Tumgik
#Its Showtime January 19 2018
aunti-christ-ine · 10 months
Text
Tumblr media
Sineád O’Connor, the troubled Irish singer and activist who scored a global smash with Prince’s “Nothing Compares 2 U” in 1990 and was banned from Saturday Night Live for tearing up a photo of Pope John Paul II during her performance two years later, has died at 56, according to a statement from her family provided to Irish TV and radio broadcaster RTÉ. No details on the cause, date or place of her death were given.
“It is with great sadness that we announce the passing of our beloved Sinéad,” the statement reads. “Her family and friends are devastated and have requested privacy at this very difficult time.”
O’Connor was hospitalized in January 2022 after posting a series of disturbing, soon-deleted tweets in the wake of the suicide of her teenage son, Shane, that month. Her tweets hinted at suicidal thoughts. Shane O’Connor, 17, was found dead two days after he went missing from a treatment facility in Dublin.
She posted this tweet on July 17:
Tumblr media
Sineád O’Connor, who changed her name to Shuhada’ Sadaqat after converting to Islam in 2018 and was known for her closely cropped hair, was one of Ireland’s rising stars by age 20. She shot to fame with her haunting cover of “Nothing Compares 2 U,” which Prince wrote and recorded for his side project The Family. Her single hit No. 1 more than 20 countries — becoming the No. 1 single worldwide that year — and spent four weeks atop the Billboard 200 in 1990. The song’s was nominated for three Grammys including Record of the Year, and its stark video won three MTV VMAs including Video of the Year.
“Nothing Compares 2 U” was culled from her second album I Do Not Want What I Haven’t Got, which was No. 1 in the U.S. for six weeks and has gone double platinum. It won a Grammy for Best Alternative Music Performance.
Despite the commercial juggernauts that were the single and album, O’Connor struggled to follow their success. She had only one minor hit in the U.S. after “Nothing Compares 2 U” and only a spotty chart history around the world despite releasing eight more studio albums. Her 1992 follow-up, Am I Not Your Girl?, reached the U.S. Top 10, and 1994’s Universal Mother hit No. 19, but neither would spawn a hit single. Her most recent was I’m Not Bossy, I’m the Boss in 2014.
Born on December 8, 1966, in Dublin, O’Connor courted controversy throughout her career. As the musical guest on Saturday Night Live in 1992, she sang a cover of Bob Marley’s “War” that shifted its lyrical focus to child abuse by the Catholic Church. When the song ended, O’Connor produced a photo of the popular Pope John Paul II and ripped it in half.
Reaction was swift in the pre-social media world, and the singer was banned from SNL permanently.
O’Connor is the subject of Nothing Compares, a feature documentary that had its world premiere at Sundance in 2022 and later aired on Showtime. Here is the logline of director Kathryn Ferguson’s film: The story of O’Connor’s phenomenal rise to worldwide fame and subsequent exile from the pop mainstream. Focusing on her prophetic words and deeds from 1987-93, the film reflects on the legacy of this fearless trailblazer through a contemporary feminist lens.
In an interview in the documentary, O’Connor revealed the abusive upbringing that left her feeling betrayed by both church and community and ultimately led her to find the therapeutic power of music.
She received the inaugural award for Classic Irish Album for I Do Not Want What I Haven’t Got at the RTÉ Choice Music Awards in March.
O’Connor’s autobiography, Rememberings, was published in 2021 by Dey Street Books.
— Source
4 notes · View notes
aion-rsa · 3 years
Text
Lord of the Rings Amazon TV Series: Cast, Release Date and Everything to Know
https://ift.tt/eA8V8J
Amazon’s purportedly billion-dollar-budgeted Lord of the Rings TV series will take place LONG before the events of Peter Jackson’s movies. Setting the tone for this small screen return to the world of J.R.R. Tolkien’s The Hobbit and The Lord of the Rings Trilogy, the first two episodes will be directed by J.A. Bayona, who helmed Jurassic World: Fallen Kingdom.
The Lord of the Rings TV series is set during Middle Earth’s Second Age—that’s thousands of years before Bilbo Baggins, Gollum or Aragorn ever existed! Moreover, the end of said age was a full millennium before the Wizards (Gandalf, Saruman, et al.) even arrived in Middle Earth, which makes the series a prequel in an epochal sense.
Amazon hopes the new Lord of the Rings TV show will be the next Game of Thrones, evidenced by its early Season 2 order. While COVID-19 temporarily halted its New Zealand production back in March 2020, progress ultimately resumed in late-September.
With that set, here’s everything you need to know about the project!
Lord of the Rings Amazon Cast
In the first bit of news on The Lord of the Rings television series in quite some time, Amazon Studios announced a plethora of new cast members. While we’re still not getting any official details on the show’s characters, the latest development proves that the project is a massive ensemble.  
The CW
Cynthia Addai-Robinson leads this crop of newcomers.
The London-born, American-raised actress most recently fielded the role of Ramona Garrity on Starz series Power, but genre fans likely best know her as the CWverse’s version of Amanda Waller during Arrow’s brief Suicide Squad storyline, along with roles on USA’ Shooter and—in a setup somewhat close to LOTR—Starz’s Spartacus. She also had a notable role in 2016 actioner The Accountant.
Here’s the rest of the announced additions:
Maxim Baldry (Years and Years)—whose addition was reported by Collider back in October 2019—is now officially confirmed, joined by newcomer Ian Blackburn, Kip Chapman (Top of the Lake), Anthony Crum (Krystal), Maxine Cunliffe (Power Rangers Megaforce), Trystan Gravelle (A Discovery of Witches), Sir Lenny Henry (Broadchurch), Thusitha Jayasundera (Humans), Fabian McCallum (You, Me and The Apocalypse), Simon Merrells (Knightfall),​ Geoff Morrell (Harrow), Peter Mullan (Westworld), Lloyd Owen (Cleaning Up), Augustus Prew (The Morning Show), Peter Tait (Lord of the Rings: The Return of the King), Alex Tarrant (Mean Mums), Leon Wadham (Power Rangers Beast Morphers), Benjamin Walker (Jessica Jones) and Sara Zwangobani (Home and Away).
Interestingly, the addition of Peter Tait marks the return of an alumnus from The Lord of the Rings films, since he was in Return of the King as Shagrat, the Uruk-hai who carried the venom-paralyzed, web-wrapped Frodo back to the Tower of Cirith Ungol before getting into a scrap (over Frodo’s Mithril shirt,) with the bossy Orc known as Gorbag. – In another Peter-related angle, the addition of Peter Mullan should delight fans of HBO’s Westworld who know him as James Delos and his “fidelity” tested robotic doppelgangers.
They join the following existing cast members:
HBO
Robert Aramayo, best known as Young Ned Stark on Game of Thrones, fields the lead role for which the departed Will Poulter was previously tapped. While little is known about the character, he was initially referred to as “Beldor,” and is said to be heroic. Poulter, who was cast back in September 2019, reportedly withdrew from the series over scheduling conflicts.
A24
Morfydd Clark has a lead role as a familiar character, as first reported by Variety. She will play a younger version of Galadriel, the ancient elven Lady of Lothlórien, famously played by Cate Blanchett in The Lord of the Rings Trilogy and (in an appearance anachronistic to the novel) The Hobbit films.
Clark put in a dark performance as the star of excellent horror film Saint Maud, in which she played a piously deranged hospice nurse. She also recurred in Season 1 episodes of HBO’s His Dark Materials as the daemon-deprived Sister Clara, and fielded the major role of Mina in the recent Netflix/BBC Dracula miniseries. Clark also notably appeared in horror film Crawl, Benedict Cumberbatch miniseries Patrick Melrose and Pride and Prejudice and Zombies.
Galadriel, an ancient elf from Valinor who predates the First Age, famously used her long-honed magic powers to aid Frodo and the Fellowship in their journey during the Rings Trilogy. Yet, said powers happen to be rooted in her possession of Nenya, one of the three Rings of Power bestowed to the race of Elves; a trinket whose powers come with a caveat since, thanks to Sauron’s trickery, it is ultimately subordinate to the One Ring. Consequently, with the show’s Second Age setting (the era of the Rings of Power,) the inclusion of Galadriel seems to signal a story centered on Sauron’s deceitful claim to fame.
BBC
Markella Kavenagh was revealed back in July 2019 as the first cast member for the series, reportedly set to play a character named Tyra.
Kavenagh was most recently seen co-starring in Australian drama My First Summer and recurred on TV series The Gloaming for Australia’s Stan streaming service. Additionally, she’s no stranger to Amazon Prime originals, having been part of the cast of 2018’s Picnic at Hanging Rock.
Blumhouse Productions
Ema Horvath will play an unspecified character as a series regular, reported Deadline.
A relative newcomer, Horvath made her onscreen debut in the 2017 horror film, Like.Share.Follow, in which she appeared opposite Keiynan Lonsdale (The Flash’s Wally West), and moved on to field roles in 2019 horror films The Gallows Act II and The Mortuary Collection.
BBC
Joseph Mawle will play a villain, reported Variety, whose sources claim that the character will be named “Oren.”
The Oxford-born actor is best known as Benjen Stark on Game of Thrones, which he fielded in Season 1, and eventually returned as the show’s version of book character Coldhands in Season 7. He recently fielded BBC TV runs on drama MotherFatherSon, actioner Troy: Fall of a City and was memorable as a corrupt pugilist police inspector on Ripper Street. He’ll soon be seen in auteur director Terrence Malick’s developing film, The Last Planet.
Cinemax/Sky
Maxim Baldry will field an unspecified “significant” role, reported Collider.
The English actor most recently recurred on 2020’s Season 8 of Showtime’s Strike Back, having recently fielded a breakout performance on HBO television drama series Years and Years. He has been seen on Channel 4’s Hollyoaks, a 2013 guest spot on BBC’s Skins and, back in 2007 as a child, had a three-episode run on HBO’s Rome and was seen that same year in Mr. Bean’s Holiday.
Additional LOTR cast members include: Owain Arthur (A Confession), Nazanin Boniadi (Counterpart), Tom Budge (Bloom), Ismael Cruz Córdova (The Undoing), newcomer Tyroe Muhafidin, newcomer Sophia Nomvete, Megan Richards (Wanderlust), Dylan Smith (I Am the Night), Charlie Vickers (Medici) and Daniel Weyman (Silent Witness). The addition of this group was announced back in January 2020 (just on the cusp of the pandemic,) during the Winter TCA Tour.
Lord of the Rings Amazon Release Date
Amazon’s Lord of the Rings doesn’t have a release date as of yet; a notion that was compounded by the pandemic production delay enacted back in March 2020. However, we do know that filming—specifically to complete the first two episodes—resumed back in late-September.
The series returned to the classic film franchise’s stomping grounds of New Zealand, specifically in Auckland, where production continues. The initial confirmation of that came from Amazon, which issued a statement from showrunners and executive producers J.D. Payne and Patrick McKay:
“As we searched for the location in which we could bring to life the primordial beauty of the Second Age of Middle-earth, we knew we needed to find somewhere majestic, with pristine coasts, forests, and mountains, that also is a home to world-class sets, studios, and highly skilled and experienced craftspeople and other staff. And we’re happy that we are now able to officially confirm New Zealand as our home for our series based on stories from J.R.R. Tolkien’s The Lord of the Rings.”
Lord of the Rings Amazon Crew
Juan Antonio (J.A.) Bayona (Jurassic World: Fallen Kingdom, The Orphanage, The Impossible) directed the story-setting first two episodes. He is also serving as an executive producer, joined by his producing partner, Belén Atienza. “J.R.R. Tolkien created one of the most extraordinary and inspiring stories of all time, and as a lifelong fan it is an honor and a joy to join this amazing team,” Bayona said in a statement. “I can’t wait to take audiences around the world to Middle-earth and have them discover the wonders of the Second Age, with a never before seen story.”
Bryan Cogman, a winter-tested writer with Westeros work on his CV from Game of Thrones, is onboard the writing team as a consultant, as first reported by Variety. After starting as an assistant to showrunners David Benioff and D.B. Weiss, Cogman has since worn many hats on HBO’s Game of Thrones going back to the show’s first season, having written 11 episodes total—the most recent of which was Season 8’s pre-battle character study, “A Knight of the Seven Kingdoms”—and served as a producer on several episodes, ascending to co-executive producer for the last two seasons. He’s also attached to the screenplay for Disney’s live-action adaptation of its 1963 Arthurian animated classic, The Sword in the Stone.
J.D. Payne and Patrick McKay are handling the day-to-day duties as showrunners for the series, having been brought onboard the project back in July 2018; well before Amazon divulged any official details on the series. The collaborative duo have relatively thin CVs, with work on the script to 2016’s Star Trek Beyond being their only non-Rings major entry.
Here’s the officially released list of the show’s creative team:
Executive producers Lindsey Weber (10 Cloverfield Lane), Bruce Richmond (Game of Thrones), Gene Kelly (Boardwalk Empire) and Sharon Tal Yguado; writer/executive producer Gennifer Hutchison (Breaking Bad); writer/executive producer Jason Cahill (The Sopranos) writer/executive producer Justin Doble (Stranger Things); consulting producers Bryan Cogman (Game of Thrones) and Stephany Folsom (Toy Story 4); producer Ron Ames (The Aviator); writer/co-producer Helen Shang (Hannibal), and writing consultant Glenise Mullins.
Lord of the Rings Amazon Story
Amazon has been teasing the plot for The Lord of the Rings series for a few years now. The officially released series-era map not only confirmed the show’s time period, stating, “Welcome to the Second Age,” but bore another bountiful clue: the five-pointed-star-shaped southwest island kingdom of Númenor. An ancient kingdom of Men with long lifespans, Númenor flourished throughout much of the Second Age until the initial incursions of Sauron, which eventually led to the kingdom’s legendary fall (which culminated with the entire island sinking into the sea,) and King Elendil’s arrival on the mainland, where he eventually founded the kingdom of Gondor.
Welcome to the Second Age: https://t.co/Tamd0oRgTw
— The Lord of the Rings on Prime (@LOTRonPrime) March 7, 2019
Given Amazon’s subsequent teases, which recall tropes connected to the Ring of Power, one might further deduce that the Lord of the Rings series will specifically chronicle the epoch’s mythology-setting events. Pertinently, the sporadically posted lines in the teasers recall the Second Age story in which Sauron deceived the kingdoms of Elves, Men, and Dwarves with rings of power that he secretly controlled with the One Ring; a story famously told in The Fellowship of the Ring film prologue by Cate Blanchett’s Galadriel (a character played on this series by Markella Kavenagh).
We could also take this to mean that the Lord of the Rings TV show might showcase the formation of Gondor and the era in which Sauron’s insidious plot first came to a head; events that were briefly chronicled in Tolkien’s posthumously-published quasi-Biblical Middle Earth chronicle, The Silmarillion, specifically in the section titled “Akallabêth.”
Amazon Prime Video narrowed down the show’s time period by provocatively posting maps of Middle Earth, including downloadable versions hosted on the main Amazon site. Having started by posting a label-less version of the Middle Earth map, Amazon would incrementally reveal things by updating the map with land labels, which provided valuable clues about the show’s time setting. The first major revelation came in February 2019 with the release of a map containing a name that’s archaic to the familiar era of the Third Age, in which The Hobbit and The Lord of the Rings novels and Peter Jackson-directed films take place.
New Line Cinema
The name on the map in question was “Calenardhon,” which is the ancient original name of the pastoral plains of the region that we know as the kingdom of Rohan (founded in 2510 in the Third Age), which we saw on magnificent display in the Rings Trilogy’s 2002 middle act, The Two Towers.
Additionally, the familiar sight to Rohan’s south, the great kingdom of Gondor, was nowhere to be seen on the map. This was a crucial clue, since Gondor (along with Northern Kingdom Arnor,) was founded by King Elendil and his sons during the Second Age of Middle Earth in 3320, setting up a climactic confrontation in 3441 between “The Last Alliance of Elves and Men” against Sauron and his evil army from Mordor—again, as depicted in the Fellowship prologue.
Consequently, with the Lord of the Rings series confirmed to take place in the Second Age, speculation can begin on how it might fill story gaps of the first war over the One Ring, potentially showcasing movie prologue characters like King Elendil, his son and eventual One Ring-owner, Isildur, as well as the powerful high-born Elven king, Gil-galad. Moreover, it appears that we might finally get to see Sauron himself as an actual character, rather than a giant irritated flaming eye!
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
That’s all we know about Amazon’s Lord of the Rings series. We, along with the franchise’s legion of fans, anxiously await any update that comes our way.
The post Lord of the Rings Amazon TV Series: Cast, Release Date and Everything to Know appeared first on Den of Geek.
from Den of Geek https://ift.tt/367OMmx
1 note · View note
calzona-ga · 5 years
Link
Timely stories, inspiring legions of medical students and empowering women (and its cast): showrunner Krista Vernoff and star Ellen Pompeo and the rest of the cast talk with The Hollywood Reporter about breaking 'ER's' record as TV's longest-running medical drama.
Two weeks before Grey's Anatomy's March 2005 series debut, series star Ellen Pompeo thought her ABC medical drama was, in her words, "dead in the water."
"The day the network changed our title to Complications it was like someone died in here," leading lady Pompeo tells The Hollywood Reporter from the show's L.A. set during an early January visit.
The title change would not stick. Two days later, ABC would revert back to Grey's Anatomy and, now, 14 years and 332 episodes later, Grey's Anatomy, with Thursday's installment, will break ER's status as TV's longest-running primetime medical drama.
It's a feat that creator Shonda Rhimes and showrunner Krista Vernoff, who spent the first seven seasons working under the former, never expected during the show's early days.
"After we produced 10 of our 12 episodes that first year, I went away to make a pilot and my assistant stayed behind in L.A. and she called me and said, 'They're making us pack up our offices.' They made us move out. They didn't think we were getting a season two," says Vernoff, who worked with former ER showrunner John Wells on Showtime's Shameless before being hand-picked by Rhimes to take over Grey's in season 14. "We owe a huge debt of gratitude to ER — without it, Grey's wouldn't exist. … We have surprised everybody — and ourselves. The staying power is amazing."
And the Seattle-set drama really does have some staying power. Seriously. It ranks as ABC's No. 1 series for the 2018-19 broadcast season with an impressive average of a 3.1 rating among the advertiser-coveted adults 18-49 demographic. Grey's is also, sources say, one of Netflix's top performing acquired series. The streamer has helped bring in a new legion of viewers that further propels first-run originals on ABC. What's more, Grey's has global reach: It is the key asset among all the Shondaland shows that have been licensed in more than 235 territories worldwide and dubbed in more than 67 languages. Grey's remains a top performer for foreign broadcasters and has been adapted into localized versions in Mexico, Colombia and Turkey. The series remains a top-performing U.S. drama abroad.
"It's a $4 billion business and it's everywhere in the world," says Pompeo, who ranks as TV's highest-paid leading lady on a primetime drama series with $20 million per season (plus points of the show's lucrative back end and producing fees). Adds Vernoff: "Shonda says I'm leading a multibillion-dollar worldwide corporation but if I think about that for too long, I won't be able to get out of bed!"
Global Reach Every single one of the current 11 Grey's series regulars has a story about the impact of their show. Most of them include anecdotes from viewers — and their children — about entering the medical field and becoming surgeons and nurses because of Grey's. "Graduating female surgeons have gone through the roof since Grey's Anatomy started," says Caterina Scorsone, who is the only (primetime, live-action) actor to start on a spinoff as series regular and wind up holding the same status on the original series.
