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#The oshi no ko anime can't get out of my brain
accelerandy15 · 1 year
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Oshi no Mona 💖
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aihoshiino · 3 months
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chapter 144 thoughts!
I don't think any other chapter of Oshi no Ko has ever baffled and confounded me quite like this one. Viewed solely in isolation this is a perfectly fine, functional chapter but as the followup to 143 and everything it contained, I actually feel like I'm losing my mind a bit. 143 might as well not have happened for all the weight it's given in this chapter. Ruby is not remotely acting like a girl who just tongued her crush of 18 years and in general, the total absence of any reference or cushioning of the shock of that event is just so loud and so jarring and so completely out of touch with how OnK has handled romantic developments in the past.
Both AquAka kisses had at least a scene or two in the chapter immediately following of characters reacting to and reflecting on both the event itself and the status quo change it represents in the relationship. Even 124 has that scene of Ruby clinging onto Aqua to let the viewer know what the new dynamic between them is going to be from now on. This chapter has nothing of the sort; I wasn't kidding when it says it feels like the kiss never even happened. The only thing I can point to is Ruby's little "we have sensei at home" exchange with Tsukuyomi but that's… kind of just exactly what she would've said even before the kiss. So if it has resulted in absolutely no change to their dynamic that we can see thus far, what was the point in ending the chapter on that note?
The part of me that is cynical and jaded can't help but suspect that this is intentionally hot button reaction bait paced specifically for the purposes of keeping OnK a trendy topic in the lead up to season 2 of the anime airing, But Who's To Say, Really.
I also had my worries about this last chapter, but unless we skip back in time to address it, it really looks like we've skipped over the remainder of the KamiAi romance and everything to do with the early stages of Ai's pregnancy. This is incredibly frustrating to me - they're parts of Ai's story I had been incredibly curious about and was excited to see her thoughts and feelings on, even filtered through fiction. In general, the way the Movie Arc has been increasingly dropping its focus on actually conveying Ai's story has been a real sore point for me. I fully acknowledge this rankles me more than perhaps it should because I am so deeply invested in Ai above any other character but… fuck, man! Once again, remember when this was supposed to be an arc about her? About her inner life, her pain and struggles and Aqua and Ruby working to a better understanding of her? I was excited for the Movie Arc specifically because I thought we were going to get peeks at parts of Ai's life we weren't privy to beforehand, but at this point it almost feels like Akasaka has just lost interest in following through.
Not only that but… uh, where's that KamiAi breakup scene, Akasaka? The one we were promised during the script reading? That huge I CAN'T LOVE YOU elephant that's been patiently sitting in the room? I can only assume that the 15YL version of this breakup happens after the twins are born or maybe even when Kamiki visited Ai at the hospital the night the kids were born but. What the fuck is even going on here anymore lol. The Oshi no Brainrot discord has been kicking around a joke theory that we were seeing the events of the Movie Arc out of their actual chronological order and it is becoming increasingly less of a joke in my brain because I can't make any sense of its progression otherwise.
oh my god i'm almost 1000 words in and i haven't started talking about the actual point of this chapter yet. god help me.
Anyway, MY SON IS HERE LET'S GO MELT!!!!!!
Ngl, I've always been a little disappointed that we didn't see much more of Melt in this arc, both just because I like him and because I think there's some really interesting potential in drawing on the parallels between Melt and Kamiki. I'm not the first to point out that Melt's experience with a dubiously consensual sexual encounter at the hands of an upperclassman - when he wasn't that much older than Hikaru was when Airi began abusing him - echoes at least in spirit Kamiki's experiences as a CSA victim; both were young boys, noted to be pretty and desirable, who were taken advantage of by older female figures. I think it would be extremely interesting and a great character moment for Melt to have some degree of engagement with that material and maybe to have some thoughts about it. It feels like a little bit of a missed opportunity to pass up on that, but I also acknowledge that Melt is ultimately not a huge mover and shaker in the overall story and I don't know how that would've fit into the Movie Arc as it stands, so I'll just have to make eyes at the AO3 tag and hope someone writes a fic about it.
Anyway as a lot of people predicted… here's Ruby being a jackass to Melt about his performance!!! Joking aside, I will admit it's a little jarring to see Ruby being so hostile to Melt over this…? Gorou is a sore spot for her, obviously and she would undoubtedly have high standards for his role in the movie. In addition, Ruby being snitty with people who rub her the wrong way definitely isn't new for her, but it still feels kind of odd both coming off her own struggles to connect with Ai through acting and her little "holy shit other people have feelings" breakthrough in the wake of the RBKN fight for her to be like this about it. I do think this is mostly just supposed to be just goofs and I'm overthinking it, it was just one of those things that kind of gave me pause as I was reading.
ruby's little little princess shirt is really good though, as is her referring to herself as a fan of the 'original work'. both of those got a solid sensible chuckle out of me.
