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murumokirby360 · 3 months

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Title: Another 90s Camera: Olympus Camedia C-2000 Z

DeviantART Version [CLICK ME!]

Hello, January! Sorry for the long delay, though. Because I have a lot of things that happened at the beginning of 2024. And GOOD NEWS, I've bought something that makes my PC bring back to LIFE, after 7 months of being inactive (since Jun 9th, 2023)! 🖥️🔧😀 Although I'm still working on the topic, maybe I'll submit it this Feb 2024! 😁

Right now, it's time for my 1st throwback item share of 2024, with this neat-old camera (as my improvise).🙂

• Here's another '90s camera, this is the Olympus Camedia C-2000 Z 📷 inherited from my late grandpa named Jim, who passed away on Jun 6th, 2020 owing to complications, as well as the victim of the COVID-19 virus. Once again, R.I.P, grandpa Jim. 😔⚱️🥀 Believe it or not, I used this '90s camera for submitting on dA, back in Jan 2010. 🙂📸🖼️

Here are my snapshots from the 2010s, so far using the 90s Olympus cam: ○ Jan. 4th, 2010 #1 - [CLICK ME!] ○ Jan. 4th, 2010 #2 - [CLICK ME!] ○ Jan. 19th, 2010 - [CLICK ME!]

BTW: #1: All these three we're stored to my dA private storage, but at least I've already posted on tumblr, couple of years ago.

(and) #2: Also, picturing & submitting these photos on whole "January" calendar was utterly coincidence. 😊📸

1st & 2nd Image(s) [took photos on Jan 19th, 2023]: ↑

• Anyways, the 90s Olympus cam possessed 2.1 megapixels of camera 📷✌️, which was pretty clear & and crisp at the time. However, as of 2024, it is considered a pretty low megapixel that no other modern high-quality companies make that, anymore. 🤷‍♀️ Except for cheap gadgets, of course. And when you compare to your (flagship/mid-range) smartphones 📱/digital cameras 📷 that possessed a whopping 150+ Megapixels, and sometimes 200+ megapixels for the Pro-DSLR camera brands 📷🖼️ speaks volumes to the consumers. It was simply an evolution of the camera lens. Today, like the brick phones from the 90s, the 90s cameras we're now a relic status of the past, meaning no one's using them, anymore due to outdated hardware. They now act as a throwback collection, which simply refuses to throw the trash 🚯, like this ancient 90s Olympus camera. 📷🫳 But hey, if your 90s camera still functions, then you're lucky to used it, but please be careful. 😉

• So, what about the "Olympus" 🇯🇵📷 brand? What happened? Are they still producing cameras? 🤔 Well, according to "quora.com", quote "Olympus has announced in June 2020 that it is selling its camera division to Japan Industrial Partners (JIP) and will exit the camera business altogether. The sale to JIP was completed in January 2021, and the new company created from the sale is called OM Digital Solutions." This means the Olympus camera brand is already off the camera wars; with Canon, Sony, and other Japanese camera brands still running the camera business. However, the Smartphone cameras became more advanced than the old-style digital cams. Here's hoping, that the digit cams will have the same treatment, or maybe still be around in case the smartphone's camera pixels weren't enough, in terms of the raw image.📷🤞

3rd & 4th Image(s) [Took photos on Jan 29th, 2024]: ↑

• Uh yeah, I forgot that the camera includes a soft case fitting for this model. And look, my paper dolls were delighted to see a throwback camera & they wanted a snapshot using it. 🙂📸 Yeah, but it's no longer working 📷❌, and I tried (using 4 Eneloop AA Batteries) 🔋🔋🔋🔋🤷‍♀️. So much so, that I decided to pretend to take snapshots with the old cam while taking photos with my actual camera from my current smartphone (Honor 8C). Was that a coincidence? 🤔 I'm not so sure 😅, but they're delighted. 😊

Well, that’s the end of my topic, more things to come this 2024. 😊

And if you want to see my Yearend Items Summary - 2023, then please → [CLICK ME!].

Tagged: @lordromulus90, @bryan360, @carmenramcat, @leapant, @paektu, @rafacaz4lisam2k4, @alexander1301

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konrul · 7 hours

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#olympus camedia c-2000 z #infrared photography

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limulegitika · 2 years

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dusadolus · 2 years

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peekchores · 2 years

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Retro Review: Testing the 2.1MP Olympus C-2000 Z compact camera from 1999 https://ift.tt/TIWMlFbZ3

#photography pics

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ashxpad · 3 years

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Are Cameras Actually More Expensive Now Than Ever Before?

There is a purveying sentiment that cameras have only gotten more expensive over time. While there is certainly some validity in certain sectors of the market, the truth about camera prices over time is a bit more nuanced and complex than the average person makes it out to be. So, let’s take a look.

Please note that all prices are adjusted for 2021 inflation unless otherwise stated.

