Soltober '23, 17. Request

Deconstruction

Worldbuilding: Geography

Full disclosure: I hated doing this post. Not because the writing was difficult or the topic was boring—far from it. No, the reason I hated doing this was because I got sucked into a wikihole. I started out researching climate zones, and ten hours later I was reading an article about Icelandic hot spring rye bread (which is called hverabrauð by the way and you should absolutely check it out). I only realized what time it was when I looked out my window and saw the sun starting to rise. Try to picture what my sleep schedule has looked like for the last few days, and you can see why I might be just a smidge upset.

Sorry. Where was I?

Ah, yes: geography. The bane of cartographers everywhere. If you’ve ever dabbled in writing stories with a non-Earth setting, you’ll know that one of the most fundamental aspects of worldbuilding is the lay of the land. Even before you’ve started working on the cultures of your fictional people (or hell, even the plot), you need to develop the locations. Any writer worth their salt will correctly tell you that geography dictates who the characters are, what the story’s about, when major actions occur, where the major story beats take place, why things progress the way they do, and how certain steps are achieved.

Want an example of this? Take a look at the geography of Avatar: The Last Airbender and how it influenced the Fire Nation’s culture and resulting imperialistic conquest: [1]               

A geographic map of Avatar: The Last Airbender depicting the four major countries: the Fire Nation, Earth Kingdom, Water Tribes, and Air Temples. | Source: Imgur.

The Fire Nation, being located on a volcanic archipelago, was able to jumpstart its industrial revolution decades before anyone else, courtesy of access to natural resources such as coal and metal ore deposits (which were disproportionately scarcer in the other countries). This abundance of minerals was reflected in gold being commonly incorporated into Fire Nation royal attire, and the Fire Nation boasting some of the most proficient blacksmiths and swordfighters in the world (like Piandao).

Being an island nation, their culinary staples included aquatic and marine species such as waterfowl, fish, cephalopods, crustaceans, bivalves, and seaweed.

The mountainous regions of the Fire Nation made the land ill-suited for agriculture, which likely influenced the development of an oceanic trade route. This allowed for the import of otherwise-unavailable resources from the Earth Kingdom.

The trade route helped to reinforce a unified state by connecting all seaports, trading outposts, and settlements in the archipelago to the major urban capital. This interconnectivity created economic advantages, and solidified a sense of cultural unity and loyalty to the nation by making communication (via ship and messenger hawk) direct and expedient.

The navy emerged as a natural outgrowth of the oceanic trade route. Martial vessels would have been necessary for protecting merchant ships from pirates, collecting taxes from provincial settlements (because navies have steep operating costs), and enforcing the laws of the central authority. Similarly, as an island country, the only way the Fire Nation could have feasibly been harmed is through a naval attack, which would have given it the incentive to cultivate a naval defense.

At the beginning of the Hundred Year War, the Fire Nation seized control of the northwestern Earth Kingdom because the region was rich in resources that they would need to sustain themselves if they were going to survive without international trade.

Their technologically-advanced navy and control of the major oceanic trade routes allowed the Fire Nation to orchestrate blockades, quickly transport troops and equipment between places, and limit the tactical movements of the other countries.

To say that geography dictates the story is an understatement—without it, the story wouldn’t exist. Good writing and likeable characters can only do so much to save a story that lacks this crucial component of worldbuilding.

So, how does this apply to RWBY?

In order to talk about that, first we have to address the unusual way that Remnant’s map was designed.

Back in 2012, while out at an IHOP with Shane Newville, Monty Oum had the idea of squirting a ketchup bottle into a napkin, crumpling it up, and then unfolding it to reveal the blotchy proto-topography of Remnant. His reason for doing so, as he explains:

“The philosophy behind [making the map that way] is that, I feel like, as a 3D animator […] utilizing all this technology, our process—all these computers, all these numbers and stuff—our process is so artificial, it’s riddled with so much artifice, that not only for that, but for everything else I do, I try to imbue kind of like an anarchy, an anarchic-like chaos, just to give it some sense of, like, randomness. Like, you need to preserve that sense of chaos because the process we do is so robotic. […] But the important thing was, like especially with everything that we just raise in our production value, that you have to preserve that anarchic energy that influences everything you do.” [2]

The original terrain map created by Monty Oum. | Source: RWBY Wiki contributor user:Sgt D Grif.

You’d be hard-pressed to disagree with the artistic merit of this design approach. There’s a simplistic elegance to be found in a creator forfeiting a degree of their control over a project, in order to watch how it might organically evolve.

But here’s the thing: this isn’t like leaving slime molds in a petri dish and letting them network until they resemble Japanese subway lines. While anarchic chaos can work for some disciplines of art, it creates glaring issues when applied to worldbuilding. Nature, although it appears outwardly random, is actually rather ordered. The reason why we don’t leave our houses every day carrying umbrellas is because we don’t have to—we have meteorologists that can anticipate the forecast days or weeks ahead. Plenty of natural phenomena can be predicted: weather systems over vast areas, environmental selection pressures converging on similar traits…

And, of course, plate tectonics.

You see, the problem with Monty’s method is that it didn’t account for the movement of Remnant’s continents. Because the planet’s continents were born from artistic randomness rather than methodical and deliberate forethought, we have no reliable access to certain information, like atmospheric circulation, ocean currents, or plate boundaries. All three of these planetary subsystems—the atmosphere, hydrosphere, and lithosphere—and their dynamics shape the geography of a planet.

Without this information, we can’t answer certain questions.

Was Lake Matsu formed by glacial retreat?

Are Vale’s mountains sitting on a convergent plate boundary? Or are they more like the Appalachians, which are the remains of the Central Pangean Mountains?

If Vale’s mountains were formed by convergent plate boundaries, then why don’t we see evidence of it in the forms of volcanism and earthquakes?

Is Vacuo’s interior desert formed by a rain shadow?

If Solitas’ geography is based on a polar ice cap, then how did early settlers survive long enough to excavate the Dust? How would they have dug through the ice and permafrost?

Has climate change ever resulted in changes in sea level that submerged or exposed the continents? Did early humans and Faunus move between continents by land bridges? Have rises in sea level ever hidden continents (like Earth’s Zealandia)?

Does Mistral’s capital rely on meltwater from the surrounding mountains for irrigating crops?

When the Younger Brother shattered the moon, did the lunar debris alter the landscape when it fell to Remnant? Was it like the Chicxulub asteroid that caused the K-Pg extinction? Did the lunar debris leave craters on the planet’s surface, or cause phenomena like impact winters and ocean acidification?

