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#annette aurell
a-state-of-bliss · 2 months
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Marie Claire Italia Nov 2003 - Adriana Lima by Annette Aurell
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newestcool · 1 month
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Devon Aoki for Nylon Magazine March 2002 Photographer Annette Aurell  Newest Cool
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funstealer · 2 months
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‘Witch’ featured in Dazed & Confused July 2002. Photographed by Annette Aurell & Styled by S Colina via secondskinarchive
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ansatsu-sha · 9 months
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Devon Aoki / Nylon Magazine (March 2002) / Photo Annette Aurell
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citylawns · 5 months
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Techno Squat.
The Face, Jan 1994. Photography by Anette Aurell and styling by Annett Monheim.
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modelsof-color · 9 months
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Devon Aoki by Annette Aurell for Nylon Magazine - March 2002
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trashgirlmim · 1 year
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‘Witch’ featured in Dazed & Confused July 2002. Photographed by Annette Aurell & styled by S Colina
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byneddiedingo · 1 year
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Brigitte Bardot and Henri Vidal in Une Parisienne (Michel Boisrond, 1957) Cast: Brigitte Bardot, Henri Vidal, André Luguier, Charles Boyer, Madeleine Lebeau, Claire Maurier, Noël Roquevert, Nadia Gray. Screenplay: Annette Wademant, Jean Aurel, Jacques Emmanuel, Michel Boisrond. Cinematography: Marcel Grignon. Production design: Jean André. Film editing: Claudine Bouché. Michel Boisrond's Une Parisienne is also known as La Parisienne. I don't know why the indefinite article used for the original release in France was later changed to a definite article, but I wonder if the thinking was something like that of the French censors when they made Jean-Luc Godard change the title of his 1964 film from La Femme Mariée (The Married Woman) to Une Femme Mariée (A Married Woman): They insisted that the definite article implied that the adulterous wife of Godard's film was typical of all married women; changing the definite article to an indefinite one turned the film into the story of one and only one married woman. So maybe taking the reverse route, changing "a Parisian woman" into "the Parisian woman," was the producers' way of suggesting that all Parisian women were like Brigitte Bardot, then at her perky peak as an international sex symbol. Whatever the reason for the title change, Boisrond's film is a fairly banal sex farce, and the only reason to watch it is Bardot -- no one was ever more skilled at exploiting her own charms -- and some nice comic support from Henri Vidal and Charles Boyer, who gives himself over to this nonsense with his usual charm and professionalism.
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politikwatch · 1 year
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Wir können auch anders 🤔 Wirklich ❓Bei der #Politik bin ich da, wirklich am Zweifeln ❗
Wenn es ums #Klima geht, scheint vieles oft schwierig und kompliziert - aber ist wirklich alles so hoffnungslos? Anke Engelke, Bjarne Mädel, Annette Frier, Axel Prahl, Sebastian Vettel, Pheline Roggan und Aurel Mertz sind auf der Suche nach guten Nachrichten: Auf ihrer Reise besuchen sie Menschen, die nicht jammern, sondern anpacken in den Bereichen Energie, Mobilität, Landwirtschaft, Ernährung, Wohnen und Natur.
https://www.ardmediathek.de/serie/wir-koennen-auch-anders/staffel-1/Y3JpZDovL3N3ci5kZS9zZGIvc3RJZC8xNTAy/1
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strathshepard · 2 years
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Adriana Lima photographed by Annette Aurell, styling Annett Monheim, 2003
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toastistoasty · 4 years
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Comme des Garçons Summer 1998 collection.  Photographed by Annette Aurell and the concept for the shoot was made by Olivier Zahm
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introuvert · 4 years
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Anna Klevhag by Annette Aurell for Marie Claire Germany
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funstealer · 2 months
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‘Witch’ featured in Dazed & Confused July 2002. Photographed by Annette Aurell & Styled by S Colina via secondskinarchive
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a-state-of-bliss · 4 years
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Vogue Italia June 1998 - Audrey Marnay by Annette Aurell
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citylawns · 5 months
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Techno Squat.
The Face, Jan 1994. Photography by Anette Aurell and styling by Annett Monheim.
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modelsof-color · 9 months
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Devon Aoki by Annette Aurell for Nylon Magazine - March 2002
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