#TAKE A LOOK AT THE FUTURE ;; WHO KNOWS WHAT’S AHEAD? — modern verse ( hana ) | Explore Tumblr Posts and Blogs

shenanigumi · 7 years

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Actual First Impressions: HakuMyu LIVE 2, Act 1!

Also contains some of Act 2 for reasons. Prepare for a LOT of rapid-fire half-asleep chocolate-high thoughts, consolidated into a single super-long text post to avoid spamming and/or oversqueeing. Good luck disentangling my observations from my emotions long enough to make any sense of either…

Atsuku Ikiro => SAMURAI Future => Yaisa! Yaisa! Yaisa! – I love this song! It’s catchy as hell and everyone gets a verse and—WAIT IS THAT SAMURAI FUTURE?!?! They’re actually quoting music from the original run?!?! Oh hey it’s Yaisa except oh my god this instrumentation is fabulous. Pieces with traditional instruments and modern beats (or really any genre of music not typically set to a modern beat) is my not-so-secret weakness. That’s why electro swing is my favorite musical genre. AAAAHHHH THIS IS SO BEAUTIFULLY ARRANGED

Sidenote: The original cast can hold their own during solos, but get them all together and they’re nothing super-special. Conversely, the new cast sounds AMAZING all together, but with a few exceptions, solos seem to be their weak points. I’m still severely biased toward the original cast in most cases, but I won’t deny that I ADORE the group numbers with the new cast.

[interlude] – Huh, the audience is even more involved than usual… must be an unwritten rule of HakuMyu that Souji is a total attentionwhore. Is that Kazama and Shiranui in the background? Are they gonna reuse the “where are they” gag from the first LIVE? Oh wait. Oh wait… What the hell is happening? What are they giving Kazama, and why? Is that pocky, or something? No, that can’t be pocky; it’s too thick. But it is edible, judging from the fact that Shiranui is feeding it to him jfc please you two or else I’m going to start headcanon-ing that Shiranui hits on Kazama to make him uncomfortable whenever he steps out of line

Okita’s song (???) – …oh thank god another musical number to break up all the confusion and awkwardness. Except I don’t really recognize this? Either it’s new or it’s from Reimeiroku since that’s the only one to which I paid like, negative attention, since I hadn’t even seen the anime and had no connection to most of the actors and. yeah. nice shoutout to his part in “SAMURAI Future”, I guess, but made somewhat less awesome by the fact that they already performed the real thing. also oh Souji you just have to blow the audience a kiss at the end too, you know you’re the favorite. ugh. insufferable child.

[SKIPPING AHEAD TO] Hisuru Hana – …my mom’s watching this with me and she really doesn’t care about most of these guys, so I’m gonna see if I can’t find Kazama to make it worth her while till she goes to bed… oh hey that’s Kazama in a demon mask isn’t it. OH HEY THAT’S HISURU HANA ISN’T IT. OH HEY THEY’RE BRINGING IN MORE SONGS FROM THE ORIGINAL RUN. OH HEY HE SOUNDS A LITTLE ROUGHER THAN USUAL AND HIS MOVEMENTS AREN’T QUITE AS SMOOTH AS IN HIS OWN MUSICAL BUT GOD DAMN.

Harada’s song (Shinsengumi Kitan) – HOLY FUCKING SHIT HARADA AND CHIZURU ARE CUTE TOGETHER HOLY SHIT HOLY SHIT OH MY GOD HE’S LIKE 50 MILES TALLER THAN SHE IS AND HE’S CARRYING HER AND HE’S DANCING WITH HER OH MY GOD HIS SONG IS LONGER NOW AND THEY’RE SO FUCKING ADORABLE THANK GODS HARADA IS GETTING A MUSICAL YES PLEASE ALSO WAY TO SUBSTANTIATE MY BULLSHIT SUPPOSITIONS THAT THEY’RE A THING IN SHINSENGUMI KITAN

[Interlude] – lolol hey it’s the idiot trio what if they do “Asonde Bakka Jyanai Ze!”?! …nah Harada already had some time in the spotlight but… wait, do Nagakura and Heisuke have any songs, just the two of them…?

