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pgoeltz · 4 years

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NAPOLEON MURPHY BROCK

VOCALS & TENOR SAX & FLUTE & STYLE ICON

Napoleon Murphy Brock, front man for Frank Zappa in the early seventies, was first discovered by Frank on a day off in Hawaii. Frank and his band stopped into a club where Brock was leading his band through a set of originals and contemporary funk, rock and blues hits. Zappa was immediately struck by Brock’s voice and sax playing, but was particularly taken by his commanding stage presence.

Brock soon hit the stage and studio with Zappa, first appearing on the breakthrough album, Apostrophe (‘). By 1974, Napoleon had learned and memorized the Zappa Song Book (including new material written specifically for Napoleon) and recordings from the 1973 concerts were soon released on what many consider to be Frank’s penultimate live album – Roxy and Elsewhere. To this day, the all-star “Roxy Band” is commonly considered one of the greatest bands that Frank ever assembled.

The release of One Size Fits All followed which, like Roxy, became hugely influential on not only Zappa fans, but fans of progressive rock, fusion, and bluesy jazz-rock in general. In 1975 Zappa released the iconic Bongo Fury, a live album which documented the collaborative tour that year with the last Mothers lineup (including old friend and co-conspirator, Captain Beefheart).

After the 1975 and 1976 Zappa tours, Brock went on to tour and record with fellow Zappa alum George Duke in his

hugely popular George Duke Band. He went on to make several albums with Duke including Master Of The Game,

Follow The Rainbow, Dukey Treats, and Don’t Let Go (which spawned Duke’s huge hit “Dukey Stick”).

At the end of the 1970’s, Frank again called on Napoleon to provide vocals on the recording of Sheik Yerbouti – which went on to become Zappa’s biggest selling album worldwide. The fact that Frank called on Napoleon to lay down vocal tracks (including the lead vocal on “Wild Love”) speaks volumes about Frank’s continued respect and trust in Napoleon’s vocal prowess.

Since 2001, Brock has worked with several Zappa tribute bands around the world including Project/Object, the longest continually touring alumni-based Zappa tribute band in the world. In 2007, Napoleon received a Grammy Award for his work with Dweezil Zappa on the live album release from the inaugural tour of Zappa Plays Zappa. He continues to perform, record and lecture around the world.

THE STINKFOOT ORCHESTRA

In the early months of 2019, South Bay musician Nick Chargin (keyboards and vocals) got a wild hair up his ass. Best known for his work with the successful Bay Area cover band, the Houserockers, Nick had the idea of assembling an ensemble to give a tip of the hat to one of his greatest musical influences – Frank Zappa. The goal he set was to perform a handful of shows in the Winter of 2020 in celebration of what would have been Frank’s 80th birthday.

But it couldn’t be just any band… There had to be horns. There had to be a mallet player. There had to be backup singers. This had to be more than a band that was capable of playing “all the right notes” – it had to be a band that was capable of performing Frank’s music with accuracy and integrity.

The first two people he contacted were Victor Manning (a guitarist with whom Nick had played music with for well over 20 years) and Jon Hassan (a Baritone/Tenor Sax player and fellow member of the Houserockers) – who were both rabid fans of Frank’s music. With their buy-in, Nick quickly filled out the rhythm section with friends and fellow Zappaphiles Michael Palladino (drums) and Josh Baker (bass). It took some time to fill the mallet player slot, but after scaring away multiple Bay Area orchestral percussionists, they found a musician willing to take on the enormous challenge of covering Ruth Underwood’s impossible lines in Dillon Vado (tuned percussion). The 6-piece horn section came together by enlisting Mark “Dbone” DeSimone (Trombone), Kevin Kono (Trumpet, Flugel Horn), Jo Major (Tenor/Soprano Sax and Flute), Mike McWilliams (Trumpet), and Paul Degen (Tenor/Alto/Bari Sax and Flute). The ensemble was eventually rounded out with 3 dedicated vocalists – Suzi Baker, Amy Barnes , and Mike Boston,.