It bears mentioning that these questions pertain to real-life geographic concepts. This isn’t even touching upon fictional geographic concepts that RWBY introduced, like largescale Dust deposits altering the local environment in such a way that it functionally becomes its own ecosystem (like Lake Matsu’s floating islands). We’re also assuming that RWBY’s continental plates are capable of drift, and weren’t magically glued in place by the gods during the formation of the planet.

Given the scale of these problems, I think it’s safe to say that—while I can appreciate the artistry behind Monty’s design philosophy—the way he designed Remnant ultimately did more harm than good.

While I could spend all afternoon debating the pros and cons of condiment cartography, there are more productive things I could be doing with my time. Instead, I want to discuss Remnant’s geography as it currently is. Specifically, there are three questions I want to test:

How well does the geography hold up?

Does the geography have a realistic influence on society?

How well does the show integrate foreign geographic features into its worldbuilding?

As a quick disclaimer, I’m not an expert on any of the aforementioned subsystems. And because I don’t have any canonical information on Remnant’s atmospheric circulation, ocean currents, or plate boundaries, it becomes impossible to prove or disprove the realism of its geography. For now, we’re going to err on the side of caution and assume that Remnant is a planet with a functionally-analogous lithosphere to Earth’s, and that Remnant’s features are byproducts of such a system.

The current geographic map of Remnant. It boasts five major continents (of which only four have been named) and multiple islands. | Source: World of Remnant, Volume 4, Episode 1: “Vale.”

How Well Does the Geography Hold Up?

To answer this, I used the Köppen-Geiger climate classification to categorize Remnant’s main landmasses (with the exception of the unnamed continent). This model organizes areas into distinct climatic regions based on seasonal precipitation and temperature patterns. The results I cobbled together are based on approximate latitude, ecosystems that we’ve seen in the show, canon maps, and comparisons between the continents and their real-world sources of inspiration (Asia for Anima, North America for eastern Sanus, Australia for Menagerie, etc). Here’s what I came up with:

SANUS: Tropical savanna (Aw/As), cold desert (BWk), cold semi-arid (BSk), hot-summer mediterranean (Csa), warm-summer mediterranean (Csb), humid subtropical (Cfa, Cwa), hot-summer humid continental (Dfa), warm-summer humid continental (Dfb)

ANIMA: Tropical rainforest (Af), area of tropical monsoon (Am), tropical savanna (Aw/As), desert (BWh), hot semi-arid (BSh), humid subtropical (Cfa, Cwa), subtropical highland (Cwb), hot-summer humid continental (Dfa), warm-summer humid continental (Dfb), subarctic (Dfc), Mediterranean-influenced subarctic (Dsc)

SOLITAS: Tundra (ET), subarctic (Dfc), ice cap (EF)

MENAGERIE: Tropical savanna (Aw/As), desert (BWh), hot semi-arid (BSh), humid subtropical (Cfa, Cwa), temperate oceanic (Cfb)

VYTAL: Subpolar oceanic (Cfb)

This isn’t perfect by any means, but I think it satisfies some lingering doubt about the credibility of the geography. Sanus’ interior desert, for example, could easily be a cold desert climate. The exterior band of foliage on the northern and western sides appears to be indicative of a rain shadow effect caused by a mountain belt (the conditions necessary for creating this climate type). We have evidence of there being nearby western mountains courtesy of the earthquakes in Vacuo, [3] as earthquakes often occur near mountain ranges created by subduction boundaries. Similarly, oases (like the one once found in Vacuo) tend to form in cold desert climates as the result of rain shadows (similar to the el-Djerid oases near the Atlas Mountains).

All things considered, I’m inclined to give the climate regions a tentative pass. Like I said, they’re not perfect, but they seem to be holding up so far.

Does the Geography Have a Realistic Influence on Society?

Ehhh. It depends. With Vale it’s hard to say, given how little we’ve seen of the areas outside the capital (like the Emerald Forest and Forever Fall), and the fact that we haven’t visited any other cities in the kingdom. We know that Vale makes use of a massive port for trade and travel due to the nearby body of water. But there doesn’t seem to be anything particularly unique about the capital’s culture that can be directly attributed to its geography. Despite being a coastal city, it doesn’t have any signature delicacies derived from the abundant seafood. The architecture is largely generic urban-Western, and doesn’t incorporate the mountains in any way. Vale’s geography is little more than a convenient buffer against the Grimm.

Mistral, on the other hand, is heavily influenced by the geography. All of its houses and shops are directly integrated into the mountains, with an emphasis on vertical building to accommodate the limited space on the cliffs. Stairs, bridges, and electronic lifts are used for getting around the city. Unlike Vale, Atlas, and Mantle, which use motor vehicles, Mistral doesn’t have the space to accommodate modern roads, and instead relies on railroad transport (like the Argus Limited) to move around the continent. Compared to Vale, Mistral is a vast improvement on how well the writers used geography to influence the culture of a city. However, I still think the show could’ve done more to strengthen this connection. For instance, we see evidence of cave systems in Mistral, which briefly appear on-screen and are never brought up again. [4] Talk about wasted potential. Additionally, the show never addresses how the Council keeps its citizens from falling to death. No joke, the only place in the city that has railings is the safehouse where Qrow and the kids stay. What the hell do people do in the winter when the stairs and paths ice over? How do they not slip and fall and plummet to their deaths? And while I’m thinking about it, why doesn’t the city have a system of ziplines or ski lifts for getting around? Are native-born Mistrali people adapted to the lower oxygen found at higher elevations? And what about Mistral’s agriculture? Do farmers live outside the capital? How do they protect themselves?

Like I said, Mistral is better than Vale in this department, but it could still do with more worldbuilding.

Atlas and Mantle are more akin to Vale when it comes to noticeable geographic influence—or rather, a lack thereof. While the technology accommodates its residents via the heating grid, there doesn’t seem to be any evidence of how the geography shaped the people of this continent. You’d expect a circumpolar indigenous group to have very distinct cultural traits, but there’s none of that. It’s just rampant technological growth. Now, you could argue that any aspect of geographic influence on culture was wiped out around the time of the Great War. But if the show wants me to believe that, it needs to show me proof. Whether it’s a conversation between two characters, or a political movement spearheading cultural revitalization. Something—anything—that might hint at how geography influenced pre-industrial Mantle.

And forgive me if I don’t feel like speculating about Vacuo, given that it’s only appeared in After the Fall and Before the Dawn. When the show decides to unveil it, then I’ll have more to say.

As for Menagerie? Another resounding meh. The inherent intrigue of a settlement that shelters aquatic Faunus is never fully explored. We get to briefly visit the Shallow Sea district of Kuo Kuana, but the scene is too focused on Blake’s and Sun’s conversation to let us fully explore the area. Which is a shame, because a concept like that could easily be taken to some really cool extremes. Like, what about entirely underwater settlements that are built on coral reefs? How cool would that be for Faunus that have gills, webbed appendages, or caudal fins? I’m not expecting Zootopia or anything like that, but it’d be neat if settlers had gone to creative extremes to accommodate the wide variety of Faunus traits.

