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hephaestuscrew · 5 months

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Sometimes I think about Dominik Koudelka's assistant who takes Minkowski's call in Ep43 Persuasion...

In the moment, dismissing the voice on the other end of the phone feels like the right thing to do. She can't just put any random person who calls through to Mr. Koudelka immediately; if she did, there would be no point in him having an assistant at all. And when that random caller is claiming to be Mr. Koudelka's dead wife, of course it would be wrong to subject him to that. (Cont. below cut)

She's seen Mr. Koudelka in the denial stage of grief, if only from a professional distance. She knows that the only time he took off after he heard the news was the day of his wife's funeral. She knows he started working days so long it was a wonder he got any sleep at all. She's heard rumours that he tried to insist that The Times' coverage of the shuttle crash ought to use the word 'allegedly' more. Apparently he ignored every sensitively-worded inquiry about whether he wanted to have any input on his wife's obituary.

Mr. Koudelka certainly doesn't need some cruel joke reopening emotional wounds. It's better not to mention it to him. His assistant knows that she did the right thing.

Or at least, she thinks she did. But she still can't stop thinking about that voice on the other end of phone, its desperation, its sense of urgency, its bizarre impossible claim.

So maybe she finds herself looking up Renée Minkowski, just to set her mind at ease. And there's surprisingly little information out there, but she eventually finds a clip of an interview from just before the launch of the Hephaestus mission. And that's when her stomach drops. She recognises the voice in the video. It's the same voice as the one she heard on the end of the phone. She's sure it's the same voice.

And what is she supposed to do then? Go to her boss and tell him that his wife is alive? Tell him that she lost him potentially his one chance to talk to his presumed dead wife? Admit that she didn't tell him about that call straight away? She's got no proof, just her memory. What if she's wrong about it being the same voice? Maybe it was a good impersonator, or a technological trick, or the power of suggestion. Is telling him the truth worth risking her job for? Is it worth risking giving false hope to a widower who has only just begun to move on? What if he doesn't believe her? What if he does?

#Wolf 359 #w359 #Dominik Koudelka #Renée Minkowski #Renee Minkowski #Personally I imagine that Koudelka's assistant didn't ever tell him about that call #because how can you tell someone something like that?#but if she did #there is some very interesting potential in terms of how he might react to that #which I'm sure other people have explored probably #In terms of thinking about Koudelka not taking time off #after hearing that his wife was dead #Minkowski is the kind of person who works super hard to avoid her feelings #so I think Koudelka would be similar #Thinking about when Gabriel Urbina said that before she left. Minkowski made Koudelka promise #that he would only worry about her for 10 minutes a day #and that he would be busy doing stuff the rest of the time #What can he do with that promise once he thinks she's dead?#I'm wildly inconsistent with how much I care about Minkowski and Koudelka's marriage #When I think about it in relation to the Hephaestus crew found family and their return to Earth #I'm like 'get in line Dominik. Renée's got new priorities now.#Deal with it or go away.'#But when I think about how Dominik Koudelka is someone who loved (and was loved by) Renée Minkowski #and didn't want her to go to space for two years but let her go #because it was her dream and anyway he couldn't stop her if he tried #and then he thought she'd died out there #and Minkowski tried to speak to him from 8 lightyears away but her words never reached him...#then I'm like 'oh actually I can care about this unvoiced character'#wolf 359 spoilers #w359 spoilers

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nellied-reviews · 4 years

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Super Energy Saver Mode Re-listen

Hellooooo! My Wolf 359 re-listen has hit episode 6, and guess what that means? Yup, you got it!

Super Energy Saver Mode

In which Eiffel struggles to name his top five lanthanides, Hilbert blows things up again, and the Hephaestus might be haunted?!

I'll confess, going into this episode I could not remember very much about it. The title felt familiar, I vaguely remembered that it was one of the episodes where something on the Hephaestus stops working, but other than that? Nothing. Zip. Zilch. So that was exciting.

And you know what? I can kind of see why I didn't retain much from this episode! Plot-wise Super Energy Saver Mode just doesn't do very much. There's not a complex solve or fix for the issues that come up, or a clever work-around. Instead, Minkowski and Eiffel just... figure everything out and fix it competently?

