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#Tomorrow Comes Today and Clint Eastwood hold special places in my heart
coconut530 · 2 months
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take me into the garden
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mytastessuck · 3 years
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Gorillaz: Gorillaz (2001)
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The history of my relationship is a long one...but I don’t like explaining stuff so I’ll keep it brief. I became a fan of the band when I saw a premiere of the “Clint Eastwood” video on Toonami. This could be attributed to the fact that I loved cartoons and I didn’t know there was a bunch of animated music videos back then. But there are. There are a like a ton of animated music videos. Even back then. Even before back then. Did you know one won an Oscar? It was by Tom Waits. Surprised? You shouldn’t be. We’ll get to him later. Anyway, I heard a couple more songs from them around this era but I couldn’t get into them because I was young, stupid and had no money. It actually wasn’t till around the Demon Days era (Phase 2 for us in the know) that I managed to get a hold of this album. My dad is also a fan of this band and gave a special edition version of this album. Thanks to that gesture, I really got back into Gorillaz in a huge way. Looking up lyrics, lore and cameos (these guys did a song with D12. For 9/11. Is The Rap Critic’s Patreon still open? I got a request to make...). 
We can get into more details later. Right now, I am going to rate every single song on Gorillaz (2001) US Deluxe Edition. 1. Rehash A nice breezy way to start off the album. Although, to be honest, if you picked this CD up and put it in a player after seeing of Gorillaz’ released singles, you’ll most likely be going, “Did I get the right disc?”. Still, that’s the reason I love the band. They can go into any genre and there is still something there that sounds like them. This song is pretty cool. 
Song Score: 8/10
2. 5/4
Now this is what I’m talking about. Classic British Alternative: Uncommon time, indecipherable lyrics, disgust when you figure out what the lyrics are actually saying and a sick bass. This song right here? It justifies the purchase of the whole album. It’s nasty and it’s cool, like Peanut Butter water ice.
Song Score: 10/10
3. Tomorrow Comes Today
Oh my lord, this song. I always have a soft spot for songs that I can pretend I was deep to back in the day. Very slow, very contemplative, very moody...just like a young me. It’s good that they made this their first single because it really showed up what they were capable of.
Song Score: 9/10
4. New Genius (Brother)
Ooooo...spooky. This song is pretty nice for a dark atmosphere and recommended for singing in a bar by with smoking patrons. Also nice of Gorillaz to give us the Stranger Danger spiel without sounding completely lame about it.
Song Score: 8/10
5. Clint Eastwood
AWWW SHIT MUTHAFUCKERS, HERE WE GO! This is the song that I obsessed over for a decade of my life. I sucked the entire life out of this song to the point that I skip over it in some playlists because it has nothing left to offer me. Still, I objectively love this song and I appreciate it for introducing to this band and for introducing me to Del Tha Funkee Homosapien. Seriously, how was I supposed to live the rest of my life without knowing a guy was capable of bars like that? This song fucks.
Song Score: 10/10
6. Man Research (Clapper)
I think I can blame this song for me getting into Electronica at a later age. High-pitched voices, nice beats, the feeling that I’m in a lab watching people being experimented on...everything a good track needs. This song was really fun to sing out loud to myself when I was younger. Probably one of the things that made my neighbors call my sanity into question.
Song Score: 10/10
7. Punk
Fuck yeah. Gorillaz was slaughtering some bands before they even got of their crib with tribute to the genre. Don’t bother with the lyrics because the words just basically become another instrument on this track and boy are the instruments on their loudest display here. I can only hear a dude telling his mom to shut up on it anyway.
Song Score: 9/10
8. Sound Check (Gravity)
Gotta admit, didn’t really appreciate this song when I was younger. It felt like the pieces were there but it didn’t come together into something of substance. Now that I’m older, I...am still of the same opinion. I like the breakdown but I feel like the high-pitched voice has been played out at this point in the album.