Kevin McKidd — who was originally cast as a love interest for Sandra Oh's Cristina Yang and has now appeared in more Grey's episodes than the Killing Eve star did during her tenure — was recognized a few years ago on a dirt road in the "middle of nowhere in Mozambique," where he was helping a doctor friend improve conditions at a local hospital. "To see that in the farthest reaches of a very poor and struggling country there was this show that inspires people was pretty emotional," he says.
TV legend Debbie Allen, who exec produces, directs and has a recurring role, says she's now approached more about her time on Grey's than her iconic part on Fame. "I was in Cuba and accosted by these young girls who were screaming, 'Katherine Avery!'" she says with a laugh.
Giacomo Gianniotti, who has been a regular since season 12, is now repeatedly spotted in his home of Italy. "Because I'm Italian, there's this pride — like one of us made it to America and made it on our show that we watch," he says. "I traveled to Kenya doing some volunteer work this summer and a lot of people approached me to say they love Grey's. The reach is just huge."
Sums up Pompeo, who had an impact off-screen when she fought for her record-breaking salary: "Everywhere I go I get, 'My daughter is a surgeon because of you.'"
Empowering From the Start Grey's was the first TV series creator Rhimes got on the air. (ABC previously passed on a Rhimes drama about female war correspondents). Grey's broke out in season two and became a cultural phenomenon, contributing terms like "vajayjay" and "McDreamy" to pop culture. Grey's has also birthed two spinoffs — Private Practice, which ran for six seasons and 111 episodes — and Station 19, which is currently in its second season on ABC. The success of Grey's has led to other opportunities for Rhimes, who really broke out with ABC's political soap Scandal. That series built on Rhimes' penchant for color blind casting on Grey's. (Former star Isaiah Washington nearly played the McDreamy part that went to Patrick Dempsey, while network execs expected Oh's role of Cristina to be played by a white actress.)
"When they had me come in to read for the role of chief of surgery, I hadn't seen an African-American in that kind of role before," says James Pickens Jr., who remembers sitting next to Rhimes at the 2005 upfronts when she hoped to get five or seven episodes on the air. "Grey's is more than just entertainment. Shonda always wanted to make sure that the show impacted the landscape in a way that we hadn't seen before on TV. I like to think that Grey's had a big part in how the industry casts shows."
In addition to Rhimes' breakout success — she left her longtime home at ABC Studios last year for a $300 million Netflix overall deal — the cast has also been able to add to their skillsets. Grey's has launched directing careers for stars including showrunner Vernoff, Pompeo (who made her debut in season 14), Jesse Williams, McKidd and Wilson, the latter of whom helmed Thursday's record-breaking hour. (Former star Sarah Drew also earned an Emmy nomination last year for directing a Grey's digital short.)
"The atmosphere here is if you want to try something, you're encouraged," says Wilson, who along with Pompeo, Justin Chambers and Pickens is one of the four remaining original stars.
For Williams, that outlook has also afforded him the opportunity to build up his own businesses. "Grey's has made a home for me so that I can launch three tech companies and can go on speaking tours and live a life. A lot of that has to do with being on a show that's run by women and people who can actually multitask," says Williams, who will direct again this season.
Grey's has also created a safe space for its (many!) pregnant stars, who have always been afforded job security. Wilson, for her part, thought she'd be written out of the series when she told Rhimes of her pregnancy early on in the show's run. Instead, it was written into Bailey's season two storyline (and the character's son is now old enough to have been featured in a season 14 episode exploring unconscious bias).
"Instead of shunning it and hoping you don't get pregnant, I watch producers actively encourage all of our actors to have a family," Williams says. "That is the formula and secret for longevity: feeding into a healthy life and happiness instead of running from it or trying to press you out of it."
Opening Hearts, Changing Minds Beyond creating a new legion of directors and producers (Pompeo has an overall deal with ABC Studios and produces both Grey's and Station 19), the long-running medical drama has made an impact on-screen with empowering storylines. More recently, Grey's has explored domestic violence with Camilla Luddington's Jo, unconscious bias and new stories for transgender characters. Grey's this season features a same-sex relationship with its first openly gay male surgeon (Alex Landi, whose Nico is romancing Jake Borelli's intern, Schmitt) as part of its "Season of Love." The latter is especially true for Pompeo's Meredith, who is now exploring serious relationships after losing her "person" when Dempsey's Derek was shockingly killed off back in season 11.
"The most empowering storyline for me has been to portray a woman who has lost the love of their life and what does life look like having to continue on after losing the right side of your body? Did his departure mean I no longer mattered or my magic and chemistry was somehow gone? We saw that I could stand on my own and that women who do lose their partners or children, there is a way for people to go on. To be able to portray someone who could go through the hardest thing you could go through — the death of a loved one — and to be able to portray the survival of that is the most meaningful," a tearful Pompeo says, comparing Meredith's loss to the passing of her own mother at a young age. "After that, you think you can't go on. … So it's all come full circle."
Other cast members point to medical storylines that have helped viewers diagnose loved ones. Wilson is especially proud of the cyclic vomiting syndrome episode, while Chambers singles out exploring mental illness with Alex's mother in a storyline first planted in the show's early days. But all involved can point to several subjects the series has explored that have helped open minds and let viewers see versions of themselves on TV.
"Callie and Arizona's wedding was a really big deal and you think of the different countries that the episode was broadcast in and they may not have thought they were ready for big things like that," Williams says. "Whether it was the transgender young woman I just met who felt like she was included because she saw a trans patient whose storyline wasn't focused on her trans-ness, or the police violence episode — which is close to the work that I do — the running theme is allowing people to feel seen and considered."
And sometimes the impact Grey's is making is subtler than a storyline or patient.
"I've had black women say that I'm the reason they decided to go natural with their hair," says Kelly McCreary, who has played Meredith's half-sister, Maggie, since the end of season 10. "If seeing me on screen representing our hair in its natural state freed viewers from any ideas they had about that being bad, unattractive or unprofessional or whatever else they're trying to feed us about it, that's remarkable."
Doing Something New (That Still Feels Familiar) Everyone on the Grey's call sheet will give credit for the show's creative and ratings resurgence to Vernoff, who as Chambers says, "hit a refresh button and reinvigorated the show." Kim Raver, who reprises her role as Teddy after previously serving as a series regular for seasons six through eight, feels the same old-school energy now that she did a decade ago and credits Vernoff for "infusing the quintessential Shonda Rhimes vibe of it." And while Vernoff smiles when told of the cast's kind words for her work, she is aware of the power that comes with writing for a beloved character like Pompeo's Meredith Grey.
"When Meredith Grey speaks, people listen," says Vernoff, who recently signed a big overall deal with ABC Studios. "There is so much darkness and so much to be frightened of and this show has so much impact. People have grown up with Meredith. So, my goal is to have a voice on the planet and to have an impact: to change hearts and minds."  
Vernoff is aware that she is already achieving that impact. The showrunner — who has been outspoken about timely issues surrounding Hollywood including the #MeToo movement, salary parity and more — recalled a recent conversation with Rhimes in which the Grey's creator shared a story from a makeup artist who noted that his brother is a Korean gay man and was moved to see himself represented on screen. Other highlights include hearing from a current Grey's writers PA who wrote a letter sharing a story about experiencing his father's death at the age of 16 and finding solace in a storyline with George (T.R. Knight) and Cristina talking about the "Dead Dad's Club."
"To put my painful loss on TV and help other people through that is deeply meaningful to me," Vernoff says of the origin of that storyline.
As for what comes next, Vernoff did not want to write in a wink and nod to ER — fitting given her relationship with Wells on Shameless and the fact that the former NBC medical drama was one of the series that made her want to be a TV writer in the first place. Instead, Vernoff opted to do something that Grey's had never done before.
"In the 300th episode we did a huge number of winks at the show's history and beginnings. I don't know if ERdid it or not but what I came up with was a no-medicine episode," Vernoff says of the Grey's first. Adds McCreary: "We're in this party scene and I keep waiting for somebody to need a tracheotomy! But instead it's great because it feels like a real celebration of these characters."
Meaningful Milestone As the episode doubles as a celebration of sorts of the record-breaking milestone, the stars all share the same refrain when asked about the significance of doing a whopping 332 hours of television. All involved recall their initial shock that the series few thought would work has become the powerhouse franchise it is today.
"My goal was to do the pilot, take the check and pay some bills!" Wilson recalls with a laugh. Adds Chambers: "When we were in season two, I'd say to everybody, 'Do you think we've got two more years? I just wanted to get my kids to college.' And now some of them are done with it!" Pompeo also points to the record's value in the current TV landscape where viewers have an option to pick from nearly 500 scripted series and 700-plus unscripted offerings on an array of platforms as competition for eyeballs expands to other forms of entertainment like video games and podcasts.
"The fact that we're still the network's No. 1 drama and can stay afloat in this landscape after 15 years is incredible," Pompeo says. "It's also incredible in a larger sense because it's something that I resisted [and] that I said I would never do."
For his part, Williams has now appeared in more than two-thirds of Grey's Anatomy's total episodes after first joining the cast as recurring player Jackson Avery in season six. It's a jarring fact for the actor who initially thought the show would only be around for only a few more seasons when he first signed on. He now scoffs at those who use Grey's Anatomy as a punchline.
"That response — 'Oh, Grey's is still on' — at first, I took offense to it but now I don't because it's not really about our show; it's about the business because shows don't last that long," says Williams, whose tech companies are all inspired by the message of visibility he sees every day on Grey's. "I'm really proud of what we do here — I wouldn't be here this long if I wasn't."
The Future While Grey's has not officially been renewed for its 16th season, it's considered a lock as Pompeo's deal covers the 2019-2020 broadcast season. ABC Entertainment president Karey Burke and ABC Studios topper Patrick Moran both bow before what Pompeo and Grey's have been able to accomplish. "We are awed by this rare and incredible achievement," Moran says. "To make 15 seasons of television that are creatively fresh and compelling — and now record breaking — is almost unheard of, but Shonda, Betsy Beers, Krista, Ellen and the incredible cast and crew have managed to do that. We're very proud of this show and this team." Adds Burke: "How fitting and well deserved it is for Grey's Anatomy — a show that never ceases to inspire, surprise and move us — to achieve something no other primetime medical drama can lay claim to. The creative bar set by Shonda, Betsy, Krista, Ellen and the entire cast and crew will keep this iconic show in rarefied air for generations, and as one of their millions of fans, I congratulate them on this historic milestone."
Pompeo, too, knows she has experienced something special in her decade and a half on Grey's, where she has been afforded a rare ability to evolve Meredith as a character while growing as an actor and producer. "I've come full circle on this show from being an actor with no voice, no say and terrified to speak up or advocate for myself in any way," Pompeo says. "I'm now someone who is heard here and who has a say here. I'm one of my bosses and that's an unusual situation for an actress in Hollywood — to get to say what I want and what I don't. If I left the show, I don't think I'd have that same situation anywhere."
That's not to say Pompeo hasn't toyed with the idea of leaving Grey's over the years. The actress has been candid many times about experiencing the nagging pull many stars on veteran series experience as they consider leaving and taking on new and different roles. But at the end of the day, the idea of stepping away from something as big as what Grey's Anatomy has become has proven impossible.
"You can't ignore the worldwide phenomenon that this show is. How do you walk away or ignore that?" Pompeo says. "Being the face and voice of something that can generate that much money, there's only a very small number of people who can say that they have achieved that. If you're lucky enough to be the face and voice of something that's generated billions of dollars for a network, that's something to be proud of."
Meanwhile, Pickens is in talks for a new deal that would see him continue on as Grey's Anatomy's elder statesman Richard Webber. ("Nothing is solid yet but more than likely, I'll be here," he says.) Pickens adds the thought of going after Gunsmoke or Law & Order: SVU — the latter of which will break the former's record as TV's longest-running primetime drama series when it is renewed for its 21st season — remains "intriguing." Wilson, for her part, has one goal in mind now that Grey's has snapped ER's streak. "I would love to be a starter and a finisher of a thing," says the original star, whose contract is also up this season. "When the show is ready for that last shot, I want to be in that."
Seeing Ghosts Of the many notable cast departures, Vernoff, Pompeo and the cast all have quick answers at the ready when asked about which former Grey's co-stars they'd like to bring back to Prospect Studios:
Pompeo (Meredith): "I would love for Sandra Oh to be on the show but not more than I love seeing Sandra Oh out there in the world doing her thing. Not more than I love seeing her shine on her own at the Golden Globes and on Killing Eve. So I would say no [to that]. I love everybody who has been on this show, regardless of their time here and whether it was tumultuous or not."
Chambers (Alex): "Richard Herrmann. He played my intern for a while and was such a joy to work with. He passed on but I felt very lucky to work with him."
Wilson (Bailey): "Bailey was crazy about George O'Malley. But the thing about our show is we always keep our past characters alive; there is nobody we don't ever not talk about because every one of those characters has been the foundation for why we're here."
Pickens (Richard): "I've been in this business almost 40 years and Sandra Oh brought something very special to every scene."
McKidd (Owen): "Sandra Oh's Cristina, especially the way things are right now with Amelia, Teddy and Owen. To throw her into the mix at the same time? Owen would literally keel over and never get up again."
Raver (Teddy): "Sandra Oh. I started off having crazy, intense scenes with her — like when Henry (Scott Foley) was dying and I love her as a friend and admire her as an actress."
Williams (Jackson): "Frances Conroy. She was here in season seven and I didn't get to work with her. She is tremendous and was on one of my favorite shows ever: Six Feet Under."
Luddington (Jo): "Kyle Chandler. I love Friday Night Lights."
Scorsone (Amelia): "Chyler Leigh (Lexie). She is so much fun and is great with drama and comedy. I'm sad that I didn't get to work with her more."
McCreary (Maggie): "Kate Burton. I'd love for Maggie and Ellis to interact. Kate and I did a play together in 2014. She's one of my favorite people."
Gianniotti (DeLuca): "Jessica Capshaw. We would laugh until snot was coming out of our noses. I miss having her around."
Allen (Katherine): "I had so much fun directing Patrick Dempsey when he was here. I nicknamed him Dash because he would come on the set, look at his watch and want to keep it moving. He never liked to do a lot of takes but was always great. I didn't get to act with him but I did some of his best scenes while I was here. We think of him fondly."
Vernoff (showrunner): "Sandra Oh. I miss writing for Sandra and Cristina."
55 notes · View notes
dramalooks-blog · 6 years
Text
Its Showtime January 19 2018 Full Episode HD Replay
Its Showtime January 19 2018 Full Episode HD Replay in High Quality Video:
View On WordPress
0 notes
sunnydaleherald · 6 years
Text
The Sunnydale Herald Newsletter, Tuesday, December 12, 2017
TARA: Do you like cats? WILLOW: I'm more of a dog person myself. But I'm not like, "death to all cats." Why? TARA: Cause I was thinking of getting one. WILLOW: Can you have one in the dorms? TARA: No, but this would be a sneaky cat. WILLOW: That would be cool. You mean it'd be sort of like a familiar? TARA: Actually, I-I was thinking it would be sort of like a pet. You know, we could ... we could name her Trixie, or Miss Kitty Fantastico, or something. WILLOW: And we could make kitty go bonkers with string and catnip and stuff? TARA: Absolutely. WILLOW: Fun! I'm in. TARA: So, you're not allergic or anything. WILLOW: Nope. TARA: Good, cause ... I want my room to be Willow-friendly. WILLOW: Me too.
~~New Moon Rising (Buffy the Vampire Slayer, Season 4, Episode 19)~~
[Drabbles & Short Fiction]
Tumblr media
patchwork, pieces missing (Crossover, Teen) by pprfaith
Silver and Gold (Jenny/Giles, Teen) by sunalso
Bribery By Pastry (Jenny/Robin Wood, Not Rated) by Stormysongbird
[Chaptered Fiction]
Tumblr media
and i don't sleep on a bed of bones. (Drusilla/Buffy, Teen) by nowrunalong
Things that go bump in the night (Buffy/Spike, Explicit) by Rmepashn
So It Is (re)Written (Jenny/Giles, Teen) by 23Murasaki, Stormysongbird
Alexia The Vampire Slayer (Faith, Tara, Mature) by chadmaako
Tumblr media
The Long Way Home - 2 part episode (T) by Polly Alfano
A Greek Tragedy (Spike/OC, T) by geeklady
In death, that I may live (Buffy/William, M) by irishrose2
Slayers And Guardians (T) by MakiSakura
All About the Mission (Buffy/Spike, M) by Slaymesoftly
[Images]
Tumblr media
Artwork: On The Fourth Day of Christmas (Angelus/William) (WS) by xspike4evax
Photos: James Marsters' Marvel's Runaways Promo Photos (WS) by dontkillspike
Tumblr media
Artwork: Buffy (WS) by tsiporaporos
Artwork: Buffy (WS) by or-maybe-midgets
Icons: Cordeila Icons (WS) by mayorwilkins
[Reviews & Recaps]
Tumblr media
711: Showtime by Tiny Fences: A Buffy Podcast
[Recs]
Tumblr media
More Links than a Bag of Sausages by petzipellepingo
[Community Announcements]
Tumblr media
buffyversetop5 will reopen for its 2017 session on January 1, 2018 at buffyversetop5
Noel of Spike posting dates at noel-of-spike
[Fandom Discussion]
Tumblr media
Most disliked character(s)? Why? by zeeotheraxe
A ship you have never liked and probably never will. by thenewbuzwuzz
Dawn can’t handle the truth! by yetanotherbuffyblog
So today is the first day of Chanukah, and it got me thinking about Willow. by womanaction
Is there an unpopular character you like that the fandom doesn’t? Why? by womanaction
5 notes · View notes
glovenose82-blog · 5 years
Text
Development Update: Friday, December 14
[12/14/18 - 11:23 PM] Development Update: Friday, December 14 By The Futon Critic Staff (TFC)
LOS ANGELES (thefutoncritic.com) -- The latest development news, culled from recent wire reports:
Looking to keep track of all the various projects in development? Click here to visit our signature "Devwatch" section. There visitors can view our listings by network, genre, studio and even development stage (ordered to pilot, cast-contingent, script, etc.). It's updated every day!
