the largest, most public part of their new regime. It had come on the heels of several small pockets of the company being blown wide open to expose the outlawed buying, selling, and subsequent abuse of minors within the system. At that point, they’d been left with little choice but to make a big move to save face in whatever way they could. 
There had been liberators that moved in some of Sebastian’s (very small) circles in undergrad. He had heard their vocal disdain for the company’s half-hearted attempts. Sebastian had never once stood in defense of the system, but perhaps some small part of him had always hoped for a grain of truth in their promise to turn over a new leaf, if only for the poor people who are stuck inside of it. 
Now, there’s no shielding himself away from the truth that had always existed, and he felt like an idiot for ever believing their intentions could ever be anything but malicious. Divisions and legalities aside, the people here are given numbers instead of names and sworn to a secrecy disguised as confidentiality regarding the people who have unlimited access to them. They have no legal standing. They have no power. 
The word “Domestic” is etched into this boy’s designation line, but Sebastian knows that doesn’t mean shit. 
Now, Sebastian looks into his wide, guarded eyes and thinks about how his first task as a solo practitioner is going to be forcing this person to undergo a full panel of invasive testing. And he feels the first spark of what he’s sure will stoke a flame of the desire to see this place burn.
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thewhumperinwhite · 4 years
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Lost Dog, No Reward (1)
I made a thing! Dw, i’m still working on everything else too, but i needed to work on something new for a while because i have problems disorder
this owes a lot to @ashintheairlikesnow who is among my fave whump writers. i know she didn’t originate the universe, and i’m not double checking a lot to make sure this is actually bbu compliant, but her stuff definitely inspired me to mess with the bbu at all :3
TW for: violence/gore; amnesiac whumpee; choking; references to institutionalized slavery and accompanying dehumanization; gun violence; cops.
---
Ari’s never had a job go this badly before. Not in the years he still remembers, anyway.
Ari’s vision is always lopsided, and he’s always poor at judging distance, and now the blood squeezing between his fingers and ruining his leather gloves is making him dizzy, too, and all three of those things combine to make him trip over the concrete base of a street lamp and jam his torn-open shoulder against the lamp itself, and the pain takes his knees out from under him and crumples him down to the sidewalk, half-sprawled over forwards and losing time he doesn’t have.
He doesn’t know this street. It’s night and he doesn’t know the street which means it’s nothing but a string of locked doors between him and home; on his own street he knows who forgets to lock their doors, who will let him bleed on their couch for a night in exchange for money or a favor, which alleys lead somewhere and which don’t, but here he doesn’t know anything except that the police men shouted after him at first and now they’re not shouting, they’re only running.
While he sucks air in and tries to get his legs back under him, Ari runs through the options he still has in his head. It isn’t hard, because there aren’t very many.
He can turn and fight. That’s what he wants to do; he’s known how to fight longer than he’s known how to talk and he knows it would feel good. But the police men have guns so he also knows it wouldn’t feel good for very long.
He can stop. He can sit here gasping on the sidewalk, holding a lamp post in one hand and his guts in the other, until the police men come and find him. It’s possible they won’t shoot him again, if he’s already laying on the ground, though of course there’s no way to know; but they would certainly drag him away somewhere, somewhere he thinks vaguely would have white walls and no windows, and he doesn’t want to go there with them.
So really there’s only one thing he can do. That’s good. That makes it easy.
His shoulder isn’t too bad, really, or at least he doesn’t think so. It’s turned his coat hot and sticky with blood—the fur collar is all matted with it, which makes him sad, he’s only ever had the one—and it hurts, more now that he’s hit it against the post, but really they barely clipped him; he doesn’t even think it would make him dizzy on it’s own. It’s the hole in his stomach that’s the problem; that’s deeper and wetter and shifts when he pushes his hand against it, in a way that makes him sick. But Rotty said put pressure on the wound—Rotty wailed when he saw the knife go in, and made time for Ari to get away, and told him to put pressure on the wound—so Ari digs his hand against the wound, and he breathes out, and he pushes himself to his feet.
Up ahead there’s a store with its lights on. And Ari can’t stop, and he can’t turn and fight, but he can still run, so that’s what he does.
----
Pryce has always kind of liked closing up alone, because it means he gets to unplug his headphones and fill the shop with very loud vaporwave, which is genuinely pretty chill music to mop floors to but also, more importantly, an inherently funny thing to play very loudly in an empty grocery store.
He’s in the process of emptying the small trashcan next to his seat behind the checkout counter—which is almost entirely filled with the half-pack of cigarettes he smoked during his shift—into the enormous trash bag from outside the bathroom, when the front door opens. He hears it with a full body wince because it is after midnight which means he’s almost certainly blasting some poor unsuspecting drunk with objectively-not-even-very-good vaporwave, and Mr. Nguyen, the very nice old man who owns the store and puts up with Pryce’s bullshit and is thus the only authority figure Pryce respects, will be disappointed if he loses a customer because of Pryce’s unpleasant taste in music; so Pryce is already halfway through an apology before he actually looks up and sees the very large man standing in a puddle of blood in the doorway.