Song Score 7/10
9. Double Bass
Ah, an instrumental. Probably one of the first ones I listened to on repeat. I love the string work on this and the accompanying beats. Really good music to chill to...if you ignore that one line.
Song Score: 9/10
10. Rock The House
Hey, it’s our old friend Del! I was pleasantly surprised to see him on another track, kicking ass to a set of nice pan flutes. Man, this song ruled. But I can only listen to the album version. The music video version censors ass crack. Ass crack! How conservative can you get?! Luckily, Gorillaz never ran into this problem again.
Song Score: 10/10
11. 19-2000
I remember this album being the first time I heard the original version of this song instead of the Soulchild Remix. Obviously, I had to prefer this version because the original version is always the best. At least, that’s the way I thought back then. Nowadays...
THEY BOTH SOUND NICE!
But I do have a special place in my heart for this song. I like the woman in the background. Adds an ethereal quality to the song.
Song Score: 9/10
12. Latin Simone (Que Pasa Condigo?)
The first time I heard this, I was like, “Why is this song in Spanish?” This is because I listened to the G Sides album first (more on that next week). But the more I listened, the more I preferred it to the English version. This guy sings like he’s before an auditorium and he wants the people outside to hear him. Funny story: I tried to play this song for my Spanish class but my speakers didn’t work for them to hear it. Sucks for them.
Song Score: 11/10
13. Starshine
This is probably my least favorite song on the album. Just melancholy for the sake of melancholy. Kind of bothers me how there’s no substance to it I can find...nice instrumental though.
Song Score: 6/10
14. Slow Country
My second least favorite song on the album. Usually I like discordant noises in a song but the amateur piano with the honks...don’t really do it for me. Nice mumbling at the end though. Never change, Damon.
Song Score: 7/10
15. M1A1
I remember the first time I watched Day of the Dead and during the beginning I kept going, “WHEN THE GUITAR COME IN?!”. I know, I know, I’m hilarious. Especially when I’m by myself. But seriously, not even factoring in nostalgia, this is the best track on the album. Great song, great singing, awesome fucking solo. The only thing better than M1A1 on this album is M1A1 live.
Song Score: 12/10
16. Dracula
You know that when I heard the sound bite from this track, I thought it was from the original movie? It’s not. It’s from fucking Looney Tunes. Damn. Egg on my face. Anyway, I love the goofiness of this track. It tries to sound dark and scary but it’s like that nice goth kid in your class who always pick Edgar Allan Poe as his Powerpoint topic. Good kid, great song.
Song Score: 8/10
17. Left Hand Suzuki Method
FEEL THE IMPACT
And I did. Like a wise man once said, I don’t need drugs to enjoy this track, just to enhance my enjoyment of it. And you know what? I don’t want to enhance it. This shit sounds good by itself. See, Slow Country? This is how you mix in things that don’t sound good together and make them sound good together. You know what that track needs? Japanese children talking. That improves everything.
Song Score: 9/10
18. 19-2000 (Soulchild remix)
And the head honcho themself, one of the first Gorillaz songs I listened to. Man, this shit slaps like Dave Grohl in a Michael Gondry video. Whenever I heard this song when I was a kid, I was thinking about it all week. It just sounds so sunny, so uplifting, like something you should be listening to on an amusement park ride. Fuck, this track is tight.
Song Score: 10/10
19. Clint Eastwood (Ed Case and Sweetie Irie remix)
...
...Is it too late to change my least favorite track on the album choice yet?
Okay, Slow Country was on the original album so it can keep its title. This track is the worst track of all the bonus ones. It’s just...they were onto something with the breakdown but the goofy reggae singing and the way too fast to enjoy beat? Just rubs me the wrong way. Ugh, and now I’m thinking of Laika already...
Song Score: 5/10
Album Score: 8.8/10
Join me next week as I review G-Sides. It’s gonna resemble fun!
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