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selena-snape · 3 years

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timeless-hollywood-classics · 4 years

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Paulette Goddard (born Marion Levy; June 3, 1910 – April 23, 1990) was an American actress, a child fashion model and a performer in several Broadway productions as a Ziegfeld Girl; she became a major star of Paramount Pictures in the 1940s. Her most notable films were her first major role, as Charlie Chaplin's leading lady in Modern Times, and Chaplin's subsequent film The Great Dictator. She was nominated for an Academy Award for Best Supporting Actress for her performance in So Proudly We Hail! (1943). Her husbands included Chaplin, Burgess Meredith, and Erich Maria Remarque.

Goddard was the daughter of Joseph Russell Levy (1881–1954), the son of a prosperous cigar manufacturer from Salt Lake City, and Alta Mae Goddard (1887–1983). Her father was Jewish, her mother Episcopalian of English ancestry. They married in 1908 and separated while their daughter was very young, although the divorce did not become final until 1926. According to Goddard, her father left them, but according to J. R. Levy, Alta absconded with the child.[11] Goddard was raised by her mother, and did not meet her father again until the late 1930s, after she had become famous.

In a 1938 interview published in Collier's, Goddard claimed Levy was not her biological father.[13] In response, Levy filed a suit against his daughter, claiming that the interview had ruined his reputation and cost him his job, and demanded financial support from her. In a December 17, 1945 article written by Oliver Jensen in Life, Goddard admitted to having lost the case and being forced to pay her father $35 a week.

To avoid a custody battle, she and her mother moved often during her childhood, even relocating to Canada at one point. Goddard began modeling at an early age to support her mother and herself, working for Saks Fifth Avenue, Hattie Carnegie, and others. An important figure in her childhood was her great uncle, Charles Goddard, the owner of the American Druggists Syndicate. He played a central role in Goddard's career, introducing her to Broadway impresario Florenz Ziegfeld.

In 1926, she made her stage debut as a dancer in Ziegfeld's summer revue, No Foolin', which was also the first time that she used the stage name Paulette Goddard. Ziegfeld hired her for another musical, Rio Rita, which opened in February 1927, but she left the show after only three weeks to appear in the play The Unconquerable Male, produced by Archie Selwyn. It was, however, a flop and closed after only three days following its premiere in Atlantic City.

Soon after the play closed, Goddard was introduced to Edgar James, president of the Southern Lumber Company, located in Asheville, North Carolina, by Charles Goddard. Aged 17, considerably younger than James, she married him on June 28, 1927 in Rye, New York. It was a short marriage, and Goddard was granted a divorce in Reno, Nevada, in 1929, receiving a divorce settlement of $375,000.

Goddard first visited Hollywood in 1929, when she appeared as an uncredited extra in two films, the Laurel and Hardy short film Berth Marks (1929), and George Fitzmaurice's drama The Locked Door (1929).

Following her divorce, she briefly visited Europe before returning to Hollywood in late 1930 with her mother. Her second attempt at acting was no more successful than the first, as she landed work only as an extra.

In 1930, she signed her first film contract with producer Samuel Goldwyn to appear as a Goldwyn Girl in Whoopee! (1930). She also appeared in City Streets (1931) Ladies of the Big House (1931) and The Girl Habit (1931) for Paramount, Palmy Days (1931) for Goldwyn, and The Mouthpiece (1932) for Warners.

Goldwyn and she did not get along, and she began working for Hal Roach Studios, appearing in a string of uncredited supporting roles for the next four years, including Show Business (1932), Young Ironsides (1932), Pack Up Your Troubles (1932) (with Laurel and Hardy), and Girl Grief with Charley Chase.

Goldwyn used Goddard in The Kid from Spain (1932), The Bowery (1933), Roman Scandals (1933), and Kid Millions (1934).

The year she signed with Goldwyn, Goddard began dating Charlie Chaplin, a relationship that received substantial attention from the press. It marked a turning point in Goddard's career when Chaplin cast her as his leading lady in his next box office hit, Modern Times, in 1936. Her role as "The Gamin", an orphan girl who runs away from the authorities and becomes The Tramp's companion, was her first credited film appearance and garnered her mainly positive reviews, Frank S. Nugent of The New York Times describing her as "the fitting recipient of the great Charlot's championship".