Jiyū ni Narero Basho – YES, YES THEY DO! ANOTHER FAMILIAR TUNE!! One of the ones I always forget I love, too. Heisuke—good job, kid. You may not be Ikeda Junya, but I’ll allow it. Nagakura, I am thoroughly unimpressed with your voice thus far. I need to do a comparison gifset between Toudou-hen and this choreography tbfh, so much of it is a direct parallel. oh hey Heisuke’s stomach is growling!! hahaha wouldn’t it be funny if they used that to transition into—

HUNGRY GUYS => mealtime number (Shinsengumi Kitan) – FUCK YESSSS THEY’RE DOING IT!!! I LOVE THIS NUMBER OMG YES oh too bad they didn’t put the fish gag in though. Wait, did they rip this out of “Twist and Shout” by the Beatles? Oh no that’s just the transition into the roughly equivalent number from Shinsengumi Kitan. Damn they sound good together.

[Interlude] – GOD DAMN IT YOU TWO YOU ARE LITERALLY GOING TO MAKE ME SHIP RYUNOSUKE/CHIZURU JUST BECAUSE OF THIS SCENE JFC YOU’RE BOTH SO GODDAMN ADORKABLE but my mom doesn’t really care too much about Chizuru or most ships so let’s just keep right on going

[SKIPPING AHEAD WAY TOO FAST TO]—

Me: *MAKES LOUD AND SUDDEN GROANING NOISE* Mother: [annoyed] What?! Me: SHIRTLESS SHIRANUIIII Mother: …Oh.

[GOING BACK TO] the obvious femservice scene (Shinsengumi Kitan) – [here are the few semi-coherent thoughts I can remember] – fuck off Okita with your stupid suggestive water bucket – I guess at least he gets to participate this time? – please hit him with that fan Yamazaki – HOLY FUCKING SHIT IT’S SHIRTLESS SHIRANUI – HOLY SHIT – HOLY SHIT – OH MY GOD – TAKE ME NOW – oh hey also Ryunosuke who also has a literal six-pack but has to appear weak for the sake of characterization – SHIRANUI WHY ARE YOU FEELING UP HARADA – PLEASE DON’T TEMPT ME TO SHIP YOU TWO EVEN MORE UNIRONICALLY – CAMERA PLEASE – CAMERA – ZOOM IN ON SHIRANUI – PLEASE – YOU KNOW HE’S A GOOD DANCER I WANT TO SEE HIM DO THE THING – I WONDER IF HE SPECIFICALLY ASKED TO BE INCLUDED THIS TIME AROUND? – HOLY FUCK HOW IS HE JUST KINDA STAYING UPSIDE-DOWN THERE

[Interlude] – HE’S JUST CASUALLY DOING CRUNCHES AS KAZAMA ARRIVES ON THE SCENE – OF COURSE – PLEASE KAZAMA TAKE OFF YOUR CLOTHES – YOUR SHIRT – WHATEVER – I DON’T CARE – oh hey a watermelon ball, I guess that’s the new equivalent of the badminton scene? – NO SHIRANUI DO NOT PUT YOUR SHIRT BACK ON – KAZAMA PLEASE – SHIRANUI PLEASE – god damn it. [ladies and gents, my mother, voicing my scrambled thoughts – “I was kinda hoping it’d go the other way, that Kazama might…”] oh shit Amagiri’s missing again, isn’t he? Damn it, as much as I love that gag, I liked Naoya-san. Too bad he wasn’t around. But they’re probably not going to do Oni no Matsuei again, so… what next…?