A couple months into rhythm section rehearsals, the group was hit with an enormous loss when their guitarist, Victor Manning, passed away unexpectedly. After a month of grieving and waffling on whether to scrap the project altogether, Nick came to the conclusion that Victor “would have kicked my ass” if he did not see this project to fruition. After a significant search, the band found the perfect replacement in Tomek Sikora (guitar) and they began the daunting task of learning some very difficult music. But it could still come up a notch…

Nick and other members of the band had worked with Zappa alumni Ike Willis 15 years previously, and Nick thought the one thing that would give this band a real sense of authenticity would be to front it with one of Frank’s dynamic male vocalists. So, with the help of his friend André Cholmondeley (leader of the legendary East Coast Zappa tribute band, Project Object), Nick was able to enlist the legendary Napoleon Murphy Brock – a San Jose native who served as the iconic voice of Frank’s music throughout the early 1970‘s.

When asked what songs people can expect the band to cover, Nick responds “Well, given the fact that we have Napoleon on board, we are naturally incorporating a large amount of material from his era with Frank. Roxy and Elsewhere (Zappa’s 1974 live double album) is one of my favorite albums of all time, so there are a number of songs we pulled from that. Apostrophe, One Size Fits All, Bongo Fury…folks can expect a sizable amount of material from those albums. At the same time, Frank’s catalog is so immense and diverse that we can’t properly present a snapshot of his work without delving into everything from his earliest days with the Mothers through the 1980‘s. We have an amazing 6-piece horn section, so we are able to do justice to stuff from albums such as The Grand Wazoo and Waka Jawaka. We have 5 great singers, so we are also tackling some more vocal-intensive stuff from You Are What You Is and Joe’s Garage…really, there is something for fans of all periods of Frank’s music. I don’t want to give away too much more – we want to keep a certain element of surprise to the performances, ya know?”

Given the amount of work required to perform much of Zappa’s material, one might question what motivates this group of musicians to dedicate themselves to such a huge undertaking. Nick’s response is simple… “Frank’s music has had such a huge influence over my musical development. It actually makes me a little nuts when I think of the fact that his virtuosity never really received proper accolades here in the States. This music is historically important – and I feel it is the responsibility of those who ‘get it’ to help keep it alive and, hopefully, introduce more people to it. On any given night, I realize that we may serve as someone’s first exposure to Frank Zappa – and I don’t take that responsibility lightly.”

“It has been a tremendous amount of work, but I cannot even begin to list the ways in which it has been fulfilling for me as a musician”, Nick continues. “Yes, getting the lines under our fingers has been a challenge, but that merely scratches the surface of what it has taken to bring this project to the stage. Most of the horn charts were transcribed by ear from various (Zappa) ensembles by Dbone, Hassan and me – but I had never created a horn chart in my life – quite a way to cut one’s teeth…” he says. “Never mind the logistics involved with getting such a large group of working musicians together and dealing with all managerial aspects of the band. Yeah – it’s been a full-time job for me for the past year, but well worth the effort. I can’t wait for people to hear what we have put together. Perhaps I’m a bit biased, but I think people are going to be blown away by this project.”

NICK CHARGIN

KEYBOARDS & VOCALS & VISIONS & POODLE GROOMING

Nick began studying piano at age 5, later picking up guitar at age 15. A California native, Nick moved to San Jose in 1984 to study music production, keyboard synthesis and performance at SJSU under Dan Wyman and Alan Strange. He has been playing professionally since age 17 with the majority of his time spent writing, playing and recording original music with such Bay Area bands as Swing Party, BlissNinnies, Elephino and Corduroy Jim. Over the years, Nick has shared the stage with such acts as the String Cheese Incident, Leftover Salmon, Zero, the Kantner Balin Cassidy Band, Steve Kimmock, KVHW, JGB, the Radiators, Merle Saunders, Eddie Money, Starship, Firehose, Wang Chung and Jonathan Richman. For the past 15 years, Nick has been a vital part of the critically acclaimed South Bay band, the Houserockers, has backed the legendary Zigaboo Modeliste and at one point assembled a short-lived band playing Zappa music backing Ike Willis.

