#Lempertz
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A Nagasaki black lacquer on metal and aogai inlaid lidded box. Around 1805
Portrait of Napoleon after Louis Leopold Boilly, showing the young Napoleon as the first consul of the French Republic in 1802.
(Lempertz)
#he’s looks so done haha#napoleon#napoleonic era#napoleonic#napoleon bonaparte#first french empire#french empire#19th century#history#auction#Lempertz#box#artifact#french republic#first french republic#french revolution#art#Louis Leopold Boilly#Louis-Léopold Boilly#Boilly#Asian art#Japanese art#edo#edo period#edo era#Japan
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Christian Rohlfs (German, 1849 -1938)
Three Sunflowers / Drei Sonnenblumen
1919
© Auction house Lempertz
#christian rohlfs#german expressionism#sunflowers#german art#art#mu art#mu#lempertz#10 art#10 notes#20 art#20 notes
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ANDREAS FEININGER. Fotografie
Straordinario fotografo di architetture Andreas Feininger è riuscito a catturare i grattacieli di New York con l’uso di una macchina fotografica autocostruita
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Emilie Preyer (German, 1849-1930): Still life with peaches and grapes on a white tablecloth (via Lempertz)
#Emilie Preyer#women artists#women painters#art#painting#nineteenth century#twentieth century#still life#fruit#german painters
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Johannes Moninckx - Three Flower Pieces - 17th c. - via Lempertz
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Heinz von Perckhammer ~ Weiblicher Akt, 1920er Jahre | src Kunsthaus Lempertz Köln
#Heinz von Perckhammer#heinz v. perckhammer#weiblicher Akt#female nude#1920s#chinese woman#Edle Nacktheit in China#the culture of the nude in china#cross legged#nu féminin#nudo femminile#sitting nude
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Friedemann Vogel - Principal with the Stuttgart Ballet
"Die Seele am Faden" by Thomas Lempertz
photo © Thomas Dashuber, Anna Pawlak
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Early 1730s dresses (from top to bottom) -
1730 Tea Party at Lord Harrington's by C. Phillips detail (Yale Center for British Art, Yale University - New Haven, Connecticut, USA). Probably from Wikimedia; fixed spots with Pshop 1247X1623. There are many caps and veils, square necklines, and laced bodices with revers. But full-blown panniers are not to be seen.
1730 Marquise de Gueydan as Flora by Nicolas de Largillière (Musée Granee - Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte d'Azur, France). From cutlermiles.com/portrait-of-marquise-de-gueydan-as-flora-nicolas-de-largilliere/ 1908X2484. She wears a stout Swiss belt and cleft coiffure that harken back to the late Louis XIV era.
ca. 1730 Empress Elisabeth Christine by Johann Gottfried Auerbach (auctioned, probably by Lempertz). From Wikimedia trimmed 1715X2352. She wears a round skirt and a scoop neckline.
ca. 1730 Polyxena of Hesse-Rotenburg, Queen of Sardinia by Maria Giovanna Clementi (location ?). From tumblr.com/blog/view/jeannepompadour; enlarged by half 1053X1385. Her dress has a deep V neckline filled in by a modesty piece.
ca. 1730 Rhoda Apreece, Mrs Francis Blake Delaval attributed to Enoch Seeman the Younger (Seaton Delaval - Seaton Sluice, Northumberland, UK). From artuk.org; enlarged by half 994X1200. The ruff makes this a Van Dyck revival dress. The laced vest and jaunty hat lend a casual air to the portrait.
ca. 1730 Robe volante (Musée de la Mode - Paris, France). From fripperiesandfobs.tumblr.com-post-139802377452-robe-volante-ca-1730-from-the-palais-galliera 1140X1620. Dresses before the 1750s often had cuffs that could be substantial like these.
1731 Die Liebeserklärung by Jean François de Troy (Sanssouci, Stiftung Preußische Schlösser und Gärten Berlin - Brandenburg, Germany). From artsandculture.google.com/asset/die-liebeserklärung-jean-françois-de-troy/XAFpCyLiWrxHZw?h 3074X24.12. Known in the Anglophone world as “The Declaration of Love. The large patterns mark this as early century. The robe à la française is firmly established in the form it would take until the late Louis XVI period.