ANDI MACK (Disney Channel) - Actor Stoney Westmoreland, who plays grandfather Ham Mack on the series, has been terminated by the network following an arrest "for allegedly trying to arrange online to have sex with a 13-year-old." Said the cable channel: "Given the nature of the charges and our responsibility for the welfare of employed minors, we have released him from his recurring role and he will not be returning to work on the series which wraps production on its third season next week." (Deadline.com)
BLACK TAPES, THE (NBC, New!) - Paul Bae and Terry Miles are looking to bring their podcast - which "follows a journalist's investigations into the unexplained supernatural mysteries caught on tape by a skeptical scientist" - to the small screen at the Peacock. The pair will pen the adaptation alongside Matthew Arnold with Management 360's Guymon Casady and Ben Forkner also executive producing for Universal Television. (Deadline.com)
EMBODY (CBS, New!) - Chai Hecht has sold a potential drama to the Eye in which "after a mission gone wrong renders her permanently blind, a special agent volunteers for an experimental government program that can temporarily transfer her consciousness into someone else's body, giving her the ability to see through their eyes as she infiltrates high-stakes situations and takes down criminals from within." CBS Television Studios is behind the hour with Fulwell 73's James Corden, Leo Pearlman and Jeff Grosvenor serving as executive producers and Hecht as a co-executive producer. (Variety.com)
LAST MAN STANDING (FOX) - Tisha Campbell is set to recur on the series as Chuck Larabee's (Jonathan Adams) wife Carol Larabee. She takes over from Erika Alexander, who played said role in the ABC incarnation and was not available to return. (Deadline.com)
LAST SPY, THE (NBC, New!) - Writer David Guggenheim and director Marc Webb are set to team for a new drama at the Peacock "in which the members of an elite deep cover CIA unit are killed after their real-life identities are exposed. In the aftermath, the only operative to escape the onslaught recruits her own team of former spies and assets to complete their missions while also working to unravel the conspiracy behind who betrayed her friends and colleagues." Imagine Television's Brian Grazer, Francie Calfo and Samie Falvey also executive produce for CBS Television Studios. (Deadline.com)
MY NEXT GUEST NEEDS NO INTRODUCTION WITH DAVID LETTERMAN (Netflix) - The streaming service has commissioned a six-episode second season, due in 2019. (Deadline.com)
SPINNING OUT (Netflix) - Willow Shields has been cast opposite Kaya Scodelario in the upcoming drama series as her younger sister Serena: "While Serena lacks her sister's natural grace on the ice, she makes up for it with discipline and fierce determination. Her complicated relationship with her sister is made up of equal parts loyalty and competition." (Deadline.com)
UNTITLED PEANUTS PROJECT (Apple, New!) - DHX Media has closed a deal to produce new Peanuts content for Apple. First up: "original short-form STEM content that will be exclusive to Apple, featuring astronaut Snoopy." Charles M. Schulz's characters most recently appeared on a short-lived Italian-French-American series that ran on Cartoon Network and sibling Boomerang in the U.S. (Deadline.com)
WHO RULES THE WORLD? (TNT) - Morgan Spurlock has agreed to pay more than $1.17 million to Turner Entertainment Networks to settle a lawsuit over the shelved series. Production on the project, originally announced in May 2017 as an effort to "unpack the most divisive and complicated issues facing women today," was suspended last December after Spurlock himself made a public confession of sexual misconduct. The settlement serves as restitution for not completing the series. (Deadline.com)
[12/16/18 - 08:24 AM] Saturday's Broadcast Ratings: UFC Sparks Demo Victory for FOX The network wins the night among adults 18-49 while CBS is the most-watched broadcaster. [12/15/18 - 08:39 AM] Friday's Broadcast Ratings: FOX Continues Demo Win Streak The network has won the night among adults 18-49 for 12 straight weeks. [12/14/18 - 11:23 PM] Development Update: Friday, December 14 Updates include: Netflix renews "My Next Guest Needs No Introduction with David Letterman"; NBC developing small screen take on podcast "The Black Tapes"; and DHX Media to bring the Peanuts characters to Apple. [12/14/18 - 02:23 PM] Bravo Media's "Married to Medicine" Season 6 Three-Part Reunion Hits a Fever Pitch on Friday, December 21 at 9PM ET/PT The subsequent installments will air Sunday, January 6 and 13 at 9:00/8:00c. [12/14/18 - 01:42 PM] Superstar Recording Artists Jennifer Hudson, Kelly Clarkson, John Legend, Dierks Bentley, Halsey, Marshmello and Bastille, Panic! At the Disco, Brynn Cartelli and More to Perform on "Voice" Finale The season finale will also feature special musical collaborations with the Top 4 finalists, which will be announced soon. [12/14/18 - 12:01 PM] Netflix Picks Up "Bonding" from Rightor Doyle The dark comedy centers on the relationship between former high-school BFFs, Pete, a recently out gay man, and Tiff, a grad student and secretly one of New York City's top dominatrixes, who reconnect in an unexpected way years later. [12/14/18 - 10:03 AM] HBO Films' "Brexit," Starring Benedict Cumberbatch, Debuts Jan. 19 This provocative feature-length drama goes behind the scenes, revealing the personalities, strategies and feuds of the Leave and Remain campaigns. [12/14/18 - 10:00 AM] ABC Television Network Orders Additional Episodes of Comedies "black-ish," "The Goldbergs," "The Kids Are Alright" and "Single Parents" for the 2018-2019 Season "Black-ish" has received two additional episodes while the others have been extended by one episode. [12/14/18 - 09:06 AM] Video: Showtime(R) Releases Official Poster and New Teaser for "Black Monday" The 10-episode series will premiere on Sunday, January 20 at 10:00/9:00c. [12/14/18 - 09:05 AM] "Strike Back" Begins Season Six Jan. 25 on Cinemax The show follows the explosive escapades of Section 20, an elite, multinational, covert special ops team, as it spans the globe fighting a vast web of interconnected criminal and terrorist activity. [12/14/18 - 08:23 AM] Thursday's Broadcast Ratings: "Thursday Night Football" Powers FOX Victory The network's last Thursday game of the season delivers top honors in total viewers and adults 18-49. [12/14/18 - 08:03 AM] Video: "Russian Doll" Season 1 - Date Announcement - Netflix From Natasha Lyonne, Amy Poehler and Leslye Headland comes "Russian Doll," February 1 on Netflix. [12/14/18 - 08:01 AM] DC Universe: The Ultimate Holiday Binge-Watching Destination Anchored with the Season Finale of Original Series "Titans" on December 21 97% of members have watched the exclusive original "Titans." [12/13/18 - 11:22 PM] Development Update: Thursday, December 13 Updates include: CBS revealed to have settled sexual harassment case with Eliza Dushku; Logan Lerman in talks to lead Amazon's "The Hunt"; and Jennifer Garner, J.J. Abrams to re-team for Apple's "My Glory Was I Had Such Friends." [12/13/18 - 03:14 PM] Red Nose Day Returns to NBC for Fifth Year with a Special Night of Programming on Thursday May 23, 2019 In 2019, the multi-week fundraising campaign will culminate on Red Nose Day, Thursday, May 23 with a three-hour block of Red Nose Day-themed programming on NBC.
Source: http://www.thefutoncritic.com/news/2018/12/14/development-update-friday-december-14-616215/12762/
Tumblr media
0 notes
savetopnow · 6 years
Text
2018-03-20 22 TV now
TV
Cord Cutters
PGA Tour To Launch OTT Channel Through Xumo
I'm starting to think about cutting the cord. I've looked at Sling, Fubo, and Directv now. Only thing holding me back from Directv now is being able to see BeIN sports
Which streaming service is best for my needs?
‘Post-Cable’ Digital News Outlet Cheddar Raises $22 Million for International Expansion
Need Help, if this is not the right place i am planning on installing a TV antenna in my new house that i am currently building.
Netflix Best Of
[UK] The Wailing (2016)
[Request] any movies like the (2017) Lucky.
[REQUEST] Horror Comedies like Tucker and Dale vs Evil, John Dies at the End, etc
[Request] A horror movie where the characters act like reasonable people who don't make foolish decisions in the face of danger
[REQUEST] Lovecraft-ian movies or shows
Reddit Television
One of the best, most intense scenes in Breaking Bad - Hank vs. the Cousins in the parking lot.
Subtle Sexuality - The Office
'American Idol' Ratings Drop 24% In Second Week
'Stranger Things' Stars Score Massive Pay Raises for Season 3
'Brooklyn Nine-Nine' returns with season high and its highest numbers since January 2017
TV & Jelly
The Bachelor Week 5: Glitter
The Bachelor Week 4: I’ll be that voice of reason and voice of reality
The Bachelor: Week 3 WHY AM I DOING THIS
The Bachelor Week 2: My Patience Has Been Trialed
The Bachelor Week 1: Salt and Pepper
TV Guide
Everything We Know About Station 19 So Far
UnREAL Boss Teases Rachel's Downward Spiral After That Traumatic Reveal
The Orville: Everything We Know About Season 2
Who Made the For the People Shondaland Crossover Wishlist?
Stranger Things Stars Reportedly Get Huge Pay Raises for Season 3
TV Is My Pacifier
If We Controlled Your Remote… 3/20/18
Monday on TV – 3/19/18
If We Controlled Your Remote… 3/19/18
Kids Need to See Diverse TV Characters
Sunday on TV – 3/18/18
TV Line
Roseanne: Johnny Galecki Returns as David in Latest Revival Promo — Watch
Good Doctor: [Spoiler] Receives Grim Diagnosis in Finale Promo — Watch
The Good Doctor Recap: Is [Spoiler] Leaving?
American Idol Recap: A Sibling Rivalry Is Born as Season 16 Auditions Roll On
Big Little Lies Season 2 First Look: 'Madeline and Renata Are Back'
The TV Addict
On TV Tonight: Monday, March 19, 2018
SUPERNATURAL Photos: The Winchesters Meet the Scooby Gang
Daily Binge: Your Daily Dose of TV News You Need to Know (Monday March 19, 2018)
Daily Binge: Your Daily Dose of TV News You Need to Know (Friday March 16, 2018)
Showtime Announces PATRICK MELROSE Premiere Date
#tv
0 notes
douglassmiith · 4 years
Text
Peacock? HBO Max? The New Streaming Giants Explained.
July 15, 2020 14 min read
This story originally appeared on PCMag
The video-streaming industry is crowded; it can be hard to wrap your head around the scope of the entertainment giants that make up this market.
Each service has its own origin story, business interests, and shifting content pile of exclusive originals and licensed content. There’s also a wide assortment of packages, plans, and technology under the surface. HBO Max and Peacock just made their debuts to take on Netflix, Prime Video, and all the rest, so a running market breakdown is certainly in order.
Here are the most important streaming services to watch in the next hyper-competitive phase of this industry.
Netflix
[embedded content]
The modern streaming industry begins and ends with what many have dubbed the “Netflix Effect.” Its digital subscription model and massive investment in originals have set the bar for the market. Netflix reported 182.8 million paid global subscribers in Q1 2020, thanks in part to a boost in quarantine-related sign-ups.
Competitors are ready to pounce. Instead of fighting off startups, Netflix is up against tech juggernauts like Apple and Amazon, and century-old media giants. The latter have not only unveiled competing services, but moved to reclaim shows like The Office and Friends for their own services.
Netflix saw all of this coming. The one-time DVD rental company-turned-streaming goliath keeps burning cash and raising debt financing to fund its original-content creation, which spans everything from Stranger Things and Martin Scorsese’s The Irishman to a vast trove of cheaper films and series to pad its increasingly originals-reliant library. To stem the losses of other classic sitcoms, the service reportedly spent more than $500 million for the rights to stream Seinfeld beginning in 2021.
For now, the strategy is still working. Though Netflix saw its first-ever subscriber drop in the US in Q2 2019, that came after adding a record 9.6 million subscribers in Q1 2019 and a price hike. COVID-19 has shut down production across all streaming services, but subscribers have plenty to watch while stuck inside.
And despite spending more than $1 billion a year on technology, CEO Reed Hastings still positions Netflix as more of a media company akin to Disney than a tech company like Apple or Amazon. Netflix is “mostly a content company powered by tech,” he told Recode last year, in response to a question about industry regulation.
That posturing is largely semantic; in reality, modern streaming players are all media, entertainment, and tech companies rolled into one.
Amazon Prime Video
[embedded content]
Unlike Netflix, Amazon has no discernible caps on how much it can spend, and its business model isn’t dependent on video subscribers. Amazon has more than 150 million Prime members as of January 2020, all of whom have access to Prime Video.
Prime Video’s core value is to drive more Prime subscriptions at $119 a pop per year, which went up from $99 in 2018, the first price hike since 2014. So Amazon has no qualms about shelling out billions for original series and films on the indie festival circuit through Amazon Studios. Standalone Prime Video costs $8.99 per month.
Amazon also owns Prime Video’s underlying infrastructure. Streaming high-quality live and on-demand video requires a complicated content-delivery pipeline, from data hosting and storage to encoding and packaging files, all the way down to content delivery networks (CDNs) and playback. Amazon controls the pipes, and Prime Video can enjoy seemingly infinite scale thanks to Amazon Web Services (AWS).
Other streaming platforms need Amazon’s cloud, too. Netflix, for instance, spent years and untold millions building out its own global CDN network (the only streaming provider to do so) but relies entirely on AWS for cloud computing and storage.
“We package up and have built our technology infrastructure on top of AWS,” Girish Bajaj, VP of Software Engineering for Amazon Prime Video, told PCMag in 2019. “Because we serve millions of customers and operate this massive amount of scale, it gives both Prime Video and AWS expertise in how to actually operate these systems, and with that level of scale comes cost savings that we then are able to offer back to customers on the consumer side as well as the enterprise side.”
Amazon also owns IMDb, which launched a free, ad-supported streaming service in January 2019. Originally known as IMDb Freedrive, it was later rebranded to IMDb TV.
Apple TV+
[embedded content]
Apple launched Apple TV+ in November for $4.99 a month. Its content library is small, so Apple is giving one year of free Apple TV+ to those who buy a new iPhone, iPad, Mac, or Apple TV.
Launch titles included: cable news drama The Morning Show starring Jennifer Aniston, Steve Carell, and Reese Witherspoon; future post-apocalyptic series See starring Jason Momoa and Alfre Woodard; an Emily Dickinson biopic series starring Hailee Steinfeld; and sci-fi space race series For All Mankind. Most of the shows received tepid reviews, but Apple has billions of dollars worth of original content investments in its development pipeline to populate the fledgling streaming service in the next year or two. This month, for example, Tom Hanks’ war drama Greyhound skipped theaters due to the coronavirus and debuted on Apple TV+.
The redesigned Apple TV app is available across media-streaming devices, including Roku and Amazon Fire TV devices, and smart TVs from Samsung, Sony, LG, and Vizio. It offers original content through Apple TV+, as well as streaming app and network subscriptions through TV Channels, which is similar to the add-ons offered by Prime Video and Hulu.
TV Channels launched in May with some big partners, including Amazon Prime Video, HBO, Hulu, Showtime, Starz, CBS All Access, and many others (but not Netflix); Apple showcased Prime Video originals such as The Marvelous Mrs. Maisel in demos during its launch event. TV Channels also let users choose traditional cable bundles from providers such as Optimum and Spectrum, as well as over-the-top (OTT) cable replacement services including AT&T TV Now.
This strategy is part of Apple’s broader push into software and services: It has grand designs to expand to industries beyond the steadily growing chunk of recurring revenue it currently makes from iCloud, Apple Music, and Apple Pay. Amid stagnating iPhone sales, Apple’s glossy 2019 launch event for its new slate of services—including Apple News+ and Apple Arcade—highlighted how it sees its future growth.
Hulu
[embedded content]
Hulu, which had 30.4 million subscribers as of Q1 2020, is a particularly intriguing player given its new mouse-shaped overlord. With Disney’s acquisition of 21st Century Fox, the entertainment powerhouse also picked up Fox’s 30 percent stake in Hulu and later acquired AT&T and Comcast’s remaining stakes to take full control of Hulu.
Hulu, which long represented the network TV industry’s collective streaming interests, is now another arm of Disney’s entertainment empire, and Disney hasn’t wasted time adding the jewel to its infinity gauntlet.
Beatrice Springborn, VP of Content Development at Hulu, said last year that the service doesn’t measure success by nightly ratings or individual show performance. It’s about getting new subscribers to sign up for Hulu, watch a lot of content on the platform, and remain subscribers for the long haul.
At the time, Springborn said her team was laser-focused on “making Hulu the number-one choice for TV.” Following Netflix’s price increase, Hulu took the opposite route and cut the price of its entry-level ad-supported plan from $7.99 to $5.99 per month. But it did raise the price of its live TV plan from $39.99 to $54.99 per month.
HBO Max
[embedded content]
WarnerMedia is one of the more recent examples of high-profile corporate consolidation fueling the next wave of streaming services, and the result is HBO Max, which launched in May 2020 for $14.99 per month. An ad-supported pricing tier and live TV is planned for 2021.
The pool of media brands and TV channels centralizes AT&T’s Time Warner assets under one streaming roof, with HBO as its centerpiece. HBO Max is pricier than its rivals, but it costs the same as HBO Now/GO, which only includes the HBO library. And all HBO Now/GO users get upgraded to HBO Max for no extra charge.
WarnerMedia is betting that streaming viewers will be enticed to subscribe through a combination of high-quality HBO content, 50 new original series by 2021, new and existing shows and movies from brands under its banner like CNN, Cartoon Network, and Warner Bros, the Studio Ghibli animated film collection, and a selection of TV shows including Friends, Sesame Street, The Big Bang Theory, Dr. Who, The Fresh Prince of Bel Air, South Park, and Rick & Morty (for which WarnerMedia paid handsomely to license).
Peacock
[embedded content]
Comcast-owned NBCUniversal’s streaming service, Peacock, launched for Comcast customers in April and for everyone else on July 15. It offers a free, ad-supported tier with 7,500 hours of programming, including next-day access to current NBC series, as well as live news and sports television coverage. Peacock Premium is $5 a month ($49.99 a year) for 15,000 hours of live and on-demand content and 4K/HDR streaming. Peacock Premium Plus gets rid of ads for $10 per month ($99.99 per year).
Toplining Peacock’s originals is a sci-fi adaptation of Aldous HUXley’s classic novel Brave New World starring Alden Ehrenreich and Demi Moore. Upcoming series include a Battlestar Galactica reboot from Mr. Robot and Homecoming creator Sam Esmail, and revivals of Saved By the Bell and Punky Brewster featuring original cast members.
NBC is also dipping back into the well for a streaming-only season of A.P. Bio and a second spin-off movie of one-time USA series Psych, along with a number of other scripted and unscripted originals, including an adaptation of the Dr. Death true crime podcast starring Alec Baldwin and Christian Slater.
On the unscripted front there’ll be a Saturday Night Live docuseries from Lorne Michaels, a Real Housewives spin-off, a new talk show series starring Jimmy Fallon, and a new weekly late night show starring Late Night with Seth Meyers’ Amber Ruffin. As with Disney+, NBCUniversal is also stocking Peacock with a vast library of shows and movies to which it already has the rights: Brooklyn Nine-Nine, Cheers, Everybody Loves Raymond, Frasier, Friday Night Lights, and Will & Grace, among many others. Users will also be able to stream movies from the Universal archive.
NBCUniversal’s bet is that plucking The Office from Netflix in 2021, along with some nostalgia-inducing originals, will be enough content to hold its own in the crowded market.
CBS All Access / Showtime
[embedded content]
One media giant that often flies under the radar in the streaming wars is CBS, which owns Showtime and CBS All Access. The latter has spent a modest original-content budget on a few big franchises, headlined by Star Trek: Discovery and Star Trek: Picard; The Good Wife spin-off, The Good Fight; a reimagining of The Twilight Zone from Jordan Peele; and a coming adaptation of Stephen King’s The Stand.
CBS All Access is $5.99 a month with limited commercials or $9.99 a month without ads. Showtime is $10.99 for the standalone service, but you can buy or add the network to existing subscriptions through Prime Video, Amazon Fire TV, Hulu, Roku, Android, or iOS, or through a long list of cable and OTT streaming providers for varying prices. It’s also available to existing cable subscribers as Showtime Anytime.