In retrospect, there is, of course, one big, plot-relevant, spoilery thing that happens. But even that is basically left unresolved by the episode’s ending, which aims to create a creepy atmosphere than anything else.

Because that is what this episode does well. Without the additional job of being plotty, Super Energy Saver Mode can just concentrate on being atmospheric. Coming into it pretty much blind, in particular, meant that I appreciated the tension baked into the episode - even once I remembered what was going on, I really enjoyed how spooky this episode felt.

As per usual, though, we don't start with the creepiness. Instead, we start with Eiffel chatting about something mundane - namely, the fact that it's the crew's 500th day in space!

It's something that I think, on any other show, wouldn't actually be all that mundane. There are a whole bunch of spacey series where I could imagine a pretty decent episode being built around the crew trying to host some sort of anniversary celebration. But here, 500 days isn't something to be celebrated. It's not a bad thing, per se. But it's not a good thing. It's just a thing, a reminder of how worn down the crew are at this point, and how many days they have left on the clock. We get the impression that this mission is more of a long, hard slog than anything else - and thus we're reminded again of how little Goddard cares about its employees' wellbeing and morale.

Eiffel and Hera are having an unofficial party, though, with just the two of them, which is sweet. In practice, of course, this just means that they're spending time chatting while Eiffel avoids work. But it's really cute, and I find the banter about top five lists and the various criteria that Hera uses to come up with them soooooo funny. I mean, Hera judges "Stick It to the Man" songs by active political regimes at the time of composition, and complexity of choral progression, which I love for reasons I can't quite pinpoint?

The sequence also shows how differently Hera and Eiffel think. Eiffel very immediately and intuitively forms an emotional connection to things like music, but can't even fathom how Hera just knows things like the 900th digit of pi, or all of the lanthanides. Hera, meanwhile, has so much more information and raw data at her metaphorical fingertips than Eiffel, but doesn't quite connect to it in the same way, and doesn’t entirely get how Eiffel does. It's not (like with the Dear Listeners) that she can't connect to music, or fundamentally doesn't get it. But she's working on a different scale, judging by different standards. And she's not embarrassed to mess with Eiffel because of it, or to talk about it with him. Really, it's a textbook example of how to hang out and be friends with somebody while still thinking and relating to the world differently - which I think is a large part of what I like about Eiffel and Hera's friendship.

Their fun little interaction gets interrupted, sadly, by Hilbert requesting extra power for his lab, which we can already tell will end badly, because come on, it's Hilbert. But what is interesting is how irritated Hera seems afterwards. I mean, she does the whole "I am not programmed to get upset" spiel, but nobody's buying it, and when she confesses that she doesn't like Hilbert's tone, there's definitely a lot of annoyance there. It reminds us, after seeing Hera's machine side, that she's still a person and still has emotions - a balance that Wolf 359 is generally pretty good at. Hera's allowed to be an AI, with the non-human worldview that that entails. But at the end of the day, she's still a character with emotional depth and nuance.

With that in mind, then, Hera admits that she doesn't like Hilbert's tone - which is totally understandable - but also that she's mostly worried that somebody's going to get hurt as a consequence of Hilbert's recklessness - which seems to be validated when the station's power cuts out and Hera goes offline mid-sentence.

Eiffel, given the circumstances, remains remarkably calm, but this does mark the point where the episode shifts genre to become what is, in effect, a haunted house story. It's set on a space ship, sure, but all of the beats from this point onwards are pretty much the beats you might expect if Eiffel were, say, spending the night alone in his late grandfather's crumbling old mansion, long rumoured to be cursed. It's paranormal horror at its finest, complete with weird voices and jump scares and a bunch of "it's probably nothing" moments.

I noticed, as well, that there was barely any music from this point onwards. There is some (shout out to the creepy little theme with the ghost-like, theremin-sounding wail and the soft bass guitar!) but it's subtle, and very much secondary to the sound effects, which suddenly get very loud. For as long as the power is off, we get all sorts of creaking, groaning and echoing - and with it a sense of just how big and empty the Hephaestus really is. Hera's constant presence and the electronic noises around the place do a lot to mask that, normally. But now we're hearing the silence, and it is eerie.