NAPOLEON MURPHY BROCK

VOCALS & TENOR SAX & FLUTE & STYLE ICON

After the 1975 and 1976 Zappa tours, Brock went on to tour and record with fellow Zappa alum George Duke in his

hugely popular George Duke Band. He went on to make several albums with Duke including Master Of The Game,

Follow The Rainbow, Dukey Treats, and Don’t Let Go (which spawned Duke’s huge hit “Dukey Stick”).

DILLON VADO

TUNED PERCUSSION & IMPOSSIBLE POSSIBILITIES

Dillon Vado is a professional drummer and vibraphonist in the San Francisco Bay Area, and a graduate of the California Jazz Conservatory in Berkeley. He grew up in San Jose, where he played many small club gigs on drums and marched snare drum for the Santa Clara Vanguard. He has recorded at Fantasy Studios, and played with many musicians at The Freight and Salvage, Yoshi’s, and the SF Jazz Center. He has also performed overseas at the Montreux Jazz Festival in Switzerland and the Umbria Jazz Festival in Italy. Dillon has performed with Art Lande, Hafez Modirzadeh, Royal Hartigan, Marcus Shelby, Erik Jekabson, Jeff Denson, Alan Hall, Jovino Santos Neto, Marcos Silva and Kate McGarry. In 2014, Dillon won 1st place in the Jazz Search West competition on vibraphone. Dillon was also acknowledged as the Most Promising Young Jazz Artist of 2017 from the Buddy Montgomery Jazz Legacy Awards. He regularly performs on vibraphone with Alan Hall’s Ratatet, on drums with The Jeff Denson Quartet, and Erik Jekabson’s Electric Squeezebox Orchestra and leads several of his own projects, including Never Weather, The Table Trio, and Beyond Words: Jazz and Poetry.

JOSH BAKER

BASS & RANDOM SCREAMS

Josh started his love of music with the Piano at age 8 and was hooked. The bass came into focus at age 12. Josh’s early years on bass was in the Abraham Lincoln High School Jazz band for 4 years where he had the privilege of playing many in High School Jazz band competitions and even playing in Hawaii for the Aloha Bowl. Josh also received the Louis Armstrong High School Jazz Award for recognition in his Senior year. After High School, Josh spent his summer at the Berklee College summer music program in Santa Fe New Mexico. Josh studied 2 years with bass player Keith Jones( Santana, Flora Purim,and Andy Narrell)

Josh has played with local bands Sporadic Greetings, George Heagerty & Never the Same, Soup, Grampa’s Chili, the Sliders, Black Sunday RoadShow and Levi Jack

MICHAEL PALLADINO

DRUMS & SPANKINGS

Michael has been drumming professionally in the greater Bay Area for over 25 years. He studied various rhythmic styles ranging from jazz to West African and afro-Cuban under the tutelage of San Jose State professors Dan Sabanovich and Royal Hartigan. His band credits include Soup, Sporadic Greetings, Mescalito, Corduroy Jim, Grampa’s Chili and Tricycle Side Project, for which he had the opportunity to perform with Ike Willis from Frank Zappa’s esteemed list of previous band members. He has performed at hundreds of venues up and down the entire West Coast bringing his unique style and energy to every performance he gives.

JON HASSAN

SAXOPHONES & MEGAPHONES & STANK

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JO MAJOR

SAXOPHONES & FLUTE & PUNCTUALITY

Jo Major began playing professionally in his teens and has played with a variety of groups, including the Jimmy Dorsey band and the University of Illinois Jazz Ensemble. In the local area, he has been featured with A Touch of Brass, the KA Wonton Little Latin Jazz Big Band, Bug Horn Rex and the Chabot Jazz Ensemble.In settings ranging from salsa to swing, he has been featured with Ernie Watts, Bobby Shew, Eric Marienthal, Wayne Bergeron, Francisco Torres, and Geoffrey Keezer.Jo has studied with Ben Torres, Kristen Strom, Charlie McCarthy, Bob Reynolds, Chad Lefkowitz-Brown and Chris Cheek. He is a member of Bob Reynolds Studio.

MIKE MCWILLIAMS

TRUMPETS & CRUMPETS

Mike McWilliams started playing the trumpet back in 1974. In 1986, he began performing with cover bands and performing all over the SF Bay Area. He currently is a member of the Houserockers horn section, and teaches private lessons as well as public middle schools with the School Spirit band program.