A Century of Film

While the first practical photographic process, the Daguerreotype, was invented nearly two centuries ago, for our purposes we are going to focus on commercially available cameras — cameras that were accessible and pragmatic for the average person to own. The first camera that falls into this category would be the original Kodak Brownie, released to the public by Eastman Kodak in 1900. Not much more than a cardboard box with a simple meniscus lens, the Brownie was heavily marketed to children, primarily as a method to sell rolls of Kodak film (117 film, originally). Its original price of $1 (equivalent to $32 today) made it both commercially and financially successful.

Creative Commons License via Wikimedia Commons

The following year, Kodak launched the Brownie No.2 — the first camera to use 120 film — which remains the medium-format standard to this day. Its price of $2, equivalent to about $63 in 2021, and appeal to both children and adults, might make it the vintage equivalent to today’s Fujifilm Instax cameras.

The introduction of 35mm film to the masses occurred in the 1930s and quickly took off as an incredibly popular, affordable, and portable alternative to the medium and large format cameras of the era. The Argus C3, released in 1939, became one of the most popular cameras of all time, selling over two million units — it was also widely used by American World War II photographers such as Robert Capa. Retailing for the 2021 equivalent of $675, the Argus C3 might be seen as an early, analog version of current cameras like the Olympus E-M10 Mark IV or Canon M50 Mark II.

Between 1930 and 1960, we saw a rise from one billion photos taken per year to three billion — a 200% increase. The following decade, from 1960 to 1970, saw a 233% increase to ten billion photos per year — the largest percent increase of the 20th century. This sharp increase came on the heels of the SLR revolution and a massive increase in the number of manufacturers which produced everything from entry-level cameras to professional-level ones. The Nikon F in 1959 was arguably the most notable spark of this fire, which retailed for an adjusted price of $3,350. Cheaper cameras of the same year — the Minolta SR-2 and Canon Canonflex — sold for an adjusted $2,300 and $2,775 respectively.

Creative Commons License via Wikimedia Commons

We would see prices drop a bit from the 1970s onward, at least for many camera bodies. In 1975, Canon’s flagship F1 sold for an adjusted price of $1,550 while the lower-end FTb was $850. The same year, a Pentax K2 would run $2,500 and the medium-format Pentax 6×7 with a 105mm lens would drain $5,475 from your pocket.

By the late 1980s and early 1990s, things had shifted somewhat — at least for certain segments of the marketplace. The autofocus-enabled, flagship Nikon F4 sported an adjusted price of $5,700 — significantly closer to modern Canon or Nikon DSLR flagships. By this point, however, compact cameras were exceedingly cheap — $150 for a Canon Sure Shot Max and $102.98 for a Minolta Freedom 50.

Unlike today, the vast majority of sales were at the low end — compacts and entry-level SLRs.

The Digital Revolution

While the first DSLR came to market in 1991, it wasn’t until about the year 2000 that digital cameras finally became semi-affordable and realistic alternatives to film. The Nikon D1 is generally considered the landmark camera that turned the tide from expensive Kodak DCS digital cameras to sub $6,000 offerings — the Fujifilm S1 Pro was also released in 2000 and was even more affordable.

The Nikon D1 debuted with a $5,999 price ($9,400 once adjusted for inflation) followed by the D1X and D1H in 2001 — the latter of which featured a $1,500 price drop for a total adjusted price of $6,800. The following year, Canon released its first full-frame camera, the Canon 1Ds, at a price of $7,999 ($11,969 adjusted). The 1Ds Mark II (2004) and 1Ds Mark III (2008) all premiered at the same $7,999 price, though of course, their inflation-adjusted prices diminished comparatively over those years.

Nikon’s flagship line saw a similar trend across the years: D1 ($9,400), D2X ($7,125), D3 ($6,500), D4 ($7,000), D5 ($7,300), and finally the D6 in 2020 at an adjusted $6,750. Canon’s competitor 1DX line saw an almost identical trend, concluding in 2020 at the exact same adjusted $6,750 price with the 1DX Mark III. If you consider these figures, the $6,498 price of the Sony Alpha 1 does not seem excessive at all — and we can probably assume the forthcoming Nikon Z9 to be in a similar ballpark (and perhaps also the Canon EOS R3).

While the prices for high-end Nikon and Canon models have either dropped or stayed quite steady, we have seen significant changes in other areas. Most notably, the highest end of the market — which historically has been medium format — has undergone significant downward shifts in the past decade.

Contrast 2002’s Hasselblad H1D at an adjusted $26,900 to the Pentax 645D eight years later — the first medium format camera to dip below the $10,000 (unadjusted) threshold. In 2014, the successor Pentax 645Z premiered at $8,500 and within just two years we saw the release of the Fujifilm GFX 50S at $6,500 and the Hasselblad X1D 50C at $8,999. Yet another two years later, the GFX 50R marked the first medium format digital camera to be released with an MSRP under $5,000 and the following year Hasselblad’s X1D 50C II debuted at $5,750 — $3,250 cheaper than its predecessor. And, most recently, we have seen the release of a 100-megapixel mirrorless medium format camera featuring IBIS and phase detection autofocus for less than the cost of the Sony Alpha 1 or flagship Nikon or Canon.