Adorably, Eiffel's first instinct is to ask himself, "What would Commander Minkowski say if she were here right now?" This leads into a huge and surprisingly detailed fake argument, of course, which is hilarious in and of itself, but there's also just something kinda sweet about how immediately Eiffel assumes that Minkowski would have a handle on things. Eiffel still complains about her a lot, at this point in the series, so the respect that this little moment betrays feels fresh and sort of unexpected.

Eiffel's not wrong to trust Minkowski, either. Once she shows up, the episode's main problem - Hera being offline - gets solved quickly and remarkably efficiently, with Eiffel doing the legwork and Minkowski giving instructions, and honestly, it's in moments like this that I remember how technically competent Minkowski is. I think I tend to remember the more military, combative bits best, with her stalking round harpoon in hand or shooting folks, so it's nice to be reminded that the Commander can also handle things like repairs just fine.

Of course, that means that the episode's main tension is never actually about the power outage. The sudden silence and the threat of life support running out add to the episode's general atmosphere, sure. But the thing we are most anxious about, as the episode plays out, isn't the ship's newly-accessed Super Energy Saver Mode. No, instead of that, we're given a new mystery, and it's a doozy: what's up with that voice Eiffel keeps hearing?

It starts almost inaudible, but in the end Eiffel hears the words loud, clear and terrifying: "You're not the first." Which, like, terrifying much? It's vague and ominous and very chilling, especially with all the distortion that's going on.

In retrospect, of course, we know that this is our first encounter with Captain Isabelle Lovelace - indeed, it's one of the very few encounters that we have with the real, non-alien-duplicate Isabelle Lovelace, for whatever that's worth. We also know that she doesn't mean any harm - she's trying to warn the crew, in fact.

Strangely, though, knowing that doesn't actually this any less effective as a ghost story. After all, what are we hearing, but the voice of a dead woman, warning the crew about an even worse monster lurking in their midst? The Hephaestus, Lovelace's recording reminds us, is indeed haunted, if not literally then at least metaphorically, by the ghosts of its former crew and the traces that they have managed to leave behind.

With or without hindsight, then, the episode is creepy, hinging ultimately on the idea that there might be something not quite airtight in Hera's programming, that there could be something hiding - or deliberately hidden - just underneath her code. In making that the focus of the story, the episode opens up the tantalising possibility that something might fundamentally be wrong with the Hephaestus and its systems. The show's very setting is destabilised and made frightening - and that's a genie that you can't just put back in the bottle once you decide that you're done telling ghost stories. Instead, the feeling that something is not quite right persists even after Hera comes back online, and still haunts the episode as it draws to a close, since we don't actually get an explanation of who Lovelace is. Instead, it remains a mystery. A spooky, weird, always-in-the-back-of-your-mind mystery.

It's a bold move, and it feels a lot like what happened with the plant monster, which is also at large at this point. I'm beginning to suspect that this is a thing we're going to see more of, too - big, obvious plot threads that are ostentatiously waved in front of us, then dropped, apparently without comment.

It's something I think these early episodes could do more easily, since the expectation that loose ends would be followed up on wasn't quite established yet. Later on in the series, everything gets more serialized, so if something like, say, an alien duplicate of Jacobi turns up and is left dangling, we can reasonably expect that it'll get addressed at a point. Earlier on? We've not got those expectations. This might just be the sort of show where weird, scary voices are brought up and then never mentioned again. It might be the sort of show that lets a plant monster loose and forgets about it for the rest of the series.

When it turns out, then, that that isn't the case, even in these early, apparently inconsequential episodes, it feels like a bonus, and we get, in hindsight, a little thrill of recognition, as we realise that no, there was a plot there the whole time. It's a satisfying feeling, at least for me, and it's 100% what's fuelling this re-listen.

So yup. Super Energy Saver Mode. An exercise in atmospheric spookiness, an enjoyable haunted house story and just generally a pleasant surprise. Solid work, really.

Miscellaneous thoughts

Eiffel is talking about an 830 day mission, if I've done my maths right - with the possibility of Command extending it! That is one long-ass time to spend in space with three other people!

I want to know Eiffel's top five Stick It to the Man songs so badly

"Ooookay. Maybe this isn't one of those wait and see things. Maybe it's one of those... imminent death things."

Wait Hilbert had to amputate multiple of Minkowski's toes???