How Well Does the Show Integrate Foreign Geographic Features into Its Worldbuilding?

In Volume 5 we’re introduced to Lake Matsu, an area rich with naturally-occurring superterranean Gravity Dust. What makes this place so intriguing is the fact that the Dust is in a constant active state, causing the islands to float in the air. Given that Dust is usually inert unless activated by an Aura, the existence of this place is frankly astonishing, and for the life of me I don’t get why the show treated it as little more than set dressing.

This phenomenon—which I’ve taken to calling a Dust vortex—has so much worldbuilding potential. What if Remnant had pseudo-ephemeral lakes created by concentrations of Water Dust? Or how about a cave system with an abundance of Electricity Dust that causes magnetic charges in the surrounding minerals, creating a place similar to Unova’s Chargestone Cave? Maybe Sanus’ southeastern desert has large pockets of Steam Dust that enshroud the area in permanent fog?

Dust vortices wouldn’t just be aesthetically cool, either; they’d have important implications for the lore. Let’s use Lake Matsu as an example.

If the Dust vortex has been there for a long time (upwards of thousands of years), then the organisms in this ecosystem would’ve adapted to it. You would have endemic wildlife—agamid-like gliding lizards, plants with wind-dispersed fruit, lianas and mosses draped from the underside of the islands, diving birds that nest on the outcrops, microbial detritivores found exclusively in the islands’ soil. Maybe Lake Matsu is an important stopover for migrating birds. Maybe the shadows from the overhead islands are important for predatory fish, which hide in the shade to ambush flying insects. Because the wildlife would be endemic to this ecosystem, perhaps the Mistrali government would designate it a protected area and prevent Dust companies from excavating the site. What if there were fishing towns on the shore that depended on tourism to sustain the local economy? Would they ever come into conflict with Dust companies that lobby the government to open up the area to selective mining?

I’m sure I must sound like a broken record at this point, but the worldbuilding possibilities on display here are nothing short of incredible. And the failure of RWBY to explore even a single one feels like getting repeatedly kicked in the stomach by a feral horse.

We’re now 3,000 words in and I didn’t even get to include ideas for tautological place names. It sucks, but sometimes you have to compromise and go with the idea that make sense to include, rather than the idea that exists just to be novel.

Sound familiar?

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[1] Hello Future Me. “Avatar: A Study in Worldbuilding — the Fire Nation [ The Last Airbender ]” YouTube video. October 26, 2019. [https://www.youtube.com/watch?v=Pa2BD13VzxY&t=3s]

[2] Rooster Teeth. “RT Podcast: Ep. 191.” YouTube video. November 14, 2012. 7:52 - 12:01. [https://www.youtube.com/watch?v=kymVnsIUWLY]

[3] Myers, E. C. RWBY: Before the Dawn (Book 2). Scholastic Inc, 2020. Online preview. “The city of Vacuo had some order to it, with different districts for residences and businesses, and a wide street down the center for the market. But the outer edges of it were periodically wiped out, because of sandstorms or sinkholes or earthquakes.”

[4] Volume 5, Episode 1: “Welcome to Haven.”

FRIENDSHIP IS MAGICAL VI:  THE AGE OF SUPER ULTIMATE CHRONICLES OF FRIENDSHIP ORIGINS ZERO

So with Tumblr bursting into flames and most of the artists I know and respect trying to abandon this ship like rats escaping the titanic, I felt it was best if I moved this from my usual December the 25th to... NOW, Because well I worry that many people on this might not be here by the time 17th passes and my eternal dying love to those I care about will be unheard and what kind of person would I be if I didn’t remind EVERY.SINGLE.ONE of my friends how important and special they were to be and what makes them fantastic, So yeah depending on the state of tumblr after Dec 17th this might be the last one, or I will just have to email all of you INDIVIDUALLY. @mistercrowbar CROWBAR! HEY! So, you’ve been on this friendship list since..., we have been friends, which is.., a really long time, like I honestly can not recall a day where we have not been friends and during all that time I can’t get over just how amazing you are! Like, Holy shit are you real? Cause I get to a point where, I think this woman can’t improve anymore, and then BAMB! You do! Like Jesus, I’m always just floored by what you put out, I said once before that I strive to be as good as you some day and that has not changed! But now it gets even harder, cause like, not only are you good at art, You go and pull this beautiful disaster out of your head, SAY HELLO TO FUCKING RYYBYN BITCHES! If there was a competition for some of the best DnD characters I have ever seen on paper, I’d vote for Ryybyn every-time, a literal joke character who evolved into one of the most emotional rollarcoasters I have ever seen, who made me DETERMINED, to either play a game with you (And I fucked that up) or a game of my own, just AH!, This character! Like, their design, their character art, THEIR STORIES! OH GOD DON’T GET ME START ON THOSE, CAUSE YOU BEAUTIFUL GENIUS! You took comics from your session and made a BOOK! That I want to buy! I WANT ONE, BUT CHRISTMAS SO, ARGH!  FUCK YOU SANTA! And!