Full-frame digital saw the same phenomenon in the past decade — 2013’s Sony Alpha 7 was the first full-frame camera to be released under $2,000. Subsequently, 2019 saw the Canon EOS Rp dip below $1,500 followed by the Nikon Z5 in 2020. These figures are unadjusted for inflation, making the idea that cameras are more expensive now even more of an odd proposition.

What is true, however, is that we have seen a rise in more expensive lenses, like the Nikon Z 50 f/1.8 — or, even earlier, the Sony Zeiss 55 f/1.8 which was released alongside the Sony Alpha 7 and Alpha 7R.

I believe the same factor driving the prices of high-end cameras downward is also responsible for the absence of cheap, name-brand glass. After all, we do still have incredibly affordable (and excellent quality) lenses from companies that not too long ago were seen as significantly worse than first-party optics — Tamron, Sigma, Tokina, Rokinon/Samyang. Even lenses from companies like Yongnuo or Viltrox have recently become well-known for image quality and the ability to punch far above their price class.

As the maturation of the smartphone camera has decimated the bottom end of the camera market, manufacturers have been forced to pivot and focus resources on serious photographers, whether amateur or professional. And as technology has pressed forward, those photographers have sought more and more and more — more dynamic range, more resolution, more frames per second, and so on. Whether or not most people even need these improvements is irrelevant — it is what people want.

And along with that naturally comes the demand for lenses that can live up to the ever-increasing demands of modern sensors, even at ultra-fast f/1.2 apertures. To complicate matters, the mirrorless revolution has driven the desire for smaller and more compact glass. Gone is the time where massive f/1.4 prime lenses like the Sigma Art DSLR line are accepted with open arms. All of this necessitates significantly improved lens designs, superior glass and coatings, precision manufacturing, and increased quality control.

The upshot is, while a lens like the Nikon Z 50 f/1.8 is more expensive than its F-mount counterpart, it is also one of the sharpest, most finely corrected 50mm lenses ever made. This Nikon lens is only one example — the same remains true of Canon’s new RF lenses, Sony’s phenomenal G Master line, Fujifilm’s APS-C offerings, and others. We are consistently seeing mirrorless lenses that outperform their DSLR ancestors, often quite significantly.

What About Leica?

You have probably noticed that I have not mentioned Leica at all. That is because Leica seems to be the only company to buck the trend exhibited by everyone else — not only are its digital cameras significantly more expensive than its cameras of the past, but its lenses are also selling for quite the premium.

In 1986, a Leica M6 sold for $1,695, equivalent to about $4,150 today. A Leica R4 cost an adjusted $2,150 and a Noctilux (50mm f/1.0 at that time) was a mere $2,775 adjusted for inflation.

Contrast that to the Leica M10 in 2017 ($7,250 adjusted) and the current price of a new Noctilux at a whopping $12,795. In fact, a brand new Noctilux 50mm f/1.0 purchased in 1986 would actually have significantly appreciated in value, even including inflation.

The reason for the disparity between Leica and virtually everyone else comes down to the difference between prestige pricing (Leica) and parity pricing (everyone else). The concept of parity pricing is one of competition — you price a product at or less than that of a rival to remain competitive. We have consistently seen manufacturers undercutting each other’s prices — a clear example of this was seen in the medium format arena once Fujifilm entered.

Premium (or prestige) pricing is built on an entirely different model — there are no competitors, so prices can be pushed as far desired, at least until diminished sales begin to outweigh the additional revenue.

So Why Do People Think Cameras Are More Expensive Now?

There are a few factors at work, I believe, that cause consumers to assume or believe that cameras are more expensive than they were five, ten, twenty, or fifty years ago.

Firstly, it is extremely difficult to account for inflation without actually looking at real figures. Most people do not realize that $2,000 from just five years ago is worth $2,250 today. The same figure ten years ago is equivalent to nearly $2,400. We do not generally consider the effects of inflation over such short-term periods, but it does put things in perspective.

Secondly, we have seen a contraction inward of prices — the highest end (medium format) has dropped significantly, while the lowest end has largely disappeared (and therefore appeared to move upward). While we once considered something like a Nikon D5600 to be an amateur level entry point, we now see cameras like the Nikon Z50 or Fujifilm X-S10 in the same way — both significantly more expensive, though also offering newer, more advanced technology.

Finally, with the rise of mirrorless technology and the significant decline of DSLR sales, many of the cameras and lenses we see on the market are quite new. Whereas previously you could have purchased a 24-70mm f/2.8 DSLR lens that may have been on the market for five or more years — and thus almost certainly cheaper than its launch price — most of the options now are comparatively very new. A good number of older Sony FE lenses are marked down from their original price, but we do not see that much with Nikon Z or Canon RF lenses, and even those mirrorless lenses that are five or more years old are not as desirable, either due to image quality or factors like inferior autofocus motors. The relative “newness” of everything, especially the most desirable products, alters consumer perception.

