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human-antithesis · 1 year

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Hermit’s Lair - Human Antithesis https://t.me/Human_Antithesis

Teitanblood - Woven Black Arteries (EP) [24 de Agosto, 2012] País: España Género: Black Metal Resubido: FLAC

Alineación:

NSK - Vocalista, Guitarras, Bajo

J - Batería

Personal de producción:

NSK - Productor, Grabación

Javier Félez - Productor, Grabación

Timo Ketola (R.I.P. 2020) - Arte

Axel Salheiser - Arte

Sello Discográfico: Norma Evangelium Diaboli

Lista de Canciones:

Sanctified Dysecdysis - 11:48

Purging Tongues - 15:39

#Hermit's Lair #Human Antithesis #Telegram #Teitanblood #Black Metal #NSK #J #Javier Félez #Spain #Timo Ketola #Finland #Axel Salheiser #Germany #Artwork #Cover Art #NoEvDia #Norma Evangelium Diaboli #France

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dustedmagazine · 25 days

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Of Darkness — Missa Tridentina (Sentient Ruin Laboratories)

This reviewer generally has little time for funeral doom, a subgenre that requires a whole lot of time, given its intrinsic relation to glacially slow paces and patterns of development. Instead of the oft-intended existential terror, much of the music inspires tedium, a narcotized death march into slumberland, not nightmare. The fact that this funeral doom band has hung the insipid moniker Of Darkness out on its shingle does not help or augur well. But some of the musicians’ names improve the picture: Javier Félez Rodríguez, appearing here as “Bastard” (ok), provided scorching lead guitar on Teitanblood’s excellent The Baneful Choir (2019); CG Santos also performed on that record, and his noise/blackened drone project Emanation makes hugely effective, deeply unpleasant sounds. But does the alchemy among the players lead to music that makes your skin crawl, rather than inducing terminal lassitude?

The answer is yes, for the most part, but you’ll first need to penetrate a thicket of fairly stale semiotic gestures. The anti-Catholic iconography on Missa Tridentina’s album cover art and song titles is plentiful — and sure, the Church is an evil mess and has been for centuries. But all the Latinate verbiage and skeletal figures sporting ritual robes and relics of occult significance fail to scare up anything all that terrifying. Better to let the music speak for itself. That speaking does not commence with promise. “Adjutorium Nostrum in Nomine Domini” is an instrumental intro that goes for symphonic grandness, but it’s dull stuff.

The next 38 minutes or so are much more interesting, and a large measure of that is generated by the electronics that warp the massive sheets of droning guitar noise. That’s Santos at work. Of Darkness has been releasing records intermittently since 2004, but Missa Tridentina is the first to feature Santos. His addition is crucial, if not obtrusive. Check out the long, climactic track “Requiescant in Pace.” The warble and fade in the vocals, the expert use of reverb—those are production techniques, but the band’s greater attention to the textures of their massive sound likely has much to do with Santos’s addition. In the song’s sixth minute, he asserts himself with flashes of piano, bordering on atonal runs. It’s just the right touch of dissonance. The creepiness the record seeks starts curling your toes. When the thick riffs returns, Santos treats it with several layers of weirding noise. It’s the best song on the record.

This reviewer underscores his lack of interest in the subgenre, but he also notes that there’s an interesting set of synonymies between music devoted to slow, agonizing dramatizations of death and the earthball’s current condition. All the attention to Christianity on Missa Tridentia suggests a backward-looking sensibility, to metal’s traditions and to older ideological forms. Bands like Of Darkness might stir more urgent emotions if they turned their gaze toward the present, to the modalities of slow death the human race endures, right now, this very minute.

Jonathan Shaw

#of darkness #missa tridentina #sentient ruin laboratories #jonathan shaw #albumreview #dusted magazine #metal #funeral doom

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submarine-notes · 4 years

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"y dijimos, vamos hacer...no sé...peliculas" Aquí pantallazo del montaje final del documental de una hora de duración dedicado a #AlbertoRodriguez con el que hemos disfrutado a lo ancho. Hay un grupo de personas que apostó hace muchos años y en condiciones difíciles quedarse en Andalucía, hacer cine andaluz entre colegas, cervezas y risas en el bar La Sirena en la Alameda sevillana. Y esto es solo el inicio. Esta perseverancia, este pasarlo bien y esta apuesta, los lleva hoy a consolidarse como profesionales a nivel internacional y sin perder esa familiaridad de los inicios. Nos hemos decantado por este montaje final pero podria haber sido otros miles porque hay anécdotas a reventar. Y también pelis, pelis "wuenas".

Con este episodio abrimos la nueva temporada de #hijosdeandalucia para Canal Sur, producido por Redacción7 Paco Lobatón con la direccion de producción de Anabel Carrillo Lafuente. En producción y documentación Sonia Campomanes, realización Álvaro Medina Cano, guión Marta Jiménez y documentacion, montaje y postproduccion de una servidora.

Aún no tenemos fecha de emisión pero ya avisaremos.

Están todos "Los testimonios de amigos como Paco R. Baños y Dani de Zayas; de sus productores Gervasio Iglesias Macías y José Antonio Félez; del coguionista Rafael Cobos; de los actores Paco León, Jesús Carroza, Julián Villagrán y Javier Gutiérrez; así como de la directora de producción Manuela Ocón conformarán el relato de un arco que va desde los antecedentes de #elfactorpilgrim hasta la serie #LaPeste y que adelantará el próximo proyecto del cineasta que se rodará en 2020 y se estrenará en 2021". http://filmand.es/alberto-rodriguez-protagonista-de-hijos…/…

Por la parte de montaje agradecer la asistencia de Guille García en la posproduccion de sonido y el apoyo durante estas tres semanas.