And.. If you were not just fantastic enough already, incredible artist, attractive, funny, nerdy as all shit, super space wizard, DND and now.., now.. FUCKING HOME OWNER, like how, why, when, what! I know you moved into a house, like, Holy shit you moved into a house, but holy shit you OWN a house, it’s yours, you can paint dicks on the wall and no one can stop you! Your Independence it just, floors me, every-time, here I am questioning everything about myself and myself worth, and you go buy a house, and release two books IN THE SAME YEAR. I said how I wanted to follow in your footsteps, become as great as you, WELL APPARENTLY I NEED TO PICK UP MY GOD DAMN FEET CAUSE I’M TOO FUCKING SLOOOOW. I am SO grateful to meet someone terrifyingly amazing and best of yet, they think of me as their friend (For now) Just.., Please, don’t ever stop breaking down walls and plowing forward, you fantasticly insane woman you. @nightmargin So, what feels like, not that long ago we were chatting about Ralph and OCTs, as well as other kids who are incredibly prone to accidents and damages and now, well, YOU HAVE A FUCKING HIT GAME THAT I CAN’T LOOK LEFT OR RIGHT WITHOUT SEEING IT’S LIKE BOOM! Go to MCM OneShot Cosplayers, Look at youtube videos either seeing your characters in the background or I’m seeing people playing your game! I went on a Discord chat and I saw someone sporting a Oneshot icon. I’m just, so, happy and proud and amazed by the how far you have come, it’s just, you were always a talented person, your comics, story and artstyle was fucking fantastical, I was soaked into every second of it, wanting to learn more and more with each new picture and then, just to put the cheery on this cake, you did music, but not just any music REALLY GOOD MUSIC, I remember going to your gallery on DevianrtArt just to listen to a song over and over cause it was so good, like, damn and now, you are like, HUGE, it’s insane, like seriously, someone took time to make a 3D model of your character, holy shit. I’m lucky to get fanart, but what this is, I just, my friend is amazing person, and I couldn’t be more happy for her if I tried, you should be proud of yourself if you are not, take time and just let the well earned reward sink in, your hard work has defiantly paid off. @blueskyesartic Okay, so like, You are amazing, I dunno if I’ve ever said it enough, but, you just are, there is nothing about you that I’m not awed by, you are just, so fantastic in my eyes, I dunno if that's putting you on a pedestal or not, but fuck it, this is my sappy list so I say what I want! Your art is beautiful, you yourself are just one of the most fun people I have had the pleasure to talk to and I miss it so damn much, are trivial pointless conversations that spiraled endlessly into jokes and deep discussions, are critical thinking on story telling and art in general, it was amazing, but.., either you are never alone or I’m not and, I hate that, I’ve missed you so much it sucks, like.., I have these great memories of us talking, drawing and spending time together, these perfect moments in time that I will cherish to the end of my days, cause I know you are going to become something, I can feel it, but I might end up left behind. I just wish I could spend more time, talking, chatting and just being with you, you are amazing and I’d love to run on to you on a stage at a convention, like we joked about, but no matter what happens, you need to keep being brilliant, every second of every day, you have to continue, cause you are great and everyone knows it. @taplaos HOLY SHIT HAVE YOU SEEN THE SHIT THEY CAN MAKE, IT’S FANTASTIC, LIKE, HOW DAMN!  Everyday I feel like I’m seeing new and more amazing designs for T-shirts created by you and it’s just like, wait, this is tappy right, maker of wonkey eye, how when, OH MY GOD, Your art was always so bright and colourful but, damn you’ve improved so much I feel like I need to stop and just soak in how much you’ve improved, cause damn, can I just say damn. I am so proud of how far you have come and I can’t wait to see what fantastic designs you come out with next, you are amazing Tappy, don’t let anyone ever tell you other wise! @dansome0203 AAAAAAAAAAAAAAAAAAAAAAAAAAAA, GOD DAMIT, I have both talked to you a lot this year, but also not enough, or maybe I have, or maybe I haven’t, I dunno, but god dammit I wanna talk to you more, but you are hardly online when I am it’s so GAH! You are just, that amazing my friend that you are driving me insane! URGH, I feel terrible there is like, a shitton of things I wanna do for you, draw your characters being namely one, but I haven’t had time and just, URGH. But more importantly, the reason I wanna do all these things is just cause, you are fantastic, and I don’t just mean the way you draw boobs (mostly), you are such a kind fun person with so much great creative energy I just wanna, get inside your head, I have such mixed feelings on one side I really wanted to be in that DND game you started, but it’s also just a delight seeing the stuff that comes out of it, the curiosity building from it, that funny ass video you shared with us. Everyday I think I’ve seen the limits to your skill, charm and wit, then some how you change everything with new ways of being all that and more, it’s a tad exhausting. All I can really say that this year has been fantastic in what time we have spent together and I just want to spend more, I can’t wait for the next opportunity I’ll get to do so, maybe I should try asking you into a call or something, I dunno, please just, keep being you and keep being fantastic. @flunafloon & @spesiria & @spookydrawsI I didn’t wanna do this, but... I’m sorry, you guy are fantastic people I love your work, I love each one of you but I just.., I struggle to keep up to date with my own life let alone my friends, but three were such big important parts of me it feels.., no I feel like a shit for basically knowing nothing about what has happened, I use to message you each frequently, keeping up to date on your art, your lives and now.. Fuck I hardly even see you on my dash and I just, fuck, I can’t.., You are all amazing people, I should of been a better friend, I want to say I will be but it’s getting harder and harder and I don’t want to disappoint you, I respect and love the three of you too much for that, I’m sorry for being such a useless shit, you guys, are fantastic and leagues above me. @doodlediddy MY FRIEND IS HAVING A BABY, MY FRIEND IS HAVING A BABY! LIKE, HOLY SHIT YOU HAVE ANOTHER PERSON GROWING INSIDE YOU, LIKE WHAT THE ACTUAL FUCK, It’s beautiful, horrifying and just, I can’t believe that someone I know, someone I met on the internet, had close conversations with and more or less stopped me from doing something, VERY stupid, is going to be a parent, like, WHAT. While I am above the moon happy for you and your bundle of joy, I do know this means we probably aren’t going to chat as much, which hasn’t been that much as it is, which REALLY super sucks, I miss you, like, OH so much, I miss are chats, are discussion.., heh, I still remember when I stayed up super late just to send you Toradora, one video at a time, god, that was so funny and really bad for my sleep schedule actually. Still the best romcom ever. I really miss you, I’m so happy for you, I hope we get to talk again, love you, you big christian mamma. @lou0 There are many people I would attribute to me being here right now, from saving my life, to being a mentor and some just being shoulders to cry on, but none of them.., were the person I obsessed over.., wait let me rephrase that. When I started as good old Clock-workable, making steampunk rip offs of Unknown Peron’s Karl, you were some I admired, you were a kind, passionate and amazingly creative artist, AND HOLY SHIT MAH, SHE’S IN BRITAIN, I COULD POSSIBLY MEET THIS WONDERFUL PERSON. Sadly that never happened, and I’d openly admit I feel very intimidated talking to you, I dunno why, shame? Guilt? I feel like, I don’t belong, that I’m not good enough for you, that there are better people who deserve your attention that I do, despite just how, fun you are to be around and just how important of a person you are to me, so I admit it, it hurts, me seeing you down low like you are, I wanna pick you up, be the motivation you were to me, but I also have to accept that I can’t be, all I can do, is try to be a good friend and be there for you. You are, the most amazing, creative person I have ever known, I’ve wanted to Commission you for long, to collab with you, to have one of my characters drawn by you, hell just be noticed by you, cause you are just that important, I mean, I dunno what I am saying here exactly... You said you don’t see a point, but you to me, your are was the biggest point, it was bright, colourful, sexy, scary, amazing and just filled with so much character, everything you drew and draw has just so much life to it, I wanted to capture some of it and have it for my own. I dunno if what I am saying is meaning anything, but your art reflects you and to me, you are colourful, sexy, scary, amazing and just filled with so much character, every second has been delightful and if you will let me, I would love to continue to enjoy it more. @jabbage I find it funny how, no matter which minecraft server I joined, I never got as far in building a base, than I did on your server, as short lived as it was and despite no one ever joining it, I never joined a server where I got as far as I did on that server, like, I