Another thing that gave me pause for a very different reason was Melt and Ruby's exchange about his little merch pin. First and foremost, I think this is a really good Melt moment; while we saw him busting his ass to improve his acting in Tokyo Blade, that was very much when he had something to prove. Here, he really does seem to be going above and beyond for what is basically a bit part purely out of a desire to improve his craft and a passion for acting overall. It's nice to see the story double down in this being a lesson he did properly take away from Sweet Today and that he has committed to acting upon it (no pun intended) in the long term, not just when under outside pressure to do so.
The other thing that jumped out to me about this exchange is that… technically speaking, both Ruby and Melt are wrong, here? It's a very nice, flowery description of Gorou and it certainly lines up with his more positive traits but the idea of him not wearing his Ai merch in front of Ai herself is actually incorrect. Gorou is depicted (in the anime, anyway) as openly wearing the charm at what's implied to be all times, even in front of Ai herself. The manga also implies by way of where the charm is on his person when Ruby finds his body that this is also the case in that version of events, too. I don't think it's a retcon and may be an unimportant detail in the grand scheme of things but it did pique my interest.
There's a few ways to take this, I think; a more positive spin is that this is in line with what the story wants us to take away from 15 Year Lie as a production, where the literal granular facts of its events are sometimes less important than and can be bent in favour of supporting the emotional narrative it wants to convey. Melt may not literally be correct here, but he at least achieves the spirit of the right answer in his efforts. "Lies are love", after all.
However, given that Ruby enthusiastically endorses this interpretation - and is thus wrong alongside Melt - this could potentially be an indication of there being cracks in Ruby's rose-tinted view of Gorou. This strikes me as a fascinating idea and one I hope the series plays with; it would follow quite naturally from last chapter's framing of Gorou as Ruby's 'idol' that she's 'gachikoi' for. Oshi no Ko has pretty consistently portrayed the idol/fan relationship as inherently unequal, even when approached with the best of intentions and to truly know someone, you must let them off their pedestal first. She has sort of begun this process with Ai, just through empathizing with her during the 15YL production but we have yet to see anything similar happen with Gorou - if anything, we see the opposite here, where she asserts herself as the authority on Gorou's character as if she has the final say on who he was and what he felt and thought.
But the thing is, how well can Ruby really say that she knew him? They were only in each others' lives for a few months and in that time, she was only exposed to a very narrow slice of his life and his personality. Hell, you could even argue that Akane knows more about Gorou than Ruby does, given that we have no indication that Ruby or Sarina was ever privy to the details of his birth and his home life. Again, it's entirely possible that I'm reading too much into this, but now the idea is in my brain I'm simmering on it a bit. If nothing else, I hope the series takes the time to prod and poke at this angle, especially now it has made the fan/idol aspect of this dynamic explicit and textual.
Ruby and Melt's little senpai/kouhai dynamic has the potential to be really cute and I do hope the series actually spends some time on it. I've always thought a RBML friendship could be really fun to watch play out and seeing Melt gain some confidence in himself by teaching someone else could be really great. But with how unfocused the Movie Arc has been, it's really hard to get my hopes up that we'll be sticking with this even past this chapter lol
oh hey there crow girl we thought you were dead
Surprisingly, I don't have a lot to really say about her little lore drop here, since it's mostly mystery boxing and implications and, man. It's been 69 (nice) chapters since she first started showing up ominously muttering about supernatural things and while I don't mind her presence and I think she's evolved into a fun character, it's a little hard for me to get interested in these little supernatural tidbits until they resolve into something that feels meaningful for the characters.
This isn't helped by the fact that we don't really know what kami means in the context she uses it here. While 'god' and 'gods' are not strictly incorrect as translations, I think an English speaking viewer is primed to think of Abrahamic, capital G-Gods, which isn't necessarily correct. The term kami is a catchall that covers all manner of things from divinities to venerated earthbound humans, so kami can perhaps best be understood as being an umbrella term for something like 'an otherworldly being', which I think better lines up with Tsukuyomi's assertion that those who have memories of past lives are like kami in of themselves.
Ultimately though until we know what kami really means and amounts to in Oshi no Ko, it's hard to say what this means for the characters and I am ultimately only really interested in the characters. So until we know what this actually amounts to in-story, I'm just kind of nodding long with whatever Crow Girl says because sure. This might as well happen.
can we talk about how fucking funny her anime antagonist jump out of the tree was, by the way
break next week, or so i've heard... one of these days, we'll beat the allegations....
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aihoshiino · 9 months
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what are your thoughts on kana and if aka will actually let her find out about the revenge plot eventually
kana my love
Imo, it's pretty inevitable that Kana is going to find out about Aqua's revenge plan - it feels very intentional that the movie arc is pretty much the first time he's been willing to actively involve and manipulate Kana specifically for his own ends and I don't think it's a coincidence that this is only happening now Aqua is at his lowest point. Involving Kana to such a degree really feels like Aqua choosing to cross a line he had previously drawn for himself in terms of involving Kana directly with his revenge.
