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moistwithgender · 5 years

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Monthly Media Roundup (April 2019)

April was a bit of a disaster month for me, and as such I didn’t get much of anything finished. Old wounds got reopened, I was sick all month, I had an unavoidably bad birthday, and a lifelong pet died. I didn’t engage with a lot of things, and mostly slept. I did play a lot of Breath of the Wild, but seeing as I didn’t finish that, I’m not including it yet. Here’s the things I did finish:

Games:

Blaster Master Zero (Switch): I actually first bought and finished this two years ago, and since the sequel has come out I decided to replay it with the Shovel Knight DLC character. While I genuinely like this game (I 100%’d it both times), I was not really in a good spot to enjoy this playthrough, and just kinda mindlessly pushed through it for nine consecutive hours, beating it in that single sitting. Playing as a DLC character removes the story, which is fine since they’re intended for replays, though I wonder if it added to my emotional disconnect. SK doesn’t receive fall damage, and so the precariousness of navigating the world outside of the highly-mobile tank doesn’t exist nearly as much, though the trade-off is that SK’s combat abilities in dungeons are hindered by an overall lack of range. The game is still rather easy, though, so I can’t say any particular level cadences or combat scenarios carved their way into my memory.

To the game’s credit, though, the things that are good about it are still good. If you have an attachment to the original NES game, or an interest in retro properties, or just want a nice, breezy platformer, it’s very good. It’s interesting in how it repurposes the altered plot of the US version of the original game (where it was its most popular), including even the plot of the little novelization that came out because Gotta Get Those Video Game Kids to Read Something. It has a fake out ending, and if you 100% the maps it unlocks a final map that is genuinely surreal enough to be the highlight of the game. Despite my sighing, it is a genuinely good time, and I’m very curious to play the new game, somewhat hilariously titled Blaster Master Zero 2.

Anime:

That Time I Got Reincarnated as a Slime: I chewed through the last four episodes of this so that I could say I finally finished the season. I didn’t watch the post-season recap episode. TenSura (the abbreviation of the Japanese title, which I will use to refer to it because satisfyingly abbreviating the english title is impossible) is not a very good show, but for about half the length of the 24-episode first season, it fascinates due to how it functions at all. TenSura is an isekai show, much like the other isekai shows, where a person dissatisfied with their life is brutally murdered (usually by a truck. USUALLY by a truck) and is reborn in a fantasy world that coincidentally gives them an absurd advantage over other people, allowing them to live out all the decadence they felt they deserved in the real world. If this sounds like the most boring kind of wish fulfillment possible to you, that’s because it is. It’s also extremely popular with consumers. Which is interesting! I think the isekai boom is indicative of how late-stage capitalism everyday people the world over, that we envision or escape to worlds where your efforts actually return appropriate reward. A bonkers concept, to be sure.

In TenSura, the formula doesn’t stray much. The main character is a man in his 30s (?) who has never fucked and gets knifed to death while HEROICALLY saving a coworker from a plot-irrelevant stabber dude who was running down the sidewalk with his knife out for no reason besides Main Character Needs an Inciting Incident Now. It’s actually pretty weirdly violent for the start to a show that is almost entirely light-hearted. Dude dies, his coworker dumps his hard drive in the bath out of respect (lol), and he wakes up in a fantasy world that works on videogame logic, including loot, skill trees, and class upgrades. He is reborn as an adorable slime a la Dragon Quest, but the personality traits he had in his previous life (and I guess his choice of dying words) scan to obscenely convenient passive abilities that ensure he’s not only invincible, but will never stop experiencing exponential power growth. Also he immediately makes friends with a final boss-level dragon and then eats him. That’s how he makes friends in this sometimes.