Now that CBS has re-merged with Viacom, the company can draw upon a host of properties including MTV, Comedy Central, and Nickelodeon to bolster its streaming offerings.
CBS has been in the digital media and streaming games longer than most, going back to its 2004 deal to buy SportsLine (before CBS and Viacom split up in 2006) and CBS’ subsequent acquisition of CNET for $1.8 billion in 2008. CBS has built its own streaming infrastructure atop that stack and now has its business firmly planted in all the big buckets: traditional cable and news, live sports, premium cable with Showtime, and a standalone streaming app in CBS All Access. CBS wants to top 16 million subscribers for Showtime and CBS All Access by year’s end.
Disney+
[embedded content]
To get a sense of where the broader entertainment and streaming industry is going for the long term, Disney’s strategy may be the model to watch. Its much-hyped $6.99/month Disney+ streaming service, launched in November and has already topped 54.5 million subscribers.
Disney’s foray into streaming market dates back to 2016, when it invested $1 billion for a 33 percent stake in BAMTech. The video-streaming company—which was initially spun out of Major League Baseball’s Advanced Media (MLBAM) arm—at one time powered streaming apps including MLB.TV, HBO Now, the NHL and PGA Tour apps, PlayStation Vue, and even the WWE Network streaming app before Disney took full control and rebranded BAMTech as Disney Streaming Services.
BAMTech’s outside-consulting focus came to a halt when Disney bought another 42 percent stake to take majority control of it in 2017, and announced its direct-to-consumer streaming services, which would become ESPN+ and Disney+, in the same press release. ESPN+, which costs $4.99 a month or $49.99 per year, has more than 7.6 million subscribers.
Disney’s advantages outweigh its challenges. Armed with original Marvel and Star Wars series, the Disney and Pixar film vault, Disney Channel kids programming, and the 21st Century Fox catalog—including National Geographic—Disney+ looms large.
Big-budget franchises like Marvel and Star Wars are key to Disney’s business strategy in all their forms: from Disney book series and toys, to blockbuster films and TV shows, to cruise lines and theme parks such as the massive Star Wars: Galaxy’s Edge parks. Disney’s end-to-end pipeline is the most fully realized version of a true content-industrial complex, and the one piece missing until now was a streaming subscription service.
As the new players have found, building a streaming platform from scratch takes time. Streaming expert Dan Rayburn described BAMTech as “the special forces of our industry. They’re the best at what they do, and they’ve been doing OTT streaming longer than anyone. And by the time Disney+ rolls out, it will still have taken them 18 months to build it.”
The man who built it is Joe Inzerillo, the CTO of Disney Streaming Services. Inzerillo is the former CTO of BAMTech and one of the founders of MLBAM. He oversees all Disney’s video-streaming tech, including Disney+ and ESPN+.
Inzerillio told PCMag last year that Disney built its streaming interface to highlight its moneymakers—it’s sprawling, interconnected Marvel and Star Wars cinematic universes.
“The thing I find so incredibly compelling about [Marvel and Star Wars] is that it’s they’re one enormous narrative with a bunch of stories around it,” said Inzerillo. “So the user interface of a company’s streaming service that makes epic sagas like that needs to be user-connected and one narrative designed to showcase the content for you and put it in front of the fans that love it, not get in the way. But it also needs to be personalized. It needs to be able to do all sorts of things. So it’s the fusion of all those components to create this vision of a constant narrative.”
Website Design & SEO Delray Beach by DBL07.co
Delray Beach SEO
Via http://www.scpie.org/peacock-hbo-max-the-new-streaming-giants-explained/
source https://scpie.weebly.com/blog/peacock-hbo-max-the-new-streaming-giants-explained
0 notes
aion-rsa · 3 years
Text
Best Returning British TV Series 2021: the Most Anticipated Series Coming Back This Year
https://ift.tt/3ohYR6W
There’s no getting around it; you’re going to see more of your TV than your friends and loved ones over the next few months. That being so, it’s lucky that there continues to be still so bloody much of the stuff, despite Covid-19’s best efforts to shut it all down. They might have been delayed, they might have been curtailed, but they weren’t stopped. Returning British TV shows are on their way. The horizon is filled with them, gambolling like lambs over the fields and into your living room.
There’s comedy and drama and crime thrillers arriving by the lorryload, and sci-fi and fantasy coming by the… much smaller lorryload. (More of a small van for returning British sci-fi and fantasy this year, but check out the new titles coming soon.)
We’ll keep this list updated as soon as more details are announced and release dates are confirmed.
A Discovery of Witches Season 2 (January 8th)
Based on Deborah Harkness’ All Souls trilogy about the forbidden love between a powerful witch and a centuries-old vampire, A Discovery Of Witches debuted on Sky in autumn 2018 (read our reviews here) and was renewed for series two and three almost straight away. The second run sees leads Teresa Palmer and Matthew Goode (pictured) time-walking in Elizabethan England where they meet some famous faces of yore.
A Very English Scandal series 2
This one has yet to receive the official commission stamp, but it’s too good not to pass on a bit prematurely. Following on from the success of Russell T. Davies’ acclaimed three-part drama based on the real-life events of Lib Dem leader Jeremy Thorpe’s plot to have his lover Norman Scott murdered, the BBC plans to turn the ‘A Very English Scandal’ header into an anthology series following different true life events that rocked English society. As reported by Deadline in March 2020, Agatha Christie adapter extraordinaire Sarah Phelps is writing a three-part drama about a 1963 sex scandal involving the Duchess of Argyll, nicknamed ‘The Dirty Duchess.’
Back Season 2 (January)
Channel 4 has a second run of Simon Blackwell’s excellent sitcom Back on the way. The first series aired in autumn 2017 and was delayed while actor Robert Webb suffered an episode of ill health. The comedy reunites Peep Show’s David Mitchell and Webb as Stephen and Andrew, two erstwhile foster brothers whose neurotic rivalry boils up in the wake of Stephen’s father’s death. Louise Brealey also stars in the squirming, tragicomic delight. Stream the first series on All4 here.
Back To Life Season 2 (tbc)
Daisy Haggard and Laura Solon’s six part comedy-drama about a woman released from a lengthy prison sentence arrived in 2019 as one of a clutch of well-received original BBC shows. Haggard plays Miri, who returns to her childhood home and isn’t exactly welcomed back to the community with open arms, alongside Adeel Akhtar, Geraldine James, Liam Williams and more. It aired on Showtime over in the US, and will return for series two, which is currently being written.
Baptiste Season 2 (tbc)
Tcheky Karyo will return as grizzled French detective Julien Baptiste in a second series of the Williams Brothers’ Euro-set crime thriller. The character made his name on two series of The Missing, and earned his own BBC spin-off in spring 2019. (Read our spoiler-filled reviews here.) Series two sees Baptiste in Budapest on a search for the missing family of a British Ambassador, and co-stars Killing Eve‘s Fiona Shaw. Production on series two was halted in March 2020 because of the global spread of COVID-19, but got back up and running in the summer.
Breeders Season 2 (tbc)
Filming wrapped on the second series of Sky One parenting comedy Breeders just before Christmas 2020, so we can expect to see the new episodes later this year. The series, created by Simon Blackwell, Chris Addison and Martin Freeman, follows the child-based frustrations and catastrophes of Paul (Freeman) and Ally (Daisy Haggard), breaking taboos and punching you in the heart as it goes.
Britannia Season 3 (tbc)
Playwright Jez Butterworth and showrunner James Richardson first brought their trippy vision of warring Celts, mystical druids and invading Romans to Sky Atlantic in January 2018, and were quickly rewarded by a second series renewal. That run has already been and gone, leaving us awaiting the return of David Morrissey, Mackenzie Crook and co. for more bonkers ancient history, this time with added Sophie Okonedo!
Bulletproof: South Africa (January 20th)
After two hit series of crime drama Bulletproof on Sky One, police officers Bishop (Noel Clarke) and Pike (Ashley Walters) are back for a three-part special set in South Africa. The miniseries will see the crime-fighters’ attempt to relax on holiday scuppered when they become entangled with a dangerous kidnap plot.
Cobra Season 2 (tbc)
Robert Carlyle’s PM will return for another series of Sky One political thriller Cobra, written by The Tunnel and Strike: Cuckoo’s Calling‘s Ben Richards. The first series saw Carlyle’s character attempting to maintain power after solar flares took out Britain’s power grid and left the country in chaos as political factions vied for his position. What disaster will befall him in series two we don’t yet know…
Dead Pixels Season 2 (January)
Jon Brown’s gamer comedy debuted in March 2019 and was renewed four months later for series two. It stars Alexa Davies and Will Merrick as two die-hard MMORPG gamers (massive multiplayer online roleplay game, if you were wondering) and Charlotte Ritchie as their non-gaming flatmate. Here’s our interview with the creator on how other TV shows and films so often go wrong in their depiction of gaming and gamers.
Derry Girls Season 3 (tbc)
Lisa McGee’s terrific 90s-set Northern Irish comedy is set to return for a third series about the lives of secondary school students Erin, Orla, Clare, Michelle and James. Filming was due to begin in June 2020, but Covid-19 disrupted that schedule so we’ll have to wait a little longer for this one. Set in the 1990s, Derry Girls is a coming-of-age nostalgia-flood with characters to love and jokes to spare, in which crushes and friendship fall-outs are dealt with in the same breath as dangerous political turmoil. Cracker.
Doctor Who Season 13 (tbc)
Thanks to Covid-19, we’re getting a shorter run of eight episodes for Doctor Who‘s next series, which is confirmed to welcome new companion Dan to the TARDIS. Played by comedian-actor John Bishop, Dan will join Yaz and the Doctor as they continue their travels after saying goodbye to Ryan and Graham in New Year special ‘Revolution of the Daleks.’
Endeavour Season 8 (tbc)
A three-episode seventh series of Russell Lewis’ Inspector Morse prequel aired in February 2020, taking Morse into a new decade, as he and the team investigated the discovery of a body on a canal path on New Year’s Day 1970 (read our spoiler-filled reviews here). Shaun Evans not only returned as the lead, but also directed his second instalment of the long-running crime prequel. Series eight was due to begin filming in summer 2020 but it was pushed back until 2021 due to the Covid-19 pandemic.
Gangs of London Season 2 (tbc)
The body count was high in Sky Atlantic’s ultra-stylish, ultra-violent 2020 thriller Gangs of London, but enough characters made it all the way through for a second season to be commissioned. When it eventually arrives, expect more expertly choreographed fight scenes, more international crime family intrigue and more betrayal. Co-creator Gareth Evans and his fellow directors gave us a taste of what to expect from the new run here.
Gentleman Jack Season 2 (tbc)
Renewed even before series one had aired, Sally Wainwright’s Gentleman Jack arrived on BBC One in the UK and HBO in the US with a bang. It stars Suranne Jones as real-life trail-blazing lesbian industrialist Anne Lister, with a cast including Sophie Rundle, Gemma Whelan and Rosie Cavaliero. It’s witty and dynamic, offering television a new 19th century hero at whom to marvel (here’s our episode one review). The eight-episode second series started filming in November 2020.
Ghosts Season 3 (tbc)
This tremendously fun comedy arrived in 2019 from the cast of Horrible Histories and Yonderland. Happily, it was renewed by the BBC for a third series, which guarantees us at least six more episodes of spectral shenanigans as Alison and Mike (alive) try to keep the ancestral family home going while dealing with an influx of housemates from history (dead). Speaking to Den of Geek in November 2020 about the terrific Christmas special, Kiell Smith-Bynoe, who plays Mike in the show, said they were hoping to film series three in spring 2021.
Guilt Season 2 (tbc)
BBC Scotland’s dark comedy-drama Guilt was a word-of-mouth hit that became an award-winning hit. Created by Neil Forsyth and starring Mark Bonnar, it was the story of two very different brothers attempting to cover up an unthinkable act. It’s currently available to watch on BBC iPlayer and will be joined by a second four-part series. Don’t get it confused with the US Amanda Knox series of the same name, which was cancelled.
Happy Valley Season 3 (tbc)
We’re cheating here because there is very little chance that 2021 will see the planned third and final series of Sally Wainwright’s excellent crime drama Happy Valley but it’s too good a drama not to include. The word seems to be that creator Wainwright and star Sarah Lancashire are keen to return for the final chapter in Sgt. Cawood’s story, but they’re waiting for young star Rhys Connah, who plays Cawood’s grandson Ryan, to get a bit older before tackling the story Wainwright wants to tell. Patience.
His Dark Materials Season 3 (tbc)
One final eight-episode season is on its way to BBC One and HBO to conclude this stunning adaptation of Philip Pullman’s book trilogy. Season three will tell the story of The Amber Spyglass, taking Lyra and Will to even more new worlds, where they’ll meet strange creatures and have to face a weighty choice. Pre-production began earlier in 2020, but the renewal announcement didn’t officially arrive until December. Here’s a taster of what we might expect to see.
Innocent Season 2 (tbc)
ITV’s Innocent was a four-part series about a miscarriage of justice that aired in May 2018. Its conclusion certainly didn’t call for a continuation so news of a second series renewal was a bit of a head-scratcher until it was revealed that creator Chris Lang (Unforgotten) was writing a whole new case and a whole new set of characters for the second run, now due to arrive this year.
Inside No. 9 Season 6 (tbc)
Knowing a good thing when it has one, BBC Two renewed Steve Pemberton and Reece Shearsmith’s ingenious anthology series Inside No. 9 for a sixth and seventh series back in March. That means 12 new half-hour stories told with wit, originality and – every so often – a surprising amount of heart. Shearsmith Tweeted in November 2020 that the team were in rehearsals and planning to start filming on the new episodes imminently.
Killing Eve Season 4 (tbc)
Season four of mega-hit spy thriller Killing Eve was announced back before season three aired, so we know that it is coming, the question is: when? As the series films across various European locations, it’s been hit harder than many by the Covid-19 pandemic, and production was confirmed as being on an indefinite hiatus in October 2020, so don’t hold your breath for the usual April start date. As soon as things are up and running, we’ll let you know.
Read more
TV
New British TV Series for 2021: BBC, ITV, Channel 4, Sky Dramas and More
By Louisa Mellor
TV
New British TV Series from 2020: BBC, ITV, Channel 4, Sky Dramas and More
By Louisa Mellor
Line of Duty Season 6 (March)
Series five of Jed Mercurio’s hugely successful crime thriller concluded in May 2019, and, after a Covid-related five-month delay, filming wrapped on series six in November 2020. Line of Duty stars Vicky McClure, Martin Compston and Adrian Dunbar as bent-copper-hunters AC-12, with each series welcoming a high-profile guest – previous series have welcomed Stephen Graham, Thandie Newton and Keeley Hawes, and this time around it’s Kelly Macdonald.
Man Like Mobeen Season 4 (tbc)
Announced on creator and star Guz Khan’s Instagram account in September 2020, as reported by Comedy.co.uk, hit BBC Three comedy Man Like Mobeen will return in 2021. Series three left fans on a serious cliffhanger that saw Mobeen doing time despite his best efforts to stay out of trouble and raise his younger sister. Catch up on BBC iPlayer here.
Marcella Season 3 (January)
ITV’s Marcella, co-created by The Killing’s Hans Rosenfeldt and starring Anna Friel, went out in a blaze of bonkers glory in 2018. Series two marked a turning point for the detective show, which went from domestic crime drama to full-blown comic-book spy thriller, complete with faked deaths, conspiracy, and secret investigative units. Series three has Marcella working undercover in a Belfast crime family. It’s already aired on Netflix around the world, and will finally arrive on ITV in January 2021.
McMafia Season 2 (tbc)
Starring James Norton as the conflicted British son of a Russian mob boss, McMafia was BBC One’s big, glamorous New Year drama for 2018. It was renewed for another eight episode season a good while back but updates on progress have been very thin on the ground since then Whenever it arrives, expect more double-crossing and high-stakes violence set against the backdrop of gangland London. Read our series one episode reviews here.
Mortimer and Whitehouse: Gone Fishing Season 4 (tbc)
A fishing show may seem like a strange choice for this list of mostly high-profile dramas and comedies, but Gone Fishing deserves as much celebration as any of them. That’s thanks to Bob Mortimer and Paul Whitehouse’s natural chemistry as two long-time friends, both of whom have been forced to contemplate their mortality in recent years due to serious heart problems. It’s fishing, yes, but it’s also chat, silliness and genuine human warmth.
Motherland Season 3 (tbc)
Sharon Horgan, Holly Walsh and Helen Linehan’s parenting comedy Motherland will be back for a third series. Starring Anna Maxwell-Martin (Good Omens, Line Of Duty), Lucy Punch, Paul Ready and Diane Morgan, it’s a caustic look at the demands of modern parenting and life in your thirties and forties that you don’t even need to have kids to relate to/stare at in rapt horror.
Peaky Blinders Season 6 (tbc)
Peaky Blinders, Steven Knight’s BBC Two crime saga following the ascendancy of Birmingham’s Shelby family in post-World War One England, is set to return for two further series, which should, if all goes to plan, take us all the way up to the outbreak of World War II. Series five aired in late summer 2019 and here’s all the news we have on series six, which was sadly forced to suspend production in March due to the global spread of Covid-19. Filming is due to resume in January 2021, so fingers crossed we’ll get the new series later this year.
Sex Education Season 3 (tbc)
Season three of Netflix’s celebrated high school comedy-drama went into production in September 2020, so there’ll be a little wait until the new episodes arrive on the streaming service. The show has won such an adoring fandom over its two seasons that they’ll wait as long as it takes to continue the stories of Otis, Eric, Maeve and of course, Gillian Anderson’s masterful Jean.
Staged Season 2 (January 4th)
A lot of people tried their best to make new TV under lockdown conditions last year, and some fared better than others. At the top of the comedy pile is Staged, starring David Tennant and Michael Sheen as exaggerated versions of themselves, rehearsing a play on Zoom with a host of big name guest stars and plenty of laughs courtesy of their other halves Georgia Tennant and Anna Lundberg.
Stath Lets Flats Season 3
We waited too long to hear that Channel 4 was doing the sensible thing and renewing Jamie Demetriou’s excellent Stath Lets Flats for a third series. During that wait, the show won three Baftas and even more fans, securing its reputation as one of the best comedies around. According to cast-member Kiell Smith-Bynoe, who plays reluctant letting agent Dean, the plan is to start filming in summer 2021, if everybody’s schedules can match up.
Taboo Season 2 (tbc)
From Steven Knight, creator of the excellent Peaky Blinders, in collaboration with star Tom Hardy, Taboo presents a very different vision of Regency England to the traditional Jane Austen world of assembly balls and etiquette faux pas. It’s about James Delaney, an almost invincible, little bit magic, highly mysterious thorn in the side of the East India Company. Series one aired in early 2017, and as of summer 2019, Knight had finished six of the eight scripts for the second series. Here’s what we know so far.
Taskmaster Season 11 (tbc)
Joining the Taskmaster and little Alex Horne for series ten of Taskmaster – its first series on Channel 4 – were Daisy May Cooper, Johnny Vegas, Katherine Parkinson, Mawaan Rizwan and Richard Herring. Then came a New Year treat featuring all-new one-off contestants. In 2021, we’re due a full new series starring Charlotte Ritchie, Jamali Maddix, Lee Mack, Mike Wozniak and Sarah Kendall, plus a champion of champions miniseries.