Following the success of Modern Times, Chaplin planned other projects with Goddard in mind as a co-star, but he worked slowly, and Goddard worried that the public might forget about her if she did not continue to make regular film appearances. She signed a contract with David O. Selznick and appeared with Janet Gaynor in the comedy The Young in Heart (1938) before Selznick lent her to MGM to appear in two films.

The first of these, Dramatic School (1938), co-starred Luise Rainer, but the film received mediocre reviews and failed to attract an audience.

Her next film, The Women (1939), was a success. With an all-female cast headed by Norma Shearer, Joan Crawford, and Rosalind Russell, the film's supporting role of Miriam Aarons was played by Goddard. Pauline Kael later wrote of Goddard, "she is a stand-out. fun."

Selznick was pleased with Goddard's performances, particularly her work in The Young in Heart, and considered her for the role of Scarlett O'Hara. Initial screen tests convinced Selznick and director George Cukor that Goddard would require coaching to be effective in the role, but that she showed promise, and she was the first actress given a Technicolor screen test.

Russell Birdwell, the head of Selznick's publicity department, had strong misgivings about Goddard. He warned Selznick of the "tremendous avalanche of criticism that will befall us and the picture should Paulette be given this part...I have never known a woman, intent on a career dependent upon her popularity with the masses, to hold and live such an insane and absurd attitude towards the press and her fellow man as does Paulette Goddard...Briefly, I think she is dynamite that will explode in our very faces if she is given the part."

Selznick remained interested in Goddard for the role of Scarlett. After he was introduced to Vivien Leigh, he wrote to his wife that Leigh was a "dark horse" and that his choice had "narrowed down to Paulette, Jean Arthur, Joan Bennett, and Vivien Leigh".

After a series of tests with Leigh that pleased both Selznick and Cukor, Selznick cancelled the further tests that had been scheduled for Goddard, and the part was given to Leigh. It has been suggested that Goddard lost the part because Selznick feared that questions surrounding her marital status with Charlie Chaplin would result in scandal. However, Selznick was aware that Leigh and Laurence Olivier lived together, as their respective spouses had refused to divorce them, and in addition to offering Leigh a contract, he engaged Olivier as the leading man in his next production Rebecca (1940). Chaplin's biographer Joyce Milton wrote that Selznick was worried about legal issues by signing her to a contract that might conflict with her pre-existing contracts with the Chaplin studio.

Goddard signed a contract with Paramount Pictures and her next film, The Cat and the Canary (1939) with Bob Hope, was a turning point in the careers of both actors. They promptly were re-teamed in The Ghost Breakers (1940).

Goddard starred with Chaplin again in his 1940 film The Great Dictator. The couple split amicably soon afterward, and Goddard allegedly obtained a divorce in Mexico in 1942, with Chaplin agreeing to a generous settlement.

At Paramount, Goddard was used by Cecil B. De Mille in the action epic North West Mounted Police (1940), playing the second female lead.

She was Fred Astaire's leading lady in Second Chorus (1940), where she met actor Burgess Meredith, her third husband,.

Goddard made Pot o' Gold (1941), a comedy with James Stewart, then supported Charles Boyer and Olivia de Havilland in Hold Back the Dawn (1941), from a script by Billy Wilder and Charles Brackett, directed by Mitchell Leisen.

Goddard was teamed with Hope for a third time in Nothing But the Truth (1942), then made The Lady Has Plans (1942), a comedy with Ray Milland.

She did Reap the Wild Wind (1942), playing the lead, a Scarlett O'Hara type character. Co-starring Milland and John Wayne, it was a huge hit.

Goddard did The Forest Rangers (1942). One of her better-remembered film appearances was in the variety musical Star Spangled Rhythm (1943), in which she sang "A Sweater, a Sarong, and a Peekaboo Bang" with Dorothy Lamour and Veronica Lake. She and Milland did The Crystal Ball (1943).

Goddard received one Oscar nomination for Best Supporting Actress for the 1943 film So Proudly We Hail!.

Goddard was teamed with MacMurray in Standing Room Only (1944) and Sonny Tufts in I Love a Soldier (1944). She was one of many Paramount stars in Duffy's Tavern (1945).

Goddard's most successful film was Kitty (1945), in which she played the title role.

In The Diary of a Chambermaid (1946), Goddard starred with Burgess Meredith, to whom she was married at the time, under the direction of Jean Renoir. It was made for United Artists.