Oni no Chikara – FUCK YES IT’S ANOTHER OF MY FAVORITES YES YES YES!!! wait, but if Amagiri isn’t here, why do I hear his theme—? Oh, I guess they’re just skipping it. never mind… oh and here’s Serizawa but at this point I’m really just interested in Kazama because my mom has to go to bed so

[SKIPPING AHEAD TO] Kazama’s new medley – aaaaaaaa exactly what I was looking for. Suzuki!Kazama in western wear. oh my fuck HOW can one person be so perfect. how. just. how. is it me or did they make his clothes even more form-fitting and sexier—? oh gods this is the intro to his musical!! and his singing is even more on point!!! oh shit I love that. oh hey now it’s his fight with Nagakura from Shinsengumi Kitan and they cut out his gorgeous wavering endnote on that one but whatever still a good theme. and—wait, they ARE doing Oni no Matsuei! that’s a throwback if ever I’ve seen one, but I am 100% all for more Shiranui so whatever. and—wait, “Kyōtō ~ Kyoran no Shi”? With half of Heisuke’s lines cut out? At least they slowed it down somewhat so the poor man can actually sing. And oh shit he was fighting Kodo? oh that explains why the end of “Sendai-jou no Tatakai” is happening now. and… oh gods now we’re at the end of “Bushi Toshite Ikiru Tame ni” and Hashimoto-san I love you dearly but did anyone tell you what notes to sing? NO, MOTHER, MATSUDA RYO WAS A BETTER SAITO BY A LONG SHOT, DON’T YOU DARE INSINUATE THAT HE WAS EVEN REMOTELY OFF-KEY. and ah good they’re ending it on the same set of notes, literally, as his first medley. nice way to tie it all together. good night mother

[GOING BACK TO] Saito’s song (???) – ah yes now I can record my reactions actually live instead of having to remember all that because my mother has gone to bed and I don’t mind interrupting myself. anyway this number is cool, but again, I don’t recognize it at all. did they hide it somewhere in Reimeiroku? but I like the shoutout to the instrumentation on “Don’t Forget My Style”. ok I can hear his Reimeiroku leitmotif now, so is this like, a small medley? also ok I know how childish and coincidental this is but I love that the last two lines rhyme like yessss

Hijikata’s song (???) – this kinda sounds familiar, probably from Reimeiroku. still never got the hang of Gaku-san as Hijikata, though; the notes get away from him sometimes, more often than the others I’ve heard. ya know, not that I could ever hope to sing any better while I’m doing that much but I’ve seen better Hijikatas in my day *adjusts hipster glasses*

[RELUCTANTLY SKIPPING PAST “HISURU HANA” ET AL TO] Chizuru’s song (Shinsengumi Kitan) => Ryūnosuke no Kaiko – Okay, I actually really like Chizuru’s little leitmotif, and she really does have a wonderful voice. Second or third favorite Chizuru for sure, after Tanoue Marina and tied with Yamamoto Sayaka. ooooh someone’s in loooove though, what with that Hijikata action in the background~ and OH YES THIS IS INDEED THE SONG I THOUGHT IT WAS WHEN I WAS FAST-FORWARDINGGGG oh goodness I love Ryunosuke’s little aria so much. plus the added percussion is really nice, gives it a sense of moving forward while retaining its prettiness—OH THEY ADDED MORE TO IT! and it’s so well staged! and why isn’t this man more on my butai radar I need more Shiramata Atsushi in my life. oh hey Yamazaki whatcha doing here? oh just running away I guess. it’s cool. see ya later?

[VERY RELUCTANTLY SKIPPING PAST MUSCLE SCENE ET AL TO] Gōgan Fuson’na Shi – I kinda love Serizawa? even though I also really hate him? I just feel like Kubodera Akira has a really awesome time playing the role, I mean, getting the audience involved and everything. It’s kinda cute in a super-twisted way, considering he’s busy burning everything to the ground and disrespecting everyone under the sun. seems like I have this problem with a lot of characters given that Kazama is much the same. actual favorite character, possibly actual least favorite person.

