Underrated Panic! Songs about being LGBT
4. Folkin’ Around
This was one of the first Panic songs that Brendon wrote. The song follows the trajectory of someone fondly looking back on a very intense romantic relationship that seems to elude to a (former?) partner that society/close family refuses to acknowledge, on principle, despite the protagonist being entirely enamored. The protagonist, sad and sort of frustrated, talks about how the way they love or the particular kind of love they posses and express, even though it seems natural and joyful to them, causes people to hate them, purely for the way they love.
“When nothing really mattered except for me to be with you....And by the time your father’s heard of all the wrong you’ve done......if love is not enough to put my enemies to sleep... then I’m putting out the lantern, find your own way back home.”
3. Casual Affair
As someone who was obsessed with panic! in 2013, I remember when the original album was released online before it officially hit itunes and spotify, and, in the original cut of this song, there’s an intro that doesn’t appear on the album (whether due to copyright issues or just a label choice is unclear).
This original intro to the song samples a quote from “Boys Beware,” an anti-gay propaganda film from the 60s that warns boys and young men against the alleged ‘dangers’ of getting to close to other men and associating with men who are gay. (link to the original cut of the panic song: https://www.youtube.com/watch?v=zyx0W5UhJGM , and link to the Boys Beware anti-gay propaganda that the song samples from: https://www.youtube.com/watch?v=r_NAl4AkmjU)
“ Looks innocent enough doesn't it? But sometimes there are dangers involved that never meets the eye. No matter where you're meeting strangers, be careful if they are too friendly”
that’s pretty. overt. specifically considering the song is explicit about a relationship that you’re trying desperately to keep from going public/know they’ll disapprove keep casual enough that no one will find it out. The song is the expression of different sorts of shame colliding, a shame coming from the outside world about the person you’re having the relationship, and then an inner sense of shame that seems to be operating in tandem
“ Lay in the atmosphere
A casual affair (Hush-hush, don't you say a word) ....
Break involuntary ties, secret so the spies never find us out....”
The thing that really gets me from this song is the party where the lyrics are just this desperate, angry, repetition of
“I did it, I did it, I did it, I did it, I did it, I did it again...”
and it’s like, for a moment, the song really becomes about self-loathing and acting on an impulse that you know you can’t resist, but know you should be ashamed of.
i’m not sure there’s much more to be said about this one. in context, It seems pretty overt in meaning.
2. Old Fashioned
This is the song reminiscing on a much earlier relationship (specifically at 17 ...obviously lmao) that the protagonist remembers as something repressed, that was viewed as a sickness or that was supposed to be stomped out at the time, but is still remembered with an amount of tenderness, fondness, and longing. The narrator pretty much explicitly referring to a situation where the protagonist and the object of their affection were young teenagers who were trying to “medicate” themselves to stay “healthy” or “normal” and avoid any sort of homosexual tendencies. It’s a very literal song about remembering being young and having feelings for someone of the same sex, and still owning and living in those feelings while acknowledging the way you shoved them down out of a sense of internalized homophobia and refusing to fully acknowledge what was actually going on.
“We were borderline kids with a book of disorders
Medicating every day to keep the straightness in order
Dead and gone so long, seventeen's so gone
Remember your youth, in all that you do....
they were the best of times, they were the best of times”
1. Mad As Rabbits
This is a beautiful, surrealist clusterfuck of a song with the most iconic (often unrealized) literary allusion in panic history. It’s a song about friendship and bad habits and being in love w the weird fuckin life youre living and rejecting the notions of a “traditional romance” or the nuclear family and opting for something.... different.
You know that Paul Cates
Bought himself a trumpet from the Salvation Army
But there ain't no sunshine in his song”
The Salvation Army is a notoriously homophobic American charity that funnels their money into anti-gay causes. It seems slightly too specific to be a coincidence, particularly considering the next lyrics, repeated again and again as the main message of the song:
“We must reinvent love, reinvent love
Reinvent love”
And, fuck. This is a direct quote from French gay poet Arthur Rimbaud who wrote famously, of his sexuality, “I do not like women, love must be reinvented.”
.,....................................
(It’s interesting to read up on Rimbaud’s relationship with Paul Verlaine, who was also a poet with whom he shared an incredibly tumultuous relationship that the two both wrote extensively about in their poems)
In conclusion:
These songs are all way more pertinent to and honest about the gay/lesbian/bi/pan experience than Girls/Girls Boys thank you for coming to my ted talk
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