Temple Season 2 (tbc)
Adapted from Norwegian series Valkyrien, Temple is the story of an underground medical facility run by a desperate surgeon and his apocalypse-prepping colleague. It stars Mark Strong, Carice Van Houten and Daniel Mays, and debuted on Sky One in autumn 2019. The series two renewal was announced as the series one finale aired, and the new episodes are expected to air in summer 2021. Read more about the series here.
The Bay Season 2 (January)
Daragh Carville’s Morecambe-set crime thriller returns with a new case for Morven Christie’s DS Lisa Armstrong and co. this year. The first series dealt with the disappearance of a set of teenage twins and shady goings-on in a picture-perfect coastal town, earning it the title of ‘the new Broadchurch’. Here’s our episode one review.
The Capture Season 2 (tbc)
Ben Chanan’s BBC One thriller The Capture was a high-stakes crime drama that tackled the question of what truth and innocence mean when video evidence can be so easily manipulated in the modern age. It starred Strike‘s Holliday Grainger, and Fantastic Beasts and Where to Find Them‘s Callum Turner, and was renewed for a second series in summer 2020.
The Crown Season 5 (tbc)
Olivia Colman took over from Clare Foy as HRH Elizabeth II in The Crown series three. The time jump saw Matt Smith replaced by Tobias Menzies as Prince Philip and Helena Bonham-Carter take the reins from Vanessa Kirby as Princess Margaret, with Gillian Anderson playing Margaret Thatcher. For season five, the palace welcomes Imelda Staunton (pictured) and Lesley Manville as the Windsor sisters.
The Last Kingdom Season 5 (tbc)
The Last Kingdom series five will adapt the next two books in Bernard Cornwell’s Saxon Stories series: Warriors of the Storm and The Flame Bearer. Starring Alexander Dreymon as Viking-raised-Saxon Uhtred of Bebbenberg, it’s an action-packed historical drama filled with wit and characters to love. Read our spoiler-filled episode reviews and more.
This Time With Alan Partridge Season 2 (tbc)
Filming concluded on the second run of This Time With Alan Partridge in December 2020, so there shouldn’t be too long a wait for the new episodes to arrive on BBC One. Series two sees Norwich broadcasting veteran Alan established as the co-presenter of fictional magazine chat show This Time, following his gaffes on-screen and off. Susannah Fielding co-stars.
Unforgotten Season 4 (tbc)
Cassie and Sunny (played by Nicola Walker and Sanjeev Bhaskar) return for a fourth series of ITV’s excellent cold case crime drama Unforgotten. What makes Chris Lang’s detective series stand out is its empathy—for its characters, for the victims, and often, for the killers themselves. The new series will take another decades-old case as its starting point, and no doubt tell another engrossing, affecting story led by excellent performances from a cast including Susan Lynch and Sheila Hancock.
War of the Worlds Season 2 (tbc)
FOX UK sci-fi War of the Worlds was one of the first TV dramas to restart filming after the enforced Covid-19 lockdown (it helps when your show is set in a post-apocalyptic world where the population has been more or less destroyed), so even with all the effects-heavy post-production required, we can expect it to arrive this year. It uses H.G. Wells’ story more as a jumping-off point than a bible, and developed into a poised and atmospheric sci-fi for adults. Read more about it here.
World on Fire Season 2 (tbc)
To the delight of fans following series one’s tense cliff-hanger ending, Peter Bowker’s WWII drama following multiple interconnected stories from around the world during the war, was recommissioned in November 2019. The stories of Harry (Jonah Hauer-King), Kasia (Zofia Wichlacz) and Lois (Julia Brown) will continue in the second run, alongside those of Lois’ conscientious objector father Douglas (Sean Bean) and Harry’s ice-cold mother Robina (Lesley Manville). 
Year of the Rabbit Season 2 (tbc)
Detective Rabbit returns! Matt Berry, Susan Wokoma and Freddie Fox will be back for more Victorian crime-based comedy in a second series of Channel 4’s acclaimed Year Of The Rabbit. C4’s Head of Comedy Fiona McDermott describes the show, which is co-written by Matt Berry with Veep and Black Books‘ Andy Riley and Kevin Cecil, as “glorious, gutsy and audacious”, and you won’t hear any disagreement from us. Series one is currently available to stream on All4, and the six new episodes are expected to arrive this year.
Also returning:
Brassic Season 3 (tbc)  – Joseph Gilgun’s Sky One comedy returns for a third run.
Code 404 Season 2 (tbc)– Stephen Graham and Daniel Mays are back on Sky One in this very British comedy take on RoboCop.
Don’t Forget the Driver Season 2 (tbc) The brilliant Toby Jones returns in this heartfelt seaside comedy drama.
Feel Good Season 2 (tbc) – Mae Martin’s autobiographically inspired comedy returns to Channel 4.
Hitmen Season 2 (tbc) – Mel and Sue will be back on Sky One for more paid-assassin larks.
King Gary Season 2 – Gary King will be ruling the crescent once again in this BBC One comedy.
I Am… Season 2 (tbc) – The Channel 4 female-fronted anthology drama returns with Suranne Jones among the cast.
Intelligence Season 2 (tbc) – David Schwimmer and Nick Mohammed are back on Sky One for more tech-spy comedy.
State of the Union Season 2 (tbc) – Nick Hornby is creating two new characters who meet up weekly before their marriage counselling sessions for this BBC Two comedy-drama.
The Cockfields Season 2 (tbc) – This Gold original comedy starring Joe Wilkinson and Diane Morgan will return, but sadly, without comedian Bobby Ball, who passed away in 2020.
cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });
The post Best Returning British TV Series 2021: the Most Anticipated Series Coming Back This Year appeared first on Den of Geek.
from Den of Geek https://ift.tt/3rZ5TQ4
0 notes
riichardwilson · 4 years
Text
Peacock? HBO Max? The New Streaming Giants Explained.
July 15, 2020 14 min read
This story originally appeared on PCMag
The video-streaming industry is crowded; it can be hard to wrap your head around the scope of the entertainment giants that make up this market.
Each service has its own origin story, business interests, and shifting content pile of exclusive originals and licensed content. There’s also a wide assortment of packages, plans, and technology under the surface. HBO Max and Peacock just made their debuts to take on Netflix, Prime Video, and all the rest, so a running market breakdown is certainly in order.
Here are the most important streaming services to watch in the next hyper-competitive phase of this industry.
Netflix
[embedded content]
The modern streaming industry begins and ends with what many have dubbed the “Netflix Effect.” Its digital subscription model and massive investment in originals have set the bar for the market. Netflix reported 182.8 million paid global subscribers in Q1 2020, thanks in part to a boost in quarantine-related sign-ups.
Competitors are ready to pounce. Instead of fighting off startups, Netflix is up against tech juggernauts like Apple and Amazon, and century-old media giants. The latter have not only unveiled competing services, but moved to reclaim shows like The Office and Friends for their own services.
Netflix saw all of this coming. The one-time DVD rental company-turned-streaming goliath keeps burning cash and raising debt financing to fund its original-content creation, which spans everything from Stranger Things and Martin Scorsese’s The Irishman to a vast trove of cheaper films and series to pad its increasingly originals-reliant library. To stem the losses of other classic sitcoms, the service reportedly spent more than $500 million for the rights to stream Seinfeld beginning in 2021.
For now, the strategy is still working. Though Netflix saw its first-ever subscriber drop in the US in Q2 2019, that came after adding a record 9.6 million subscribers in Q1 2019 and a price hike. COVID-19 has shut down production across all streaming services, but subscribers have plenty to watch while stuck inside.
And despite spending more than $1 billion a year on technology, CEO Reed Hastings still positions Netflix as more of a media company akin to Disney than a tech company like Apple or Amazon. Netflix is “mostly a content company powered by tech,” he told Recode last year, in response to a question about industry regulation.
That posturing is largely semantic; in reality, modern streaming players are all media, entertainment, and tech companies rolled into one.
Amazon Prime Video
[embedded content]
Unlike Netflix, Amazon has no discernible caps on how much it can spend, and its business model isn’t dependent on video subscribers. Amazon has more than 150 million Prime members as of January 2020, all of whom have access to Prime Video.
Prime Video’s core value is to drive more Prime subscriptions at $119 a pop per year, which went up from $99 in 2018, the first price hike since 2014. So Amazon has no qualms about shelling out billions for original series and films on the indie festival circuit through Amazon Studios. Standalone Prime Video costs $8.99 per month.
Amazon also owns Prime Video’s underlying infrastructure. Streaming high-quality live and on-demand video requires a complicated content-delivery pipeline, from data hosting and storage to encoding and packaging files, all the way down to content delivery networks (CDNs) and playback. Amazon controls the pipes, and Prime Video can enjoy seemingly infinite scale thanks to Amazon Web Services (AWS).
Other streaming platforms need Amazon’s cloud, too. Netflix, for instance, spent years and untold millions building out its own global CDN network (the only streaming provider to do so) but relies entirely on AWS for cloud computing and storage.
“We package up and have built our technology infrastructure on top of AWS,” Girish Bajaj, VP of Software Engineering for Amazon Prime Video, told PCMag in 2019. “Because we serve millions of customers and operate this massive amount of scale, it gives both Prime Video and AWS expertise in how to actually operate these systems, and with that level of scale comes cost savings that we then are able to offer back to customers on the consumer side as well as the enterprise side.”
Amazon also owns IMDb, which launched a free, ad-supported streaming service in January 2019. Originally known as IMDb Freedrive, it was later rebranded to IMDb TV.
Apple TV+
[embedded content]
Apple launched Apple TV+ in November for $4.99 a month. Its content library is small, so Apple is giving one year of free Apple TV+ to those who buy a new iPhone, iPad, Mac, or Apple TV.
Launch titles included: cable news drama The Morning Show starring Jennifer Aniston, Steve Carell, and Reese Witherspoon; future post-apocalyptic series See starring Jason Momoa and Alfre Woodard; an Emily Dickinson biopic series starring Hailee Steinfeld; and sci-fi space race series For All Mankind. Most of the shows received tepid reviews, but Apple has billions of dollars worth of original content investments in its development pipeline to populate the fledgling streaming service in the next year or two. This month, for example, Tom Hanks’ war drama Greyhound skipped theaters due to the coronavirus and debuted on Apple TV+.
The redesigned Apple TV app is available across media-streaming devices, including Roku and Amazon Fire TV devices, and smart TVs from Samsung, Sony, LG, and Vizio. It offers original content through Apple TV+, as well as streaming app and network subscriptions through TV Channels, which is similar to the add-ons offered by Prime Video and Hulu.
TV Channels launched in May with some big partners, including Amazon Prime Video, HBO, Hulu, Showtime, Starz, CBS All Access, and many others (but not Netflix); Apple showcased Prime Video originals such as The Marvelous Mrs. Maisel in demos during its launch event. TV Channels also let users choose traditional cable bundles from providers such as Optimum and Spectrum, as well as over-the-top (OTT) cable replacement services including AT&T TV Now.
This strategy is part of Apple’s broader push into software and services: It has grand designs to expand to industries beyond the steadily growing chunk of recurring revenue it currently makes from iCloud, Apple Music, and Apple Pay. Amid stagnating iPhone sales, Apple’s glossy 2019 launch event for its new slate of services—including Apple News+ and Apple Arcade—highlighted how it sees its future growth.
Hulu
[embedded content]
Hulu, which had 30.4 million subscribers as of Q1 2020, is a particularly intriguing player given its new mouse-shaped overlord. With Disney’s acquisition of 21st Century Fox, the entertainment powerhouse also picked up Fox’s 30 percent stake in Hulu and later acquired AT&T and Comcast’s remaining stakes to take full control of Hulu.
Hulu, which long represented the network TV industry’s collective streaming interests, is now another arm of Disney’s entertainment empire, and Disney hasn’t wasted time adding the jewel to its infinity gauntlet.
Beatrice Springborn, VP of Content Development at Hulu, said last year that the service doesn’t measure success by nightly ratings or individual show performance. It’s about getting new subscribers to sign up for Hulu, watch a lot of content on the platform, and remain subscribers for the long haul.
At the time, Springborn said her team was laser-focused on “making Hulu the number-one choice for TV.” Following Netflix’s price increase, Hulu took the opposite route and cut the price of its entry-level ad-supported plan from $7.99 to $5.99 per month. But it did raise the price of its live TV plan from $39.99 to $54.99 per month.
HBO Max
[embedded content]
WarnerMedia is one of the more recent examples of high-profile corporate consolidation fueling the next wave of streaming services, and the result is HBO Max, which launched in May 2020 for $14.99 per month. An ad-supported pricing tier and live TV is planned for 2021.
The pool of media brands and TV channels centralizes AT&T’s Time Warner assets under one streaming roof, with HBO as its centerpiece. HBO Max is pricier than its rivals, but it costs the same as HBO Now/GO, which only includes the HBO library. And all HBO Now/GO users get upgraded to HBO Max for no extra charge.
WarnerMedia is betting that streaming viewers will be enticed to subscribe through a combination of high-quality HBO content, 50 new original series by 2021, new and existing shows and movies from brands under its banner like CNN, Cartoon Network, and Warner Bros, the Studio Ghibli animated film collection, and a selection of TV shows including Friends, Sesame Street, The Big Bang Theory, Dr. Who, The Fresh Prince of Bel Air, South Park, and Rick & Morty (for which WarnerMedia paid handsomely to license).
Peacock
[embedded content]
Comcast-owned NBCUniversal’s streaming service, Peacock, launched for Comcast customers in April and for everyone else on July 15. It offers a free, ad-supported tier with 7,500 hours of programming, including next-day access to current NBC series, as well as live news and sports television coverage. Peacock Premium is $5 a month ($49.99 a year) for 15,000 hours of live and on-demand content and 4K/HDR streaming. Peacock Premium Plus gets rid of ads for $10 per month ($99.99 per year).
Toplining Peacock’s originals is a sci-fi adaptation of Aldous HUXley’s classic novel Brave New World starring Alden Ehrenreich and Demi Moore. Upcoming series include a Battlestar Galactica reboot from Mr. Robot and Homecoming creator Sam Esmail, and revivals of Saved By the Bell and Punky Brewster featuring original cast members.
NBC is also dipping back into the well for a streaming-only season of A.P. Bio and a second spin-off movie of one-time USA series Psych, along with a number of other scripted and unscripted originals, including an adaptation of the Dr. Death true crime podcast starring Alec Baldwin and Christian Slater.
On the unscripted front there’ll be a Saturday Night Live docuseries from Lorne Michaels, a Real Housewives spin-off, a new talk show series starring Jimmy Fallon, and a new weekly late night show starring Late Night with Seth Meyers’ Amber Ruffin. As with Disney+, NBCUniversal is also stocking Peacock with a vast library of shows and movies to which it already has the rights: Brooklyn Nine-Nine, Cheers, Everybody Loves Raymond, Frasier, Friday Night Lights, and Will & Grace, among many others. Users will also be able to stream movies from the Universal archive.
NBCUniversal’s bet is that plucking The Office from Netflix in 2021, along with some nostalgia-inducing originals, will be enough content to hold its own in the crowded market.
CBS All Access / Showtime
[embedded content]
One media giant that often flies under the radar in the streaming wars is CBS, which owns Showtime and CBS All Access. The latter has spent a modest original-content budget on a few big franchises, headlined by Star Trek: Discovery and Star Trek: Picard; The Good Wife spin-off, The Good Fight; a reimagining of The Twilight Zone from Jordan Peele; and a coming adaptation of Stephen King’s The Stand.
CBS All Access is $5.99 a month with limited commercials or $9.99 a month without ads. Showtime is $10.99 for the standalone service, but you can buy or add the network to existing subscriptions through Prime Video, Amazon Fire TV, Hulu, Roku, Android, or iOS, or through a long list of cable and OTT streaming providers for varying prices. It’s also available to existing cable subscribers as Showtime Anytime.
Now that CBS has re-merged with Viacom, the company can draw upon a host of properties including MTV, Comedy Central, and Nickelodeon to bolster its streaming offerings.
CBS has been in the digital media and streaming games longer than most, going back to its 2004 deal to buy SportsLine (before CBS and Viacom split up in 2006) and CBS’ subsequent acquisition of CNET for $1.8 billion in 2008. CBS has built its own streaming infrastructure atop that stack and now has its business firmly planted in all the big buckets: traditional cable and news, live sports, premium cable with Showtime, and a standalone streaming app in CBS All Access. CBS wants to top 16 million subscribers for Showtime and CBS All Access by year’s end.
Disney+
[embedded content]
To get a sense of where the broader entertainment and streaming industry is going for the long term, Disney’s strategy may be the model to watch. Its much-hyped $6.99/month Disney+ streaming service, launched in November and has already topped 54.5 million subscribers.
Disney’s foray into streaming market dates back to 2016, when it invested $1 billion for a 33 percent stake in BAMTech. The video-streaming company—which was initially spun out of Major League Baseball’s Advanced Media (MLBAM) arm—at one time powered streaming apps including MLB.TV, HBO Now, the NHL and PGA Tour apps, PlayStation Vue, and even the WWE Network streaming app before Disney took full control and rebranded BAMTech as Disney Streaming Services.
BAMTech’s outside-consulting focus came to a halt when Disney bought another 42 percent stake to take majority control of it in 2017, and announced its direct-to-consumer streaming services, which would become ESPN+ and Disney+, in the same press release. ESPN+, which costs $4.99 a month or $49.99 per year, has more than 7.6 million subscribers.
Disney’s advantages outweigh its challenges. Armed with original Marvel and Star Wars series, the Disney and Pixar film vault, Disney Channel kids programming, and the 21st Century Fox catalog—including National Geographic—Disney+ looms large.
Big-budget franchises like Marvel and Star Wars are key to Disney’s business strategy in all their forms: from Disney book series and toys, to blockbuster films and TV shows, to cruise lines and theme parks such as the massive Star Wars: Galaxy’s Edge parks. Disney’s end-to-end pipeline is the most fully realized version of a true content-industrial complex, and the one piece missing until now was a streaming subscription service.
As the new players have found, building a streaming platform from scratch takes time. Streaming expert Dan Rayburn described BAMTech as “the special forces of our industry. They’re the best at what they do, and they’ve been doing OTT streaming longer than anyone. And by the time Disney+ rolls out, it will still have taken them 18 months to build it.”
The man who built it is Joe Inzerillo, the CTO of Disney Streaming Services. Inzerillo is the former CTO of BAMTech and one of the founders of MLBAM. He oversees all Disney’s video-streaming tech, including Disney+ and ESPN+.
Inzerillio told PCMag last year that Disney built its streaming interface to highlight its moneymakers—it’s sprawling, interconnected Marvel and Star Wars cinematic universes.
“The thing I find so incredibly compelling about [Marvel and Star Wars] is that it’s they’re one enormous narrative with a bunch of stories around it,” said Inzerillo. “So the user interface of a company’s streaming service that makes epic sagas like that needs to be user-connected and one narrative designed to showcase the content for you and put it in front of the fans that love it, not get in the way. But it also needs to be personalized. It needs to be able to do all sorts of things. So it’s the fusion of all those components to create this vision of a constant narrative.”
