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#Marina Tsvetayeva
deviika · 2 years
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Marina Tsvetayeva
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nixieofthenorth · 9 months
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"..Things I hold most dear: music nature, poetry, solitude."
— Marina Tsvetayeva
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indecisivegloom · 2 years
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tini21 · 5 months
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333/365 In people’s lives I want to be that which does not hurt. - Marina Tsvetayeva
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onenakedfarmer · 1 year
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MARINA TSVETAYEVA from "Separation"
Tighter and tighter wringing my hands Till they be riven— Between us are not the miles of earth But the rivers of heaven, Of separation, the azure lands Where my friend is forever Inalienable. The highway dashes In silvery harness; My hands are not wrung now But open, reaching Soundlessly, Like the ash tree climbing After a flight of cranes. To fly like the cranes and not look back! Haughtiness Would be mine, and in death’s country In costly dress I would arrive, to your fleet feathers A last buttress In the airy losses of space.
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noleavestoblow · 1 year
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"My hands are not wrung now But open, reaching Soundlessly, Like the ash tree climbing After a flight of cranes."
-Marina Tsvetayeva
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29may96 · 2 years
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Marina Tsvetayeva
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soracities · 1 year
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when somebody dreams of us together—that is when we shall meet.
Marina Tsvetayeva, in a letter to Rainer Maria Rilke, Letters, Summer 1926: Pasternak, Tsvetayeva, Rilke
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shorthaltsjester · 1 year
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“you’re a good friend and you move people. i don’t know if you see that, but you do, every day.”
“In the Pockets of Small Gods” - Anis Mojgani // “Critical Role Campaign 2: Traveler Con” - Laura Bailey & Sam Riegel // “Everything Everywhere All At Once” - Daniel Kwan & Daniel Scheinert // “All About Love: New Visions” - bell hooks // “The Mighty Nein Origins: Jester Lavorre” - Sam Maggs // “The Attempt” - Magdaléna Platzová // “Critical Role Campaign 2: The Fancy and the Fooled” - Laura Bailey // “a letter to Rainer Maria Rilke, c. 1926” - Marina Tsvetayeva // “Fleabag: Episode #2.6” - Phoebe Waller-Bridge // “Critical Role Campaign 2: A Storm of Memories” - Laura Bailey & Marisha Ray
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89rooms · 2 months
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Ah, but your absence, the physically felt silence of your hands.
Boris Pasternak - letter to Marina Tsvetayeva, 1926
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hereternalsins · 5 months
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In people's lives I want to be that which does not hurt.
-Marina Tsvetayeva
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nesrin-c · 1 year
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İlkin güçbela örtündük paçavralarla,
Sonra kodeslerde ve şölenlerde
saçlarımızdaki takımyıldızlarla
değiş tokuş ettik cenneti,
Yıldızlı gecelerde, cennetin
elma bahçelerinde.
Marina Tsvetayeva
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lady-of-the-spirit · 2 months
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Day Three: “In March I’ll be rested, caught up and human.” (March 8th)
Happy International Women’s day! Women have influenced society from its beginning, and a large part of that has been through literature. We want to know what quote/s by women represent your OC! Or even, what quotes or lyrics does your OC use to ground herself. Feel free to use any female made quote, it doesn’t have to be from poetry or a book!
Marianne Ouellet and Comfort/Love
Exist For Love by AURORA / My Love Mine All Mine by Mistki / The Handmaid's Tale by Margaret Atwood / Writing Prompts For the Broken-Hearted by Eden Robinson / Nikita Gill / Marina Tsvetayeva
Marianne has been through her own pain. All she wanted then was for someone to hold her and say it would be okay. She wants nothing more than to be that for other people.
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queenlucythevaliant · 2 years
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Ooooh I would love to hear about your hypothetical curriculum for St. Petersburg!
In my mind, there are two other parallel versions of me that chose other fields of study. There's one who chose theology, and there's one who chose Russian lit.