There is one thing that is impossible to deny: the value-based pricing of modern cameras. Camera technology has never been more capable or feature-packed than it is today. Perhaps there is no clearer example of this than the Fujifilm GFX 100S which launched with a price that was $500 less than the GFX 50S — yet it has twice the spatial resolution, includes in-body image stabilization, phase detection autofocus, and so on.

Photography has never been more accessible or more capable, and this year will see 1.44 trillion photos taken across the globe. In the year 2000, 86 billion were taken, making for an increase of 1,574% in the last 21 years. Whether it’s the phone in your pocket, a $500 Micro Four Thirds with a kit lens, or a $6,000 medium format camera, the potential has never been greater or more affordable.

Image credits: Aspects of header photo licensed via Depositphotos.

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allbestnet · 7 years

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Top 200 Books 2000-2010

The Kite Runner (2003) by Khaled Hosseini

The Hunger Games (2008) by Suzanne Collins

Cloud Atlas (2004) by David Mitchell

The Help (2009) by Kathryn Stockett

House of Leaves (2000) by Mark Z. Danielewski

American Gods (2001) by Neil Gaiman

World War Z (2006) by Max Brooks

Life of Pi (2001) by Yann Martel

The Kingkiller Chronicle (2007) by Patrick Rothfuss

The Heroes of Olympus (2010) by Rick Riordan

The Road (2006) by Cormac McCarthy

Looking for Alaska (2005) by John Green

The Book Thief (2006) by Markus Zusak

A Thousand Splendid Suns (2007) by Khaled Hosseini

We Need to Talk About Kevin (2003) by Lionel Shriver

The Curious Incident of the Dog in the Night-time (2003) by Mark Haddon

The Amazing Adventures of Kavalier and Clay (2000) by Michael Chabon

The Time Traveler's Wife (2003) by Audrey Niffenegger

Atonement (2001) by Ian McEwan

No Country for Old Men (2005) by Cormac McCarthy

Middlesex (2002) by Jeffrey Eugenides

Percy Jackson & the Olympians (2005) by Rick Riordan

The Glass Castle (2005) by Jeannette Walls

People's History of the United States (2010) by Howard Zinn

Water for Elephants (2006) by Sara Gruen

Moneyball (2003) by Michael Lewis

The Boy in the Striped Pyjamas (2006) by John Boyne

Everything is Illuminated (2002) by Jonathon Safran Foer

The Host (2010) by Stephenie Meyer

Extremely Loud and Incredibly Close (2005) by Jonathan Safran Foer

Fun Home (2006) by Alison Bechdel

The Shadow of the Wind (2001) by Carlos Ruiz Zafon

Scott Pilgrim (2010) by Bryan O'Malley

Outliers (2008) by Malcolm Gladwell

Thirteen Reasons Why (2007) by Jay Asher

Shantaram (2003) by Gregory David Roberts

The Invention of Hugo Cabret (2007) by Brian Selznick

The Walking Dead (2003) by Robert Kirkman

Hush, Hush (2009) by Becca Fitzpatrick

Lovely Bones (2002) by Alice Seybold

Paper Towns (2008) by John Green

Under the Dome (2009) by Stephen King

The Blind Assassin (2000) by Margaret Atwood

The Graveyard Book (2008) by Neil Gaiman

The Omnivore's Dilemma (2006) by Michael Pollan

The Last Song (2009) by Nicholas Sparks

Unwind (2007) by Neal Shusterman

The Maze Runner (2009) by James Dashner

Kafka on the Shore (2002) by Haruki Murakami

The Other Boleyn Girl (2001) by Philippa Gregory

The Last Lecture (2008) by Randy Pausch

The Absolutely True Diary of a Part-Time Indian (2007) by Sherman Alexie

Marley & Me (2005) by John Grogan

Diary of a Wimpy Kid (2007) by Jeff Kinney

My Sister's Keeper (2004) by Jodi Picoult

The God Delusion (2006) by Richard Dawkins

The Art of Racing in the Rain (2008) by Garth Stein

The Passage (2010) by Justin Cronin

The Dresden Files (2000) by Jim Butcher

A Short History of Nearly Everything (2003) by Bill Bryson

The Lucky One (2008) by Nicholas Sparks

Vampire Academy (2007) by Richelle Mead

Old Man's War (2005) by John Scalzi

Graceling (2008) by Kristin Cashore

The Devil in the White City (2003) by Erik Larson

Crank (2004) by Ellen Hopkins

The Five People You Meet in Heaven (2003) by Mitch Albom

Getting Things Done (2002) by David Allen

White Teeth (2000) by Zadie Smith

The Truth About Forever (2004) by Sarah Dessen

Coraline (2002) by Neil Gaiman

