#angelicamesiti
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Angelica Mesiti // Silent Polyphony
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The colour of saying (2015) by Angelica Mesiti, three-channel HD video installation | #latergram #nationalgalleryofaustralia #angelicamesiti #videoart #australiancontemporaryart #projectionscreen #contemporaryart #australianartist #newmediaart #videoinstallation #igminimal #instamood #photooftheday #iphoneonly (at National Gallery of Australia, Canberra) https://www.instagram.com/p/BoLhAgQhhq0/?utm_source=ig_tumblr_share&igshid=dxcs9aedzth2
#latergram#nationalgalleryofaustralia#angelicamesiti#videoart#australiancontemporaryart#projectionscreen#contemporaryart#australianartist#newmediaart#videoinstallation#igminimal#instamood#photooftheday#iphoneonly
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#mohamedlamouri par #angelicamesiti (à Institut des Cultures d'Islam)
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Détail de l'installation sonore de #angelicamesiti "Untitled (sound sculpture), 2015" présentée à l'occasion du week-end portes ouvertes de la @fondationfiminco ! Courtesy de l'artiste et @galerieallen #harmonium #rochevolcanique #hypnotic #installation #son #fondationfiminco @matthieu_lelievre #contemporaryart #artcontemporain #artistes #pointcontemporain (à Fondation Fiminco)
#installation#contemporaryart#artcontemporain#angelicamesiti#hypnotic#son#pointcontemporain#fondationfiminco#artistes#rochevolcanique#harmonium
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Semiotic Lunch: Thanks @JuliaKrohmer for the tip! The #angelicamesiti installation @PalaisdeTokyo is really great: the way she hijacks Austin’s well-known book and theory (« How to Do Things with Words » becoming here « How to say something with things ») makes a lot of sense.
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ANGELICA MESITI Tossed by Waves 2017 single-channel High Definition video, 16:9, colour, silent 6 mins 17 secs Exhibition | TOSSED BY WAVES 25 May - 1 July 2017 On view at ANNA SCHWARTZ GALLERY Melbourne Australia www.annaschwartzgallery.com www.angelicamesiti @annaschwartzgallery @angelicamesiti (at Anna Schwartz Gallery)
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Rapture (silent anthem) ~ 2009
Some points we thought about when breaking down this work (our main source for Assessment 2):
It is inherently full of ideas around religion/spirituality, even winning the Blake Prize in 2009 (centred around conversations about spirituality and religion through art).
Erasure: removal of an entire sensory aspect of the film (sound) leaves only one aspect for audiences to interact with- images/sight/aesthetic. This creates ambiguity about the context of the footage, that “eventually gives way to an appreciation of the slowed-down action that unfolds.” (Art Gallery of New South Wales, 2013).
Erasure: the framing and close-cropping of the film add another layer of erasure to the work. By focusing so closely and directly on the faces of crowd members, an incredibly personal connection can be felt. It becomes really intimate, and with no knowledge of what it is that the crowd is responding to it leaves room to insert your own narrative (or just experience the reactions and get lost in the basic, human element of the event).
Use of video and installation as a medium: this work was the first of ‘non-traditional’ media to win the Blake Prize, i.e the first video to win. This definitely began to redefine conceptions of performance and art, particularly surrounding such ideas of religion and spirituality.
group members: @nicoleliadad10012018, @marinakriketos, @renai-adad2018, @itssoniyah
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Buyuhyn-wana, #djonmundine exhibition of objects from #robertbleakley collection and #angelicamesiti
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Nakh removed (2015) by Angelica Mesiti | #latergram #nationalgalleryofaustralia #angelicamesiti #nakhremoved #nakh #hairdance #videoart #australiancontemporaryart #contemporaryart #australianartist #newmediaart #videoinstallation #igminimal #instamood #clipoftheday #iphoneonly (at National Gallery of Australia, Canberra)
#latergram#nationalgalleryofaustralia#angelicamesiti#nakhremoved#nakh#hairdance#videoart#australiancontemporaryart#contemporaryart#australianartist#newmediaart#videoinstallation#igminimal#instamood#clipoftheday#iphoneonly
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