Mike believes that there is no substitute for real horns, and his influences include Tower of Power, Earth Wind and Fire, Maynard Ferguson, and Doc Severnsen. Mike heard his first Zappa cassette tape in 1977 while on tour with the Santa Clara Vanguard and, many years later is enjoying playing this amazing music.

KEVIN KONO

TRUMPET & FLUGLEHORN & MASTIC ADHESIVES

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PAUL DEGEN

SAXOPHONES & FLUTE & HYDROHYPNOTHERAPY

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TOMEK SIKORA

GUITARS & ALL THINGS POLISH

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MIKE BOSTON

VOCALS & GUTTURAL UTTERANCES

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MARK ‘D-BONE’ DE SIMONE

TROMBONISMS & EVER-CHANGING FACIAL HAIRS

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AMY BARNES

VOCALS & ASTRAL PROJECTION

Amy Barnes began studying piano and flute at the age of 8. After a fateful move to Santa Cruz at the age of 16, she joined forces with the Musical Group World Entertainment War for 5 very entertaining years. Increasingly fascinated with the human voice, she embarked on an obsessive vocal discovery mission; earning a B.A in Voice Performance from UOP Conservatory followed by an M.A. In Voice Performance from UC Santa Cruz. She has prepared works in more than a dozen languages, and has enjoyed teaching singing as much as the singing itself. Amy has travelled thru many different musical galaxies over the years, and is currently very much enjoying her visit to the Zappa Constellation…

SUZI BAKER

VOCALS & KALE DISTRIBUTION

Suzanne Baker began her singing career touring with Plum Tuckered, a children’s musical performing group under the direction of Lynn Shurtleff, musical director and composer from Santa Clara University. While growing up, she enjoyed singing in many school and church choirs, but she honed her skills at Abraham Lincoln High School for the Performing Arts in the sixteen member Swing Choir, under the voice instruction of Connie Lukien, musical director of the San Jose Civic Light Opera. She went on to be lead singer of the innovative band, Sporadic greetings from 1990-1992 and sang back-up vocals in various other bands over the years. She is very fond of her time directing her own elementary school choirs and currently assisting with her classroom musicals.

Victor Manning

Guitars

#frank zappa

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lennart11412 · 4 years

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J. H. Kurzenknabe

www.hymntime.com/tch/

Short Name: J. H. Kurzenknabe

Full Name: Kurzenknabe, J. H. (John H.), 1840-1927

Birth Year: 1840

Death Year: 1927

Kurzenknabe, John Henry. (Muenchhof, Kurhessen, Germany, June 18, 1840--April 13, 1927, Harrisburg, Pennsylvania). German Reformed layman. His parents died of cholera when he was five, and he was placed in a boarding school. When 14, he came to the United States with his violin and his share ($500) of his parents' estate. During the 48-day voyage, he attended an elderly sick woman, a Mrs. Ziegler from Wilkes-Barre, Penn., whose family helped him settled in the States. He attended Wyoming Seminary nearby, where he studied music and perfected his English. Even before graduation, he taught violin and began teaching singing classes in the area. In 1856, William B. Bradbury came to Wilkes-Barre for a six-week musical institute. He was so impressed with Kurzenknabe's talent that he offered him, still only 16 years old, $50 a month and board to accompany him to other institutes as an assistant teacher.

Two years later, Kurzenknabe was teaching a class in Hagerstown, Maryland. At the final concert, one of the soloists became ill and a 14-year-old girl, Susan Shaffer, filled the role so well they eloped to Greencastle, Penn., and were married on November 13, 1859. They had 15 children, moving every few years until 1869 when they settled permanently in Harrisburg. J.H. (as he preferred to be called) tried to enlist in the Union Army during the Civil War, but was rejected because of his flat feet. He became a U.S. citizen on November 2, 1866.

He opened the first piano story in Harrisburg. He continued to teach singing classes, published his many song-books under the imprint J.H. Kurzenknabe & Sons, organized a band and an orchestra, and was an early and active member of the Board of Trade. Long active in the local German Reformed Church, as the city expanded he organized St. John's Sunday School in 1893 which became St. John's Chapel in 1899 at Fourth and Maclay Streets. This has kept growing so that the present church buildings include Kurzenknabe Auditorium.