Freakonomics (2005) by Steven D. Levitt

The Guernsey Literary and Potato Peel Pie Society (2008) by Mary Ann Shaffer

Jonathan Strange & Mr Norrell (2004) by Susanna Clarke

What Is the What (2006) by Dave Eggers

The Corrections (2001) by Jonathan Franzen

Fingersmith (2002) by Sarah Waters

Shutter Island (2003) by Dennis Lehane

Noughts & Crosses (2001) by Malorie Blackman

Cutting for Stone (2009) by Abraham Verghese

Snow Flower and the Secret Fan (2005) by Lisa See

The Immortal Life of Henrietta Lacks (2010) by Rebecca Skloot

The Zombie Survival Guide (2003) by Max Brooks

Room (2010) by Emma Donoghue

Nineteen Minutes (2007) by Jodi Picoult

John Adams (2001) by David G. McCullough

On Writing (2000) by Stephen King

Sarah's Key (2006) by Tatiana de Rosnay

Fablehaven (2010) by Brandon Mull

The Tipping Point (2000) by Malcolm Gladwell

The Hero with a Thousand Faces (2008) by Joseph Campbell

The Tale of Despereaux (2003) by Kate DiCamillo

An Abundance of Katherines (2006) by John Green

Abhorsen (2003) by Garth Nix

The 48 Laws of Power (2007) by Robert Greene

1Q84 (2009) by Haruki Murakami

The House of the Scorpion (2002) by Nancy Farmer

Blink (2005) by Malcolm Gladwell

Anathem (2008) by Neal Stephenson

The Girl with the Dragon Tattoo (2005) by Stieg Larsson

The Namesake (2003) by Jhumpa Lahiri

City of Thieves (2008) by David Benioff

Skulduggery Pleasant (2007) by Derek Landy

Along for the Ride (2009) by Sarah Dessen

Civil War (2007) by Shelby Foote

The Mysterious Benedict Society (2007) by Trenton Lee Stewart

The Human Stain (2000) by Philip Roth

The Miraculous Journey of Edward Tulane (2006) by Kate DiCamillo

Me Talk Pretty One Day (2000) by David Sedaris

The Guardian (2003) by Nicholas Sparks

The Brief Wondrous Life of Oscar Wao (2007) by Junot Diaz

Kitchen Confidential (2000) by Anthony Bourdain

Columbine (2009) by Dave Cullen

Catching Fire (2009) by Suzanne Collins

Never Let Me Go (2005) by Kazuo Ishiguro

Bonesetter's Daughter (2001) by Amy Tan

Infidel (2006) by Ayaan Hirsi Ali

One Day (2009) by David Nicholls

Impulse (2007) by Ellen Hopkins

Peter and the Starcatchers (2004) by Dave Barry

Team of Rivals (2005) by Doris Kearns Goodwin

The Shock Doctrine (2007) by Naomi Klein

Just Kids (2010) by Patti Smith

Mountains Beyond Mountains (2003) by Tracy Kidder

Fallen (2009) by Lauren Kate

Mockingjay (2010) by Suzanne Collins

The Choice (2007) by Nicholas Sparks

Blankets (2003) by Craig Thompson

New Encyclopaedia Britannica (2010) by

Fast Food Nation (2002) by Eric Schlosser

Leviathan (2009) by Scott Westerfeld

When You Reach Me (2009) by Rebecca Stead

Mystic River (2001) by Dennis Lehane

Wolf Hall (2009) by Hilary Mantel

The History of Love (2005) by Nicole Krauss

Hex Hall (2010) by Rachel Hawkins

God Is Not Great (2007) by Christopher Hitchens

Porno (2002) by Irvine Welsh

The City of Ember (2003) by Jeanne DuPrau

Elantris (2005) by Brandon Sanderson

Half of a Yellow Sun (2007) by Chimamanda Ngozi Adichie

Anansi Boys (2005) by Neil Gaiman

I Am Number Four (2010) by Pittacus Lore

Lock and Key (2008) by Sarah Dessen

Gilead (2004) by Marilynne Robinson

Inkheart (2003) by Cornelia Funke

Before I Fall (2010) by Lauren Oliver

Unaccustomed Earth (2008) by Jhumpa Lahiri

Under the Skin (2000) by Michel Faber

The 3 Mistakes of My Life (2008) by Chetan Bhagat

City of Bones (2007) by Cassandra Clare

Blue Like Jazz (2003) by Donald Miller

Year of Wonders (2001) by Geraldine Brooks

Because of Winn-Dixie (2000) by Kate DiCamillo

2666 (2004) by Roberto Bolano

Breaking Dawn (2008) by Stephenie Meyer

Rich Dad Poor Dad (2000) by Robert Kiyosaki

Under the Banner of Heaven (2003) by Jon Krakauer

Wintergirls (2009) by Laurie Halse Anderson

Stargirl (2000) by Jerry Spinelli

A Bend in the Road (2001) by Nicholas Sparks

Odd Thomas (2003) by Dean Koontz

Good to Great (2001) by James C. Collins

The White Tiger (2008) by Aravind Adiga

The Secret (2006) by Rhonda Byrne

Eat, Pray, Love (2006) by Elizabeth Gilbert

Burned (2007) by Ellen Hopkins

World Without End (2007) by Ken Follett

Matched (2010) by Ally Condie

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Altered Carbon (2002) by Richard K. Morgan