dunno how but there was something about it, maybe it was the fact that I really wanted to build that clock tower. I miss that, I hope you are well, you beautiful human being, It sucks, cause I know that, out of everyone, i feel like I spent time with you the least, which is stupid, cause all I can think of, when talking to you is good memories, which is like saying I stopped talking to you because you were too nice, which is dumb, the truth is i just got busier, and busier and it sucked. Cause I remember thinking how I really wanted to get o know you, cause you were a fun person, I’ll try to be better from now on, cause deserve it, you are a fantastic human being, smart and caring, not just trying to butter you up to make up for my.., terribleness, but I will try, to be better, for you. @shadowscarknight You fantastic mate and I know, it’s been hard, I’ve not been avoiding you, I really haven’t, but, it’s just hard you know? The way, that ended it probably wasn’t easy being you, I dunno if you even know why the two of us stopped talking to each other, hell I dunno why, but that isn’t your fault, specially after you commissioned me, which again, I happy you enjoyed it. You are a great guy, funny, witty, charming and your designs, fuck off they are that good, but you do come up with a lot of them, but then again you get inspiration and you do what you love, so no one can fault you on that, unless your making another ask blog that you won’t update, hehe. I promise to talk more, cause I’m so proud with how you are improving, cause just like, wow, every time I see you look away, it just gets better and better, I should really ask for some tips off of you, cause damn mate, your leaving me behind. I hope you don’t stop being fantastic mate, You are a joy the world can never do without. @totalobelisk I know where you hang out!... So it’s not excuse that we haven’t been talking as much, fuck mate I’m sorry, I don’t hate you or anything, no, fuck no, you are great, it’s me, I’m just.., fucking useless to be entirely honest, I’m terrible at communicating with people and I’m surprised you haven’t just unfollowed me from everything and cut all ties, cause, fuck, I’m just so.. I’m sorry, you are a fantastic guy and we’ve been friends for too long for me to neglect you like this, I’m so sorry, I hope I can start talking to you more to make up for it, or just hit me up sometime so we can chat, cause you deserve better from your friends. @velkro-bitch & @fivirr & @a-trashcan-in-a-corner Am I cheating by grouping you three together, yes, maybe... BUT I ALSO HARDLY GET TO SPEND TIME WITH YOU GUYS AND IT FUCKING SUCKS, CAUSE YOU ARE ALL BEAUTIFUL LOVELY PEOPLE AND I WANNA SPEND AS MUCH TIME WITH EACH OR EVERYONE OF YOU! (Or maybe I’m just secretly trying for a four way polyamory) But Jesus fucked by a pogostick guys, how can you three come into my life, be amazing shits and then just leave me! You are all such wonderful, thoughtful and delightful human beings that every second with you felt like an eternity, I’m a naturally defensive person, I have a lot of barriers in place to keep myself emotionally safe, and all three of you tore those down! (your gonna have to pay for that) AH, And to make it worse, when you shmucks do show up it’s very late and I gotta go to bed, REVOLVE AROUND MEEE DAMMIT, I WANNA SPEND TIME WITH YOU GUYS, it’s so hard I love being with you all, but it’s so infuriatingly difficult, I feel like giving up half the time, but I also don’t want to cause I love you all so much, god you three drive me mad, but it’s what I enjoy about you guys and I hope we do get to spend more time together. @phantomdotexe I honestly do not know where I would be without you right now, for you it may seem like all you did was re-post my art, credit me and commission me, but you also introduced me into a large friendly community that I didn’t even think I had the right to be in, I was and still very much am the new kid to all this, but everyone you introduced me to accepted me with open arms, artists and writers whom I thought I’d never get the chance to speak to talk to me casually nearly everyday. It’s all thanks to you! You amazing person you, I know you beat yourself up, ALOT, when you really shouldn’t, you are so amazing, not just in your writing talents, but in your world building and characterization, but even then that isn’t there is all to you, you are.., the most, charismatic, funny, playful and down right enjoyable person to be around, you are infectious, you have touched so many people in so many ways that you manged to build a community of friends and fans who want to build upon your foundations, I dunno if I’m even speaking the right words now, haha.., But you are fantastic, so when you struggle we all want to help, we all want to see you grow as a person, as a writer and an artist, you brought so many wonderful people together, you should deserve to see how truly wonderful you are. @horrorjuice Speaking of people I don’t deserve to be friends with, I’m just.., fuck where do I start, well, I will say it’s not entirely my fault you are hardly ever on Discord and I don’t like Facebook, but Bubby, my bubby, I miss you! I miss your explantions, your ideas, you concepts, your worlds, your beautiful bubby brain like GAH, I remember our chats, are long wonderful chats where your dog would bark loudly, the beautiful horrible slobber monster that he was. I miss you Bubby, I really do, I wanna chat and talk like we use to, I wanna hear your beautiful amazing ideas and see your brilliant art work, god I miss you, but I hope you are well and that you are being just as fantastic and brilliant as the day we first met, you wonderful human being. @valbey-the-girl Fuck you, you lovable asshole! How dare you be such a wonderful insightful human being who has had my back for so long, I remember when we became roommates for University as a somewhat after thought, we hung out but we were not exactly ‘friends’, but now, I dunno how I could of survived with out you! You are a wonderful source of humor and opposed thinking that I enjoy, you agree and don’t always agree with me, which is the best sort of friend, someone who can challenge my values and viewpoints, but at the same time doesn’t belittle me..., mostly, you twat. I am so happy that we’ve stayed friends for as long as we have and that I invited you more into my world, with regular games of DnD and other video games, as you prove to be time and time again a great person I love to have at my side. I hope we get to hang out again person to person, because I miss you mate, talking on chat gets stale fast specially when your friend is as great as you. @whatever-i-feel-like-rebloging I struggle, so hard to understand us, that it hurts cause.., I want to be friends, but I just always feel like I’m being pushed away from you, and it hurts. I’ve spoken to many friends about the troubles we have had and many of them have said to drop you, but I don’t and I dunno why, maybe because, I’m scared? Or maybe cause I’m unsure how or, perhaps I’m just very hopeful? I remember a time where we’d talk all the time and I loved it, it was great, we never discussed or mentioned how we didn’t like each others thing, we joked, we flirted and it was fun.., but now, all we seem to do is give each other little comments and snap at one another and I hate it, I hate it more than anything I can imagine. I wanna be your friend again, I wanna laugh with you, joke with you but, I feel like I’m just being singled out and removed, that I am something of mock and ridicule, which I hate and I dunno what to do with myself or you anymore. I hate, disliking this, I just.., I just wish I had never liked you, because I feel like that was when everything went down hill, cause we use to be such good friends, but now, I feel like we are more, acquaintances.., it sucks. @grittysugar HOLY. FUCKING. SHIT. That’s all... ... .. Okay okay, but fucking seriously, you went from some gal drawing redhead accident prone children flying goats and tall noodley men with green hair who probably shouldn’t be to fuck. TO DO FANTASTIC CREATIVE ANIMATIONS ON YOUTUBE, LIKE HOLY, GUM DROP SHIT, WHAAAAAAAAAAAAA-, I wanna kiss you I’m so proud, like, GAH, I still can’t even put it into words, like it was..., uh ... .. . EIGHT YEARS AGO, that we were opponents in a tournament on the internet and now your, I’m so happy for you, and I SUCK cause I haven’t bought any of your merch yet... (but I will), And if I can I’d love to see you at a con so I can give you a big ass hug, but that might be another, I dunno, ten years. Also I’m a shit head and it’s occurred to me I have never asked for your Discord information, which now is probably high protected FU-, God I dunno, if you still count me as a friend, or even a blip on your radar, but I just wanna say, I’m happy and just, SO proud of you, I want you to keep growing as a person, an artist and just, be fantastic. @clauseart OH MY GOD HOW DO YOU KEEP YOUR COMIC GOING! And shame on me for not staying in touch more cause holy shit, you are on fire, your colours, designs, panels it’s just, WOOF, it’s blowing me away, I’m so proud for you, every time I see you post a page, all I think about is how I need to catch up because my comics currently in the dust, while yours steams ahead. I honestly can not wait to see where things are going, and to see how you go with it, I may not be the best of people at times, but I’ll be damned, if I won’t try to follow along the best I