As president of the Pennsylvania State Music Teachers' Association, he presided over their convention in Harrisburg, December 26-28, 1894. For the occasion, he prepared a concert with 300 voices and orchestra which was conducted by W.W. Gilchrist of Philadelphia. From this grew the Harrisburg Choral Society. That same year, he became the local examiner for the London (England) College of Music.

He wrote the words and/or the music to over 650 hymns. His song-books went through several editions, selling a total of over 300,000 copies.

In 1904, with his daughter Lily he made an extended trip back to his native Germany. On his 50th wedding anniversary, the wedding march was played by six sons and a daughter. His wife died on March 24, 1920, at the age of 75. He followed her at the age of 86.

--Information furnished by great-grandson, John G. Kurzenknabe. Additional essays are available in the DNAH Archives.

===============================

Born: June 18, 1840, Mönchdorf, Kurhessen, Germany. Buried: East Harrisburg Cemetery, Harrisburg, Pennsylvania.

Kurzenknabe, J. H., music teacher and author, was born in Moenchehof, near Cassel, Curhessen, Germany, Jun 18, 1840. He is a son of John George and Anna Kurzenknabe. He was left an orphan in childhood. He attended the Industrial School at Cassel. When he was fourteen years old he bade farewell to friends and home, September 15, 1854, and set out to seek his fortune in the New World, sailing from Bremerhaven for America on the following day. By mistake he was transferred to a ship on which all were strangers to him, but he was buoyant with hope and free as a bird. During the voyage of forty-nine days, being a very clever violinist, he made friends among the officers and crew and became also a general favorite with the passengers, so that he was the pet of the ship. His especial attention was attracted to an old lady who was sick during the whole voyage. Her children in America had sent money to bring over their old mother. To this helpless woman he ministered in his boyish way as best he could. The forty-nine days' voyage was tempestuous, and minus mast, and storm-beaten, the ship hove in sight of the eagerly looked-for land. On her arrival at New York, the children of the old lady were there to meet her, to whom she told the story of the boy's kindness.

In this family he found a temporary home, and in years to come he was not forgotten by them. Arrangements were made for him to go to a seminary in Pennsylvania, where under Christian training he found a safe shelter and valuable instruction. Having a talent for music he followed this bent, and in that institution of learning he prosecuted his musical studies and made for himself a name as a teacher of the violin and vocal music. He was afterwards placed under the care and instruction of William B. Bradbury, then the most prominent teacher of music in the country. After a thorough course under this master, Mr. Kurzenknabe started on his own responsibility. His first and only attempt to teach singing and a day-school together in a Maryland town was a total failure, but the very next engagement, which was at Sag Harbor, L. I., proved a complete success. After teaching successfully in Baltimore and other Maryland towns, he visited the New England States and taught conventions in a number of important cities. He then returned to Hagerstown, Md., where his lot fell in pleasant places, and here, too, he found the wife to cheer him through his busy life.

He taught successfully in Baltimore, York, Pa., Harrisburg, Philadelphia and New York, and last in Camden, N. J., where the first child, a boy, greeted the parents and cheered their hearts. His next place of residence and teaching was Moorestown, N. J., and the next Philadelphia, where a daughter was born. The war coming on, the New England States seemed safer than Pennsylvania, hence Dedham, Mass., became the next home. Fine classes in Yankee land, war songs and teaching in most of the prominent town brought money to the purse, but sickness claimed the boy for a victim. Repeated and urgent invitations from Maryland friends to make a change, for the boy's sake, induced the Kurzenknabes to disregard the threatening perils of war and journey southward. Antietam and Gettysburg brought the armies of both sides, and the great invasion left the family destitute and helpless, with but five dollars in money and a railroad ticket to Sunbury, Pa., whence the floods drove them back. Mercersburg and study for the ministry were quickly decided upon. But exciting debates of the church involved theological gladiators and their followers, and too free a tongue was not the wisest thing to have in those days of trial. Fairy visions vanished. The advent of twin boys made an increase of income imperative and teaching was the only resource. A house was purchased at McConnelsburg, but sold after an occupancy of two years. Mechanicsburg was home for a short time, and finally Harrisburg became the permanent residence, and a house was purchased which is still home. Teaching for twenty-seven years in many different States, sometimes hundreds of miles from home, always joyous, looking at the bright side of life, active, with plenty of grit, yet with his heart centered where the loved ones stay, earnest, enthusiastic, this is J. H. Kurzenknabe as his friends and scholars know him.