Bless her, Hera sounds drunk when she's coming back online ^-^

#wolf 359 #wolf359 #w359 #wolf 359 relisten #super energy saver mode #nellied reviews #creepy episode this time #featuring a very familiar voice #distorted beyond all recognition #also Eiffel and Hera being cute

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nellied-reviews · 4 years

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Discomforts, Pains and Irregularities Re-listen

Hello! I hope you're safe and well, wherever you are right now, and looking after yourself as best you can. It's a weird time to be alive, certainly. Fortunately, there is in this life one thing we can rely on: Douglas Eiffel will forever be a dumbass. I've hit episode 3 in my Wolf 359 re-listen, and boy, did this one cheer me up. So, without further ado:

Discomforts, Pains and Irregularities

In which Hilbert and Hera make a great but also terrifying team, Eiffel will do anything to avoid his physical exam, and Mink-oH MY GOD YOU WERE BEING SERIOUS?!

I feel, off the bat, like this episode is different to the previous two in a really good, productive way. It's a subtle thing, but it's something I definitely noticed this time round; Discomforts, Pains and Irregularities just works differently to the first two episodes. Where they were a sort of slice-of-life affair and a then a straight-up sitcom, this episode is more of a comedy horror movie; where the conflict in the first two episodes was between Eiffel and the rest of the crew, here we get our first external threat; where the plot, in the first two episodes, revolved around mundane, small things like radio broadcasts and toothpaste, the plot here's about a mutant space plant monster. It's a neat way of setting certain genre expectations and helping us triangulate, roughly, what we can and can't expect from the show, establishing a couple of constants (we're probably not going to get an episode, for example, with absolutely no comedy), but also a range of different tones the show can play with (sitcom, B-movie horror, weird sci-fi)

That said, it's not obvious from the beginning of the episode that we've stumbled into a horror movie. At first, when Eiffel starts his log sounding so very defeated, it seems like we're being set up for an episode about Eiffel trying to dodge a physical exam. Which you could get a whole, pretty decent episode out of it, for sure - it would probably end up following a very similar template to Little Revolución. Step 1: have Eiffel do something ridiculous. Step 2: escalate things. Step 3: Eiffel is defeated. Solid, right? So when Hera announced that physicals are coming up, it feels like there's a predictable way that this going to play out. Not bad, per se. But we can see where it might be going.

We do get the fun twist of Hera cooperating with Hilbert, and sounding surprisingly chipper about the whole affair. And I guess that makes sense? She doesn't have physical body in the same way as Eiffel and Minkowski do, after all, so she's not getting a physical, and I can totally see her making the most of it to troll Eiffel, or indulge in some Schadenfreude. Or perhaps she's just helping Hilbert because it’s her job. Who knows? Either way, it's nice, if a little bittersweet, to see Hera and Hilbert working as a team again and trusting each other; after season 1, we don't see so much of that, for obvious, murder-y reasons.

I also have to wonder, at this point, why Hilbert is running these physicals? He says it's to stop disease spreading, but surely the Hephaestus, a closed system with three actual people living there, has got to be disease-free, right? The only thing I can think is that this is actually part of his work on Eiffel, a convenient excuse to take samples and see how the Decima is doing. Which makes an already terrifying prospect even more frightening. I guess he also has to collect samples for Minkowski, to maintain his cover? Or - a more alarming thought that I kind of wish I hadn't had - he might also be taking measurements and samples in preparation for giving her Decima, should Eiffel go the way of Lambert and the last crew. Cheery stuff, you know?

That’s just me overthinking things, though. What we actually get, as the episode gets going, is a panicky, nervous Eiffel desperately bullshitting Hilbert to get the good doctor off his tail. Which is so very relatable. I feel you, Eiffel.

It didn't escape my attention, here, that Eiffel mentions a recent power outage. It's another sign that things were going wrong in the Hephaestus from the very beginning - something we won't get confirmed until Pan-Pan, I think?

It also didn't escape my attention, on a more immediate note, that Hilbert used up all of the water doing radiation experiments in the greenhouse. Which I bet is totally fine and totally didn't create the plant monster in the first place. Nope. Nuh-uh. No foreshadowing here.