can, cause you have only just begun and I’m so excited to see you be yourself and just wow everyone around you! OH and Please most some stuff from your DnD game! I’m curious about what you guys are up to these days, hehe. Be fantastic. @funktrash The girl was essentially my fan when I was a nobody is doing a webcomic better, quicker and more on time than me, AND IT’S GREAT, like, AH! I know, you beat yourself up, it’s part of who you are for such a long time but, you have to realise, YOU ARE AMAZING, you are fantastic! Like, seriously, you have a comic, your is beautiful and just, WHAT, I remember back when we made an rp group based on this thing! And now it’s something I can read and enjoy, and I’m enjoying it, seeing these characters whose stories I’ve only had the chance to glimpse at now brought to life with your beautiful colours and wonderful sense of humor, timing and pacing, it’s just, YES! I’m so amazed at you, you are fantastic, don’t ever tell yourself otherwise, cause you are a star, a bright burning beacon of awesome! @mortooncian-art FRIEND!... FUCK! Okay, so I’ve always known you existed forever and I’m always loved your work, I even followed your webcomic! Until it wasn’t a webcomic anymore, but sadly I DON’T KNOW ANYTHING ABOUT YOU, expect that you are so funny, your art is fantastic and I’d love more than anything to get to know you more! Cause like, I see your art, these lovely illustrations filled with so much character and life, I just wanna do the same, (If I only wasn’t very busy) Like, I enjoyed your stuff so much that I regularly looked forward to going to twitter just to see what you posted, either a comment or art, cause it was the highlight of my day, and I HATE social media with a passion, but you made me really excited just to see your posts, and I know a person who can do that with just their art is probably twice as exciting as a person, and I really want to get to know you more! So I hope you keep being a wonderfully fantastic person, whom company I get to enjoy in the future. @sunshinedrago This woman, single handily got me back into watching shitty anime again, and I love her for it, God dammit you are such a fucking fun person to be around, despite the damage to my ear drums I do enjoy our conversations from nerding the fuck out, to tearing things apart. I may not always seem that happy at times, but I’m naturally a miserable person so you will have to forgive all the BS you went through with me, but god you are intoxicating in your positivity, the characters you make are enjoyable to playground with, the ideas you come up with are very surprisingly engaging and your commissions, equally detailed and time consuming, haha. Like Jen I dunno how I have lived with out you so far, you are such a conversational delight it makes me feel like I’m a teenager ago, howling loudly in laughter as I watch awkward as shit anime and actually enjoying my life, but whats great about you is not just the fun, it’s also the insightful and thoughtfulness to you we all grow attached to, you have a great way of handling peoples pain, that I have only seen in a few people, being to be compassionate, reasonable and always to get a chuckle at the right time, I dunno how you do it. But please don’t change, it be a travesty if you did. @tuz-ohtopia TALK TO ME MORE! Tuzoh, you are a very busy guy like.., stupidly busy the amount of work you put into your DnD sessions are stupidly amazing and the stories you have crafted are fantastic, all I want is to share in it more, to listen to how you work, you scheme and plan, your creative thoughts, everything. But you are busy, which is what both I love and infuriates me about you, you have such a driven determined work schedule it puts me to shame, I never wanna see you slow down, because I know you are doing something that is just, wonderful, but at the same time I wanna talk to you, get know you and build on our friendship, I feel like I’ve talked about you to more people then I have ever to you and it sucks, cause you are an awesome dude. Not trying to pity you and say just stop everything for me, I’d never want that, I’m just, so enthralled by your creativity that I wanna get to know the inner workings, maybe work with you. But no matter what happens please just keep doing what you are doing my friend, you are a delight and fantastic treasure, I can’t wait to see what you do. @knifetotheback WHERE ARE YOU! no seriously I mean it, you appear like, every now and again, but you are hardly ever around and it sucks, cause you are a fun wonderful person. You were always a delight to talk to and it sucks that we don’t get to chat as much, I hope you are alright and that you are still having fun with what you are doing right now, we miss you, I miss you. Keep being wonderful, where ever you are with whatever you are doing. @nickala OKAY, So, feelings, down in words,..., fuck this is hard, I dunno how to describe you, like shit, you are amazing, but beyond that, you aren’t just an amazing friend, you are a unique friend, a special friend, no wait, that sounds romantic, what I mean is.. I feel trapped so often, I hate it, my brain is flawed and wrong, I know I shouldn’t think like that, but I can’t help it, I speak and I make people mad, upset, annoyed or just.., I hate it, it’s the part of me I dislike the most, I just want to talk to people and say “HEY, you are beautiful, keep it up” But I can’t, but you, understand me, you help me so much with these thoughts and understanding the world in a way others could not and for that I will never not be thankful, but at the same time I feel shit, because, I know you are struggling, I wanna help so much, I wanna be there to make it easier, to help you through this rough patch, but I can’t I dunno what the right words to say are cause this isn’t a thing where one solution is the right solution.., but you have to realise you are amazing, your creativity is outstanding, the designs and creatures you create are far greater then anything I could ever come up with and I wish I could be on par with your skill in monster design and anatomy. You don’t have to compare yourself, to others cause you are already in a league others couldn’t even dream to reach, if only you could focus on that and draw strength from it, and I wish I could help you do that, but all I can say is that I will be here, the best I can, even if it’s terrible. @thelovelyghosty Is it possible to meet someone who makes you very calm and also incredibly nervous at the same time, YES IT’S YOU! I love you Jen, I am so happy that I get to have you as a player in my DnD games as well as be a human being I get to call a friend! It’s amazing just how open you are to everything as well as critical thinking, you are a breath of fresh air compared to people who only speak with their feelings and not just their thoughts and I enjoy every second of our conversations, yes even the dumb ones! I feel like you complete a part of social circle that I didn’t know was missing and that’s why it hurts so much I hear what you have to struggle through, but you amaze me, because despite all the bullshit you are still here, you are still a person whose company I get to enjoy, your strength is awe inspiring even if you don’t see it yourself, not to mention your brain, have I gone on about your brain enough, cause it’s fantastic! I wish I could just ramble on with you for all day and night, cause I imagine the discussions we’d get up to come be fantastic. You bring a fantastic fresh view you everything, even seen in your character, the Amazing Shield, they’ve hardly spoken but like you they have left an impact on me and everyone else that I doubt anyone will ever forget and as such it wants me to return in kind, you are an outstanding person and I want you to keep being outstanding, so I’ll always be there for you, no matter what, day or night. @altoblt5 Okay, first off, you are too adorable, so I will just have to kill you and second, thank you for joining my DnD game! I won’t lie, I was super fucking hesitant at you joining as I’m not good with people at all, expect all these friends above this text, ignore them for a moment. I am hesitant as shit, I’m nervous and I worried that anyone could be a potential threat to me or others, but you, came fucking tap dancing in with a stupid, lovable infectious character and personality that just, melded so well it made all my worries go away and the more I’ve gotten to know you the less regrets I have about you ever joining our game, you’ve only improved it by adding a dynamic to the group that we didn’t know we were missing from the start! I hope as we go on we can stay in touch, possibly do more games together and just chat more, cause we should really do some other stuff outside of DnD. @riyamilea I’ve been following you since Rise and I have to say, I’m so happy I did, and I was fucking ecstatic when we got to play in a DnD game together, like H.O.L.Y SHEEEET, that was fun for as little as it lasted, but I guess it was invertible a bit, there were signs, but out of it I finally got to make you my friend, and that's an experience I am so proud of cause like, YOU ARE AMAZING, you are so fun and insightful, I just, I’m so excited that I get to talk to you, cause just like, GAH I dunno how to put this into words, you are just, brilliant, that’s it, you are brilliant and I can’t wait to spend more time with you and hopefully, we can play more DnD together in the future, in the mean time, just keep being fantastic.