After all, I don't think it's accidental or due to a lack of focus that Kana has largely remained ignorant to this side of Aqua - rather, I think it's representative of the fact that Kana and his friendship with her is, in a lot of ways, a sort of refuge for Aqua, a window into a life as a normal teenager. As he himself put it all the way back in chapter 30, Kana is one of the few people in his life Aqua feels he can talk to without any manipulation or ulterior motives and it's clear he deeply values this aspect of their relationship. Through Kana, a lot of Aqua's worst traits are sort of filtered through a brighter, kinder lens and she brings a lot of his better traits out of him - his playful sense of humour, his sense of care and duty to the people around him, that sort of thing. Even the parts of himself he hates are softened a bit. For the like, five of you who occupy the middle of the "Oshi no Ko enjoyer" and "Umineko Enjoyer" Venn diagram, through Aqua and Kana's friendship, we (and arguably Aqua) are able to see him with love.
It's why I think it's not just inevitable but outright necessary that Kana find out about everything going on with Aqua. Aqua's arc during this stretch of the manga has been about him desecrating all his most important relationships and finally crossing the line in actively manipulating and involving Kana is part of that desecration. It's such a big shift in the status quo of their relationship that it necessitates Kana being given the information necessary to join everyone else in shaking him and going STOP RUINING YOUR LIFE, DIPSHIT!!!!
Anyway uh as you can probably tell by all that, I really like Kana! She's probably my favourite member of the cast who is not Ai and I think it's partially because her arc hits on a lot of similar beats to the ones that made Ai so compelling for me. She is definitely not on the same level of Brain Melting Blorbo as Ai obviously is for me lol but she touches on those same issues of lingering damage caused by childhood abuse, exploitation and abandonment and the kinds of things that pain does to you as you grow up. She engages with these themes in a way that is distinct enough from Ai to feel refreshing and honest while also, imo, being in conversation with it enough that it all coheres quite nicely.
I also just think she's fun and cute! The anime in general and its handling of the material is what finally made me really click with Oshi no Ko and Kana is, imo, second only to Ai in being the best served by the adaptation. She's plenty fun in the manga obviously but the anime puts a really tangible amount of love and care into its portrayal of her and does so many fun and cute things with her character acting it's really hard not to be endeared to her. I liked her fine during my first pass of the manga but it was definitely the anime that turned me into a card carrying Arima Kana Enjoyer. A big part of what has me so excited about season 2 is knowing that some of her best moments after going to get that same loving treatment and I can't wait to see it!
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aihoshiino · 9 months
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So a theory that you had said that kana might play the role of ai, and im curious on what makes you say that?
Mostly vibes, mostly thinking about narrative roundness. There's a phrase I really like when it comes to storytelling which is "you end a story where it began or somewhere else" – which basically means that a story's ending should parallel or contrast the ways in which it began to emphasize how much distance the characters have travelled in that time.
Aqua's first major acting role in the manga is Sweet Today, in which he plays a stalker who both physically resembles Ryosuke (the man who killed Ai) and whose performance Aqua is clearly basing on his own memories of Ryosuke in the moment he killed Ai. Kana portrays the girl targeted by him. Given that Aqua has come back around to playing the stalker again, it would be a nice parallel for Kana to also eventually take on the role of Ai - I can really clearly see a version of that fictionalized confrontation, where Kana acts Ai as choosing to forgive her killer and the framing and panelling echoes the "Even so, I have light" moment from Sweet Today.
In addition, Kana and Ai are repeatedly paralleled through Oshi no Ko - honestly more than Akane is, ironically enough. The most stand out example of this is obviously B-Komachi's first concert (which the anime adaptation goes so all in on, it's almost a little TOO on the nose) but this also happens through reoccurring phrases used to refer to both of them as well as repetitions of certain imagery and even items of clothing to create visual parallels between the two.
Another character Kana is explicitly paralleled with is Yura Katayose, the actress initially pegged to play Ai in 15 Year Lie, who was targeted by Hikaru, with a strong implication that she was killed because of some similarity she had to Ai.
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As well as the short bob hair cut & beret which are both kind of Kana's trademark looks in the manga, both Yura and Kana make the panda comparison as pertains to their role in attracting viewers to a movie.
That bit got kind of tangled lol but the point I'm making is Yura = Ai and Kana = Yura, therefore... you get me? I also want to acknowledge that I think the Kana = Yura parallels are also to do with establishing Kana as Kamiki's next target, so this is possibly a red herring or me otherwise making a connection that was not fully intended by the text. That said, Kana as a target of Kamiki's also serves as another way to more closely tie her to Ai and to sort of put her in Ai's shoes, subtextually speaking.
In addition, there are a lot of implications that Ruby may not be able to go through with playing Ai. She struggles with a lot of the material, both from an emotional place of it being triggering for her and because her acting is implied to not be up to par for what's required. Just before her breakdown that lead to the past lives reveal, we see her struggling to get on top of emotional acting and Kaburagi even suggests she take extra acting lessons because in her current state she simply can't make the movie good. In particular, Ruby's acting is negatively compared to Kana's, with Ruby herself stating that she's the inferior actress in comparison.
There's some more minor stuff but like I said, this is a strictly Vibes based call and I don't so much have evidence to support it as much as I do... let's say, Evidence Adjacent Material LOL. It's just a direction for the story to take that I think would be cool and fun and it itches the part my brain that enjoys Rhymes In Cinema and stories ending where they began.
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