Pryce drops the trash can.
The man is visually bizarre enough that Pryce almost can’t register the full picture, just disparate, equally-baffling parts—the man’s hair is an enormous red-brown mane, it reaches his elbows in a tangled mass weighed down with blood; he’s wearing a knee-length brown-leather coat with a big (bloody) fur collar; his face is a mess of puckered scars pulling up on his mouth and down through one of his eyelids and in the brief moment he stands there staring at Pryce with his (bloody) mouth hanging open the fluorescents turn his eyes—which must be brown, logically they must be—bright orange.
Then the man barrels towards Pryce and all of Pryce’s muscles lock in place as he prepares to be shot or stabbed or at the very least body-tackled—
The man flings himself over the counter and folds his big (bloody) body into an improbably small space half-under the till, next to Pryce’s feet, approximately ten seconds before the front door opens again, hard, the glass banging against the display next to it hard enough to make Pryce wince.
There are two cops, both panting hard. Their guns aren’t pointing at Pryce but they are very much drawn, and they’re both looking at Pryce, who is still frozen completely solid with his eyes bulging out of his head.
“Where’d he go?” one of the officers barks at Pryce.
Pryce blinks.
Then he points over his shoulder, toward the back door. He half-turns, too, which is more movement than he needs to point but does give him time to nudge the big trash bag a little bit out and to the left.
“The back door’s unlocked,” he says, “I was taking out the trash, he must’ve—”
And they rocket past him, toward the back door and the alley, not sparing him or the big trash bag blocking their line of sight, apparently too excited to shoot somebody to notice that it wasn’t even a very good lie.
----
Ari listens to the police men’s shoe-sounds fade into the distance, waiting for them to come back and haul him out of his poor hiding spot and shoot him or drag him away.
They don’t.
The stranger’s worn red sneakers turn away from Ari, take two steps away from the counter; as more of the boy wearing them comes into view Ari watches him plant his hands on his skinny hips and stare after the police men. The boy lets out a breath, whistling on it a little.
Then the boy starts to turn back to Ari; he has time to say “Well—” before Ari leaps to his feet and gets a hand around the boy’s throat and slams him back against the tiled wall behind the counter.
The boy gasps, a thin hand taking Ari’s wrist in a very weak grip. His eyes are very wide.
“Why,” Ari says, his voice as harsh and scratchy as it always is, and thicker because it’s full of blood, “did you lie for me?”
The boy’s mouth opens and closes without words. He is smaller than Ari, and his sneakers are no longer touching the ground, because Ari is holding him up by his throat. His hair is longish—not as long as Ari’s—and colored bright blue-green. Ari doesn’t know how old—he isn’t good at knowing ages—but he’s grown, and Ari hasn’t ever seen him before, he doesn’t have many memories but those he does have he knows very well, he would remember this boy, whose eyes are a color he hasn’t seen before, almost silver, bright in his light-brown face.
The boy makes a sort of gurgling sounds and Ari realizes he is not answering because Ari is squeezing his throat closed. Ari makes himself loosen his grip and the boy drags in a breath.
“Just—trying—to help,” the boy wheezes.
Ari jerks back, dropping the boy back onto his feet; the boy slides down the wall a little, gasping and covering his throat with his hand.
“Why?” Ari says.
The boy blinks at Ari, wide-eyed. Then he looks away, not like he’s embarrassed but like he’s thinking. Then he meets Ari’s eyes, and he shrugs his shoulders with a wobbly, nervous smile.
“I don’t have very good impulse control,” the boy says.
Ari—doesn’t know what that means. And now he doesn’t know what to do, either. Which means he just stands there, staring at the boy for what he knows is too long because the boy drops his gaze with the same nervous mouth-twitch Rotty got at first, when Ari didn’t know how soon to look away. The boy’s eyes drop to Ari’s stomach, and he raises his dark eyebrows.
“You know you’re bleeding all over the floor?”
Ari looks down. If he thinks about it now, he stood from his crouch below the counter without thinking about the wound, and he hasn’t been putting pressure on it for a few minutes now. His ears are beginning to ring. There is a slow-spreading pool of blood on the tile under him. Ari looks back up at the boy, who is looking at him expectantly, and who did help, Ari thinks, though he isn’t sure why.
“I can—mop it up later,” Ari says. He tries to stand up straight and has to lean back against the counter to keep his balance. His vision is getting blotchy, now, a little. The job went bad before they paid him fully, and he’s already spent the advance on food, or else he would offer to pay to have the floor cleaned. Maybe he hasn’t stained the tile too badly yet. He takes a step sideways, trying to get out of the puddle, and immediately starts making another one. Blood has soaked from his shirt into his jeans—he has two pairs of those, so that will be alright—and is dripping out the bottom now, which means there must be a lot of it.