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keensdesign · 5 years

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WWF 🐘🐆🦜 Desertification Destroys 6,000 Species Every Year Credits:Advertising Agency: Contrapunto BBDO, Madrid, Spain 🇪🇸 Chief Creative Officers: Carlos Jorge, Félix Del ValleArt Directors / Copywriters: Aurora Hidalgo, Raúl LópezAccount Manager: Paco RiberaProducer: Javier Luján, Raúl LópezAccount Executives: Verónica Félez, Dalal Solaim 💬 #advertisement #advertising #ads

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johnerigo-blog · 5 years

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ONIRICOUS - to release "La Maldición" (Mini LP/MCD) via BlackSeed Productions on October 31, 2019 #oniricous

ONIRICOUS – to release “La Maldición” (Mini LP/MCD) via BlackSeed Productions on October 31, 2019 #oniricous

BlackSeed Productions proudly presents the new mini album of Spanish ONIRICOUS! Recorded at Moontower Studios with Javier Félez, the band offers four new songs (plus Intro/Outro) which perpetuate their trademark of old…

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columnistfromtheabyss · 7 years

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Heavy Wednesday: Marthyrium - Beyond the Thresholds

Beyond the Thresholds by Marthyrium

The abomination has been revealed, the beast has been unchained, beyond the thresholds of devouring abyss. The revelation has been summoned by the trinity of the cult of darkness. Through our own blood, our flesh and thy fire. Thus, we enshrine our flesh as the temple of perpetual darkness. "Beyond the Thresholds" was recorded in the winter between the years MMXVI & MMXVII at La Cortina Roja (A Coruña). The abomination was mixed by Javier Félez at Moontower Studio (Barcelona) & Mastered by Tore Stjerna at Necromorbus Studio (Sweden). Intromantical & Outromantical damnation have been created in conspiracy with Brais Landeira from The Ocean Studios as invocations inspired in the echoes of the sulphur depths. Music, Arrangements & Lyrics by Marthyrium.

Source: Bandcamp

#Marthyrium #Beyond the Thresholds #black metal #blackened death metal #heavy wednesday #now playing

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human-antithesis · 1 year

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#Teitanblood #Black Metal #NSK #J #Javier Félez #CG Santos #Spain

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human-antithesis · 1 year

Photo

Hermit’s Lair - Human Antithesis https://t.me/Human_Antithesis

Teitanblood País/Country: España/Spain Género/Genre: Black Metal Formed in: 2003

Lineup:

NSK - Vocals, Guitars, Bass (2003 - Present)

Javier Félez - Guitars (2019 - Present)

J - Drums (2009 - Present)

CG Santos - Effects, Programming (2019 - Present)

Albums:

2009 - Black Putrescence of Evil (Compilation) 2009 - Seven Chalices 2011 - Purging Tongues (EP) 2012 - Woven Black Arteries (EP) 2014 - Death 2016 - Accursed Skin (EP) 2019 - The Baneful Choir

#Hermit's Lair #Human Antithesis #Telegram #Teitanblood #Black Metal #NSK #J #Javier Félez #CG Santos #Spain

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human-antithesis · 1 year

Photo

Hermit’s Lair https://t.me/Human_Antithesis

Teitanblood País/Country: España/Spain Género/Genre: Black Metal Formed in: 2003

Lineup:

NSK - Vocals, Guitars, Bass (2003 - Present)

Javier Félez - Guitars (2019 - Present)

J - Drums (2009 - Present)

CG Santos - Effects, Programming (2019 - Present)

#Hermit's Lair #Telegram #Teitanblood #Black Metal #NSK #J #Javier Félez #CG Santos #Spain

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human-antithesis · 1 year

Photo

Hermit’s Lair https://t.me/Human_Antithesis

Teitanblood - The Baneful Choir (18 de Octubre, 2019) País: España Género: Black Metal

Miembros:

NSK - Vocalista, Guitarras, Bajo

Javier Félez - Guitarra Líder

J - Batería

CG Santos - Efectos, Programación

Invitado:

Malte Gericke - Vocalista

Temas:

Rapture Below - 03:33

Black Vertebrae - 04:37

Leprous Fire - 04:39

Ungodly Others - 04:48

Inhuman Utterings - 06:19

Insight - 01:43

...of the Mad Men - 01:11

The Baneful Choir - 08:49

Sunken Stars - 06:12

Verdict of the Dead - 05:04

Charnel Above - 04:37

#Hermit's Lair #Telegram #Teitanblood #Black Metal #NSK #J #Javier Félez #CG Santos #Spain #Malte Gericke #Germany

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human-antithesis · 1 year

Audio

Teitanblood - The Baneful Choir (18 de Octubre, 2019)

Miembros:

NSK - Vocalista, Guitarras, Bajo

Javier Félez - Guitarra Líder

J - Batería

CG Santos - Efectos, Programación

Invitado:

Malte Gericke - Vocalista

#Teitanblood #Black Metal #NSK #Javier Félez #J #CG Santos #Spain #Malte Gericke #Germany

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