At Paramount she did Suddenly It's Spring (1947) and De Mille's Unconquered (1947). During the Hollywood Blacklist, when she and blacklisted husband Meredith were mobbed by a baying crowd screaming "Communists!" on their way to a premiere, Goddard is said to have turned to her husband and said, "Shall I roll down the window and hit them with my diamonds, Bugsy?"

In 1947, she made An Ideal Husband in Britain for Alexander Korda, and was accompanied on a publicity trip to Brussels by Clarissa Spencer-Churchill, niece of Sir Winston Churchill and future wife of future Prime Minister Anthony Eden.

Goddard and her husband were among several stars in On Our Merry Way (1948).

At Paramount, she did two movies with MacDonald Carey: Hazard (1948) and Bride of Vengeance (1949). She then left the studio.

In 1949, she formed Monterey Pictures with John Steinbeck. Goddard starred in Anna Lucasta (1949), then went to Mexico for The Torch (1950). In England, she was in Babes in Bagdad (1952); then she went to Hollywood for Vice Squad (1953), Sins of Jezebel (1953), Paris Model (1953), and Charge of the Lancers (1954). Her last starring role was in the English production A Stranger Came Home (known as The Unholy Four in the United States).

Goddard began appearing in summer stock and on television, guest starring on episodes of Sherlock Holmes, an adaptation of The Women, this time playing the role of Sylvia Fowler, The Errol Flynn Theatre, The Joseph Cotten Show, and The Ford Television Theatre.

She was in an episode of Adventures in Paradise and a TV version of The Phantom.

After her marriage to Erich Maria Remarque, Goddard largely retired from acting and moved to Ronco sopra Ascona, Switzerland.

In 1964, she attempted a comeback in films with a supporting role in the Italian film Time of Indifference, which was her last feature film.

After Remarque's death in 1970, she made one last attempt at acting, when she accepted a small role in an episode of The Snoop Sisters (1972) for television.

Upon Remarque's death, Goddard inherited much of his money and several important properties across Europe, including a wealth of contemporary art, which augmented her own long-standing collection. During this period, her talent at accumulating wealth became a byword among the old Hollywood élite. During the 1980s, she became a fairly well known (and highly visible) socialite in New York City, appearing covered with jewels at many high-profile cultural functions with several well-known men, including Andy Warhol, with whom she sustained a friendship for many years until his death in 1987.

Goddard married the much older lumber tycoon Edgar James on June 28, 1927, when she was 17 years old; the couple moved to North Carolina. They separated two years later and divorced in 1932.

In 1932, Goddard began a relationship with Charlie Chaplin. She later moved into his home in Beverly Hills. They were reportedly married in secret in Canton, China, in June 1936. Years later Chaplin privately told relatives that they were married only in common law. Aside from referring to Goddard as "my wife" at the October 1940 premiere of The Great Dictator, neither Goddard nor Chaplin publicly commented on their marital status. On June 4, 1942, Goddard was granted a Mexican divorce from Chaplin.

In May 1944, she married Burgess Meredith at David O. Selznick's home in Beverly Hills. They divorced in June 1949.

In 1958, Goddard married author Erich Maria Remarque. They remained married until Remarque's death in 1970.

Goddard had no children. In October 1944, she suffered the miscarriage of a son with Burgess Meredith.

Goddard underwent invasive treatment for breast cancer in 1975, successfully by all accounts. On April 23, 1990, aged 79, she died at her home in Switzerland from heart failure while under respiratory support due to emphysema. She is buried in Ronco Village Cemetery, next to Remarque and her mother.

#paulette goddard #classic movie stars #classic hollywood #golden age of hollywood

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gabemsa · 3 years

Video

vimeo

S+C+A+R+R - NEVER GIVE UP from Passion Paris on Vimeo.