[Interlude] – here comes Kodo and… uh… THEY’RE SAYING ONE ANOTHER’S NAMES LIKE LOVERS? CRACKSHIP CONFIRMED? is there a word for pantomime that isn’t necessarily silent because I see a lot of that in butai and it’s really amazing (edit: I have since realized that pantomime is exactly the word I am looking for) and they’re physically echoing one another’s movements like a villainous courtship dance and OH MY GOD THAT HIGH FIVE AND EVIL LAUGHTER WAS REALLY CUTE A+ BROMANCE I SUPPORT THIS 100% also Kodo’s bald cap is treating him decently now

Hen Wakamizu no Chikara => Horobi no Sakebi – you cannot hope to beat Edogawa Manji in a weird-off. He is simply the best there is. What is even going on right now. He’s involving the audience in his villainous schemes and you know that pantomime thing, he’s the best at gesticulating, he really is, he’s so underrated and I have such a high respect for him and… oh, Chizuru hasn’t gotten over her emote-face, I see, and—WAIT WHAT THE FUCK. KODO-SAN WHAT ARE YOU WEARING AND HOW CAN YOU LOOK SO SERIOUS. HOW ARE THEY PLAYING THIS TOTALLY STRAIGHT WHEN HE LOOKS SO RIDICULOUS. ok maybe “respect” was the wrong word. In fact, I think I’ll just have Suzuki Shogo summarize the rest of this scene for me (since this is only the second most ridiculous Edogawa-san has looked while in-character):

Shinsengu Tanjō => Bushi no Michi ~ Ima, Kakugo no Toki [3] => Shinsengu no Michi [1] => opening track (Shinsengumi Kitan)? – ah good they’re including this. perfect!! one of their better chorus numbers, and that’s saying something—but wait—no—they’re cutting out too much of it! and now Kondou is singing Serizawa’s part?? what is this. oh but there’s Serizawa singing his beautiful little piece that I love way too much given his character. (lord help me I think I might actually understand why Ryunosuke lets him kick him around so much; the man is fascinating.) ok but all masochism aside, time to switch to sadism, since it looks like they’re gonna be killing him soon enough. and it’s well-staged, too; I love it when they do the slow-mo thing. also, yes, Ryunosuke, you can in fact sing him sweetly to sleep, ignore the fact that he’s literally trying to kill you and everyone around you. also I guess Serizawa had a semi-literal ‘Kick the Dog’ moment there huehue. and oh wow that silence was powerful. I seem to remember that being a thing in Reimeiroku too…?

[Interlude] – oh hey it’s Yamazaki. oh hey Ryunosuke that little scuttle backward you did there was adorable. oh hey you two are in really close range. oh fuck am I starting to ship this in the same way I ship Harada and Shiranui…? oh fuck. NO RYUNOSUKE BBY DON’T CRY but also thank you for distracting me from my newfound ship doubt.

Shinsengu no Michi [2] => Yaisa! Yaisa! Yaisa! (original?) – YES MORE YAMAZAKI ACTION BUT NO MORE YAMAZAKI DEATH WHY IS THIS HAPPENING but hey he’s okay now because of the Power of Chorus™ bringing Yaisa! back into the equation. I wonder whether it takes extra effort to sing different words to the same tune? because there’s a lot of that throughout the musicals, come to think of it.

INTERMISSION – HOLY SHIT IT’S YAZAKI MOTHERFUCKING HIROSHI AS A GUEST STAR BUT I REALLY NEED TO GO TO BED SO I’M GONNA HAVE TO SPLIT POSTS HERE AND HOPE YOU STICK AROUND LONG ENOUGH TO HEAR ABOUT ACT 2. GOOD NIGHT EVERYBODY. it’s just as well, I can feel my thoughts getting less and less coherent eheh

Sidenote: …this “literal first impressions” thing was kinda what I was initially trying to do with the much longer HakuMyu Shinsengumi Kitan review, but this is easier for me since it’s just getting all my thoughts down and out instead of trying to do anything even remotely constructive or clever with them. Hope you enjoyed anyway!

#hakuouki #hakuōki #hakuoki #hakumyu #hakumyu live 2 #reaction images #gif

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