do you think there's anything to be implied about the quality of rwby's writing and framing in light of how much of the audience misinterprets salem/oz and the role of the gods? i see so many people reading the lost fable as a straightforward condemnation of salem and ozma as a pretty basic tragic hero that it makes me nervous about the future of the show and that IM reading too much into things when i see more nuance in salem. are that many people really that shallow when engaging with rwby? idk

nah people are—well tbh i think what it comes down to mainly is that fandom is not really centered around critical analysis, it’s centered on transformative engagement, and while these are by no means mutually exclusive endeavors they are in fact. Different. analytical vs transformative approaches to the text are different endeavors with different goals requiring different skillsets and can but do not inherently overlap. frankly in fandom spaces i think real textual analysis is not just ancillary but actively discouraged; nobody is quicker to respond to analytical discussions with “it’s not that deep” than a fan who doesn’t like the discussion and there is a noticeable tendency in fandom spaces for any analysis that isn’t 100% ebullient to be read as negativity or critical—e.g. note the frequency with which my reading of ozma is interpreted as character bashing—which isn’t to say that fandoms do not engage analytically at all, but in broad terms there is something of an unspoken… chilliness toward textual analysis in fandom culture. and i am saying this from the perspective of having written a lot of textual analysis and a lot of fanfiction across different fandoms; there is A Pattern. you write a detailed analytical breakdown of your reading of a character and see people tagging it fandom negativity while gushing about the detailed character study you wrote based on that same reading enough times and you start to pick up on the fact that maybe fandoms are not really built for analytical engagement. there is also the whole thing where fandom has an entire category of headcanon predicated on “this thing happened in the text but i don’t like it so no it didn’t” and a second entire category predicated on “this has no basis and is possibly out of character but i like it so happened actually” lmao [TO BE CLEAR THIS IS NOT A VALUE JUDGMENT I HAVE NONSENSE HEADCANONS ALSO ITS FINE.]

anyway this is all fine but! because fandoms devote the bulk of their collective energy into pouring out vast endless streams of like, fanfic and fanart and headcanon and “ship dynamics” [i still do not quite understand what these are] and incorrect quote mills and so forth you tend to get a sort of collective flattening of the text. there is a tendency for characters to be stripped down and reduced to small easily-manageable sets of tropes derived more from aesthetics and first impressions and for any moral complexity to be boiled down to simple black and white and for unique worldbuilding to be smudged a bit until it resembles its nearest recognizable trope. there is a sort of creative entropy. a smooth surface is easier to write on. also sometimes fans do not Obsessively Rewatch The Show four times in the space of a year and over time details get memetically blurred and this, obviously, is detrimental to the overall fidelity-to-canon of popular fanon.

and then like the thing to remember about rwby is it’s a very detail-oriented story, and one that respects its audience. the one downside of that storytelling approach is that fandom is uniquely ill-equipped for it (think about how many people Completely Missed that ironwood was on the express train to fascism land in V4-5 even though. the narrative made it like. hilariously obvious)

In Summary i lived through the fandom where the protagonist after two years of increasingly toxic behavior towards her bestie, charbroiled her friend’s arm into a shriveled blackened husk and not only did not apologize but had a whole episode about being mad at the friend for being upset and then 95% of the fandom was shocked when the friend went “fuck you” and stole the magical artifact whose power was involved in the charbroiling incident all of four episodes later; and almost two years later half the remaining is still Discoursing about how the friend “didn’t have a reason” for betraying the protagonist. tts was a show written with small children in mind. i have witnessed Actual Forty Year Olds insisting that this character’s betrayal was petty and childish. rwby is a lot more tightly-written and nuanced and not a disney princess cartoon and while it does benefit from its fandom not being mostly Disney People the fandom is still. A Fandom. doing what fandoms… do.