Making Euclidean Skies on my own

Miro Straka, the creator of Euclidean Skies and Euclidean Lands, talks about developing games on his own and gives tips and tricks on a successful game release for solo developers.

Euclidean Skies is a successor to Euclidean Lands, an award-winning turn-based puzzle game that was released on iOS. Both games combine the manipulation of marvelous architecture and turn-based combat to create a beautiful world with mind-bending puzzles. Compared with its predecessor, Euclidean Skies evolves this principle into extremely complex and intricate levels, which ensured its release beyond mobile devices. Euclidean Lands was released in early 2017, received Apple Editors’ choice, and praise from mainstream media, which guaranteed a need for a sequel. Euclidean Skies was released in late 2018 on iOS and early 2019 on Steam, where it merged both games together for a more extended experience.

I am not a game developer I was born in 1990 in Slovakia, studied architecture in Vienna, during which time I’ve developed Euclidean Lands. I went to school, then to work, then home to work on the game, and I did that pretty much every day. My girlfriend lived in Prague at that time, and the apartment I was renting did not have an internet connection. I think these two factors were the biggest boosters of my productivity, and without these conditions, I would have never finished Euclidean Lands. The other push towards a successful release came when I signed with a publisher because from that point on I had fixed deadlines that I had to meet.

To be clear: I am not a game developer. I have neither programming nor art background, and I did not have any experience with game development before Euclidean Lands. Yet I managed to develop and release two successful videogames, and I want to share my main takeaway from this experience. It might not be helpful or even applicable to all of you, but just maybe it might help someone who is dealing with similar problems I was dealing with over the past couple of years. Let’s start with the actual tips that helped me with the development of both games, keeping my sanity, and surviving the release. I tried to select points that are not too case specific, but rather more of a general approach, with an applied case study.

Euclidean Lands (left) vs. Euclidian Skies – a jump in complexity, gameplay and design.

Focus on your passion I am an architect by trade. This makes me very proficient at designing structures, objects, and hard surface modeling. Euclidean Skies is a game about architecture. I enjoyed designing it tremendously and obsessed about every little detail of geometry, about how shadows fall on the curved surfaces, about how the geometry adapts with every new shape, and million other details that are seemingly unimportant. However, it was essential for me – and it kept my spirits and motivation high during the development. The point is: You should take something you are really passionate about, and make the game about it. Are you into web design? Great, make a game with lots of perfected UI. Motion design? Tight gameplay mechanics? Whatever rocks your boat. If you feel burn out during the development, you can always go back to that favorite part of the game, and make it better, iterate and experiment, until you get excited about the project again.

Acknowledge your weakness and find a way around it I can 3D model pretty good, but I’ve never animated a thing. During early development, I used colored cylinders for the game characters; however, a game with placeholder objects is not presentable. This was at first solved by stationary figures – easy to model, no need to animate, and I had some presentable materials ready. The game is turn-based, so the majority of the time the characters would be still, on in an “idle” animation state. This meant that the poses itself were most important – the transition between them would be barely seen.

Each character has a set of poses; each pose is a unique 3D model. The models get switched during the motion when the character moves from one tile to another, and because the transition is quick, our brain interpolates between the poses. It looks like the characters moved, but really they did not. This also enabled me to have each pose super polished – a rig might produce strange deformations in places, or geometry overlaps, and since the character is stationary a lot, it might be noticed and ruin the polished image of the scenery.

Are you developing alone or perhaps in a small team. Chances are you don’t have everything covered – maybe you aren’t the most celebrated artist, sound designer, or perhaps your programming skills are a bit lacking. It is important to realize where your strengths and weaknesses are, plan accordingly, and turn a problem into a feature, rather than having a half-baked solution. Players would know, trust me, I’ve tried.