Website Design & SEO Delray Beach by DBL07.co
Delray Beach SEO
source http://www.scpie.org/peacock-hbo-max-the-new-streaming-giants-explained/ source https://scpie.tumblr.com/post/623769587144687616
0 notes
scpie · 4 years
Text
Peacock? HBO Max? The New Streaming Giants Explained.
July 15, 2020 14 min read
This story originally appeared on PCMag
The video-streaming industry is crowded; it can be hard to wrap your head around the scope of the entertainment giants that make up this market.
Each service has its own origin story, business interests, and shifting content pile of exclusive originals and licensed content. There’s also a wide assortment of packages, plans, and technology under the surface. HBO Max and Peacock just made their debuts to take on Netflix, Prime Video, and all the rest, so a running market breakdown is certainly in order.
Here are the most important streaming services to watch in the next hyper-competitive phase of this industry.
Netflix
[embedded content]
The modern streaming industry begins and ends with what many have dubbed the “Netflix Effect.” Its digital subscription model and massive investment in originals have set the bar for the market. Netflix reported 182.8 million paid global subscribers in Q1 2020, thanks in part to a boost in quarantine-related sign-ups.
Competitors are ready to pounce. Instead of fighting off startups, Netflix is up against tech juggernauts like Apple and Amazon, and century-old media giants. The latter have not only unveiled competing services, but moved to reclaim shows like The Office and Friends for their own services.
Netflix saw all of this coming. The one-time DVD rental company-turned-streaming goliath keeps burning cash and raising debt financing to fund its original-content creation, which spans everything from Stranger Things and Martin Scorsese’s The Irishman to a vast trove of cheaper films and series to pad its increasingly originals-reliant library. To stem the losses of other classic sitcoms, the service reportedly spent more than $500 million for the rights to stream Seinfeld beginning in 2021.
For now, the strategy is still working. Though Netflix saw its first-ever subscriber drop in the US in Q2 2019, that came after adding a record 9.6 million subscribers in Q1 2019 and a price hike. COVID-19 has shut down production across all streaming services, but subscribers have plenty to watch while stuck inside.
And despite spending more than $1 billion a year on technology, CEO Reed Hastings still positions Netflix as more of a media company akin to Disney than a tech company like Apple or Amazon. Netflix is “mostly a content company powered by tech,” he told Recode last year, in response to a question about industry regulation.
That posturing is largely semantic; in reality, modern streaming players are all media, entertainment, and tech companies rolled into one.
Amazon Prime Video
[embedded content]
Unlike Netflix, Amazon has no discernible caps on how much it can spend, and its business model isn’t dependent on video subscribers. Amazon has more than 150 million Prime members as of January 2020, all of whom have access to Prime Video.
Prime Video’s core value is to drive more Prime subscriptions at $119 a pop per year, which went up from $99 in 2018, the first price hike since 2014. So Amazon has no qualms about shelling out billions for original series and films on the indie festival circuit through Amazon Studios. Standalone Prime Video costs $8.99 per month.
Amazon also owns Prime Video’s underlying infrastructure. Streaming high-quality live and on-demand video requires a complicated content-delivery pipeline, from data hosting and storage to encoding and packaging files, all the way down to content delivery networks (CDNs) and playback. Amazon controls the pipes, and Prime Video can enjoy seemingly infinite scale thanks to Amazon Web Services (AWS).
Other streaming platforms need Amazon’s cloud, too. Netflix, for instance, spent years and untold millions building out its own global CDN network (the only streaming provider to do so) but relies entirely on AWS for cloud computing and storage.
“We package up and have built our technology infrastructure on top of AWS,” Girish Bajaj, VP of Software Engineering for Amazon Prime Video, told PCMag in 2019. “Because we serve millions of customers and operate this massive amount of scale, it gives both Prime Video and AWS expertise in how to actually operate these systems, and with that level of scale comes cost savings that we then are able to offer back to customers on the consumer side as well as the enterprise side.”
Amazon also owns IMDb, which launched a free, ad-supported streaming service in January 2019. Originally known as IMDb Freedrive, it was later rebranded to IMDb TV.
Apple TV+
[embedded content]
Apple launched Apple TV+ in November for $4.99 a month. Its content library is small, so Apple is giving one year of free Apple TV+ to those who buy a new iPhone, iPad, Mac, or Apple TV.
Launch titles included: cable news drama The Morning Show starring Jennifer Aniston, Steve Carell, and Reese Witherspoon; future post-apocalyptic series See starring Jason Momoa and Alfre Woodard; an Emily Dickinson biopic series starring Hailee Steinfeld; and sci-fi space race series For All Mankind. Most of the shows received tepid reviews, but Apple has billions of dollars worth of original content investments in its development pipeline to populate the fledgling streaming service in the next year or two. This month, for example, Tom Hanks’ war drama Greyhound skipped theaters due to the coronavirus and debuted on Apple TV+.
The redesigned Apple TV app is available across media-streaming devices, including Roku and Amazon Fire TV devices, and smart TVs from Samsung, Sony, LG, and Vizio. It offers original content through Apple TV+, as well as streaming app and network subscriptions through TV Channels, which is similar to the add-ons offered by Prime Video and Hulu.
TV Channels launched in May with some big partners, including Amazon Prime Video, HBO, Hulu, Showtime, Starz, CBS All Access, and many others (but not Netflix); Apple showcased Prime Video originals such as The Marvelous Mrs. Maisel in demos during its launch event. TV Channels also let users choose traditional cable bundles from providers such as Optimum and Spectrum, as well as over-the-top (OTT) cable replacement services including AT&T TV Now.
This strategy is part of Apple’s broader push into software and services: It has grand designs to expand to industries beyond the steadily growing chunk of recurring revenue it currently makes from iCloud, Apple Music, and Apple Pay. Amid stagnating iPhone sales, Apple’s glossy 2019 launch event for its new slate of services—including Apple News+ and Apple Arcade—highlighted how it sees its future growth.
Hulu
[embedded content]
Hulu, which had 30.4 million subscribers as of Q1 2020, is a particularly intriguing player given its new mouse-shaped overlord. With Disney’s acquisition of 21st Century Fox, the entertainment powerhouse also picked up Fox’s 30 percent stake in Hulu and later acquired AT&T and Comcast’s remaining stakes to take full control of Hulu.
Hulu, which long represented the network TV industry’s collective streaming interests, is now another arm of Disney’s entertainment empire, and Disney hasn’t wasted time adding the jewel to its infinity gauntlet.
Beatrice Springborn, VP of Content Development at Hulu, said last year that the service doesn’t measure success by nightly ratings or individual show performance. It’s about getting new subscribers to sign up for Hulu, watch a lot of content on the platform, and remain subscribers for the long haul.
At the time, Springborn said her team was laser-focused on “making Hulu the number-one choice for TV.” Following Netflix’s price increase, Hulu took the opposite route and cut the price of its entry-level ad-supported plan from $7.99 to $5.99 per month. But it did raise the price of its live TV plan from $39.99 to $54.99 per month.
HBO Max
[embedded content]
WarnerMedia is one of the more recent examples of high-profile corporate consolidation fueling the next wave of streaming services, and the result is HBO Max, which launched in May 2020 for $14.99 per month. An ad-supported pricing tier and live TV is planned for 2021.
The pool of media brands and TV channels centralizes AT&T’s Time Warner assets under one streaming roof, with HBO as its centerpiece. HBO Max is pricier than its rivals, but it costs the same as HBO Now/GO, which only includes the HBO library. And all HBO Now/GO users get upgraded to HBO Max for no extra charge.
WarnerMedia is betting that streaming viewers will be enticed to subscribe through a combination of high-quality HBO content, 50 new original series by 2021, new and existing shows and movies from brands under its banner like CNN, Cartoon Network, and Warner Bros, the Studio Ghibli animated film collection, and a selection of TV shows including Friends, Sesame Street, The Big Bang Theory, Dr. Who, The Fresh Prince of Bel Air, South Park, and Rick & Morty (for which WarnerMedia paid handsomely to license).
Peacock
[embedded content]
Comcast-owned NBCUniversal’s streaming service, Peacock, launched for Comcast customers in April and for everyone else on July 15. It offers a free, ad-supported tier with 7,500 hours of programming, including next-day access to current NBC series, as well as live news and sports television coverage. Peacock Premium is $5 a month ($49.99 a year) for 15,000 hours of live and on-demand content and 4K/HDR streaming. Peacock Premium Plus gets rid of ads for $10 per month ($99.99 per year).
Toplining Peacock’s originals is a sci-fi adaptation of Aldous HUXley’s classic novel Brave New World starring Alden Ehrenreich and Demi Moore. Upcoming series include a Battlestar Galactica reboot from Mr. Robot and Homecoming creator Sam Esmail, and revivals of Saved By the Bell and Punky Brewster featuring original cast members.
NBC is also dipping back into the well for a streaming-only season of A.P. Bio and a second spin-off movie of one-time USA series Psych, along with a number of other scripted and unscripted originals, including an adaptation of the Dr. Death true crime podcast starring Alec Baldwin and Christian Slater.
On the unscripted front there’ll be a Saturday Night Live docuseries from Lorne Michaels, a Real Housewives spin-off, a new talk show series starring Jimmy Fallon, and a new weekly late night show starring Late Night with Seth Meyers’ Amber Ruffin. As with Disney+, NBCUniversal is also stocking Peacock with a vast library of shows and movies to which it already has the rights: Brooklyn Nine-Nine, Cheers, Everybody Loves Raymond, Frasier, Friday Night Lights, and Will & Grace, among many others. Users will also be able to stream movies from the Universal archive.
NBCUniversal’s bet is that plucking The Office from Netflix in 2021, along with some nostalgia-inducing originals, will be enough content to hold its own in the crowded market.
CBS All Access / Showtime
[embedded content]
One media giant that often flies under the radar in the streaming wars is CBS, which owns Showtime and CBS All Access. The latter has spent a modest original-content budget on a few big franchises, headlined by Star Trek: Discovery and Star Trek: Picard; The Good Wife spin-off, The Good Fight; a reimagining of The Twilight Zone from Jordan Peele; and a coming adaptation of Stephen King’s The Stand.
CBS All Access is $5.99 a month with limited commercials or $9.99 a month without ads. Showtime is $10.99 for the standalone service, but you can buy or add the network to existing subscriptions through Prime Video, Amazon Fire TV, Hulu, Roku, Android, or iOS, or through a long list of cable and OTT streaming providers for varying prices. It’s also available to existing cable subscribers as Showtime Anytime.
Now that CBS has re-merged with Viacom, the company can draw upon a host of properties including MTV, Comedy Central, and Nickelodeon to bolster its streaming offerings.
CBS has been in the digital media and streaming games longer than most, going back to its 2004 deal to buy SportsLine (before CBS and Viacom split up in 2006) and CBS’ subsequent acquisition of CNET for $1.8 billion in 2008. CBS has built its own streaming infrastructure atop that stack and now has its business firmly planted in all the big buckets: traditional cable and news, live sports, premium cable with Showtime, and a standalone streaming app in CBS All Access. CBS wants to top 16 million subscribers for Showtime and CBS All Access by year’s end.
Disney+
[embedded content]
To get a sense of where the broader entertainment and streaming industry is going for the long term, Disney’s strategy may be the model to watch. Its much-hyped $6.99/month Disney+ streaming service, launched in November and has already topped 54.5 million subscribers.
Disney’s foray into streaming market dates back to 2016, when it invested $1 billion for a 33 percent stake in BAMTech. The video-streaming company—which was initially spun out of Major League Baseball’s Advanced Media (MLBAM) arm—at one time powered streaming apps including MLB.TV, HBO Now, the NHL and PGA Tour apps, PlayStation Vue, and even the WWE Network streaming app before Disney took full control and rebranded BAMTech as Disney Streaming Services.
BAMTech’s outside-consulting focus came to a halt when Disney bought another 42 percent stake to take majority control of it in 2017, and announced its direct-to-consumer streaming services, which would become ESPN+ and Disney+, in the same press release. ESPN+, which costs $4.99 a month or $49.99 per year, has more than 7.6 million subscribers.
Disney’s advantages outweigh its challenges. Armed with original Marvel and Star Wars series, the Disney and Pixar film vault, Disney Channel kids programming, and the 21st Century Fox catalog—including National Geographic—Disney+ looms large.
Big-budget franchises like Marvel and Star Wars are key to Disney’s business strategy in all their forms: from Disney book series and toys, to blockbuster films and TV shows, to cruise lines and theme parks such as the massive Star Wars: Galaxy’s Edge parks. Disney’s end-to-end pipeline is the most fully realized version of a true content-industrial complex, and the one piece missing until now was a streaming subscription service.
As the new players have found, building a streaming platform from scratch takes time. Streaming expert Dan Rayburn described BAMTech as “the special forces of our industry. They’re the best at what they do, and they’ve been doing OTT streaming longer than anyone. And by the time Disney+ rolls out, it will still have taken them 18 months to build it.”
The man who built it is Joe Inzerillo, the CTO of Disney Streaming Services. Inzerillo is the former CTO of BAMTech and one of the founders of MLBAM. He oversees all Disney’s video-streaming tech, including Disney+ and ESPN+.
Inzerillio told PCMag last year that Disney built its streaming interface to highlight its moneymakers—it’s sprawling, interconnected Marvel and Star Wars cinematic universes.
“The thing I find so incredibly compelling about [Marvel and Star Wars] is that it’s they’re one enormous narrative with a bunch of stories around it,” said Inzerillo. “So the user interface of a company’s streaming service that makes epic sagas like that needs to be user-connected and one narrative designed to showcase the content for you and put it in front of the fans that love it, not get in the way. But it also needs to be personalized. It needs to be able to do all sorts of things. So it’s the fusion of all those components to create this vision of a constant narrative.”
Website Design & SEO Delray Beach by DBL07.co
Delray Beach SEO
source http://www.scpie.org/peacock-hbo-max-the-new-streaming-giants-explained/
0 notes
theoneloneblogger · 4 years
Video
youtube
Retrospective Rumours Part Six: The Holy Kingdom
Perry’s Retrospective Rumors: Part Six - The Holy Kingdom
 Note: Some of the following is a fictional and romanticized version of true accounts and should not be held to historical scrutiny.
 It’s a funny thing, devotion. those who draw their belief in the physical world find power in the certainty of this. People such as the Swedenborg and Mesmer developed the system we now know as spiritualism in the mid-17th century. The assertion therefore in the absolute divinity of a single King these days meets with that of ludicrous condemnation and disgust.  Though towards the late 19th century others like Carl Jung and Durkheim, a psychologist and sociologist respectively, laboured long to try to convince people that the world should be viewed from a purely scientific basis. For instance, such scholarship as has been seen recently as luminaries bustle for recognition against each other.
  Thomas Moore, just before his execution on grounds of treason wrote to his daughter of his reservations on the divinity of a single King. “I staunchly refuse to pledge any oath to her authority. Nor indeed to recognize the so called divine right of King Henry himself to hold the throne in such a fashion. His split from Rome is blasphemous at best and devilry at worst. As a consequence of such I must die tomorrow.  Though I consider myself innocent of the crimes of which I have been accused it is the judgment of my King and therefore God that I die upon Tower Hill. Be true to your King despite his insistence on being the supreme head of a new English Church. I love you both with all my heart.” Such were the last words of a man who looked a self-appointed God in the face and told him to go to hell.
  There are a number of the population that still do see the Royal Family as an institution of adoration even in 2018. This despite the assertion that they bring in much needed revenues in tourism having been debunked this outlook is still maintained. Brand Finance seems to recon that the Royal Family's net worth to the economy is approximately £1.155 billion in 2018.
The flow of velvet and gold created a swishing and sweeping air of authoritive tumult Thomas strode across the cell in the turret of the Tower. With a deep sigh at his impending inevitability he drew up his strength and seated himself on the stool by the slight window. Allowed to draw up a final note to his children. It was the 6th of July 1535 and Thomas Moore took up his quill and rested the parchment on the alcove before him; a little unsteadily he began to write the previous note.  
 Of course we don‘t have to worry about being decapitated if we worship the wrong deity today so that’s a bonus. August 2017 and Prince Phillip, Duke of Edenborough bowed out of public duties as he decided to end his official obligations to our crown. At 96 and sporting a bowler hat and raincoat he felt it necessary to mark the occasion by signing out at Buckingham palace to a round of “For He’s a Jolly Good Fellow”. Interesting.
 Further this contribution is scowled upon by the anti-Royalists of the nation as it presents a disparagement between the amount it costs to maintain them. It is estimated that Sovereign Grant, security and maintenance of palaces, are netted off against sources of income including the uplift to the tourism, all generated by the Crown Estate. Basically there not worth the bother in some quarters of our great nation. This might be true. Though what would we become without our national identity? Some might say we’d be phenomenally better off. Financially speaking they’d be right.
  Even the much vaunted theories of inbreeding, treason and paedophilia are not enough to deter many from advocating a system of absolute Monarchic Meritocracy. Faith is the answer I think. Faith and hope. These two underestimated truths, excestencial or not, are the fundamental basis upon which all life is founded. We all have faith and are religious about something whether we like it or not. It is possible to be religious about not being religious for example. Very cold attitude but then the ways in which human relations within grief have evolved are cold. The other side of the equation is just as irrational as the practical. Wouldn’t it be nice to be certain of your place in life?
  Much has been written and theorised on theories of the existence of what we call the afterlife; great scholars and thinkers have scribbled late into the evening and night to illuminate the subject. While both scholars and thinkers are very much of the same mind on some topics they can be drawn into two distinct categories on others. For example, such thinkers tend to be academics of a varied sort who labour to distinguish life as a functional and distinct plain in which matter interacts with its brother and creates bigger and better matter, while doers on the other hand tend to be of a slightly different order.
  Wouldn’t it be sweet to wake up in the morning and know what you believed was right and true beyond all doubt and the variations of opinion in the world, which create so much discrepancy and argument, were a blasphemy to human thought. Your truth was the correct one and there was no variation. It would also allow the boon of always having fodder in your material bank for writing purposes. Of course we do not have to worry about being decapitated if we worship the wrong deity today so that’s a bonus, but there is still a stanch need for identifiable origins to validate our historical perspective on life. As such some are of the opinion that Royalty is needed in England today. Many are in agreement with that fact although they do concede that their income should be scrutinished and capped.  It is to be noted despite this that the man in the street do find themselves on the end of the serpent’s tooth if they are wearing last year’s wardrobe. I personally prefer looking like I stepped out of 2009 than losing my ability to throw up at the sight of today’s equivalent of Sir Moore. A title that Messer’s Trump and May have to contend with, although they seem to do it with alarming alacrity. Perhaps one’s place in life depends on one’s perspective towards it. Remembrance perpetuates through skin and bone, flowing through clan, families and home.
My name will die with the earth.