A New Earth (2005) by Eckhart Tolle

When You Are Engulfed in Flames (2008) by David Sedaris

The Morganville Vampires (2006) by Rachel Caine

The Immortals of Meluha (2010) by Amish Tripathi

The Children of Hurin (2007) by J.R.R. Tolkien

John Dies at the End (2007) by Jason Pargin

For One More Day (2006) by Mitch Albom

Plain Truth (2001) by Jodi Picoult

The Thirteenth Tale (2006) by Diane Setterfield

Eragon (2003) by Christopher Paolini

Princess Academy (2005) by Shannon Hale

Eats, Shoots & Leaves (2003) by Lynne Truss

Bel Canto (2001) by Ann Patchett

The Girl Who Played with Fire (2009) by Stieg Larsson

The Wettest County in the World (2008) by Matt Bondurant

The Thousand Autumns of Jacob de Zoet (2010) by David Mitchell

1776 (2005) by David McCullough

Little Brother (2008) by Cory Doctorow

Running with Scissors (2003) by Augusten Burroughs

Angels & Demons (2000) by Dan Brown

A Million Little Pieces (2003) by James Frey

On Beauty (2005) by Zadie Smith

The Lost Symbol (2009) by Dan Brown

Before I Die (2007) by Jenny Downham

Flags of Our Fathers (2000) by James Bradley

Sold (2006) by Patricia McCormick

Something Borrowed (2005) by Emily Giffin

Suite Francaise (2004) by Irene Nemirovsky

The World Is Flat (2005) by Thomas Friedman

#top #books #2000-2010

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Fotograficzny poradnik zakupowy – lato 2017

Rudziki, na Waszą prośbę publikuję kolejną odsłonę poradnika – jaki aparat wybrać w 2017 roku. Sprzęt niestety czasem się zużywa, niektóre aparaty tracą moc, inne zwyczajnie się przedawniają. Wiem, że nie każdy jest obeznany z tymi technicznymi parametrami. I bardzo dobrze, bo macie mnie, a ja już Wam pod nochal podsunę co fajniejsze modele.

Jaki aparat wybrać?

Każdy aparat fotograficzny został opisany pod kątem tych samych specyfikacji. Znajdziecie tutaj info o:

fizycznej wielkości matrycy, jej rozdzielczości w pikselach

ekranie

wizjerze

wadze

obiektywie

możliwościach wideo

oraz możliwościach dodatkowych, które zasługują na uwagę

Technicznie – im większa (fizycznie) matryca w aparacie, tym mniejsze szumy i lepsza jakość. Nie jest to jednak takie oczywiste, bo na jakość fotografii ma wpływ także zastosowana technologia (np. prędkość i możliwości) procesora i kilka innych czynników.

Wpis został podzielony na następujące kategorie:

aparat kompaktowy

bezlusterkowiec lifestyle’owy

bezlusterkowiec dla zaawansowanych

lustrzanka dla początkujących

lustrzanka dla bardziej zaawansowanych

aparat wodoodporny – idealny na wakacje

aparat do nagrywania wideo

aparat w telefonie

Teraz mocno liczę, że poniżej znajdziesz odpowiedź na pytanie: jaki aparat wybrać w roku 2017, jedziemy! Aaa i jeszcze jedno, wpis zawiera linki afiliacyjne – jeśli zdecydujecie się na zakup, ja otrzymam niewielką prowizję.

Przeczytaj też: jak zacząć fotografować oraz nauka fotografii w domu.

Aparat kompaktowy

Największa zaleta: gabaryty, a to się równa niewielkiej wadze i dyskrecji.

Największa wada: maleńka matryca często kiepsko radzi sobie z pracą na wyższych czułościach.

Canon G9 X Mark II

Matryca: CMOS 1\”, 20.1 MP

Waga: 206 g (z baterią)

Ekran: LCD 3.2″ dotykowy

Wizjer: brak

Obiektyw: f/2.0-4.9, 10,2–30,6 mm

Wideo: Full HD

Dodatkowo:

Wi-Fi

3-krotny zoom optyczny

5-cio osiowy stabilizator obrazu

Cena: około 2000 zł

Kupuję ten aparat!

NIKON COOLPIX L840

Matryca: 1/2.3″, 16 MP

Waga: 538 g (z baterią)

Ekran: LCD 3″

Wizjer: brak

Obiektyw: 22,5 – 855 mm,

Wideo: Full HD

Dodatkowo:

Wi-Fi

38-krotny zoom optyczny

optyczny stabilizator obrazu w obiektywie – zaawansowana redukcja drgań

matryca CMOS

Cena: około 840 zł

Kupuję ten aparat!

Canon PowerShot SX710 HS

Matryca: 20,3 Mpix

Waga: 269 g

Ekran: LCD 3″

Wizjer: brak

Obiektyw: 4.5-135 mm, f/3.2

Wideo: Full HD 60p

Dodatkowo:

Wi-Fi

30-krotny zoom optyczny

stabilizator obrazu

matryca CMOS

Cena: około 1300 zł

Kupuję ten aparat!