I’m being very cynical here, but the core narrative loop (and it IS a loop) of the series kept my interest for longer than I expected. Rimuru (the name of the reborn protagonist) goes somewhere he hasn’t been, astonishes the nearby (sometimes violent) inhabitants with his overpowered abilities, makes friends with them, and then improves their lives with community. Goblins, direwolves, orcs, demon lords. It stacks and builds upon itself to absurd degrees but it’s interesting that in a genre loaded with very problematic stories of disenchanted dudes finally getting the underage harem they’ve always wanted (aaaaAAAAAAAAA) that the main concept of this series is improving the lives of others and giving them closure for the ways life has hurt them. Even if. Sometimes that hurt was the main character’s doing? Like Rimuru absolutely decapitates a direwolf leader and then adopts the pack who from then on absolutely LOVE the dude. Also one of Rimuru’s abilities is that if he gives a monster a name, it class upgrades, which is generally and reasonably seen as a life improvement. Though, these class upgrades are almost always decidedly “less-tribal” or outright human, which smacks of some imperialist thinking. It’s also something I’m sure I never questioned in old videogames growing up. Meanwhile, there’s also a bit with a woman who came from Japan during that one really bad war, you know the one, and the closure she’s given as she’s dying is handled with actual delicacy. It’s a weird series! It’s only a shame to me that after most of the first season, there was less to talk about. Sometime after the halfway mark, you realize the show is never going to maintain tension for more than half an episode, that all problems are solvable (yes, even terminally ill children), and that the show isn’t going anywhere you can’t predict. It’s a checklist show, and the plot points are a list of achievements being checked off one episode at a time.

I don’t think I would actually recommend the show to most people, despite how popular it is. It’s not a great show, but it does weird enough things for a while that it generates conversations. Which is honestly pretty okay. It’s a pretty okay show. Also, Rimuru is effectively nonbinary (with he pronouns), and that’s… somethin’! (24 episodes, finished 4/17/19, Crunchyroll (Funimation also now has the dub I think? Clips I saw were pretty weird, Rimuru seemed to be characterized differently.))

Manga:

Nejimaki Kagyu Vol 1: You would think a manga that immediately starts with a reference to Phantom Blood would be, well, at least interesting.

Okay maybe invoking a beloved work doesn’t actually mean anything. I just wanted to share this blatant callback. Nejimaki Kagyu is a seinen manga about a highschool teacher whose tragically cursed to, uh, have all teenage girls fall in love with him. And the highschool-age childhood friend of his who has spent her whole life obsessed with him and learning super martial arts to defend his chastity. Her supers make her clothes explode.

…

I take no joy in this travesty.

Anyway, uh. The biggest tragedy here is that the art is actually really good, though the paneling is regularly squished around to hilarious degree. Let’s look at some pages and then forget this manga exists forever.

That horror face is how I feel the entire series should be portraying itself. The manga has a distinct lack of self-awareness.

The fan translation for this series appears to have dropped off halfway through and hasn’t been picked up for years, and based on reviews I saw on MAL talking about the directionlessness of the later volumes, I wonder if the translator got fed up with the series. Oh well!

Kyou no Asuka Show Vol 1: Oh god damn it I just got done with talking about a series about ogling the youth.

BLEASE STOP

Okay so. Kyou no Asuka Show, or “Today’s Asuka Show” is an older slice of life manga by the same author I mentioned previously who is doing an edutainment series about people working in a condom factory. Innocently-minded women in comedically lewdish situations appears to be his whole bag. I think Asuka is pretty charming, but I also know she’s designed to appeal to my monkey male gaze. Obliviously sexy is very much a mood, and in a more adult context I would be all for it. There have been a few chapters where I find myself at odds with the wisdom the author is attempting to impart, sometimes through Asuka’s father, who works as an adult photographer, and doesn’t want his daughter involved in anything that could cause her to be ogled. Like, that’s already something that requires a lot of unpacking in the modern day. Aforementioned wisdom sometimes takes the form of Asuka doing something stupid and innocent and ripe for objectifying, like wearing a school swimsuit in a rainstorm. Or she’ll work a job as a cute girl courier and inadvertently turn a shut-ins life around. Situations where, if it were in real life, I’d think “wow that’s weird and charming,” but by being a work of intentional authorship, it inherently loses some of that innocence, and becomes something well-meaning but problematic. Is that the second time I’ve used the word “problematic” in this post? Is this 2014?