“Um,” the boy says. “That’s actually not—uh. Can I, like… help you with that? There’s a first aid kit in the office.” He moves, though he’s in range of Ari’s left eye, which doesn’t work well; Ari jerks his head up to see what the boy is doing, to make sure he isn’t moving closer when Ari can’t see him, and then the floor suddenly swings up into the side of Ari’s head.
----
The man crumples sideways and hits the floor hard, and Pryce stands there over him with a hand pressed over his mouth, like a useless idiot who’s never seen blood before.
Which. While it is true he has never seen this much blood in one place before. Thinking about that is not going to help this stranger not die on Mr. Nguyen’s floor.
The first aid kit, which he’s never seen used and which definitely doesn’t have, like, a blood transfusion in it, also might not help with that, but it is what Pryce has on hand at the moment. And as long as he’s already actively lied to the cops tonight. He may as well go all the way and also not call an ambulance, he guesses. He turns and scurries to Mr. Nguyen’s office to grab the kit.
Pryce’s throat is tacky with somebody else’s blood, because the hand the man used to halfway choke Pryce out was covered in blood. That’s not a very helpful thought either but it’s hard to make this one go away.
Whoever this guy is, he’s—quite strong. Pryce’s throat feels—well, like it’s going to bruise, for one thing. And the long moment of kicking his feet against the wall without being able to touch the ground was—well. A headrush, certainly. Presumably in an hour when he’s no longer entirely made out of adrenaline he will realize that it was a bad headrush and will have a panic attack or something.
At the moment it feels—he isn’t sure. Good. Exciting. And panicking would not be productive right now so he’s gonna ride this high as long as he can in the hopes that it will make him in any way useful to anyone.
The first aid kit is smaller than he remembers it being.
Pryce almost slips in the spreading puddle of blood when he gets back to the counter. The bleeding man is trying to sit up, which does not seem like a great idea.
“Uh—don’t try to move around,” Pryce says, trying to sound like he has any fucking idea what he’s talking about. “Is it—okay, yeah, let me—” The man’s big scarred hand is pressed against his stomach, just below and to the right of his navel. Pryce takes his wrist, trying to be both gentle and authoritative. “Let me see what we’re—”
As he’s pushing the man’s hand aside, something catches Pryce’s eye—something on the man’s wrist, underneath the blood, and he stops.
There’s a barcode on the man’s wrist.
Pryce stares at it.
Pryce’s brain is never not moving, faster than other peoples’ seem to; he has the impression it makes him an exhausting conversationalist but it does, in this case, allow him to scroll through many thoughts without losing too much time. They are:
Barcode. Barcode on wrist. Barcode on wrist equals… pet??? This huge dude is a pet??? Why would cops be after a pet? A runaway? No, not with their guns out, they wouldn’t shoot a pet somebody wanted back, that’d be like throwing away—Jesus pets are so expensive, why would anybody bring one here, why would anybody let one get so fucked, why would anybody let something so expensive get so hurt—
And then the man shifts uncomfortably and looks up at Pryce—his eyes are brown, though warm and light enough he isn’t surprised he thought they were orange, and one of them droops halfway closed, the eyelid clearly too damaged to lift properly—with clear uncertainty. Like he knows he needs help but doesn’t know if he can trust Pryce to give it.
It’s a human expression. That a human would make.
That’s a human person, Pryce thinks, and he shakes his head clear of everything else and pushes the bloody fabric of the man’s shirt aside so he can see the damage.
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badly-drawn-bbu · 5 months
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WE’VE ARRIVED.
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badly-drawn-bbu · 2 months
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BILLIE BUST UP'S ORCHESTRAL MUSIC BACKERKIT IS LIVE NOW!!!
Get some cool heckin' rewards while helping BBU's music go from MIDI instrumentals to THE REAL THING at the same orchestra house the song instrumentals for My Little Pony: The Movie was recorded!!! 💫
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badly-drawn-bbu · 10 days
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BEES GO 🐝🐝🐝🐝🐝🐝
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badly-drawn-bbu · 5 months
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why so familiar dearest percival…..
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badly-drawn-bbu · 1 month
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and now... may badly drawn bbu finally present...
THE GREAT SCRIMSANDENING.
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badly-drawn-bbu · 2 months
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happy birthday dimitri!
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badly-drawn-bbu · 4 months
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Idea: Billie purposely singing Christmas songs with very different lyrics from the original.
BDBBU Holiday Spectacular 2023 PT. 12!
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badly-drawn-bbu · 4 months
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BDBBU Holiday Spectactular PT. 8!!
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