Take a break and experiment Sometimes it will be too much. You will not know what to do next, what to fix sooner, how to do it, or why are you even doing it. We have all been there. And yes, it is okay to take a break and recharge. Some of the best parts of Euclidean Skies came when I took a break and did something different for a while – the single-camera across level transitions came into my mind during playing God of War – something I’ve been putting off because I needed to work on the game for a long time. However, this idea reinforced the game’s presence and fluidity, and this small feature changed the user experience and his emotions while playing the game dramatically. Moreover, it would not happen if I didn’t give up a little and let myself have time off from the project. Maybe you should work on a smaller experiment for a while, something to take your mind from the daunting task at hand so that your brain can relax a little and regain much-needed energy and enthusiasm.

Augmented reality mode places castles in your living room.

Develop features based on your (future) interests I was always fascinated by the prospect of augmented reality. To have something imaginary projected on the real world, to alter your world with the impossible and unthinkable, was always a very appealing prospect to me. When Apple announced the release of ARKit, I knew I had to try to use it. It was hard, but it paid off very much. I pushed myself to create a mode for Euclidean Lands that would be playable in AR – this was before the release of ARKit, with a developer beta, and there was almost no help or whatsoever on the forums, and no tutorials at all. Because I am not a programmer, using this technology was incredibly hard for me. However, augmented reality seemed to be everywhere and became “the topic of the year,” and I knew it was a chance to stay relevant, so I worked extra hard. On the launch of iOS 11, Euclidean Lands was one of the few AR ready games on the App Store. This resulted in great features, the sales more than doubled, and it was in a lot of prominent news articles. Thanks to that, I received interview invites from the biggest companies in tech, and it helped Euclidean Lands in popularity so much that I’ve decided to make a sequel. Each of us has a unique skill set. Also, each of us knows what topics they would like to explore more. Very often, your interests could be easily incorporated into the development, help you with the game tremendously. Because, in the end, it comes down to the single thing – do you enjoy making this?

Don’t be afraid to ask for help While I work alone, none of my projects would exist without input from others – mostly friends, but often strangers. My friend Rene Vidra did the character poses – he is a great animator, and because I only needed about 6 different poses with no animation, and it was a matter of minutes for him to get that stuff done. For me, it would have taken days, probably weeks  He was glad I asked and enjoyed doing something a little bit different for a moment, and seeing the result in the game was a lot of fun for both of us. Same goes for my publisher, kunabi brother. They are in Vienna (and now we actually share an office), so nowadays we often meet and talk about the product. They have different views and opinions compared with mine, and talking about my ideas with experienced people helps me filter out the wrong ideas. Yes, maybe you don’t have a publisher, but you can still go to local game shows and show it to strangers, or make a little session with your friends where you talk about it (and drink beer and have some fun!).

Another important part is asking a stranger for help – the worst that can happen is that they don’t reply to your email, but more often than you’d think they will try to help. Early on in 2015, I had a prototype of Euclidean Lands, but no idea what to do with it. So I emailed the biggest Slovakian gaming company – Pixel Federation – asking for some input and guidance. Pixel Federation is one of the most successful companies over here, with over 200 employees. Still, the CEO took the time to reply to my request, looked at the prototype and shared some excellent business and gameplay advice that helped me incredibly. Not everyone you meet will be eager to help you, or even like your product, but you need to ask to get something in the first place. Also, an email doesn’t cost anything.

Don’t be afraid, but realize first that you can fail Making games is hard. Not only hard but very risky. There’s a good chance your game will not make it. No one will notice it, maybe the launch will collide with a big surprise hit, maybe you fail to convince journalists to talk about it, and perhaps you will run out of power and never release it. Regardless of the outcome, the journey is worth it – if only just for the learning. However, you shouldn’t drop everything you do and start working on your dream exclusively – there’s always a way to make it work otherwise. I developed Euclidean Lands after school and after work. Yes, my social life sucked for a while. Yes, it took way too long. Yes, maybe the game would have been better if I worked on it full time – but I knew that nothing bad would happen if I failed. I would still go to work, receive my Master, and continue with life without any dramatic change. Even after the success of Euclidean Lands, I did not stop working at my job for more than another year, and I only stopped once my daughter was born, to spend more time with her and work from home. Euclidean Skies was partially developed full-time, and you can feel it in the visual polish, but even so, Euclidean Lands remains a slightly better game in my opinion.

Learn to Google properly Unity forums, Stack Overflow, Reddit, Blender exchange and many other forums have most (if not all) the answers you need. Chances are someone already had the same problem as you in the past and found a way to solve it. You just need to find it. Learn proper googling practices, it’s not that hard, and it helps you in everything you do. Crawl forums tirelessly if you are stuck, and if you cannot find the problem you have, try breaking it into smaller problems and search those. If you absolutely cannot find it, post in the forums, but be sure to post correctly to raise the chances for a response. Forums are full of people willing to help if you ask nicely and precisely for a direction. Do not expect people to write your code, but most of them will gladly help you. I wrote shaders for Euclidean Skies with a lot of help from strangers on the Unity forums, and I try to return the favor to other anonymous developers whenever I can.

My mistakes and regrets after the release I think my biggest regret, for both games, was not getting enough outside input – especially for Euclidean Skies, which was developed in a stealth mode in hope to generate more press on the release day ( which did not really work out any better than Euclidean Lands).

Due to not having the game announced, I did not participate in any shows or conferences and therefore had almost no feedback from other people playing it. There is a big chokepoint in the first 30 minutes of the game that many people found frustrating, including editors and reviewers. This problematic level was designed because it fit the game format visually, but game development is not only a visual art, and the most essential part of the game, the gameplay, was neglected. I noticed this on my own after the game was released, and I could immediately tell it would be troublesome for other players, too, but it was already too late though. With the appropriate feedback from testers and other people, I could have noticed and solved the problem earlier, and that annoyed me a lot afterward.

The other point, in both games, was the audio. I did it myself, and you can hear it. In the second game, people are actually complaining about it. For Euclidean Lands, I did not have any funds to hire someone better than me to do it, but for Euclidean Skies, I really have no excuse. I thought that if I did it for the first game and it was fine, I can surely do it better for the second game. This was very wrong, as the sound is a vital part of the overall experience, and in this case, it almost ruined it.

My conclusion The release of Euclidean Skies and Euclidean Lands was a success for me. I sometimes think it was because of my hard work and dedication, but it was absolutely not. Sheer luck has more to do with this than anything else – meeting the right people, finding the right resources, getting the right inspiration, having the right people read and answer your email. It‘s a thousand little things, and all of them out of my own sphere of influence. Contributions of other competent people, like my publisher, play an enormous role in the release. Doing a game about something I love – architecture, plays a significant role in actually holding on long enough finish it. So the bottom line is: Do what you love, don’t be shy to ask for help, but don‘t count on success.

  Miro Straka is the creator of Euclidean Skies and Euclidean Lands. Before developing games, Miro studied and worked as an architect.

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