Artist: S+C+A+R+R

Directed by: Jack Antoine Charlot Produced by Passion Paris

Producer: Marc Bodin-Joyeux, Marion Vermogen Post-Producer: Rita Oliveira, Emile Chaillou

Music and lyrics by S+C+A+R+R Produced and mixed by: Dan Levy @ The WatchTower Studio – Madville Choreographer: Nicolas Huchard

Post-Production: Kombbo Production: Lou Beauchard, Mehdi Alavi Production Coordinator: Hugo Garnier Facial & Body Motion-Capture: Mocaplab & Hadrien Farre Rigging: Hadrien Farre Cloth Simulation: Hadrien Farre FX: Hadrien Farre Layout: Paul Lavau Camera Animation: Paul Lavau Animation: Paul Lavau Lighting & Rendering: Mehdi Alavi, Cedric Chauzy

Editing: Jack Antoine Charlot

Head of label: Alan Gac Project Manager: Pauline Dageville Digital Marketing Manager: Ludivine Rome

Special thanks to Remi Brun for his generosity, Camille Beauplan for artistic advices

Mastered by: Chab - Translab. Sound Design by Remi Durel Studio Obsidienne Paris

S+C+A+R+R thanks: Cinq7 - Wagram - Alan Gac - Paulinę Dageville - Jack Antoine Charlot Stephan Bourdoiseau - Nicolas Huchard - Saint DX Mehdi Alavi - Passion Paris - Kombbo - Ludivine Rome - Julien Bescond Marion Vermogen - Rita Oliveira - Marc Bodin-Joyeux - Emile Chaillou - Dylan Finlande Because Edition - Michel Duval - Louis Lambilliotte - Jan Gazi - WSpectacle - Simon Nodet Obsidienne Studio - Remi Durel - Yorina Bosco Camille - Aimee - Molly

Cinq7, Passion Paris, Wagram Music, Kombbo, Mocaplab, Dynamixyz Avec la participation du Centre National du Cinéma et de l’Image Animée CNC

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remixinc · 3 years

Video

vimeo

S+C+A+R+R - NEVER GIVE UP from Passion Paris on Vimeo.

Artist: S+C+A+R+R

Directed by: Jack Antoine Charlot Produced by Passion Paris

Producer: Marc Bodin-Joyeux, Marion Vermogen Post-Producer: Rita Oliveira, Emile Chaillou

Music and lyrics by S+C+A+R+R Produced and mixed by: Dan Levy @ The WatchTower Studio – Madville Choreographer: Nicolas Huchard

Editing: Jack Antoine Charlot

Head of label: Alan Gac Project Manager: Pauline Dageville Digital Marketing Manager: Ludivine Rome

Special thanks to Remi Brun for his generosity, Camille Beauplan for artistic advices

Mastered by: Chab - Translab. Sound Design by Remi Durel Studio Obsidienne Paris

Cinq7, Passion Paris, Wagram Music, Kombbo, Mocaplab, Dynamixyz Avec la participation du Centre National du Cinéma et de l’Image Animée CNC

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artwalktv · 3 years

Video

vimeo

Artist: S+C+A+R+R Directed by: Jack Antoine Charlot Produced by Passion Paris Producer: Marc Bodin-Joyeux, Marion Vermogen Post-Producer: Rita Oliveira, Emile Chaillou Music and lyrics by S+C+A+R+R Produced and mixed by: Dan Levy @ The WatchTower Studio – Madville Choreographer: Nicolas Huchard Post-Production: Kombbo Production: Lou Beauchard, Mehdi Alavi Production Coordinator: Hugo Garnier Facial & Body Motion-Capture: Mocaplab & Hadrien Farre Rigging: Hadrien Farre Cloth Simulation: Hadrien Farre FX: Hadrien Farre Layout: Paul Lavau Camera Animation: Paul Lavau Animation: Paul Lavau Lighting & Rendering: Mehdi Alavi, Cedric Chauzy Editing: Jack Antoine Charlot Head of label: Alan Gac Project Manager: Pauline Dageville Digital Marketing Manager: Ludivine Rome Special thanks to Remi Brun for his generosity, Camille Beauplan for artistic advices Mastered by: Chab - Translab. Sound Design by Remi Durel Studio Obsidienne Paris S+C+A+R+R thanks: Cinq7 - Wagram - Alan Gac - Paulinę Dageville - Jack Antoine Charlot Stephan Bourdoiseau - Nicolas Huchard - Saint DX Mehdi Alavi - Passion Paris - Kombbo - Ludivine Rome - Julien Bescond Marion Vermogen - Rita Oliveira - Marc Bodin-Joyeux - Emile Chaillou - Dylan Finlande Because Edition - Michel Duval - Louis Lambilliotte - Jan Gazi - WSpectacle - Simon Nodet Obsidienne Studio - Remi Durel - Yorina Bosco Camille - Aimee - Molly Cinq7, Passion Paris, Wagram Music, Kombbo, Mocaplab, Dynamixyz Avec la participation du Centre National du Cinéma et de l’Image Animée CNC