1731 Infanta Maria Teresa Antonia de Borbón by Jean Ranc (Museo del Prado - Madrid, Spain). From their Web site; removed spots and streaks with Photoshop 2621X3051. Spain was ruled by Borbóns after the last Habsburg was cleared out in the early 1700s.
1731 Julia Calverley, Lady Trevelyan, by Enoch Seeman the Younger (Wallington Hall - Wallington, Northumberland, UK). From nationaltrustcollections.org.uk/object/584399; erased navigation marks in corners & fixed spots w Pshop 1616X1992. Clasps replace lacing to close this bodice.
1731 Lady by John Vanderbank (location ?). From the Philip Mould Historical Portraits Image Library 920X1214. The dress is Van Dyck revival similar to the one worn by Rhoda Apreece.
#1730s fashion#Georgian fashion#Louis XV fashion#Rococo fashion#C. Phillips#Marquise de Gueydan#Nicolas de Largillière#Kaiserin Elisabeth Christine#Johann Gottfried Auerbach#scoop neckline#Polyxena von Hesse-Rotenburg#Maria Giovanna Clementi#Rhoda Apreece#Enoch Seeman the Younger#feathered hat#robe volante#The Declaration of Love#Jean François de Troy#robe à la française#Infanta Maria Teresa Antonia de Borbón#tabbed bodice#Jean Ranc#Julia Calverley#cap#John Vanderbank
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Alfred von Wierusz-Kowalski (1849-1915) - Ride in the twilight
Oil on canvas. 39.4 x 31.5 inches, 100 x 80 cm.
Estimate: €100,000-140,000.
Sold Lempertz, Cologne, 18 Nov 2023 for €302,400 incl B.P.
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Jan Thorn Prikker - Kunsthaus Lempertz
Soleil à midi.
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Jan Saudek | Paula poses for the first and the last time, 1978.
Via: Lempertz.
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Napoleon, 1802-1804 portrait by Ferdinand Jagemann
Ferdinand Jagemann was born in Weimar and resided in Paris from 1802 to 1804, where he studied under Jacques-Louis David (1748-1825). This portrait of Napoleon was presumably painted during this time. (Lempertz)
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A.R. Penck (German, 1939 -2017)
Konstruktion in den Raum hinein
2002
Acrylic on canvas. 90 x 70 cm
Auction 1187 / © Lempertz
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Felicity Merriman
American Girl: Historical Inspirations
Beforever Meet Outfit
Wedding dress, 1780-1800, National Museum of Finland
Woman's formal dress worn by the Faneuil family, 1745-1755, Museum of Fine Arts Boston
Bodice, 1750-70, Augusta Auctions
Bodice, 18th Century, Met Museum
Portrait of a Lady, late 18th century, Lempertz
Recovering by Étienne Jeaurat, 1744, The State Hermitage Museum
Yellow satin quilted petticoat, mid 18th century. Kerry Taylor Auctions
Wedding dress, 1780-1800, National Museum of Finland
Woman's formal dress worn by the Faneuil family, 1745-1755, Museum of Fine Arts Boston
Bodice, 1750-70, Augusta Auctions
Bodice, 18th Century, Met Museum
Portrait of a Lady, late 18th century, Lempertz
Recovering by Étienne Jeaurat, 1744, The State Hermitage Museum
Yellow satin quilted petticoat, mid 18th century. Kerry Taylor Auctions
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Emilie Preyer (German, 1849-1930): Still Life with Plums, Grapes and Peaches on a White Tablecloth (via Lempertz)
From the auction house website:
Emilie Preyer began drawing and painting in watercolours as a child. Since she was a woman, she was not allowed to attend the academy and so she received her first artistic training from her father Wilhelm Preyer, whose style she adopted and developed further. Thus, she too preferred the still life genre with fruits and insects, but her colour palette is more rich in contrast, not least because she usually uses a white cloth as a background for her arrangements.
#Emilie Preyer#women artists#women painters#art#painting#german painters#still life#still life painting#fruit#insects
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Jaroslav Fabinger (1899-1942) ~ Untitled (portrait of a woman), 1929 | src Lempertz (auction 1041)
view on wordPress
& also more on wordPress
#jaroslav fabinger#portrait#Czech avant garde#czech avant-garde#czech photographer#Porträt#1920s#retrato#ritratto#portret#retrat#Bildnis#soft focus#women portraits#late 1920s#1920er Jahre
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