 ·         Video
 ·         The Tudors, Michael Hurst, Johnathan Rys Myers, Jeremy Northiam, Showtime, April 2007
·         The Tower Of London, UNESLO, May 24 2013
·         The World Within – CG Jung – In His Own Words, Psychology Library, Feb 1 2017
·         Sociology - Emile Durkheim, Gringa Video Audio, May 1 2015
·         The Royal Wedding Ceremony At Westminster Abby, The Royal Family, April 29 2017
·         Royal Family of the Beast, Shocking Look into the Antichrist Bloodline, John 3:16, Vid Ministry, June 3 2018
·         The Tower of London Documentary, Doc Spot, Feb 24 2018
·         Prince Phillip Carries Out Last Formal Engagement, BBC News, August 2 2017
·         End The Monarchy Now! For The Baby! Russel Brand, The Trews, Feb 10 2014
·         Crown Estate Hits Record Profits with Queen Set To Benefit, Bloomberg, 7 July 2011
·         Political Reasons Why Monarchy Is Good, Frith Mister, June 2 2017
·         Engineering Miscode Structures, With Distinct Dynamic Implications, New Journal Of Physics, December 11 2012
·         Service Charge, Beaton Edwards, January 12 2011
·         Trump and May Hold Press Conference, Sky News, July 13 2008
Indo-European Origen, CroPedroForever, August 24 2012
0 notes
Link
NAHB: Builder confidence ends four months of consecutive increase
Contents
Home price declines
Newly built single-family homes
55+ housing market ends fourth quarter
Home builders/wells fargo housing market index
BofA to Reduce Principal in HAMP Mortgage Modifications Home price stall-out spreads from lower-priced homes to higher end The inventory of for-sale homes[ii] in the bottom home-price tier. but there were fewer high-priced homes on the market. While inventory was still tight there in October, the homes that were. If the principal balance on the loan has grown because the borrower selected an option to make payments that did not cover the interest due and this payment difference was added to principal – known as negative amortization – the bank will consider offering a HAMP modification eliminating the negative amortization feature and forgiving all or part of the negative amortization amount to reduce principal to as low as 95 percent LTV.Chicago housing recovery takes a step back God Made a Realtor Mortgage industry fares well in fiscal cliff deal, debt forgiveness law survives Breaking: Congress Passes Extension of Mortgage Debt Relief Act In. – It’s a Done Deal: Tax Forgiveness for Short Sales, Loan Modifications Remains In Effect Through in Foreclosure, massachusetts real estate law, Mortgage Crisis, Short Sales. It’s a Done Deal: Tax This will extend mortgage debt forgiveness relief for home owners or sellers who have a portion of.First, it is attributed to Paul Harvey which it is patently not from, probably because of his "similar" speech So God Made a Farmer. The contrast could not be more apparent. Paul Harvey would never have written a speech like this one. It imitates another video which has been around for a few years,S&P predicts more home price declines through 2011 2018 Rising Stars: David Roy Ally Financial, formerly GMAC Mortgage, suspends foreclosures in 23 states Banks Want to Sit Down’ With States to Discuss Foreclosures – The probe came after JPMorgan and Ally Financial Inc.’s GMAC mortgage unit said they would stop repossessions in 23 states where courts supervise home seizures and Bank of america froze foreclosures.The 2018 Paula L. Ettelbrick Award will be presented to H. Gwen Marcus, executive vice president, General Counsel at Showtime Networks Inc. at the MCCA Creating Pathways to Diversity Conference on October 2, 2018.As of November, sales of previously occupied U.S. homes were down 7 percent from a year earlier, the steepest decline since May 2011, when the housing market had yet to bounce back from the bust..Lending practices that make it easier for families to buy a more expensive home in a pricier neighborhood has left Chicago with an uneven housing recovery.
Four-Month Upturn Ends as Builder Confidence Falls in October Filed in Construction Industry , Economics , Home Building by NAHB Now on October 16, 2014 0 Comments After four consecutive monthly gains, builder confidence in the market for newly built single-family homes fell five points to a level of 54 on the NAHB/Wells Fargo Housing Market Index (HMI), released today.
Builder confidence in the market for newly built single-family homes leveled off in January after eight consecutive months of improvement, and has dropped since then, according to the NAHB. Analysts.
Nationstar scoops huge Fannie, Freddie mortgage servicing portfolio SoFi’s Super Bowl ad only the beginning of major company brand push Francois briefed reporters Monday at the Detroit Opera House while he also debuted a new series of ads for the Ram brand. We are going to see a lot of this campaign during the Major League. This is.One of the biggest specialty mortgage servicers,Nationstar Mortgage. insured or guaranteed by Fannie Mae, Freddie Mac or Ginnie Mae. With all the new regulatory and capital hurdles big banks face,SoFi officially licensed to lend in New York SoFI has been a frustrating company to work with. Attempted to help my daughter refinance her student loan. I was asked to co-sign. Gave much documentation that they asked for numerous times.
Builder Confidence in the 55+ housing market ends fourth quarter on a Record High By Paul Emrath on February 4, 2014 (). Builder confidence in the 55+ housing market for the fourth quarter of 2013 is up sharply, according to the National Association of Home Builders’ (NAHB) latest 55+ Housing Market Index (HMI).
Builder confidence in the market for newly-built single-family homes edged down one point to a level of 70 in March from a downwardly revised February reading on the National Association of home builders/wells fargo housing market index (HMI). This is the fourth consecutive month at or above a level.
That’s up from a revised reading of 68 in April and snaps a four-month slide in builder. rate increase before year’s end. Despite the overall increase in confidence this month, builders are facing.
The Housing Market Index (HMI) is based on a monthly survey of NAHB members designed to take the pulse of the single-family housing market. The survey asks respondents to rate market conditions for the sale of new homes at the present time and in the next six months as well as the traffic of prospective buyers of new homes.
Login or register now to gain instant access to the rest of this premium content! Following four consecutive months of improvement, builder confidence in the market for newly built, single-family.
The NAHB’s builder confidence index increased five points to 46 for November 2012, marking its highest point since May 2006 National Association of Home Builders November 19, 2012
2018 Rising Stars: Ted Coleman Although the Texas representative did not manage to beat out opponent and former presidential candidate Ted Cruz for a seat in the Senate. bid for the Senate in solid-red Texas in 2018, has been a.
The chairman also noted that "more cities are experiencing slower gains each month than the previous month, suggesting that the rate of increase. confidence on the rise Home builder confidence in.
The post NAHB: Builder confidence ends four months of consecutive increase appeared first on Mortgage Broker Plano Texas.
https://ift.tt/2OkoRiG
0 notes
rickhorrow · 5 years
Text
15+5+5 To Watch : 81919
15 TO WATCH/5 SPORTS TECH/POWER OF SPORTS 5: RICK HORROW’S TOP SPORTS/BIZ/TECH/PHILANTHROPY ISSUES FOR THE WEEK OF AUGUST 19 with Jacob Aere
Jay-Z and the NFL partner on entertainment content and social activism. The NFL is partnering with Jay-Z in a deal that "will put him in charge of managing some entertainment options for the league and will tie into the sport's social justice endeavors," according to the Washington Post and other sources. Jay-Z’s Roc Nation agency will become a co-producer of the Super Bowl halftime show, but the deal "does not contain a provision for him to be the halftime performer." Roc Nation "will choose entertainers who will perform in NFL content throughout the season." Jay-Z said that he "believes that Roc Nation will have the freedom" to produce the "kind of entertainment that it wants." The community activism portion of the partnership "will be tied into the NFL’s existing 'Inspire Change' program with its players.” While Jay-Z faced many questions surrounding his alignment with the NFL while Colin Kaepernick – who Carter has supported quite vocally – remains unemployed, as Carter rightly pointed out, his involvement will likely direct a lot more money to social justice issues. This is a huge win for the NFL, and the potentially positive impact of Jay-Z being willing to join forces with the league — especially now — cannot be overstated.
Joe Tsai will pay Mikhail Prokhorov about $2.35 billion for the Nets – a record for a U.S. pro franchise – and nearly $1 billion for Barclays Center in a "separate transaction." The deal is "expected to be completed by the end of September and is subject to approval by the NBA’s Board of Governors," according to the Associated Press. The deal would put Tsai in "full control of the team by the time the Nets head to China to play two exhibition games" against the Lakers in October. Sports Illustrated, which led with the headline, "Mikhail Prokhorov Leaves A Complicated Legacy With The Nets,” added that the deal allows Prokhorov to "retain control of NYCB Live’s Nassau Coliseum." Prokhorov’s Onexim Sports & Entertainment also is "retaining its ownership stake" in the proposed $1.5 billion commercial and residential redevelopment plans at Nassau HUB. Sources said that a partnership between Tsai's BSE Global and Prokhorov's Onexim Sports & Entertainment will "remain in place, with some BSE Global employees expected to share responsibilities across both venues.” Tsai, a Taiwanese-Canadian businessman, is the co-founder and executive vice chairman of Alibaba Group.
CBS and Viacom announce deal for delayed merger. CBS and Viacom have formally agreed to merge, a deal the media companies "hope will put them on stronger footing to compete with larger rivals." The all-stock deal would create a "major entertainment player" valued at roughly $30 billion, according to the Wall Street Journal, "combining Viacom properties such as MTV, Nickelodeon, Comedy Central and the Paramount film and TV studio with CBS’ broadcast network and Showtime premium network." Shari Redstone will become Chair of the new entity. Bob Bakish would become CEO, while CBS Acting CEO Joseph Ianniello "would run CBS-branded assets.” Combined, the companies have 750 series ordered to production. They’ve spent a total of $13 billion on content during the past 12 months for programming across CBS’ local and national platforms, Showtime, Viacom’s cable and international networks, and Paramount Pictures. ViacomCBS will have a global reach of more than 4.3 billion cumulative TV subscribers in more than 180 countries. The combined company, finally, projects $500 million in synergy savings within two years by eliminating overlapping corporate operations and other initiatives.
The LPGA and Group1001 announce a new official LPGA Tour event coming to Boca Raton, Florida in January, 2020. The first edition of the Gainbridge LPGA at Boca Rio will be held January 20-26 at Boca Rio Golf Club. The event will feature a 108-player field competing for a $2 million purse over 72 holes of stroke play. Boca Rio Golf Club, founded in 1967 and designed by Robert von Hagge, is situated four miles from the Atlantic Ocean on 200 acres of native Florida wilderness with no developed real estate. “We are thrilled to support women’s professional golf and to provide a platform for the sport’s best to compete and showcase their talents,” said Dan Towriss, Group1001 CEO. The new event will be one of two LPGA Tour tournaments held in Florida in January. The year will kick off with the Diamond Resorts Tournament of Champions January 15-19 in Lake Buena Vista, one week prior to the Gainbridge LPGA at Boca Rio.
Tiger Woods considers next steps for Chicago golf course. Before Tiger Woods teed it up at last week's PGA Tour BMW Championship at Medinah, Chicago Alderman Leslie Hairston met with TGR Design President Byron Bell, course designer Beau Welling, course planner Mark Rolfing, and the golfer himself to "discuss next steps" on a Jackson Park/South Shore golf course project that "has stalled since Woods got involved" in late 2016, according to the Chicago Tribune. There was some speculation as to whether Woods would actually play in the BMW Championship, but tournament officials expected that he would play and planned for the crowds accordingly. The event ended Woods’ FedEx Cup Playoffs run – he tied for 37th in an event won by Justin Thomas, who is now in the lead to win the FedEx Cup Championship. Golf Channel's Brandel Chamblee’s take on the scenario? Chamblee believed Woods had “significant sponsor-related incentives to 'show up and tee off.’”\
BMW is set to renew its title sponsorship of the second PGA Tour FedEx Cup Playoff event for a further three years, according to the Chicago Tribune. It was reported earlier this year that the luxury carmaker was set to end its association with the BMW Championship after this year in order to reallocate its American golf sponsorship budget to the 2020 Ryder Cup at Whistling Straits. However, the Tribune report claims that the company has now reversed its decision and will pay $15-$18 million a year to extend the deal beyond 2019. The Tribune added that the new agreement will be announced in the coming days. If this deal moves forward, it would extend a partnership dating back to 2007. BMW also extended its partnership with USA Swimming through the 2020 Tokyo Olympics, following an earlier extension with USA Bobsled & Skeleton through the 2022 Winter Games in Beijing.
The NFL struck a deal with Sportradar to expand their existing partnership, which will license the distribution of NFL official league data and content to more fans around the world. The renewal significantly expands upon the existing partnership, including exclusive distribution of real-time official play-by-play data and NGS data to sports betting operators in the U.S. and internationally where sports betting is legal and regulated. Official licensed data will improve the speed and accuracy of NFL data and enhance protections for consumers. In addition, Sportradar will now have the right to distribute live audio-visual game feeds to sportsbooks in select international markets. The NFL will also use Sportradar’s integrity services to monitor betting across all NFL games (preseason, regular season, and postseason). The NFL and its clubs will also have access to Sportradar’s integrity education workshops and products to ensure the continuation of the NFL’s high standard for integrity. 
With television revenue rolling in, Power 5 schools are engaged in a new kind of arms race, paying significantly more money than ever before to coaches in so-called non-revenue sports. USA Today examined how much money each Power 5 public school paid its head coaches in 23 sports other than football and men's and women's basketball 2013-2018. In that five-year span, total compensation for those coaches grew 43%, almost the same rate of increase as that of football coaches (51%). In 2005, D-I schools spent more on scholarships than on coaches and administrative pay. Since then, the latter have pulled ahead. In 2005, $736 million was spent on scholarships, $721 million on coaches’ pay, and $686 million on administrative pay. By 2018, $1.92 billion was going to coaches’ pay, $1.72 billion to administrative pay, and $1.7 billion to athlete scholarships. That “compensation for coaches in lower-profile, money-losing sports has been growing at a similar rate to football raises red flags for some athletics directors worried about budget crunches.” It also raises red flags for NCAA critics, who look at skyrocketing salaries in non-revenue sports alongside unpaid student-athletes and see a broken system.
The completion of a $315 million renovation has transformed the 96-year-old Los Angeles Memorial Coliseum from "ravaged to ravishing," according to the Los Angeles Times. The "wide concourse and new concession stands are welcome, and the views from the 1923 Club on the rooftop are dazzling." Every fan will "benefit from enhancements made during the two-year process." Every seat in the stadium is "new and wider and is equipped with a cupholder." Capacity will be 77,500, down from 92,348. Signs on the tunnels were "added to help fans find newly numbered seats, and new video boards and more than 600 TV screens will make it easy to follow games." There will be "more concession stands and the restrooms will continue to undergo improvement during the season." The Times noted 21 of 22 suites at the Coliseum have been sold at prices that ranged from $7.5-10 million with a "commitment of 20 years.” The renovated building will be a much more desirable destination for Trojans fans for years to come, and for Rams fans in their final season before the new Los Angeles Stadium at Hollywood Park opens next year.
It’s back to school time, and in Washington DC, Monumental and EVERFI support STEM. As students across the nation are returning to the classroom, Monumental Sports & Entertainment Founder and Chairman Ted Leonsis is "spearheading a multipronged effort to improve schools and fuel economic growth in the impoverished neighborhoods" around Entertainment & Sports Arena in DC's Ward 8. According to the Washington Times, the initiative, called "Forward8," includes "pushing for the expansion of advanced science, technology, engineering and mathematics" programs in DC schools. Monumental’s Beltway neighbor, education technology leader EVERFI, is likewise proactive in community engagement, empowering more teachers, citizens, and students to get involved with game-based, incentive driven online education that fosters greater comprehension, retention, and behavior change. By bringing together the public and private sectors to change the way education is delivered, EVERFI is equipping today’s learners across the nation with the skills they need to become tomorrow’s leaders, while Monumental is leading the way toward helping improve education, the workforce of tomorrow, and the community in their own backyard.
Formula One has recorded a modest year-on-year rise in revenues for the second financial quarter of 2019, going from $585 million in 2018 to $620 million in its latest financial filing. Operating income rose from $14 million to $26 million over the same period, according to SportsPro. The global motor sport series’ ten teams also saw an increase in their combined payments between April and June from $307 million to $335 million, with the figure directly linked to the overall revenue increase. Formula One’s owners Liberty Media in a statement further explained the overall change in revenues: “Broadcast revenue increased primarily due to contractual rate increases. Advertising and sponsorship revenue increased due to revenue from new sponsorship agreements entered into beginning in the second half of 2018. Other Formula One revenue decreased in the second quarter primarily due to the mix of races, which resulted in lower TV production and Paddock Club revenue.” Formula One CEO Chase Carey also told investors that Liberty Media is making "good headway" in its moves to add a second race in the U.S. Miami and Las Vegas remain the two potential landing cities.
Nike launches first shoe subscription service, two years in the making. According to Fast Company, the retail giant launched the Nike Adventure Club, which sends a pair of Nike or Converse kicks to kids at regular intervals. Club members can receive them on a monthly, bimonthly, or quarterly basis. Each pair of shoes works out to $50-$60 a pair — which puts the service on the higher end of the kids’ sneaker market. What’s more, when a child grows out of a pair or they get worn out, you can send shoes back — either in the Adventure Club box or by requesting a prepaid shoe bag — to the company, and even include non-Nike shoes you want to get rid of. If a shoe is in good condition, Nike will donate it to a nonprofit. But if it has reached the end of its life, Nike will recycle it through its Grind program, which breaks down athletic footwear to turn it into other products, including running tracks and playgrounds. Because of this, Nike is pitching the program as a way to make kid’s shoes sustainable.
The NBA sets earlier start times for televised doubleheaders. The NBA wants to cut down on cases of post-midnight dribbling. The league and its two national TV partners, ESPN and WarnerMedia, have struck a new arrangement for the times the media companies televise doubleheaders. In an effort to offer fans a wider variety of teams and to get East Coast viewers to bed before 1 a.m., the league is cutting the number of late doubleheaders on ESPN and TNT by 42%, cutting the total shown to 33 in the 2019-2020 season. The NBA made the new move realizing East Coast fans were being made to watch games that stretched into the wee hours of the morning and that only a handful of teams could be shown in games that started at 10:30 p.m. ET. ESPN and WarnerMedia’s Turner Sports were in favor of the move. Many of the game’s biggest starts and most popular teams are based on the West Coast, while most U.S. TV households are in the east. Another important consideration for the globally-minded league – the schedule adjustment expands the number of prime time games televised in Europe, to 48.
Louisiana state commission approves bond sale for Superdome upgrades. Louisiana's State Bond Commission has given the Mercedes-Benz Superdome's governing body the "go-ahead" to sell up to $350 million in bonds to "fund its stadium upgrade project," according to the New Orleans Times-Picayune. The approval is a "major step" for the venue's $450 million makeover. It comes after committee members quizzed Saints President Dennis Lauscha and SMG Executive Vice President of Stadiums and Arenas Doug Thornton about "why the spending was needed and how much the state of Louisiana would have to contribute." Thornton said that they "had studied alternatives for more than two years, including various renovations as well as building an entirely new stadium." Even though the Superdome received $336 million worth of upgrades in the wake of Hurricane Katrina and before it hosted Super Bowl XLVII in 2013, the new upgrades are needed to keep the building competitive based on NFL benchmarks and new stadiums nationwide competing for Super Bowls and other mega events. By 2025, the end of the Saints' current lease, the Superdome is projected to have a total fiscal impact of $19.9 billion.
Finally, as summer’s heat reaches its peak, The Original Chipwich completed a sponsorship agreement with the National Women’s Hockey League to serve as “The Official Ice Cream Sandwich of the NWHL” for the 2019-20 season. As an NWHL partner, Chipwich will sponsor select intermission activities during games and receive significant social media promotion, plus additional activations. As part of the NWHL-NWHL Players’ Association agreement, players under contract for the upcoming season receive a 50% split of revenue from all league-level sponsorship and media deals. Revenue from the partnership agreement with Chipwich will be banana split in half with NWHL players, resulting in additional income beyond their salaries for playing. The Chipwich deal, clearly, is the cherry on top of the NWHL’s successful summer sundae of deal making.
