#Michael Krebber
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Michael Krebber
Chador 43
2000
Acrylic, plastic sleeve, and xerox on canvas
120 x 160 cm
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From Museum Ludwig, Michael Krebber, MK/M 2015/10 (2015)
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Michael Krebber
Untitled, please don’t throw it away
Radio Athènes
April 1 – May 10, 2021
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by Michael Krebber
source: collectionarchive.tumblr.com
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Eine Postkarte von Martin Kippenberger und
Albert Oehlen an Michael Krebber. Stiftung Warentest Sehr Gut
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if these walls could talk
Anne Imhof - Faust, 2017
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Felix Kultau - Eroica Locker
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Mark Bradford - Go Down, Moses
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Rosy Keyser - Eve’s First Confusion Between Penises and Snakes
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Erris Huigens - NC-003
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Thomas Kurppa - CONT—IVO7701 Typography
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Rosalie Gascoigne - Good News
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Michael Krebber
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Frank Brechter
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Carrie Pollack - Present 3, 2010
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Aozaki Nobutaka - 01
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Matias Faldbakken
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Evan Robarts
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Aozaki Nobutaka - detail
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Francis Novak - Sacsayhuaman Cuzco, Peru
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https://www.contemporaryartdaily.com/project/michael-krebber-at-galerie-buchholz-cologne-30558
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Michael Krebber (German, b. 1954), Untitled, 2006, 120 x 90 cm
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Michael Krebber, Here It Is: The Painting Machine at Greene Naftali, New York, 2003
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Brian Dupont defends the current trends of provisional and casual painting.
Dupont writes: “Artists today are confronting an increasingly ramshackle future where aesthetic, political, economic, and ecological promises have been revealed as failures. If they are seeing a future where issues of scarcity become more urgent, materials must be recycled or scavenged from surplus, and long-held political standards become increasingly irrelevant, it would seem natural to see trends in painting (re) emerge that question formal equivalents of these standards. The long-term success of painting can be attributed to its ability to colonize and assimilate outside ideas and approaches, stretching form and content to the breaking point so that the project of the medium is ultimately made stronger. If a provisional vocabulary can provide a timely reinvigoration of the expression of individual concerns, that should be all the ambition anyone needs in a painting.”
https://www.artnews.com/art-in-america/features/provisional-painting-raphael-rubinstein-62792/: "For the past year or so I’ve become increasingly aware of a kind of provisionality within the practice of painting. I first noticed it pervading the canvases of Raoul De Keyser, Albert Oehlen, Christopher Wool, Mary Heilmann and Michael Krebber, artists who have long made works that look casual, dashed-off, tentative, unfinished or self-cancelling. In different ways, they all deliberately turn away from “strong” painting for something that seems to constantly risk inconsequence or collapse."
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