Professor Kurzenknabe is the author and compiler of the following books: "Sweet Silver Echoes," "Music at Sight," "Gospel Trio," "Songs and Glees," "Wreath of Gems," "Song Treasury," "Peerless Praise," "Gates Ajar," "Sowing and Reaping," " Theory of Music," "Fair as the Morning," and "Kindly Light." The sale of "Sowing and Reaping" has rached over 280,000 copies, and over 190,000 copies of "Fair as the Morning" have been sold. "Kindly Light" starts in with 20,000 copies engaged in advance of publication. All of htese books are published by his well-known house of J. H. Kurzenknabe & Sons, Harrisburg, Pa. Mr. Kurzenknabe was married in Greencastle, Pa., November 13, 1859, to Susan Shafer, daughter of George and Frederica Shafer, residents of Hagerstown, Md.

Professor Kurzenknabe is at present a member of Salem Reformed church, which, as elder, he represented for many years at Classis and in the Synod. He belongs to Peace and Plenty Lodge, No. 69, I. O. O. F., Harrisburg Encampment, No. 301, the I. O. of H., and several other organizations. He is often for weeks from home, attending conventions, gospel services and children's gatherings. He eats and sleeps well, is in perfect health, is five feet nine inches in height, turning the scale at two hundred pounds, and knowing nothing by experience of sickness. You will find him a hale-fellow-well-met. May his days of usefulness be many and his talent ever be active in the Master's cause, till the welcome summons, "Well done, thou good and faithful servant," calls him to the rest that awaits the people of God. This sketch is prepared by one of his loyal friends and ardent admirers.

http://maley.net/transcription/sketches/kurzenknabe_j_h

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pgoeltz · 4 years

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THE STINKFOOT ORCHESTRA

NICK CHARGIN

KEYBOARDS & VOCALS & VISIONS & POODLE GROOMING

NAPOLEON MURPHY BROCK

VOCALS & TENOR SAX & FLUTE & STYLE ICON

After the 1975 and 1976 Zappa tours, Brock went on to tour and record with fellow Zappa alum George Duke in his

hugely popular George Duke Band. He went on to make several albums with Duke including Master Of The Game,

Follow The Rainbow, Dukey Treats, and Don’t Let Go (which spawned Duke’s huge hit “Dukey Stick”).

DILLON VADO

TUNED PERCUSSION & IMPOSSIBLE POSSIBILITIES

JOSH BAKER

BASS & RANDOM SCREAMS

Josh has played with local bands Sporadic Greetings, George Heagerty & Never the Same, Soup, Grampa’s Chili, the Sliders, Black Sunday RoadShow and Levi Jack

MICHAEL PALLADINO

DRUMS & SPANKINGS

JON HASSAN

SAXOPHONES & MEGAPHONES & STANK

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JO MAJOR

SAXOPHONES & FLUTE & PUNCTUALITY

MIKE MCWILLIAMS

TRUMPETS & CRUMPETS

KEVIN KONO

TRUMPET & FLUGLEHORN & MASTIC ADHESIVES

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PAUL DEGEN

SAXOPHONES & FLUTE & HYDROHYPNOTHERAPY

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TOMEK SIKORA

GUITARS & ALL THINGS POLISH

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MIKE BOSTON

VOCALS & GUTTURAL UTTERANCES

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MARK ‘D-BONE’ DE SIMONE

TROMBONISMS & EVER-CHANGING FACIAL HAIRS

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Nullam eu dignissim tortor, sit amet bibendum lacus. Lorem ipsum dolor sit amet, consectetur adipiscing elit.

AMY BARNES

VOCALS & ASTRAL PROJECTION

SUZI BAKER

VOCALS & KALE DISTRIBUTION

Victor Manning

Guitars

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