So five-ish years ago, I read St. Petersburg: A Cultural History by Solomon Volkov. I absolutely adored it. As I read, I kept a running list of all the literature, music, and art that I wanted to look up and experience once I had finished the book. This turned into a sort of self-taught class on the literature of St. Petersburg, which continues to be one of my greatest fascinations. I read voraciously, listened to little but Petersburg opera for months (hit me up for Russian opera recs!), and when I read other Russian cultural histories, I kept similar lists and read even more. I've still got quite a lot of Russian classics on my to be read list, but this technique gave me a wonderful start, which led me in turn to create this hypothetical lit curriculum. I would love nothing more than to somehow share Petersburg's beautiful body of poetry, prose, and essay with others.
Note: this is probably a bit more than would fit in a standard undergrad semester, but I've already made substantial cuts from the original lists and can't bring myself to pare it down anymore. Suspend your disbelief, etc.
The Petersburg Mythos
Alexander Pushkin: The Bronze Horseman and The Queen of Spades
Mikhail Lomonosov: Masquerade
Nikolai Gogol: The Nevsky Prospect and The Overcoat
Fyodor Dostoyevsky: White Nights and Crime and Punishment. Maybe also The Adolescent if there's time; if not, I would at least include one particular excerpt from it.
Ivan Turgenev: Home of the Gentry
Leo Tolstoy: Anna Karenina
Yevgeny Zamyatin: “Moscow-Petersburg”
Essay: Using “Moscow-Petersburg” as a framework, examine the projected mythos of St. Petersburg in contrast to that of another major city in Europe, Asia, America, or even in fiction.
The Silver Age
Alexandre Benois: “Picturesque Petersburg”
Andrei Bely: Petersburg
Boris Pasternak: “February” “A Wedding” “My Sister, Life” “Hamlet”
Alexander Blok: “The Dances of Death” “The City Sleeps” “The Stranger”
Nikolay Gumilyov: “The Lost Tram” “The Sixth Sense”
Anna Akhmatova: "The Prayer"
Marina Tsvetayeva: “To Akhmatova”
Essay: While the influence of Golden Age literature on the Silver Age is clear, many have noted an air of dread and anticipation preceding the Bolshevik Revolution in their work is well. Was St. Petersburg of the Silver Age more past- or future-oriented? Defend your answer.
The Martyr City
Anna Akhmatova: Untitled poem on Gumilyov’s arrest
Osip Mandelstam: “Leningrad,” “Petropolis,” Untitled “Help me, O Lord…”
Yevgeny Zamyatin: The Cave
Konstantin Vaginov: The Goat Song
Yuri Tynyanov: The Death of Vazir-Mukhtar
Anna Akhmatova: “Requiem” and “Poem Without a Hero”
Mikhail Zoshchenko: Nervous People
Choose an emotional response to the suffering of the early Soviet Era, such as grief, alienation, fear, or hope, and analyze its presence in the literature of early to mid-century Leningrad.
Expatriates, Non-Russians, and the End of the Soviet Era
Vladimir Nabokov: Speak, Memory
Alexander Kushner: selections from We Cannot Choose Times…
Andy Croft: Epilogue to “Fellow Travellers”
Olga Berggolts: Untitled “We pronounced the simplest, poorest words…”
Vladamir Kornilov: “Freedom”
Essay: How does the writing of those who are alienated from St. Petersburg’s identity in some way differ from those who are immersed in it? (In order to answer this question, you will need to decide: What is St. Petersburg’s identity?)
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mer on main
call me mer | 25 | USA | public defense data guru, lover of animals and bad jokes
If you see me liking your posts and not reblogging, it's because this is my main blog - I reblog Dragon Age and other writing related content on my fanfiction writing sideblog, @inquisimer.
I also send asks from this blog! Tumblr give me sideblog asks please I beg
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"In people's lives I want to be that which does not hurt." - Marina Tsvetayeva
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voicesfortorment · 1 year
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My girlhood, I wont try to call you back. You've been a burden and a hindrance.
Marina Tsvetayeva, From Girlhood, selected poems
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