Panasonic Lumix DMC-TZ100

Matryca: 20,1 Mpix, CMOS

Waga: 312 g z akumulatorem i kartą

Ekran: LCD 3″, dotykowy

Wizjer: elektroniczny

Obiektyw: 9.1-91 mm, f/2.8-5.9

Wideo: 4K, MP4, 25p, 24p, 100 Mbit/s

Dodatkowo:

Wi-Fi

10-krotny zoom optyczny

stabilizator obrazu 5-cio osiowy

funkcje kreatywne

Cena: około 2800 zł

Zdobywca nagrody EISA 2016-2017

Kupuję ten aparat!

Bezlusterkowiec lifestyle’owy

Największa zaleta: możliwości lustrzanki zamknięte w kompaktowym pudełeczku.

Największa wada: brak bardziej zaawansowanej optyki lub jej wysoka cena.

Fujifilm X-T10

Matryca: APS-C, 16,3 MP

ISO: 200-6400

Waga: 381 g (z akumulatorem i kartą pamięci)

Ekran: odchylany, LCD 3″

Wizjer: elektroniczny

Obiektyw: zależnie od zestawu

Wideo: Full HD z szybkością 60 kl/s

Dodatkowo:

świetny AutoFocus

liczne pokrętła i przyciski „wyciągnięte” na obudowę

dzięki czemu masz szybki dostęp do zmian ustawień

Cena około 2600 zł za body

Kupuję ten aparat!

Sony A6300

Matryca: 24,2 MP, APS-C

Waga: 404 g (z kartą i baterią)

Ekran: LCD, 3″, odchylany

Wizjer: elektroniczny, 100% pokrycia kadru

Obiektyw: zależnie od zestawu

Wideo: 4K

Dodatkowo:

uwaga uwaga, 425 pól AF!!!!!!

11 kl/s w trybie zdjęć seryjnych

szybki AF

Cena body od 4300 zł

Zdobywca nagrody EISA 2016-2017

Kupuję ten aparat!

Bezlusterkowiec dla zaawansowanych

Olympus E-M 10 Mark II

Matryca: 4/3, 16,1 MP

ISO: 100 – 25600

Waga: 393 g (z kartą i baterią)

Ekran: odchylany, dotykowy LCD 3″

Wizjer: elektroniczny

Obiektyw: zależnie od zestawu

Wideo: Full HD 60kl/s

Dodatkowo:

solidna obudowa

funkcjonalny design

duże możliwości konfiguracyjne

prawidłowe oddanie balansu bieli

dobre wyniki w kategorii zakresu i dynamiki tonalnej

tryby Live Bulb, Live Time i Live Composite

Live View

Cena od 3200 zł z obiektywem EZ-M1442

Zdobywca nagrody EISA 2016-2017

Kupuję ten aparat!

Lustrzanka dla początkujących

Nikon D5500

Matryca: APS-C 24 MP

ISO: 100 – 25600

Waga: 470 g (samo body)

Ekran: LCD, odchylany, 3,2″

Wizjer: lustrzany

Obiektyw: zależnie od zestawu

Wideo: Full HD z szybkością 60 kl/s

Dodatkowo:

39-cio punktowy, skuteczny autofocus

Lekki i niewielki, jak na lustrzankę

Wygodny uchwyt

Wbudowane Wi-Fi

Dobrze sobie radzi w słabym świetle

Live View

Nagrody: otrzymał nagrodę EISA 2015-2016 w kategorii Najlepsza Amatorska Lustrzanka Cyfrowa

Cena za body ok. 2850 zł

Kupuję ten aparat!

Canon EOS 750D

Matryca: APS-C 24,2 MP

ISO: 100 – 12800

Waga: 565 g (z akumulatorem)

Ekran: obrotowy, dotykowy, LCD 3″

Wizjer: lustrzany

Obiektyw: zależnie od zestawu

Wideo: z prędkością 30 kl./s w Full HD

Dodatkowo:

Wi-Fi

19 punktów AF (wszystkie to punkty krzyżowe)

wydajny procesor DIGIC 6

dobre zdjęcia w słabym świetle

Cena za body od 2450 zł, z KITowym obiektywem od 2800 zł

Kupuję ten aparat!

Sony A68

Matryca: 24MP

Waga: 610 g (samo body)

Ekran: LCD, 2,7″, ruchomy

Wizjer: 100% pokrycia kadru

Obiektyw: zależnie od zestawu

Wideo: Full HD 50p

Dodatkowo:

funkcjonalny tryb LV

stabilizacja matrycy

79-cio polowy AF!

Cena body ok. 2200 zł

Kupuję ten aparat z KITowym obiektywem!