In any case, Eiffel's ruse works, and then we get Eiffel and Hera just bantering for a bit, which is always a delight. Hera gets all sniffy (pun unintentional) about Eiffel's personal hygiene, Eiffel lobs a "you don't even have a nose anyway" back at her, she leans hard into her "well you're a feeble, puny human" shtick. It's fun, and I can totally buy that this might be a conversation they have had many times before. I don't know, I just really love their friendship, okay?

What I also love, when Minkowski calls to ask for help with the plant monster, is that Eiffel just straight-up assumes that she's also trying to get out of her physical. Like... has he met Minkowkski?! And yes, okay, technically she was in the greenhouses trying to avoid Hilbert. But the fact that now, when she is quite obviously not kidding, Eiffel decides to shrug it off? Genius. I love it. So very dumb.

Then, of course, we meet the plant monster, which is honestly one of my favourite things about this podcast. It's just so out-there! After two more slice-of-life episodes, it's delightfully weird, but also puts us firmly in the realm of soft science fiction. Like, there's no pretending, with a mutant plant monster, that this is going to be gritty, realistic, hard science fiction, and I kind of love that? Certainly, setting aside question like "is this scientifically plausible?" lets the show do all sorts of wacky, fun things that just make for a more engaging story. Mutant plant monsters are in the same cheesy B-movie vein as the Dear Listeners, super-soldier-creating viruses and mind control machines, and Wolf 359 is 100% better off for it.

Minkowski doesn't share my enthusiasm for the plant monster, sadly. She goes straight in with a flamethrower. Ah, Commander. Never change.

Eiffel still doesn't believe that it's real, even as he goes down to check on Minkowski, which is kind of hilarious, especially because it's such a tropey horror movie set-up. For such a pop-culture-savvy dude, he really dropped the ball on this one. But it's nice to see him and Minkowski bonding over being mutually freaked out by the thing. After two episodes of Minkowski being mad at Eiffel for various offences, it's cool that they're working together here, even if it takes the joint threat of Hilbert's physicals and a plant monster to get them there.

It's also here that the podcast format works so well, because without a visual on the monster, it's so much more frightening. Seriously, I bet all of our mental images of this thing are way more frightening than anything a TV show could give us, based just on Eiffel and Minkowski screaming.

Either way, we cut away pretty quickly after that, and the episode ends with Eiffel informing us smugly that the plant monster is still out there, but that, as a consequence of the ongoing monster situation, they have at least postponed physicals. It's a fun way to end the episode, anticlimactic in the funniest possible way, focusing on the dumb, mundane stuff and just dropping the plant mutant... for now. It leaves room for future stories featuring our resident not-so-horrifying monster (hello, Minkowski Commanding!). But honestly, it'd still be funny if the plant monster was never brought up again, and just hung round like the proverbial, vine-strewn elephant in the room. Which it kind of does, for a while, at least until Season 2.

It also works, I think, because this episode isn't really about how the crew would defeat a plant monster. Instead, the question the episode asks is just "How do the crew react when something really weird happens?" And the answer we get is something we'll see again and again: Minkowski goes on the warpath and tries to kill it with fire, while Eiffel is a bit more chill about things, possibly unwisely so. It feels like the blueprint for a whole lot of future disagreements where Minkowski generally leans towards more violent solutions, while Eiffel is a little more pacifistic, repping Team What's-Wrong-With-Handcuffs etc.

So yup. At the end of the day, like most of the early episodes, this one’s pretty heavy on the comedy. But it also establishes a bunch of new things that the show can do, and puts our protagonists into a totally new, strange situation, just to see how they react, paving the way for all sorts of future weirdness. Not bad, right?

Also, because it bears repeating, mutant space plant monster.

Miscellaneous thoughts:

Hera getting snarky about Eiffel's body odour bwahahahahahahaha

That noise is terrifying and will haunt my nightmares

Also, why did Eiffel record his physical six months ago? What could he possibly have been planning on doing with that recording??

"Tell him to go... ffffrequencies!"

Ewwwww spinal fluid samples

"Let's get this - oH MY GOD YOU WERE BEING SERIOUS"

"For God's sake, help me kill this thing!" "With what? Harsh language?" "With napalm, you moron!"

#wolf 359 #wolf359 #w359 #wolf 359 relisten #discomforts pains and irregularities #nellied reviews #introducing the plant monster #aka my not-so-small herbaceous child #I just really like the plant monster okay

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