#Videos & Films

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aultimagarotadofilme · 4 years

Text

Paulette Goddard (Pauline Marion Goddard Levy) - (03/06/1910 - 23/04/1990)

Local de Nascimento: Nova York (EUA)

Atriz

Filmes:

O Gato e o Canário (The Cat and the Canary/1939)

O Castelo Sinistro (The Ghost Breakers /1939)

0 notes

hotfps · 4 years

Video

Discover S + C + A + R + R ’s first music video, a singular opus directed by Jack Antoine Charlot for Cinq7. An intoxicating music and a sequence shot to dance to, unplug and get away from it all ! Plunge yourself in full immersion into this timeless universe, let yourself be carried away by the electro-hypnotic dance steps of this captivating character and this bewitching heady sound. Dance like S + C + A + R + R - Share your groove. #Danceathome Directed by: Jack Antoine Charlot Produced by Passion Paris Producer: Marc Bodin-Joyeux & Marion Vermogen Post-Producer: Emile Chaillou & Rita Oliveira Recorded produced and Mixed by: Dan Levy @ The WatchTower Studio - Madville Choreographer: Nicolas Huchard Assistant Choreographer: Yorina Bosco DOP and VFX Supervisor: Mehdi Alavi Cameraman and Stuntman: Paul Lavau Team Manager: Julie Bellemare Fitness Trainer: Hadrien Farre Acting Coach: Axel Digoix VFX Artist: Clementine Choplain Stylist: Maxime Granger Osteopath: Philippe Nguyen Chief Carpenter: Alan Gac Architect: Pauline Dageville Light Shaft Engineer: Ludivine Rome Special thanks to Remi Brun, Mathias Chelebourg, Camille Beauplan Mastered by: Chab' Translab Sound Design by Remi Durel Cinq7 Passion Paris Wagram Music Kombbo Mocaplab Dynamixyz

#IFTTT #Vimeo

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whileiamdying · 4 years

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blogdoclibido · 5 years

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ВЛЮБЛЕННЫЙ ЧАПЛИН. часть 2. НА ВЕРШИНЕ УСПЕХА

В 1921 Ч.Чаплин совершил триумфальную поездку по Европе. Многотысячные толпы почитателей приветствовали его в Лондоне и Париже. В 1922 он обзавелся роскошным домом в Беверли Хиллз. На гребне успеха Ч.Чаплин без стеснения менял любовниц, среди которых были такие известные актрисы, как Барбара Ла Марр, Клер Виндзор, Мэй Коллинз, Пегги Джойс и др. Возможно, наиболее серьезные отношения связывали его с Полой Негри (Pola Negri, 1897-1987). Урожденная Барбара Аполония Халупец (Barbara Apolonia Chałupiec), незадолго до того приехавшая в Голливуд из Польши и ставшая звездой немого кино в амплуа роковой женщины. Девятимесячный бурный роман широко обсуждался в прессе, однако не имел дальнейшего продолжения.

Кратковременное увлечение актрисой Марион Дэвис ( Marion Davies, 1897-1961) могло бы послужить сюжетом детективного романа.

М.Девис

Свою кинокарьеру М.Дэвис начала в 1917 благодаря протекции газетного магната Уильяма Рендольфа Херста. Ради М.Дэвис мультимиллионер даже собирался оставить свою семью. Однако, законная супруга не согласилась на развод. В ноябре 1924 В.Р.Херст с большой компанией друзей отправился на морскую прогулку на роскошной яхте «Онеида». Во время круиза при загадочных обстоятельствах погиб актер и продюсер Томас Харпер Инс. Официально причиной смерти был назван сердечный приступ. Однако, ходили упорные слухи, что В.Р.Херст безумно ревновал М.Дэвис к Ч.Чаплину и пытался застрелить его из револьвера, но случайно попал в Т.Х.Инса. В 2001 г. эта драматическая история была перенесена на экран режиссером Питером Богдановичем в фильме «The Cat's Meow» с Эдди Иззардом в роли Ч.Чаплина.