Lustrzanka dla bardziej zaawansowanych

Canon EOS 80D

Matryca: CMOS, 24 MP

Waga: 650 g (samo body)

Ekran: LCD, odchylany, obrotowy, 3″

Wizjer: pryzmatyczny

Obiektyw: zależnie od zestawu

Wideo: 1920 x 1080 (59,94, 50 kl./s)

Dodatkowo:

45 punktów AF

Wizjer pokrywa 100% pola kadru

Łatwy w obsłudze i sterowaniu

Sprawny balans bieli

Cena body od 4700 zł

Zdobywca nagrody EISA 2016-2017

Kupuję ten aparat!

Nikon D500

Matryca: APS-C (crop) 20,9 MP

Waga: 760 g (samo body, bez akumulatora czy karty)

Ekran: dotykowy i odchylany

Wizjer: pryzmatyczny

Obiektyw: zależnie od zestawu

Wideo: 4K z prędkością 30 klatek na sekundę

Dodatkowo:

153 punkty autofocusa oraz 99 pola krzyżowe

Bardzo szybki i precyzyjny AF

Solidna obudowa

Podwójne gniazdo kart pamięci

Cena body od 8100 zł

Zdobywca nagrody EISA 2016-2017

Kupuję ten aparat!

Aparat wodoodporny

Olympus TG-4

Matryca: 16 MP

ISO: 100 – 6400

Waga: 247 g

Ekran: 3��

Wizjer: brak

Obiektyw: bardzo jasny (f/2.0), o dużej rozpiętości ogniskowych: 25-100 mm, f/2,0-4,9

Wideo: Full HD 1080p

Dodatkowo:

Oodporność na zanurzenie (15 m), upadek (2,1 m), mróz (-10 C), nacisk (100 kg), kurz, zarysowania

Możliwość fotografowania w trybie RAW

Ciekawe funkcje specjalne, np. slowmotion

W trybie macro zdjęcia możemy wykonywać już z odległości 1 cm!

Wi-Fi i GPS

Cena od 1490 zł

Kupuję ten aparat!

Aparat do nagrywania wideo

Panasonic Lumix DMC-G7

Oczywiście obecnie także telefonem możemy stworzyć wideo świetnej jakości, jednak oto dlaczego warto zwrócić uwagę na ten model:

Matryca: 4/3, 16 MP

ISO: 100 – 25600

Waga: 410 g (z akumulatorem i kartą pamięci)

Ekran: dotykowy, odchylany, 3″

Wizjer: elektroniczny

Obiektyw: KIT 14-42 mm

Wideo: w rozdzielczości 4K na zwykłych kartach SD!

Dodatkowo:

Szybki i precyzyjny AutoFocus (AF)

Ciekawe dodatki: Star Light AF, Focus Peaking, fotografia poklatkowa

Wygodny odchylany, obrotowy ekran

Nagrody: EUROPEAN PHOTO & VIDEO CAMERA 2015-2016

Cena od 2350 zł za body

Osobom dysponującym dużo dużo większym budżetem polecam Sony Alpha 7s II. Tylko tutaj mówimy już o wydatku rzędu 12 tysięcy.

Kupuję ten aparat!

Mam i bardzo się lubimy. Nie przypuszczałam, że nowa technologia może tak ułatwić życie. Kręcenie filmów poklatkowych dzięki temu Lumixowi jest zwyczajnie łatwe. Jakość wideo super. Obrotowy i w pełni ruchomy ekran też na plus. Jedynie KITowy obiektyw nie urywa wiadomo czego, ale na szczęście można wymienić.

Aparat w telefonie

HTC U11

Matryca: 12 MP

Waga: 169 g

Ekran: 5,5 cala, Quad HD

Obiektyw: bardzo jasny – f/1.7!

Dodatkowo:

Skuteczny autofokus i redukcja szumów

Optyczna stabilizacja obrazu

Zdjęcia panoramiczne, HDR, format RAW

Wideo 4K z dźwiękiem przestrzennym

Tryb PRO, gdzie mamy możliwość zmiany parametrów ekspozycji

Najwyższa ocena aparatu fotograficznego, według serwisu DxOMark

Cena od 3250 zł

Kupuję ten telefon!

Od kilku dni jestem szczęśliwą posiadaczką tego modelu i, choć nasza znajomość jest krótka, to była iskra ;) Trochę, jak związek z Panem Mężem, zaręczyny po 3 miesiącach i te sprawy.

Rudziki kochane, wiecie już, jaki aparat wybrać w tym roku. Mam nadzieję, że lista będzie dla Was inspiracją. Kupujcie* i róbcie piękne zdjęcia!

* – tylko, żeby nie było, że „sprzętu kupa, a fotograf dupa” ;) To Wy robicie zdjęcia. Na początek wystarczy tani kompakt, czy telefon. Serio serio.

Post Fotograficzny poradnik zakupowy – lato 2017 pojawił się poraz pierwszy w Jest Rudo | blog fotograficzny.

from Fotograficzny poradnik zakupowy – lato 2017

#fotografia #technicznie #aparaty 2017 #jaki aparat #jaki aparat wybrać

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