I may continue reading this, but I really can’t recommend it to most people I know in 2019 without several disclaimers and also without probably getting some side eye. I think it’s worth a couple chapters to feel out what its doing before you decide whether you can siphon the charm from it, or would rather move on to something else.

Me enjoying myself when this manga tries to suddenly get up to some shit.

Blue Period Vol 1: This is the last thing on my list, because I don’t want to expand this list beyond the three mediums I’ve already assigned to it. Also, I actually finished this May 1st, but I wanted to talk about it now.

If I had the power to actually get people to engage with a specific work once per month, Blue Period would easily be the one I pick. That doesn’t mean as much when all the other things I finished this month were conflicted experiences, but I really think everyone would benefit from this series. Or at least anyone with even a passing interest in visual arts.

Blue Period (named for Picasso’s Blue Period) is about a highschool delinquent who has a knack for studying, a safe social life, and no interests in pretty much anything. He’s on the road to do fine in his life, and he doesn’t question it much, but that’s it, until he discovers art and realizes it’s the only way he’s ever been able to truly communicate his feelings. It changes everything about him, for more emotionally satisfying reasons, but also riskier ones. He only has one year of highschool to go to decide what he’s doing with his life, and Japan has a very strict education system. You’re not really allowed to just “get around” to things.

Apologies in advance if you’re tired of me spamming full pages but I really do wanna show this off. This is another series with an educational angle to it, though the emphasis is definitely more rooted in a personal narrative of growth. The explanations of art practice and the functionality of exercises and tools are both very informative and relevant to the characters, never feeling like the story is taking a backseat to explain. The characters are, hilariously, everyone I’ve ever met in an art class. There’s the kid who would rather exclusively draw the things they like, there’s the kid who likes art as a hobby but haaaates being given a project, etc etc. There are students who have an innate grasp on how to draw but haven’t internalized the Why of the exercises, and students who are receptive to the lessons but don’t have the ability to match. The narrative is extremely even-handed towards all of these different levels of skills, and places a lot more importance on why, emotionally, you should totally care about drawing apples and water pitchers for five hours at a time. It’s GREAT and I want to force it on every creative I’ve ever known.

Another thing I appreciate about this series so far is that while there has been something resembling sexual/romantic tension, it’s kind of not like that at all? In the first volume I haven’t been able to pinpoint where a potential relationship subplot would go, if at all. Two possibilities are this girl:

...who is a very likable character but surprisingly doesn’t fit into that box of “standard love interest”. The protag’s interactions with her have been exclusively respectful and admiring, which doesn’t even necessarily imply a romantic subplot, but would be pretty cool if it did? And the other girl:

...who is featured in decidedly more sexual tension-y contexts, is actually TRANS. The manga actually portrays them so uncompromisingly feminine that I didn’t realize they were crossdressing (the term used in the text) until the author’s notes at the end of the volume. I will partially blame this on me being out of it this month, since I just went back to their introduction and yep, they got misgendered and contested it. Given how the character is regularly framed (confident, attractive, skilled, nonstereotypical), I’m… pretty okay with this! If a romance blooms between a delinquent boy and a trans girl, that’s amazing.

I hope y’all understand where I’m coming from in expecting a shoehorned romantic subplot. I’m not hoping for one, I just know the product by now. And if it happens, the options are considerably more interesting than usual.

These are pretty good kids.

Manga licensing is a lot better nowadays than it ever was before, with lots of obscure series being picked up, old series getting re-localized, and translations being better than ever. I really really want this series to get licensed so someone can be compensated for it, and so more people might read it. Until then, I think you should look up the fan work.

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So that’s all for April. If these posts included live-action movies, I’d have talked about Endgame, but I also don’t want to go spoiling anything for someone who still wants to go see that (it’s probably one of my favorite MCU movies, though). I read most of 1970-71 in Marvel comics, or at least most of the issues on my reading list, but I semi-liveblog about those, so you can just search my “curry reads comics” tag for that. Here’s hoping I have more interesting, more positive things to say about May in a month. I expect to finish Breath of the Wild by then, so I’ll finally talk about that. Thanks for reading, if you made it this far! Go check out Blue Period.

#curry reads manga #curry watches anime #curry plays games

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