Главную женскую роль в фильме «Золотая лихорадка» (1925) сыграла молодая актриса Джорджия Хейл (Georgia Hale, 1905-1985). Родилась 24 июня 1905 в Сент-Джозеф, штат Миссури. Победительница конкурса «Мисс Чикаго» в 1922. Участие в фильме Ч.Чаплина сделало ее знаменитой, однако, продолжения кинокарьеры не последовало. В конце 1920-ых Д.Хейл занималась риэлтерским бизнесом в Южной Калифорнии и даже пыталась привлечь к нему самого Чарли. В интервью для документального фильма «Unknown Chaplin» (1983) Д.Хейл утверждала, что в 1925 у нее все-таки был роман с режиссером.

Д.Хейл

26 июня 1925 в Нью-Йорке состоялась премьера фильма «Золотая лихорадка». Публика встретила его восторженными овациями, которые не смолкали почти два месяца. Ч.Чаплин отметил успех со своей очередной любовницей - танцовщицей знаменитого бродвейского шоу «Ziegfeld Follies» Луизой Брукс (Louise Brooks, 1906-1985). Компанию им составили спонсор фильма А.С.Блюменталь и его подруга танцовщица Пегги Фирс (Peggy Fears, 1903-1994). Оркестр в роскошном пентхаузе А.С.Блюменталя в «Амбассадор отеле» играл для них четыре часа подряд. В 1952 Ч.Чаплин воссоздал этот эпизод в фильме «Огни рампы».

В 1929 уже признанный актер и режиссер в первый раз был удостоен премии Оскар. В 1931 он представил публике свой новый фильм «Огни большого города». В поездке по Европе Ч.Чаплина сопровождала молоденькая секретарша Мей Ривз (May Reeves). Ведение личной корреспонденции совмещалось с более интимными обязанностями. Отношения прекратились в 1932, когда выяснилось, что благосклонностью М.Ривз пользовался также сводный братец Сидни. В 2001 М.Ривз подробно рассказала о своем недолгом романе в мемуарной книге «The Intimate Charlie Chaplin».

М.Ривз и Ч.Чаплин в гостях у Герберта Уэллса. Франция, 1931

В 1932 после возвращения в Соединенные Штаты Ч.Чаплин приступил к работе над фильмом «Новые времена» («Modern Times», 1936). Роль главной героини он предложил актрисе Полетт Годдар (Paulette Goddard, 1910-1990). Родилась июня 1910 в Уайтстоун Лендинг, Нью-Йорк. Урожденная Pauline Marion Levy. Рекламировала детские платья в местном супермаркете. В возрасте тринадцати лет дебютировала в труппе девушек Зигфельда (Ziegfeld Girl). В 1926 вышла замуж за богатого поклонника Эдгара Джеймса. В 1930 развелась и отправилась завоевывать Голливуд. Снялась в нескольких эпизодах, пользовалась репутацией роковой женщины.

Полетт Годдар

На правах хозяйки П.Годдар принимала гостей на яхте Ч.Чаплина и в его доме на Беверли Хиллз. Участие в фильме «Новые времена» сделало ее знаменитой. После премьеры пара отправилась в очередное европейское турне. По слухам, во время этой поездки они заключили тайный брак. Впрочем, никаких подтверждающих документов на этот счет не сохранилось. Благодаря протекции Ч.Чаплина, П.Годдар снялась в нескольких фильмах студии Парамаунт. В 1939 она даже пробовалась на роль Скарлетт О’Хара в эпической киноленте «Унесенные ветром». В 1940 Ч.Чаплин еще раз снял П.Годдар в фильме «Великий диктатор». После этого их отношения постепенно пошли на убыль и окончательно прекратились в 1942. П.Годдар еще дважды побывала замужем: за актером Берджессом Мередитом в 1944-1950 и писателем Эрихом-Мария Ремарком в 1958-1970. Скончалась от острой сердечной недостаточности 23 апреля 1990 в местечке Ронко, Швейцария.

В 1941 Ч.Чаплин пригласил на кинопробы начинающую актрису Джоан Берри (Joan Barry, 1920-1996?). Родилась 24 мая 1920 (или 1919) в Детройте, Мичиган. Урожденная Mary Louise Gribble. Отец девушки покончил с собой через несколько лет после ее рождения. Мать повторно вышла замуж и взяла фамилию нового мужа. В юности Д.Берри работала продавщицей в обувном магазине, привлекалась к ответственности за мелкие кражи. В 1938 переехала в Лос Анджелес, надеясь найти работу в кино. Некоторое время встречалась с миллионером Ж.Полом Гетти и другими богатыми мужчинами. Приглашение Ч.Чаплина положило начало их двухлетнему роману. В 1941-1942 Д.Берри сделала два аборта, а 2 октября 1943 родила дочь Керолл Энн. Ч.Чаплин отказался признать отцовство и она подала на него в суд штата Калифорния.