Top Five Tech
MLB, Little League, and ESPN broadcast VR Home Run Derby from Williamsport. According to PR Newswire, the 2019 Home Run Derby VR Little League Challenge will feature one player from each of the 16 U.S. and International teams participating in the 2019 Little League Baseball World Series and will be available free via live streams on the ESPN app and the official MLB channel on Twitch. Little League players competing in the challenge will use a special All-Star multiplayer edition of the award-winning VR video game featuring Progressive Field, the home of the Cleveland Indians, custom designed in a 360 degree hi-resolution visualization. Last year, MLB, Little League International, and ESPN held the first-ever video game competition as part of the Little League World Series experience in Williamsport. The highlight recap of last year’s VR Derby drew a sizeable 362,000 viewers – this is an avenue for MLB to make an entry into video games and eventually, esports.
MLB and FanDuel announced a multi-year agreement that makes the sportsbook operator an official gaming partner of the league. According to Hashtag Sports, the partnership provides FanDuel access to official MLB data, along with league and team marks and logos, across FanDuel’s online sports betting products and retail sportsbook locations. In-play wagering is a large part of the sports betting experience and accounts for more than 50% of FanDuel Sportsbook’s total business. MLB and FanDuel Group joining forces allows FanDuel to enhance the in-play and overall sports wagering and experience. It is MLB’s first partnership with FanDuel. The sports betting company already has similar agreements with the NBA and the Brooklyn Nets, as well as the NHL and the New Jersey Devils. MLB has previously partnered with MGM Resorts International and DraftKings. The move is the latest in a series of league partnerships with sportsbook operators, as regulated sports wagering spreads across the country. The NFL is currently the only major U.S. professional league not to have named an official sports betting partner.
The Atlanta Falcons add a new app and free preseason streaming. According to SportsPro, both the Falcons and their Mercedes-Benz Stadium have launched new apps ahead of the 2019 season. The team app will deliver news, transactions, player access, game day highlights, and more exclusive content. Daily editorial coverage will include videos, photos and podcasts, and even live streaming of the Falcons’ preseason games. On the other hand, the game day app will give fans access to their digital Ticketmaster account and the ability to easily and securely transfer tickets. In addition, the platform will house interactive stadium maps, concession and restaurant menus, and a 24/7 virtual concierge. Similar to the MLS’ LAFC, the Falcons have added new apps and more in-depth player coverage to bring fans closer to players than ever before – a route that has proved successful for other NFL franchises like the New York Jets and their social media team.
HBO gets ready to air four different Power Five football college programs as part of a “Hard Knocks”-style series. According to Sports Illustrated, the show will air this college football season and the four teams are Alabama, Arizona State, Penn State, and Washington State. Showtime had previously run three seasons of weekly behind-the-scenes programs and chronicled Notre Dame, Florida State, and Navy from 2015-2017. HBO is following the Raiders through the 2019 preseason; Episode 1 of the five-episode season aired August 6. Hard Knocks is now in its 14th season covering the NFL. Bringing more coverage to college football will be a competitive scene as more OTT programs such as DAZN and The Athletic are doing more in-depth programming of previously uncovered college sports teams.
“Mad Money” host Jim Cramer inks a three-year deal including helping to launch the NFL’s fantasy subscription service. According to the New York Post, digital publishing, advertising, and distribution platform Maven bought out Cramer’s financial news service, TheStreet, for $16.8 million. As part of the deal, Cramer has signed a three-year production deal comprising a new NFL fantasy football subscription service that includes a pre-weekend preview show on Thursdays and post-weekend show on Tuesdays. Separately, Maven has an agreement to manage the Sports Illustrated media properties for licensing behemoth Authentic Brands, which purchased SI from Meredith for $110 million earlier this year. Maven prepaid $45 million to Authentic Brands for rights to the SI media operation under a ten year deal. Seattle-based Maven was founded in July, 2016 by James Heckman, has attracted over 100 brands, and will now provide world-class exclusive content for NFL fantasy lovers.
Power of Sports Five
The Cleveland Browns open up training camp and help puppies find homes. According to The Athletic, more and more NFL teams are limiting public access to training camp, but the Browns are doing the opposite. The team has expanded camp over the past few years to make it more fan- and family-friendly and has added several sets of large bleachers, food trucks and beer stands, and games for kids and teens. The highlight of the training camp is Browns Puppy Pound, which adopts out puppies from the Northeast Ohio SPCA during every open practice. More than 110 dogs have been adopted thus far in training camp this year and more than 450 puppies have been adopted through the partnership since the Puppy Pound debuted in 2015. By bringing the dogs to a place where people are happy to be going, the Browns have helped nearly 500 dogs find homes.
The Houston Rockets’ James Harden gifts a mother fishing for food in the Bahamas $10,000. According to Complex, Harden and his friends vacationed in the Bahamas this summer. His group took a four-wheeler ATV ride through the island, where footage of Harden giving money to locals was shared around social media. The guard gave random amounts of money to local residents, and even gave a mother $10,000 when he saw that she and her family were fishing for food. This trip was a part of the world tour that Harden has been on since the season ended. Earlier in the summer, Harden took a trip to China to engage with his fans in a country that is hungry for more basketball. Harden and the Rockets are looking to make a push in the new Western Conference with the Warriors shaky, and Harden is striving for greatness on and off the court with his philanthropy.
The annual Gagne-Bergeron Pro-Am raised over $450,000 for children’s charities in the Boston area.  The event took place on August 8 and featured 10,000 fans in attendance to watch the annual charity hockey game. Now in its 11th year, the event has funneled $2 million to charity since its inception. Notable names who participated in this year’s event includes Paul Stansy as a representative of Golden Knights on the ice. According to Le Journal de Quebec, Philippe Boucher Foundation, the Maurice Tanguay Foundation and the Simple Plan Foundation will benefit from the money raised at the event which included the participation of 21 NHL players and other amateur players at the Videotron Center in Quebec. Hockey is a close-knit community and by bringing together notable names in the off-season, fans stay engaged with players while also helping those in need.
Miami Dolphins former lineman Kendrick Norton suffers a partial missing arm but finds new purpose in charity. According to TMZ, the former NFL lineman lost half of his left arm in a July car crash but doctors told him he's a prime candidate for a state-of-the art prosthetic limb that he can control with his mind. Supposedly his new limb will allow him to control his new fingers as well as his old ones. Now that Norton is living with a missing arm, he says he's refocusing his priorities from football to starting a non-profit charity and wants to use his platform to inspire kids who are living without limbs.
Panini America teams with NASCAR driver Gray Gaulding to bring NFL MVP Patrick Mahomes and his charity into the spotlight. As part of a partnership, the Kansas City Chiefs star quarterback and 2019 Donruss Football cover athlete will be placed on the hood of Gaulding's No. 08 Chevrolet Camaro. According to PR Newswire, the autographed hood will be auctioned off to benefit Mahomes' “15 and the Mahomies Foundation” after the race. Fans and collectors who want to bid on the autographed Mahomes and Gaulding hood used during Friday's Food City 300 can do so by going to Panini America's official eBay page beginning Wednesday. Panini America, the world's largest licensed sports and entertainment collectibles company and the exclusive trading card manufacturer of the NFL, NFLPA, and NASCAR, has created a cross-sport mash-up to provide a starting point for cross-league charity events between NASCAR and the NFL.
0 notes
seajudge70-blog · 5 years
Text
Oscar(R) Nominee Bruce Dern, Melissa Rauch and Horatio Sanz Join New Showtime(R) Comedy Series "Black Monday"
OSCAR(R) NOMINEE BRUCE DERN, MELISSA RAUCH AND HORATIO SANZ JOIN NEW SHOWTIME(R) COMEDY SERIES "BLACK MONDAY"
Julie Hagerty And Vanessa Bell Calloway Also To Guest Star On Comedy Series Premiering In January
NEW YORK - October 16, 2018 - The new SHOWTIME comedy BLACK MONDAY is adding to its guest star lineup with Emmy(R) and two-time Oscar(R) nominee Bruce Dern (Big Love), Melissa Rauch (The Big Bang Theory) and Horatio Sanz (Saturday Night Live, Glow) signing on, along with Julie Hagerty (Airplane, Instant Family), Vanessa Bell Calloway (SHAMELESS, Saints & Sinners), Tim Russ (iCarly) and Jason Michael Snow (Book of Mormon). The 10-episode series is executive produced and stars Emmy(R) nominated and Golden Globe(R) winning actor Don Cheadle and stars two-time Tony(R) Award nominee and Grammy(R) winner Andrew Rannells (Girls) and Regina Hall (Girls Trip). Paul Scheer (The League) also stars. Creators David Caspe (Happy Endings) and Jordan Cahan (My Best Friend's Girl) serve as executive producers and showrunners. Emmy nominees Seth Rogen and Evan Goldberg (Preacher, Superbad) are executive producers and directed the pilot. Currently in production, BLACK MONDAY will premiere in January.
Dern will play Rod, a legendary trader, while Sanz will play Wayne, a Wall Street wild man who works at Mo's (Cheadle) Jammer Group. Rauch will play Shira, the loving wife of trader Keith (Scheer). Hagerty is Jackie Georgina, the matriarch of a designer denim empire. Bell Calloway and Russ will play Dawn's (Hall) artist mother Ruth and professor father Walter. Finally, Snow is playing Mike, a Broadway actor. Previously announced guest star Kadeem Hardison (A Different World) will play Spencer, Dawn's husband.
A co-production between SHOWTIME and Sony Pictures Television, BLACK MONDAY guest stars also include Yassir Lester (Making History), Michael James Scott (Aladdin on Broadway) and Eugene Cordero (Kong: Skull Island), with recurring guest stars Casey Wilson (Happy Endings), Ken Marino (Wet Hot American Summer), and Kurt Braunohler (Bunk).
BLACK MONDAY takes viewers back to October 19, 1987 - aka Black Monday, the worst stock market crash in the history of Wall Street. To this day, no one knows who caused it ... until now. It's the story of how a group of outsiders took on the blue-blood, old-boys club of Wall Street and ended up crashing the world's largest financial system, a Lamborghini limousine and the glass ceiling.
Source: http://www.thefutoncritic.com/news/2018/10/16/oscar-nominee-bruce-dern-melissa-rauch-and-horatio-sanz-join-new-showtime-comedy-series-black-monday-458314/20181016showtime01/
0 notes
frontproofmedia · 5 years
Text
Keith 'One Time' Thurman Breaks Down His Nine Championship Fights
(adsbygoogle = window.adsbygoogle || []).push({});
PRESS RELEASE
Follow @Frontproofmedia!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0],p=/^http:/.test(d.location)?'http':'https';if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=p+'://platform.twitter.com/widgets.js';fjs.parentNode.insertBefore(js,fjs);}}(document, 'script', 'twitter-wjs');
Published: July 08, 2019
youtube
ST. PETERSBURG, FL. (July 8, 2019) - Keith "One Time" Thurman's victories have always been the center of conversation. Even with nine championship fights and eight title defenses already under his belt, his Saturday, July 20 fight against Manny Pacquaio could prove to be the most significant, as he steps onto boxing's biggest stage looking to capture a momentous victory. Pacquiao vs. Thurman will pit the undefeated WBA Welterweight World Champion Thurman against boxing's only eight-division world champion and Philippine Senator Manny "PacMan" Pacquiao in the main event of a Premier Boxing Champions on FOX Sports Pay-Per-View event from the MGM Grand Garden Arena in Las Vegas. The FOX pay-per-view begins at 9 p.m. ET/6 p.m. PT and tickets for the event, which is promoted by MP Promotions, Mayweather Promotions and TGB Promotions, are on sale now and can be purchased online through AXS.com, charge by phone at 866-740-7711 or in person at any MGM Resorts International box office. Coming off a majority decision over Josesito Lopez that ended a 22-month ring absence in January, Thurman (29-0, 22 KOs), 30, had won a close unanimous decision over former title holder "Showtime" Shawn Porter in June 2016 and a split-decision over two-division title winner Danny "Swift" Garcia in March 2017, adding Garcia's WBC crown to his WBA version, before he vacated the WBC title due to injury. Thurman broke down all of his title performances in anticipation of the fight that could cement his place amongst boxing's best of this era. KO 10 Diego Chaves, July 27, 2013, AT&T Center, San Antonio: The 24-year-old Thurman came off a near-shutout unanimous decision over former champion Jan Zaveck in March 2013 and faced an unbeaten Argentine interim WBA champion who was after his fifth consecutive stoppage win and had knocked out 18 of 22 opponents. Thurman traded early power shots, controlled tempo with his athleticism and boxing ability and floored Chaves with a ninth round left hook to the liver before dropping him for the final time with a right hand in the 10th round. Chaves failed to beat the count as Thurman became a 147-pound titleholder. "The Diego Chaves fight was the biggest fight of my career, elevating me to the WBA interim champion," said Thurman. "I broke him down round by round and landed a beautiful body shot in the ninth round and after that it was a matter of time. That was a fight that earned me worldwide respect and was the start of everything for me." TKO 9 Jesus Soto Karass, December 14, 2013, Alamodome, San Antonio: Soto Karass' previous victory was a 12th-round stoppage of two-time belt holder Andre Berto in a fight that saw him rise from an 11th-round knockdown. Hurt by a hard right in the first round, Thurman recovered, flooring Soto Karass with a left uppercut in the fifth and again from a powerful combination in the ninth as the referee ended matters. "Soto Karass was coming off a victory over Andre Berto which made it an important measuring stick fight for me," said Thurman, "He did open the fight by tagging me in the first round, but I dropped him in the fifth and again in the ninth and was able to finish him off for my first title defense." RTD 3 Julio Diaz, April 26, 2014, StubHub Center, Carson, Calif: In a one-sided beat-down, former champion Diaz took a knee from a left to the temple the second round and retired prior to the fourth from a body shot that caused rib damage. Diaz never fought again. "That was a tremendous fight for me as the headliner in my first main event," said Thurman. "Diaz was coming off of good showings against Shawn Porter, fighting Porter to a draw once, and Amir Khan, whom he dropped in their fight. I also had the opportunity to make a statement. I did that by stopping him in only three rounds." UD 12 Leonard Bundu, December 13, 2014, the MGM Grand Garden Arena, Las Vegas:A previously unbeaten 40-year-old switch-hitting veteran, Bundu (31-1-2, 11 KO) was dropped by a first-round right hand in a shutout victory (120-107 three times) for Thurman who ended an eight-month ring absence and was recovering from an injured left shoulder. "Bundu was a switch-hitting awkward fighter. I switched [to southpaw] on him in the first round and dropped him with a right hand," said Thurman. "I out boxed him and really gave the world a taste of how good of a boxer I am. It was an easy blowout." UD 12 Robert Guerrero, March 7, 2015, the MGM Grand Grand Garden Arena: Thurman entered this bout after having been elevated to the full champion before facing Guerrero (32-3-1, 18 KOs), a two-division title winner. He overcame a grotesque hematoma above his left eye from an accidental clash of heads, dropped "The Ghost" in the ninth-round, and lost a combined four rounds in PBC's first ever main event. "Guerrero had fought Floyd Mayweather and I was happy to have a common opponent with Floyd, so that I could prove to the world that I deserved a shot at Mayweather," said Thurman. "I had to overcome that adversity of having that hematoma by knocking him down in the ninth round. That fight really raised my stock to another level." WATCH FULL FIGHT HERE FROM PBC RTD 7 Luis Collazo, July 11, 2015, USF Sundome, Tampa: Thurman overcame a crippling left hand to the liver in the fifth round to become only the man to stop Collazo, a former champion who had gone the distance in losses to Ricky Hatton, Shane Mosley, Andre Berto and Amir Khan. In a homecoming fight, Thurman opened a deep gash over Collazo's right eye with his own left hook, eventually resulting in the southpaw's retiring on his stool after the seventh round. "I was able to survive that body shot to perform in the next round. The fight was taking its toll on him though. I was becoming more comfortable and accurate as I physically broke him down," said Thurman. "The arena was electric, and the love was amazing. It was a great homecoming to defend my world title near where I grew up in Clearwater, Florida." WATCH FULL FIGHT HERE FROM PBC UD 12 Shawn Porter, June 25, 2016, Barclays Center, Brooklyn, New York: Thurman overcame a bullish former champion in Porter (26-2-1, 16 KOs) before an electric crowd, winning a give-and-take, blood-and-guts brawl by scores of 115-113, on all three judges' cards. Highlights were Thurman's clean right hand-left hook combination that buckled Porter's knees late in the third round, a 10th-round left hook that did the same, and an even more vicious head-swiveling hook in Round 11 of a Fight of The Year standout from 2016. "Our fight was tough, back and forth, but by no means was Shawn Porter going to take my title," said Thurman. "I pushed myself over the final rounds to make sure I'd be victorious in what was one of the 'Fight of The Year' contenders that year. That fight proved to everyone that I can win any type of fight, against any type of fighter." WATCH FIGHT HIGHLIGHTS HERE FROM PBC SD 12 Danny Garcia, March 4, 2017, Barclays Center: Thurman won a clash of 28-year-olds over the then-unbeaten Garcia (33-0, 19 KOs), along with the WBC's crown in just the 10th title unification in division history and only the third between a pair of unbeaten fighters. The crowd of 16,533 represented the highest attended boxing match at Barclays Center to date. Thurman's movement disrupted the timing of Garcia, a Philadelphia-based fighter who was a unified champion at 140-pounds. "This was two undefeated welterweights going toe-to-toe in the prime of their careers. Danny Garcia's a sharp puncher who won the WBC's vacant title that Floyd Mayweather gave up for retirement," said Thurman. "But after beating Shawn Porter, I knew Danny would be an easy fight. This was my first chance to beat an undefeated world champion, and I came out swinging on him in round one to make a statement that his world title was about to be mine." WATCH FIGHT HIGHLIGHTS HERE FROM PBC MD 12 Josesito Lopez, January 26, 2019, Barclays Center: Thurman ended an injury-hampered 22-month ring absence against Lopez (36-8, 19 KOs), scoring a second-round knockdown with a left hook, being hurt by a right hand in the seventh, and using his mobility and athleticism down the stretch for the victory. "I was really nervous about making weight after walking around at 182 for the past two years," said Thurman. "But even though I got hit and hurt in the seventh round, I knew my boxing ability would get me through. It was a relief to make it through that fight feeling strong and healthy and I've taken those feelings right into this training camp." WATCH FULL FIGHT HERE FROM PBC Manny Pacquiao (61-7-2, 39 KOs), July 20, 2019, the MGM Grand Garden Arena: The 40-year-old Pacquiao has earned back-to-back victories over former champions by seventh-round TKO over Lucas Matthysse (July 2018) and unanimous decision Adrien Broner (January). "Does Manny belong in the ring with a fighter in his prime? Is Keith Thurman still Keith 'One Time' Thurman after some vulnerability against Josesito Lopez?" said Thurman, rhetorically speaking. "Of course, I'd like to get the knockout or TKO, but either way, you're going to see a world class performance that has me standing alone on top of a division that has so many great fighters. I'm trying to be that great, devastating champion once again, and come July 20, I will prove that I am."
(Featured Photo: Al Bello/Getty Images)
0 notes