Д.Берри

Пресса во всех деталях смаковала подробности процесса, вспоминала историю его двух первых женитьб. Особенно усердствовала ведущая колонки голливудских светских новостей Гедда Хоппер, которая испытывала к нему личную неприязнь. Генетическая экспертиза подтвердила непричастность Ч.Чаплина к рождению ребенка Д.Берри. В феврале 1944 суд присяжных полностью его оправдал. Однако, по настоянию адвоката, 13 декабря 1944 состоялось повторное заседание. На нем Ч.Чаплин был признан виновным в нарушении закона Манна, который запрещал «перемещение женщин из одного штата в другой для совершения аморальных действий».

Суд обязал Ч.Чаплина выплачивать ребенку денежное содержание вплоть до его совершеннолетия. По всей вероятности, это решение полностью устроило Д.Берри и в дальнейшем она никаких претензий к Ч.Чаплину не предъявляла. В конце 1945 Д.Берри выступала в ночном клубе в Питтсбурге, Пенсильвания. В октябре 1946 вышла замуж за железнодорожного служащего Раселла С.Сека, родила двоих детей. В августе 1953 была госпитализирована в психиатрическую больницу Сан-Бернардино, Калифорния, где провела остаток жизни.

Скандальная история негативно отразилась на имидже Ч.Чаплина, но отнюдь не послужила ему уроком.

Заключение следует...

А.Сосновский "Кабинет доктора Либидо».

Доступно в интернет-магазинах Amazon, Литрес,Ozon.ru, ТД «Москва» (moscowbooks.ru), Google Books (books.google.ru),Bookz.ru,Lib.aldebaran.ru,Bookland.com, на витринах мобильных приложений Everbook, МТС, Билайн и др.

Использование и цитирование текста допускается только со ссылкой на первоисточник.

#Пола Негри #Марион Дэвис #Джорджия Хейл #Луиза Брукс #Мей Ривз #Полетт Годдар #Джоан Берри

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danzadance · 4 years

Video

vimeo

S+C+A+R+R - The Rest Of My Days from Passion Paris on Vimeo.

Directed by: Jack Antoine Charlot Produced by Passion Paris Producer: Marc Bodin-Joyeux & Marion Vermogen Post-Producer: Emile Chaillou & Rita Oliveira

Recorded produced and Mixed by: Dan Levy @ The WatchTower Studio - Madville

Choreographer: Nicolas Huchard Assistant Choreographer: Yorina Bosco

DOP and VFX Supervisor: Mehdi Alavi Cameraman and Stuntman: Paul Lavau Team Manager: Julie Bellemare Fitness Trainer: Hadrien Farre Acting Coach: Axel Digoix VFX Artist: Clementine Choplain Stylist: Maxime Granger Osteopath: Philippe Nguyen

Chief Carpenter: Alan Gac Architect: Pauline Dageville Light Shaft Engineer: Ludivine Rome

Special thanks to Remi Brun, Mathias Chelebourg, Camille Beauplan

Mastered by: Chab' Translab Sound Design by Remi Durel

Cinq7 Passion Paris Wagram Music Kombbo Mocaplab Dynamixyz

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owenmcn · 4 years

Video

vimeo

S+C+A+R+R - The Rest Of My Days from Passion Paris on Vimeo.

Directed by: Jack Antoine Charlot Produced by Passion Paris Producer: Marc Bodin-Joyeux & Marion Vermogen Post-Producer: Emile Chaillou & Rita Oliveira

Recorded produced and Mixed by: Dan Levy @ The WatchTower Studio - Madville

Choreographer: Nicolas Huchard Assistant Choreographer: Yorina Bosco

Chief Carpenter: Alan Gac Architect: Pauline Dageville Light Shaft Engineer: Ludivine Rome

Special thanks to Remi Brun, Mathias Chelebourg, Camille Beauplan

Mastered by: Chab' Translab Sound Design by Remi Durel

Cinq7 Passion Paris Wagram Music Kombbo Mocaplab Dynamixyz

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ozkamal · 4 years

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vimeo

#IFTTT #Vimeo

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roundaboutmidnight · 5 years

Text

23 de abril

Bom dia a todos!...

Neste dia:

Nasceu, em 1564 e morreu, em1616, o fabuloso dramaturgo e poeta inglês William Shaquespeare. Sim, nasceu e morreu no mesmo dia e mês.

Nasceu, em 1941, a ótima cantora e atriz francesa Jacqueline Boyer.

Morreu, em 1990, a grande atriz estadunidense Paulette Goddard.

Jacqueline Boyer, nome artístico de Éliane Ducos, nasceu em Paris no dia 23 de Abril de 1941. É uma cantora e atriz francesa, filha dos cantores Jacques Pills e Lucienne Boyer. Venceu o Festival Eurovisão da Canção em 1960, aos 18 anos, representando a França com a canção Tom Pillibi, de André Popp (música) e Pierre Cour (letra).

Paulette Goddard, nome artístico de Pauline Marion Goddard Levy, nasceu em Nova Iorque no dia 3 de junho de 1910 e morreu em Ronco Sopra Ascona, Suíça em 23 de abril de 1990. Foi uma atriz dos Estados Unidos, famosa por seus filmes para a Paramount Pictures nos anos 40, e pelos seus casamentos com homens notáveis: Charles Chaplin, Burgess Meredith e Erich Maria Remarque.

William Shakespeare nasceu em Stratford-upon-Avon no ano de 1564 (batizado a 26 de abril) e morreu em Stratford-upon-Avon em 23 de abril de 1616. foi um poeta, dramaturgo e ator inglês, tido como o maior escritor do idioma inglês e o mais influente dramaturgo do mundo. É chamado frequentemente de poeta nacional da Inglaterra e de "Bardo do Avon" (ou simplesmente The Bard, "O Bardo"). De suas obras, incluindo aquelas em colaboração, restaram até os dias de hoje 38 peças, 154 sonetos, dois longos poemas narrativos, e mais alguns versos esparsos, cujas autorias, no entanto, são ainda disputadas. Suas peças foram traduzidas para todas as principais línguas modernas e são mais encenadas que as de qualquer outro dramaturgo. Muitos de seus textos e temas permanecem vivos até os nossos dias, sendo revisitados com frequência, especialmente no teatro, na televisão, no cinema e na literatura.

É seu o lindo soneto:

Sonnet 18

“Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date:

Sometime too hot the eye of heaven shines, And often is his gold complexion dimm'd; And every fair from fair sometime declines, By chance, or nature's changing course, untrimm'd;

But thy eternal summer shall not fade Nor lose possession of that fair thou ow'st; Nor shall Death brag thou wander'st in his shade,

When in eternal lines to time thou grow'st; So long as men can breathe or eyes can see, So long lives this, and this gives life to thee.”

Soneto 18

“Devo igualar-te a um dia de verão? És mais linda e mais amena: O vento esfolha Maio inda em botão, Dura o termo estival um breve instante:

Muitas vezes a luz do céu calcina, Mas o áureo tom também perde a clareza: De seu belo a beleza enfim declina, Ao léu ou pelas leis da Natureza.

Mas este eterno verão não deverá sumir Nem a posse de tua formosura; De impor-te a sombra a Morte não se gaba

Pois que esta estrofe eterna ao Tempo dura. Enquanto houver viventes nesta lida, Há-de viver meu verso e te dar vida.”

Posto hoje:

David Gilmour (Pink Floyd) cantando deliciosamente o Sonnet 18 de Shakespeare musicado. Cara, é lindo...

Jacqueline Boyer interpretando, aos 18 anos, a música Tom Pillibi em 1960, primeiro lugar no Festival Eurovisão da Canção no mesmo ano. Cara, é histórico...

Trailer de So Proudly We Hail! (Legião Branca) é um filme de 1943, dirigido por Mark Sandrich e estrelado por Claudette Colbert, Paulette Goddard e Veronica Lake. A produção é uma das primeiras a prestar homenagem às enfermeiras da Cruz Vermelha que estiveram na linha de frente durante a Segunda Guerra Mundial, particularmente na Guerra do Pacífico. Cara, é um filme emblemático, dedicado às mulheres...

Um Tributo a Paulette Goddard. A música é Light In Your Eyes, com Blessid Union of Souls. Cara, uma grande atriz...

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